Literatura científica selecionada sobre o tema "Fiction, historical, 20th century, world war ii"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Fiction, historical, 20th century, world war ii".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Fiction, historical, 20th century, world war ii"
1
Лучка, Л. "BOOK SHOWS AND THE READING UNIVERSE PROFESSOR VK YAKUNINA". Problems of Political History of Ukraine, n.º 15 (5 de fevereiro de 2020): 34–40. http://dx.doi.org/10.33287/11924.
Texto completo da fonteResumo:
The research deals with creating a diverse reader image of an intellectual personality of a historian. V.K. Yakunin started his reading career as a student of Dnipropetrovsk State University in the 1960’s. During his studies he constantly visited the scientific library. It was at this time when he first became acquainted with rare and valuable editions on historical subjects. The reading experience of the historian is about 60 years. While writing his Candidate dissertation (1972) and PhD thesis (1990), he worked with a significant number of sources and literature, and he also used interlibrary loan services. He was a high-level bibliographer, he constantly searched and selected carefully new books of political and historical content. V.K.Yakunin began to collect his own library from the late 1960s. The analysis of his reader cards from the departments of scientific literature and fiction shows that scientist V.K. Yakunin paid primary attention to documents, book sources and periodicals. He perfectly knew the works of foreign historical science classics. He was interested in memoir literature. Psychological and art literature was not ignored by the scientist. The historian always turned to classical works and editions of contemporary Ukrainian writers. V. K. Yakunin’s private library totals about 2000 copies in Ukrainian, Russian and German. It has been stored in the Scientific Library since 2017. Each copy of the professor’s book collection received the stamp «Professor V.K. Yakunin’s Library». The chronological limits of the book collection cover the 20th – the beginning of the 21st century. Most publications are books of social and humanitarian directions. He was interested in the history of the 20th century: political history, public opinion, World War II, history of Nazism, the Ukrainian national movement. Memories held a special place in the book collection. Ways of acquisition to the Library: donations and purchasing. The historian was surrounded by books during his life. Thus, the value of the book collection of Professor V.K. Yakunin is in the presence of a large number of publications that give an idea of the state of book publishing in Ukraine and Russia and indicate the high intellectual level of its owner.
2
Meškova, Sandra. "SEMANTICS OF THE DEPICTION OF DAUGAVPILS IN ANITA LIEPA’S DOCUMENTARY PROSE AND FICTION". Via Latgalica, n.º 6 (31 de dezembro de 2014): 64. http://dx.doi.org/10.17770/latg2014.6.1658.
Texto completo da fonteResumo:
<p>Anita Liepa (born 1928) is a contemporary Latvian prose writer whose creative work was closely related to the post-soviet period in Latvia in the late 20th – and the beginning of the 21st century. In her works she depicted significant evidence of complex and contradictory processes in the history of Latvia in the 20th century, especially those related to World War II and its consequences for Latvia. Her works are divided into two distinct groups: documentary prose and fiction. The writer was born in Daugavpils, a town on the south-eastern border of Latvia, that had a significant role in the history of Latvia, especially in relation to World War II, as the town, was the place of dislocation of the major cavalry corps regiment in Daugavpils fortress. A. Liepa’s uncle Anatolijs Sondors was the fortress commandant, who faced the entrance of the Red Army and along with other Latvian army officers was deported to the Far North of the Soviet Union and died there.</p><p>The present paper regards the depiction of the cultural space of Daugavpils in Liepa’s works, searching for parallels with the writer’s biography and views expressed in different media, that attribute specific connotations to the semantic of the topos of Daugavpils with border as its major dominant. The paper follows up the depiction of Daugavpils both in Liepa’s documentary prose (“Exhumation”, “Colt Years”, “Silenced Pages”) and fiction (“Windfall”). The paper is methodologically based on the notions of cultural geography, semiotics and feminist autobiography studies. It makes use of Mikhail Bakhtin’s term “topos” to denote a model of spatial construction. Border is singled out as the central element of the semantic of the topos of Daugavpils in Liepa’s works, focusing on its spatial, temporal aspects, as well as the depiction of culture environment.</p><p>The topos of Daugavpils is most precisely and extensively depicted in the memory novel “Colt Years” („Kumeļa gadi”). Though published in 1993, the novel had actually been completed before any other of Liepa’s documentary works; this may partially be the reason, why she made depictions of Daugavpils in her following works more laconic. However, the major difference is determined by the genre of her works. In documentary prose the topos of Daugavpils reveals the information about the epoch or what may be called “signs of the time”, activating the culture code (according to Roland Barthes’ division of codes into hermeneutic, semic, proairetic, symbolic, culture codes), yet also developing a bond with the depiction of action and manifestations of the narrator’s subjective emotional states and the system of values. In works of fiction, space is a poetic category closely related to other poetic elements of the text, foregrounding the hermeneutic, semic, proairetic and symbolic codes. Hence, in “Colt Years” the topos of Daugavpils depicts not only the historical and cultural realia and landmarks of the town in the period of the 1930–1940s, but also spatial opposites of two homes the homodiegetic narrator lived in (her deceased father’s house, where she spent the happiest time of her childhood, and her uncle’s hous, where she lived during her school years), accentuating the bond between space and the narrator’s psycho-symbolic reality (referring to the semic and symbolic codes). The link between the topos of Daugavpils and the plot in all documentary works regarded is implied by the locus of Daugavpils railway station as a point of departure or arrival of characters involved in central plot lines. Scenery seen through the train window is realistically described in detail, providing place names, geographical names, referring to earlier episodes of characters’ lives. Thus, the proairetic code is activated along with the culture and other codes. The hermeneutic code is activated in the novel “Windfall” in a very interesting way. On the one hand, the author realistically describes the town of Daugavpils referring to historical events of the time of Awakening there; on the other, the toponym “Daugavpils” is replaced by an imagined name “Rūdunava”. Thus, the analysis of the depiction of Daugavpils in A. Liepa’s works leads to conclusions about the close connection between the category of space and the genre.</p>
3
Malkin, Stanislav Gennadyevich. "Methodological features of asymmetric conflicts historical modeling studying". Samara Journal of Science 7, n.º 2 (15 de junho de 2018): 215–18. http://dx.doi.org/10.17816/snv201872216.
Texto completo da fonteResumo:
The following paper deals with methodological features of studying of empires legacy role in policy of the leading powers in the countries of the third world through a prism of asymmetric conflicts historical modeling. The author pays special attention to the role of Great Britain and the USA foreign policy course defining after World War II during Cold War in the second half of the 20th century and Global War on Terror at the beginning of the 21st century. The author pays attention to methodological traps (such as the probability of the research problem on the given variable and terminological confusion) as well as to research opportunities which are opened by such approach in the field of the historical and political analysis (for example, evolution of the international relations theory and practice in the conditions of the world order transformation after World War II). Special attention is given to the value of such methodological reception as asymmetric conflicts historical modeling in expert estimates of the leading powers foreign policy. The paper also deals with the role of expert community and academic expertize as an important component of that analytical operation which is carried out within historical simulation of the asymmetrical conflicts.
4
Chubaryan, Alexander. "Russia of the 20th Century in the French School History Textbook". ISTORIYA 13, n.º 10 (120) (2022): 0. http://dx.doi.org/10.18254/s207987840023540-3.
Texto completo da fonteResumo:
The article analyzes the place and image of Russia in the French history textbook for the senior class by Guillaume Le Quintrec, which is one of the most popular textbooks in France today and was written in accordance with the new school history curriculum adopted in 2019. Unlike the program and methodological recommendations for it, the textbook presents a fairly balanced analysis of the events that preceded World War II. The author focuses on the European "policy of appeasement of the aggressor" and on the Munich Agreement of 1938 as the culmination of this policy. The Soviet-German pact of 1939 is rightly presented by Le Quintrec as a forced measure on the part of Stalin after the failure of Soviet attempts to create a system of collective security in Europe. As for the description of the events of World War II in the textbook, they are more tendentious. The main events on the eastern front, although mentioned, are presented as an addition to what happened on the western front. Thus, French children may get the impression that the Battle of Stalingrad or the Battle of Moscow did not determine the events on the fronts, but only contributed to the victory of the Allies, which does not correspond to historical reality. However, in describing the events of the Second World War, the text of the textbook seems to be more historical than the content of the program, where the role of the USSR in the victory over Nazism is minimized. Also in the textbook, the main blame for the outbreak of the Cold War is laid on the USSR, and modern Russia is called a "resurgent force" that claims to change the world order. In general, despite the obvious negative trends in the approach to teaching history in European countries, on some key issues of the history of the 20th century, the text of Le Quintrec's textbook looks more balanced than the new French history curriculum adopted in 2019.
5
Mcallister-Grande, Bryan. "General Education for a Closed Society: Neo-Puritanism in American Civic Education After World War II". Teachers College Record: The Voice of Scholarship in Education 123, n.º 11 (novembro de 2021): 57–77. http://dx.doi.org/10.1177/01614681221087298.
Texto completo da fonteResumo:
Background/Context: This research is framed by both the historical lineage of the New Civics and the legacy of educational and curricular debates in the United States. It contributes to the literature on mid-20th century education. Purpose and Research Questions: This study explores the relationship between religion, civics, and education through the lens of university and faculty leaders at Harvard, Princeton, and Yale Universities in the mid-20th century. Research questions include (a) What were some of the major trends in curricular reform before totalitarianism emerged as an idea or concept, and how were they related to questions of freedom? (b) In the mid-to-late 1930s, how did the presidents of Harvard, Princeton, and Yale view the idea of totalitarianism/authoritarianism and its potential impact on these earlier reform efforts? In addition, what role did trustees, students, faculty, and other constituents play in these conversations? (c) What educational proposals were offered as solutions or counterattacks to totalitarian ideas? (d) What lessons can we draw today from these debates about educating for freedom? Research Design: This study utilized a historical case study design based on intellectual, educational, and cultural history. I examined more than 30 archival collections at Harvard, Princeton, and Yale; my focus was on curricular meeting minutes, presidential papers, dean’s papers, and individual manuscripts. Findings/Results: Most literature on 20th-century American education and civics focuses on secularization. My research instead emphasizes the dynamic relationship between religion and education, including the ways in which educational practices became religious in form and purpose. I illuminate the ways in which, even after World War II, Christian supernaturalism and secular facts were thought by a coterie of faculty and university leaders to be interconnected. Educators at Harvard, Princeton, and Yale referenced Christian Humanism—a fusion of supernatural and secular—as being highly relevant to their time.
6
Longhurst, James. "Reconsidering the Victory Bike in World War II: Federal Transportation Policy, History, and Bicycle Commuting in America". Transportation Research Record: Journal of the Transportation Research Board 2672, n.º 13 (26 de agosto de 2018): 29–37. http://dx.doi.org/10.1177/0361198118794288.
Texto completo da fonteResumo:
The largest federal intervention in bicycle transportation policy in the 20th century damaged the popularity and prospects of adult cycling in the United States. But in contemporaneous publications and in historical accounts, the World War II “Victory Bike” program has been described positively and fondly, even by bicycle advocates. Using the methodology of the discipline of history, this paper contrasts published literature on the Victory Bike against the unpublished, archival records of the federal government’s Revised Ration Order 7 of July, 1942. A first-ever close analysis of month-by-month rationing demonstrates the deeply restrictive nature of that program, which contradicts both early promises and later accounts. By the end of the war, civilian bicycle production and sales had halted completely, the industry had been decimated, and adult cycling was increasingly associated with wartime sacrifice and deprivation. Recovering this 20th century policy history is a necessary part of understanding American bicycle culture in the 21st, partially explaining the comparative lack of adult bicycle commuting today.
7
Smirnitsky, Alexander Evgenievich. "Zhivotich A. “Balkan front” of the Cold War: The USSR and Yugoslav-Albanian Relations. 1945-1968 / ed. A. B. Yedensky. Moscow – Saint Petersburg: Institute of Slavic Studies of the Russian Academy of Sciences; Nestor-History, 2022. 288 p.: Book review". Manuscript 17, n.º 3 (7 de maio de 2024): 148–50. http://dx.doi.org/10.30853/mns20240021.
Texto completo da fonteResumo:
The reviewed publication sheds light on the history of interstate relations between the USSR, Yugoslavia, and Albania in the postwar period. The author presents these relations in the context of the broad geopolitical changes that the world underwent after the end of World War II. This monograph will be useful for specialists in the modern history of the 20th century, Slavic studies, Balkan studies, as well as all those interested in these areas of historical research.
8
Lamiell, James T. "Some Philosophical and Historical Considerations Relevant to William Stern’s Contributions to Developmental Psychology". Zeitschrift für Psychologie / Journal of Psychology 217, n.º 2 (janeiro de 2009): 66–72. http://dx.doi.org/10.1027/0044-3409.217.2.66.
Texto completo da fonteResumo:
During the first third of the 20th century, William Stern (1871–1938) was a prominent contributor to the literature of developmental psychology. Many of his most important contributions, some of which were made in collaboration with his wife Clara Stern, were based on diary observations of the three Stern children; observations that the Sterns accumulated over 18 years. Even as these contributions were materializing, William Stern was formulating and articulating an overarching system of thought, a Weltanschauung or worldview, that he called “critical personalism.” This brief article highlights certain aspects of that system of thought that were of particular relevance to Stern’s contributions to developmental psychology. The article also contrasts the pre-World War II reception of Stern’s ideas among developmental psychologists and differential psychologists, and, within developmental psychology, the reception of those ideas before as compared with after World War II.
9
Kościelniak, Karol. "Intercontinental Ballistic Missile – ICBM – a Symbol of “Cold War”?" Reality of Politics 6, n.º 1 (31 de março de 2015): 20–29. http://dx.doi.org/10.15804/rop201502.
Texto completo da fonteResumo:
World War II marked the beginning of the forty-five years long period of tense peace, described as the Cold War. Two superpowers that emerged from World War II started to compete for hegemony over the world, representing two diametrically different political and economic systems. In any other historical period, such situation would lead to an inevitable great war, but after 1945 the competition was threatened by the possibility of using nuclear weapon whose capability of destruction was so enormous that neither of parties ventured direct confrontation. World War II contributed to scientific advancement that played a crucial role in the military progress of these states. The development of technologies assisting nuclear weapon resulted in a revolutionary change in military capability provided by the parties of the conflict. Rocket projectiles were the symbol of the 20th century, due to the fact that they carried humans into space, but also because they carried deadly weapon capable of killing hundreds thousands people. This combination of nuclear weapon with medium-range and intercontinental missiles caused that the world had to face permanent threat.
10
Howorus-Czajka, Magdalena. "“True fiction” – the memory and the postmemory of traumatic war events in a picturebook". Problemy Wczesnej Edukacji 34, n.º 3 (30 de setembro de 2016): 94–106. http://dx.doi.org/10.5604/01.3001.0009.4846.
Texto completo da fonteResumo:
The World War II has left an emotional wound, and its direct victims as well as new generations have to cope with it. The main subject of my presentation will be an analysis of methods for presenting World War II history in against the background of a theory of memory and postmemory of war’s trauma through the example of picturebooks which were published in Poland during the first two decades of the XXI century. I would like to discuss the main trends in presenting the issues pertaining to the war. The transcription of the Second World War memory into picturebooks is especially interesting for me as a historian of art. I analyse the artistic styles adapted by the artists to express difficult topics, such as the holocaust, the horror of concentrations camps, hunger, fear, loss of family, death. Composition, artistic techniques, colour, vocabulary, typography – these are the tools in the hands of artists through which they can not only tell the story, but also stir up emotions and shape the personality. The picturebook, like other types of art, operates through the language of fiction to tell the truth. Art is one of the languages of historical narration
Teses / dissertações sobre o assunto "Fiction, historical, 20th century, world war ii"
1
Crossland, R. Bert (Rodney Bert). "A Content Analysis of Children's Historical Fiction Written about World War II". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279151/.
Texto completo da fonteResumo:
The purpose of this study was to investigate the evolution of children's historical fiction dealing with World War II in order to describe the changes that have occurred over the past 50 years. Two questions were asked in the study: (1) Has the characterization of protagonists portrayed in historical fiction about World War H evolved since 1943? and (2) Have the accounts of the events of World War H portrayed in historical fiction evolved since 1943? Content analysis was used as the method of collecting data. The sample consisted of 86 novels written from 1943 to 1993. Upon completing the reading and coding, the researcher discussed the categories and questions posed. As part of analysis, the discussion of the novels in each period was accompanied with an overview of trends in children's literature and events affecting society. The analysis led to the following conclusions: 1. Authors were impacted by changes in the social and political climate, as evidenced by the changes in the gender of the protagonists, an increase of violence, and the inclusion of women. 2. Novels written during the 1980s and 1990s were written with a stronger American perspective. 3. At the time that an increase of violence was seen in American society, descriptions of World War II events and protagonists' actions became more violent and more graphic. 4. Though the bombings of Hiroshima and Nagasaki ended the war with Japan, an inadequacy still exists in the number of novels that provide readers with details related to the atomic bombs. Though much of World War II was fought in the Pacific Rim, a deficiency remains in the number of novels set in Pacific Rim countries. Recommendations for further research include performing a study that examines other genres, analyzing the changes observed in the portrayal of protagonists. A study could be conducted to analyze the author's ethnicity and relationship to the war and determine if differences exist.
Livros sobre o assunto "Fiction, historical, 20th century, world war ii"
1
Meredith, James H. Understanding the literature of World War II: A student casebook to issues, sources, and historical documents. Westport, Conn: Greenwood Press, 1999.
Encontre o texto completo da fonte
2
Michael, Magali Cornier. Feminism and the postmodern impulse: Post-World War II fiction. Albany: State University of New York Press, 1996.
Encontre o texto completo da fonte
3
Escape from the Temple. Troubador Publishing Limited, 2023.
Encontre o texto completo da fonte
4
Pact with the Devil: He Fought for the Führer. Big Sky Publishing Pty, Limited, 2023.
Encontre o texto completo da fonte
5
Las Vidas Perdidas/ Lost Lives. Ediciones B, 2023.
Encontre o texto completo da fonte
6
Robards, Karen. Girl from Guernica: A Gripping WWII Historical Fiction Thriller That Will Take Your Breath Away For 2022. Hodder & Stoughton, 2023.
Encontre o texto completo da fonte
7
War Begins in Paris: A Novel. Little Brown & Company, 2023.
Encontre o texto completo da fonte
8
Robards, Karen. The Girl from Guernica: An epic historical novel. MIRA, 2023.
Encontre o texto completo da fonte
9
DRUART, RUTH. Mientras París dormía / While Paris Slept / While Paris Slept: A Novel. Suma, 2023.
Encontre o texto completo da fonte
10
Certainties. Red Planet Publishing Ltd., 2021.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Fiction, historical, 20th century, world war ii"
1
Wincencjusz-Patyna, Anita. "Chapter 5. From Halley’s Comet to the Scout Kwapiszon". In Children’s Literature, Culture, and Cognition, 123–43. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.05win.
Texto completo da fonteResumo:
This chapter presents a historic review of the use of photomontage and photo-based collage in Polish books for children (fiction and poetry) in the 20th century. The earliest example dates from 1934, whereas the latest one is dated 1981. The chapter begins with an outline of the artistic background in the period 1918–1939, it gives a short typology of photo-based illustrations, and then analyses the only known examples of genuine photomontage created for children’s books before World War II, namely works by Aleksander Krzywobłocki and Jerzy Janisch in Kometa Halley’a (Halley’s Comet) by Alina Lan, and a sample of works by Franciszka and Stefan Themerson. The chapter continues through the period of the so-called Polish School of Illustration (1950s–1970s), paying special attention to Adam Kilian and Stanisław Zamecznik’s illustrations, and ends with a presentation of the extensive and varied use of photography in illustrations by Bohdan Butenko, one of Poland’s most prominent illustrators.
2
Rady, Martyn. "7. World war and dissolution". In The Habsburg Empire: A Very Short Introduction, 94–108. Oxford University Press, 2017. http://dx.doi.org/10.1093/actrade/9780198792963.003.0007.
Texto completo da fonteResumo:
International politics in the later 19th and early 20th centuries was dominated by the ‘Eastern Question’: the legacy of the failing Ottoman Empire in the Balkans. ‘World war and dissolution: 20th century’ considers issues that led to the First World War, including the murder of Franz Ferdinand in Sarajevo, June 1914. To withstand the Russians, the Habsburg armies increasingly depended on German reinforcements. By passing strategic command of its forces to Wilhelm II in 1916, the Habsburg Empire’s fate was sealed. Franz Joseph’s nephew Karl was to be the last emperor. A final section gives a historical overview, asking whether the dissolution of the Habsburg Empire was inevitable.
3
Hantke, Steffen. "A Bright New Future, With Monsters". In Monsters in the Machine. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496805652.003.0001.
Texto completo da fonteResumo:
This introductory chapter provides an overview of the book's key themes. This book focuses on American science fiction films of the 1950s, many of which are fondly remembered, yet critically dismissed. It argues that it is through the intersection of past and present, of unresolved trauma superimposed upon present anxieties, that 1950s science fiction films acquire topical relevance within their historical context. Science fiction films from the 1950s are a belated response to the national trauma of World War II and the Korean War projected onto the unsettling experience of the Cold War. With much of the critical work on the Cold War aspects of the films already delivered by other scholars, this book will weigh in on the side of the argument that has, as yet, remained critically neglected—the side of past trauma: on World War II and the Korean War, and their troubling legacy in the first decade of the American Century.
4
Jiroušek, Bohumil. "Did the October Revolution in Russia Influence the Emergence of Czechoslovakia? To the Changes in the 20th Century Interpretations of Historical Events". In Inter-Slavic cultural ties. Results and perspectives of research, 239–48. Institute of Slavic Studies RAS, 2021. http://dx.doi.org/10.31168/0452-7.15.
Texto completo da fonteResumo:
This study deals with the changes in the interpretation of relations between the Russian Revolution of 1917 and the establishment of Czechoslovakia in the autumn of 1918, throughout the 20th century. The interwar era emphasized the importance of T. G. Masaryk and the Czechoslovak legions, after the World War II - especially in 1948-1989 - the establishment of Czechoslovakia was associated with the Russian October Revolution of 1917, in response to communist riots. The interpretation of the origin of Czechoslovakia in 1918 is much more diversified today, at the beginning of the 21st century; in relation to the Russian environment, it rather recalls the importance of the February Revolution of 1917, the overthrow of the Tsar, which could also lead to the overthrow of the Austro-Hungarian and German empires.
5
Bielański, Stefan. "Tradycje i współczesność włoskiej geopolityki". In Polityka - wojskowość - bezpieczeństwo. Księga jubileuszowa z okazji 40-lecia działalności naukowej Profesora Romana Kochnow, 25–45. Wydawnictwo Naukowe Uniwersytetu Pedagogicznego w Krakowie, 2023. http://dx.doi.org/10.24917/9788380849396.1.
Texto completo da fonteResumo:
The paper presents the traditions of reflection on the functioning of States and Reasons of State, starting from the classics of Political Thought: Niccolò Machiavelli, Francesco Guicciardini and Giovanni Botero, through the creators of Italian Geopolitical Thought in the era of Risorgimento (Carlo Cattaeno, Giacomo Durando) to contemporary reflections on Geopolitics in Italy. Contemporary issues are shown against the background of the most important historical events: Italy of the fascist period and the World War II (1922–1945), as well as the „Cold War” (1945–1989) and the period of transformation in Central and Eastern Europe (1989–1991) and their impact for a new European Geopolitics. In conclusion, it was stated that Italian Geopolitics, having the possibility of referring to various traditions of Italian thought, dating back not only to the 20th century, concerning broadly understood international issues, History, Political Science and Geography, demonstrates the versatility of the undertaken research topics.
6
Czyżewska, Barbara. "The Story Goes On". In The Story of Hilton Hotels. Goodfellow Publishers, 2019. http://dx.doi.org/10.23912/9781911396949-4332.
Texto completo da fonteResumo:
The shooting star - Hilton Hotels have seen it all, oil boom in Texas, prohibition, the Great Depression, World War II, the Cold War, the collapse of the Berlin Wall, the landing on the Moon, the birth of digital age and expansion of social media, and many other events which have contributed not only to the development of business but, actually, influenced people’s lives the world over. It has been the aim of this book to tell the stories of a handful of properties which had to overcome various challenges on the path to the internationalisation of this American company. In all cases these are actually stories of people, those who created the Hilton Hotels, who made it expand, or sometimes, those who made it lose. Stories of struggle, success or defeat are not unique to Hilton, but some of the ways in which Hilton navigated through these challenges are, undeniably, worth remembering. This final chapter focuses on the key solutions employed by Hilton and its people to navigate the stormy waters of international business in the 20th Century. Historical events cannot, however, be studied in isolation from the wider socio-cultural context in which they unravelled, and the internationalisation of Hilton Hotels is no different in this respect. We have looked at the development of some of the most iconic of Hilton’s properties in this company’s early expansion and the destinations which hosted these ‘little Americas’ on their land. Yet, it is crucial to also take into consideration the wider changes which contributed to the internationalisation of other companies in the first half of the 20th Century, hospitality and tourism industry in particular.
7
Ray, Robert B. "Passports". In The ABCs of Classic Hollywood, 193–94. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195322910.003.0068.
Texto completo da fonteResumo:
Abstract Discovered by Spade, Joel Cairo’s three passports—Greek, French, and British—suggest the character’s connections to nineteenth-century fiction, when the burgeoning European metropolises of London and Paris had begun to render every identity suspect (see Balzac and Dickens). Cairo, of course, is a crook, and his proliferating passports merely fill in that portrait. Determining his origins, imagine the hermetically sealed space of The Maltese Falcon as one large theatrical set, the Swing Your Lady poster seems like a door in the stage’s rear wall, suddenly flung open to reveal the actual world. The very lack of attention accorded the poster achieves another effect. As Barthes points out, when real historical characters (or objects) get introduced into a fiction obliquely, in passing, “their modesty, like a lock between two levels of water, equalizes novel and history.” After The Maltese Falcon’s success, Warners would exploit such “locks,” casting Bogart in a series of World War II adventures (Across the Pacific, Casablanca, Action in the North Atlantic, Sahara, Passage to Marseilles, To Have and Have Not), the first of which, 1942’s Across the Pacific, concerns the Panama Canal.
Trabalhos de conferências sobre o assunto "Fiction, historical, 20th century, world war ii"
1
Pirjevec, Jože. "“The sole catholic church allied with nazism”: the Ljubljana diocese during World War II". In International conference Religious Conversions and Atheization in 20th Century Central and Eastern Europe. Znanstveno-raziskovalno središče Koper, Annales ZRS, 2024. http://dx.doi.org/10.35469/978-961-7195-39-2_02.
Texto completo da fonteResumo:
With the words quoted in the title of the presentation, Friedrich Rainer, the Carinthian Gauleiter, characterized the conduct of Bishop Gregorij Rožman and his Catholic clergy during the Second World War in the Province of Ljubljana. This paper endeavours to fathom the underlying motivations behind this political alignment, which triggered a violent civil war in occupied Slovenia in 1941 that tragically tore the Slovenian nation apart – a legacy that can still be felt today. To comprehend the mindset of the Slovenian clergy, it is essential to look at the historical role of the Catholic Church in shaping Slovenian national and cultural identity throughout the 19th and first half of the 20th century. In a predominantly agrarian society, the Catholic clergy assumed multifaceted roles, encompassing spiritual, educational, political and economic functions, underpinned by the conviction that they were the sole interpreters of the nation. To be a true Slovenian was equated with being Catholic. With the beginning of the occupation and the partitioning of Slovenia among the aggressors – Germany, Italy and Hungary – in 1941, the emergence of a Liberation Front, led by the Communists was perceived by the Church in the Province of Ljubljana as a direct challenge to the established social order. Deeming this emerging movement as the paramount adversary of both God and the nation, Bishop Rožman opted to fight it, even if it entailed forging an alliance with fascist Italy and later the Third Reich. This paper will delve into the intricacies of this dynamic process, including the role of the Vatican in its evolution.
2
Karkotko, Andrey. "MILITARY BURIALS OF THE 19TH-20TH CENTURIES ON THE TERRITORY OF THE VILEIKA DISTRICT OF THE MINSK REGION OF THE REPUBLIC OF BELARUS". In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3647.khmelita-19/295-308.
Texto completo da fonteResumo:
The article deals with military burials on the territory of the Vileika district of the Minsk region of the Republic of Belarus, preserved from wars and armed conflicts that took place in this area during the 19th-20th centuries (War of 1812, Polish uprisings of 183018-31 and 1863-1864, World War I, Soviet-Polish war, World War II). Here is information about the main battles during these historical events and their result - military burials. Data are given on the number and types of surviving military graves, and those of them are mentioned that have not survived, but information about which is available in written sources. The article also tells a brief history of two unique military cemeteries in the city of Vileyka and in the agricultural town of Dolginovo. Their uniqueness lies in the fact that opponents who died during the last three wars and passed through these settlements in the 20th century are buried on them.
3
Pavlović, Jovana, Biljana Vitošević e Milica Filipović. "Political factors of the spread of Sokol movement in Europe during the 19th and 20th centuries". In Antropološki i teoantropološki pogled na fizičke aktivnosti (10). University of Priština – Faculty of Sport and Physical Education in Leposavić, 2024. http://dx.doi.org/10.5937/atavpa24030p.
Texto completo da fonteResumo:
This study examines the historical development of the Sokol movement, employing heuristic, critical, synthetic, and dispositive analyses across various contexts of East and Central Europe. Spanning from its inception in the 19th century to World War II, the research aims to unearth new sociopolitical, economic, and cultural insights that directly influenced the Sokol movement's evolution among various Slavic groups. Through this lens, the study not only addresses the identities of the Sokols, their contributions, and reasons for their decline but also the intricate interplay between the Sokol organization as a Slavic national movement and other philosophical, political, and social ideologies, such as liberalism, enlightenment, rationalism, empiricism, and gender equality.
4
Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE". In NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
Texto completo da fonteResumo:
Exile is one of the central motifs of the 20th century European culture and literature; it is closely related to the historical events throughout this century and especially those related to World War II. In the culture of East Central Europe, the phenomenon of exile has been greatly determined by the context of socialism and post-socialist transformations that caused several waves of emigration from this part of Europe to the West or other parts of the world. It is interesting to compare cultures of East Central Europe, the historical situations of which both during World War II and after the collapse of socialism were different, e.g. Latvian and ex-Yugoslavian ones. In Latvia, exile is basically related to the emigration of a great part of the population in the 1940s and the issue of their possible return to the renewed Republic of Latvia in the early 1990s, whereas the countries of the former Yugoslavia experienced a new wave of emigration as a result of the Balkan War in the 1990s. Exile has been regarded by a great number of the 20th century philosophers, theorists, and scholars of diverse branches of studies. An important aspect of this complex phenomenon has been studied by psychoanalytical theorists. According to the French poststructuralist feminist theorist Julia Kristeva, the state of exile as a socio-cultural phenomenon reflects the inner schisms of subjectivity, particularly those of a feminine subject. Hence, exile/stranger/foreigner is an essential model of the contemporary subject and exile turns from a particular geographical and political phenomenon into a major symbol of modern European culture. The present article regards the sense of exile as a part of the narrator’s subjective world experience in the works by the Yugoslav writer Dubravka Ugrešič (“The Museum of Unconditional Surrender”, in Croatian and English, 1996) and Latvian émigré author Margita Gūtmane (“Letters to Mother”, in Latvian, 1998). Both authors relate the sense of exile to identity problems, personal and culture memory as well as loss. The article focuses on the issues of loss and memory as essential elements of the narrative of exile revealed by the metaphors of photograph and museum. Notwithstanding the differences of their historical situations, exile as the subjective experience reveals similar features in both authors’ works. However, different artistic means are used in both authors’ texts to depict it. Hence, Dubravka Ugrešič uses irony, whereas Margita Gūtmane provides a melancholic narrative of confession; both authors use photographs to depict various aspects of memory dynamic, but Gūtmane primarily deals with private memory, while Ugrešič regards also issues of cultural memory. The sense of exile in both authors’ works appears to mark specific aspects of feminine subjectivity.
5
Sallai, János, e Johanna Farkas. "21ST CENTURY CHALLENGES AND SOLUTIONS IN THE LIGHT OF HISTORY". In SECURITY HORIZONS. Faculty of Security- Skopje, 2021. http://dx.doi.org/10.20544/icp.2.4.21.p24.
Texto completo da fonteResumo:
It is impossible to separate the public police organization from the modern state. King Louis XIV was the founder of the first centrally organized and uniform police force in 1667. A book related to the work of the police was first published in 1705 under the title "Traité de la police". It outlines the three main activities of the police, which are economic regulation, measures of the public order, and general rules of hygiene. The first head of Police and his 44 police commissioners' work was assisted by police inspectors beginning in 1709. The police also appeared on German territory, and the works of Lorenz von Stein, Otto Mayer, and Robert von Mohl are still dominant in Europe nowadays. This study examines books, journals, and legal documents to present the development of the law enforcement and the modern challenges of policing in Hungary. Our country celebrated the establishment of the central police last year. In the 20th century there was a development in modern policing and literature, as well as the emergence of modern police officer training. After World War II, a Soviet law enforcement model was imitated in which there was state security, secrecy, and Soviet police character. Although research of historical and theoretical studies of policing was forbidden, after the Revolution of 1989, the research of law enforcement theory was completed. Globalisation has created new sources of danger (e.g. terrorism, cybercrime), driven by a lack of borders and the expansion of international relations (Farkas, 2016). We can only meet the new challenges with the deepening of international law enforcement cooperation. Keywords: law enforcement, globalisation, data-transmission revolution, security
6
Fries-Briggs, Gabriel. "Device-Media-Architecture: Julia Child’s Kitchens". In 111th ACSA Annual Meeting Proceedings. ACSA Press, 2023. http://dx.doi.org/10.35483/acsa.am.111.32.
Texto completo da fonteResumo:
This paper traces a lineage of device-as-architecture through the mediatization of Julia Child’s kitchens. A historical survey of the changes to her kitchen and its relationship to interior design during the latter half of the 20th century suggest a reading of interior architecture not as a means to house new technology but rather as composed by technology and devices. Counter to Ryener Banham’s projection of a future where interior technologies give shape to an architectural exterior, Child’s kitchen reflects a growing trend in the second half of the 20th century in which tool-based clutter and the interior’s autonomy from the exterior, best characterized by the storage-accumulation aesthetics of lofts and garages, dominated. Rather than necessarily limiting the role of the architect to exterior form, the elevation of gadgets, gizmos, and devices to the status of architecture opened up the possibility for a functional user-driven design agency. Analysis of the kitchen backdrops that served as sets for her various cooking shows as well as the cataloging and installation of her kitchen in the Smithsonian Museum of American History reveal an evolution of architectural interiors that shifted with her own identity and paralleled shifting domestic aesthetics away from minimalism, modernism, and post-World War II home automation. This examination of Julia Child’s kitchens frame a narrative of domestic design beginning in the 1960s when tools and technology were increasingly seen as the backbone of a new ecological or environmental society. Julia Child’s display of functional clutter took part in popularizing a new craft aesthetic where tools were prominently displayed and often collectively used. The images of her kitchen, spanning four decades, provide a context for changing cultural and architectural discourse in relation to the aesthetics of function, devices, media, and attitudes toward preservation.