Literatura científica selecionada sobre o tema "Fiction d'anticipation"
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Artigos de revistas sobre o assunto "Fiction d'anticipation"
Gheerardyn, Claire. "La Fin de Paris, ou La Révolte des statues de Marcel Sauvage: enquête sur un nouveau modèle pour le roman d'art". Nottingham French Studies 51, n.º 3 (dezembro de 2012): 272–85. http://dx.doi.org/10.3366/nfs.2012.0027.
Texto completo da fonteBergeron, Patrick. "Au-delà de la fin. Mémoire et survie du politique. Sociocritique de la fiction d'anticipation contemporaine by Christian Guay-PoliquinChristian Guay-Poliquin, Au-delà de la fin. Mémoire et survie du politique. Sociocritique de la fiction d'anticipation contemporaine, Montréal, Presses de l'Université du Québec, coll. Mnémosyne, 2014, 168 p., 20,00$". University of Toronto Quarterly 85, n.º 3 (agosto de 2016): 117–19. http://dx.doi.org/10.3138/utq.85.3.117.
Texto completo da fonteTeses / dissertações sobre o assunto "Fiction d'anticipation"
Ayed, Kawthar. "La littérature d'anticipation dystopique et l'expression de la crise dans le monde occidental et arabe". Aix-Marseille 1, 2008. http://www.theses.fr/2008AIX10031.
Texto completo da fonteCloutier, Caroline. "Le discours sur la ville dans les films d'anticipation". Master's thesis, Université Laval, 2003. http://hdl.handle.net/20.500.11794/28613.
Texto completo da fonteRodriguez, Nogueira François. "La société totalitaire dans le récit d'anticipation dystopique, de la première moitié du XXè siècle, et sa représentation au cinéma". Thesis, Nancy 2, 2009. http://www.theses.fr/2009NAN21030/document.
Texto completo da fonteThe utopian tradition a long time maintained the dream an ideal society located in one elsewhere, a u-topos, the "place which is not" in the Utopia of Thomas More. The representation of these Utopias is indissociable of a determining factor for the construction of a better world: progress. Thus, this tradition is characterized by the Promethean accent of such a company, they are hands of the man who this new society will be worked. However, the point of view on the possibility of an ideal society gradually will inflect, in particular during the 19th century, to be reversed in a radical way at the beginning of the 20th century. Named anti-Utopia or against-Utopia, this disillusion underlines the impotence of the man and the ambiguous role of progress to invent the perfect society. Sometimes used as synonym of anti-Utopia, the dystopia more precisely characterizes the texts which describe a society directed by an absolute system of oppression, based on an omnipotent State, and almost always scientifically organized. Thus, abnormal operations of the city of the future in The World such as it will be of Emile Souvestre, in 1846, in the State Unique in Us of Evgueni Zamiatine, written in 1920, the dystopia evolves by taking the form of the account of science fiction, and in particular that of anticipation. We will see, in particular, how the Utopia takes seat in works of Jules Verne and H.G. Wells. Zamiatine, very inspired by Wells, is the first great writer of the 20th century to be made use of the dystopia to describe the attributes of the totalitarian society. Thus, if our step consists, initially, to appoint the authors and texts which took part in the emergence of the dystopia, our analysis will primarily carry on Us and three other Romance founders of the dystopia at the 20th century: Brave New World of Aldous Huxley, published into 1932, 1984 of George Orwell, published in 1948 and Fahrenheit 451 of Ray Bradbury, published in 1953. We will study the totalitarian phenomenon according to interpretations that make our authors of them. It will be thus a question of the collectivization of the individual, the propaganda or the role of science in the organization of the totalitarian society. But it will also be a question of showing how our dystopies illustrates the combat of art against the totalitarian entropy, and the engagement of their authors in a true political discourse. Lastly, it appears essential to describe what perhaps appears as the most effective form of the representation of the dystopia: the science fiction film. We will see why the novel dystopic sorrow more and more support the comparison face to the immediacy of the language of the moving image
Maquin-Silland, Rébecca. "Enchanter pour dénoncer : quand la fiction politique pense les autoritarismes". Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030122.
Texto completo da fonteThe aim of this thesis is to study the non-fictional and epitextual aspects of Michel Houellebecq, Antoine Volodine, Jean-Christophe Rufin, and Boualem Sansal in relation to four of their spectulative fictions. In the first part, it emphasizes their roles as vigilant authors who criticize economic liberalism, point out democratic excesses, and underscore a generational depression. The second part looks at the distinctive political dimension of these author’s fiction, delving into complex autoritarian worlds in works like Globalia, Terminus radieux, Soumission, and 2084 : la fin du monde. Finally, the third part examines how theses fictions investigate the boundary between the imaginary and reality while developing the notion that the art of writing can forge new forms of authority and rekindle the concept of utopia, thus offering a unique perspective of contemporary pollical thought
Boucher, David. "Les représentations dystopiques de la société dans le nouveau roman d'anticipation francophone (Nelly Arcan, Michel Houellebecq, Antoine Volodine)". Thèse, 2017. http://hdl.handle.net/1866/20458.
Texto completo da fonteGuay-Poliquin, Christian. "Au-delà de la "fin" : mémoire et survie du politique dans la fiction d'anticipation contemporaine : sociocritique de Dondog d'A. Volodine, Warax de P. Hak, Et je dirai au monde toute la haine qu'il m'inspire de M. Villemain". Mémoire, 2013. http://www.archipel.uqam.ca/5662/1/M12955.pdf.
Texto completo da fonteLivros sobre o assunto "Fiction d'anticipation"
Le bouc du mal: Roman d'anticipation. Anjou, Québec]: Fides, 2014.
Encontre o texto completo da fonteCentro interuniversitario di studi quebecchesi. Séminaire international. Au cœur de l'avenir: Littérature d'anticipation dans les textes et à l'écran : actes du Séminaire international de L'Aquila, 29-30 septembre 2000. [Italy]: Angelus Novus Edizioni, 2002.
Encontre o texto completo da fonteBradbury, Ray, Isaac Asimov, FREDRIC BROWN, Richard Matheson e PIERRE BORDAGE. Sept nouvelles d'anticipation et de science-fiction - Classiques et Contempora. MAGNARD, 2020.
Encontre o texto completo da fonteWells, H. G. Le Pays des aveugles et autres récits d'anticipation. Gallimard, 2000.
Encontre o texto completo da fonteMessenger, Seth. Aubes et Crépuscules - Tome Un: Recueil de Nouvelles d'anticipation, Science-Fiction et Fantastique. Independently Published, 2019.
Encontre o texto completo da fontePrat, Michel, e Alain Sebbah. Fictions d'anticipation politique. PU BORDEAUX, 2006.
Encontre o texto completo da fonteAu cœur de l'avenir: Littérature d'anticipation dans les textes et à l'écran : actes du séminaire international de L'Aquila (29-30 septembre 2000). [Portugal?]: Angelus novus, 2002.
Encontre o texto completo da fonte