Artigos de revistas: "Feminism – Fiction"

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Abdullah, Muhammad. "Minaret: Islam and Feminism at Crossroads = Minarete: Islam y feminismo en la encrucijada". FEMERIS: Revista Multidisciplinar de Estudios de Género 2, n.º 2 (31 de julho de 2017): 154. http://dx.doi.org/10.20318/femeris.2017.3763.

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Abstract. Feminism is alleged to have marginalized and objectified non Western, ethnic, religious, cultural and geographical communities. Women from these marginalized segments are now indigenising the movement to make the cause pluralistic, feminisms—representation of women across the globe. Islamic feminism or/and Muslim feminism, not necessarily advocated by Muslims, is one of the feminist facets that enriches the concept of feminism by bringing to the fore Islam as a faith towards women liberation. This study engages with expression of femaleness, if not feminism, in Sudanese-Scottish fictionist Leila Aboulela’s work— ‘Minaret’. Aboulela’s heroine, Najwa, reinvents herself from liberalism towards Islam. She does not set out to defend Islam from a Western perspective that has come to characterise popular narratives about identity and the clash of cultures in Britain. Instead, she relates to an inside experience of connecting with Islamic network of customs and beliefs for spiritual appease. The key concern of the study is to examine the way this transformation takes place—stimulus and modalities. At times her version of bondage with Islam justifies and reinforces patriarchy rather than combating it. In that, she appears to be standing on the wrong side of notion of gender egalitarianism in Islam. Incongruously, Anwar, the male protagonist emerges as a profeminist portraying liberal feminist values. The denouement is that we need to tolerate diversity of feminist cause within Islamic circles and beyond with a progressive spiritKeywords: Islam, Gender, Islamic feminism, Middle Eastern, Women Fiction, Minaret.Resumen. Se alega que el feminismo ha marginalizado y objetivizado a las comunidades no occidentales. Las mujeres desde estos segmentos marginalizados (étnicos, religiosos y culturales) ahora inician movimientos para convertir a la causa en plural con el fin de que los feminismos sean representados en todo el planeta. El feminismo islámico y/o feminismo musulmán, no necesariamente defendido por musulmanes, es una de las facetas feministas que enriquecen el concepto de feminismo, el cual presenta al islam como una fe que se dirige hacia la liberación de la mujer. Este estudio, entre otras cuestiones, se compromete con las expresiones de la feminidad y no con el feminismo.Palabras clave Islam, género, feminismo islámico, Medio Este, mujeres de ficción, Minarete

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Williams, Kristin S. "Introducing ficto-feminism: a non-fiction, fictitious conversation with Hallie Flanagan, director of the Federal Theatre Project (1935–1939)". Qualitative Research Journal 21, n.º 3 (30 de março de 2021): 244–57. http://dx.doi.org/10.1108/qrj-10-2020-0127.

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PurposeFicto-feminism is offered here as a creative method for feminist historical inquiry in management and organizational studies (MOSs).Design/methodology/approachThis paper introduces a new method called ficto-feminism. Using feminist polemics as a starting point, ficto-feminism fuses aspects of collective biography with the emic potential of autoethnography and rhizomatic capacity of fictocriticism to advance not only a new account of history in subject but also in style of writing.FindingsThe aim of ficto-feminism is to create a plausible, powerful and persuasive account of an overlooked female figure which not only challenges convention but also surfaces her lost lessons and accomplishments to benefit today's development of theory and practice.Research limitations/implicationsThe paper reviews the methodological components of ficto-feminism and speaks to the merit of writing differently and incorporating fictional techniques.Originality/valueTo illustrate the method in action, the paper features a non-fiction, fictitious conversation with Hallie Flanagan (1890–1969) and investigates her role as national director of the Federal Theatre Project (FTP) (1935–1939). The FTP was part of the most elaborate relief programs ever conceived as part of the New Deal (a series of public works projects and financial reforms enacted in the 1930s in the USA).

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Ess, Courtneigh. "’n Feministiese ondersoek na Bettina Wyngaard se misdaadfiksie". Tydskrif vir Letterkunde 61, n.º 1 (30 de abril de 2024): 24–34. http://dx.doi.org/10.17159/tl.v61i1.16619.

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The recent discourse on black feminism in Afrikaans literature is strongly influenced by powerful and activist-oriented writers like Ronelda Kamfer, Lynthia Julius, and Veronique Jephtas. With their poetry and public statements, they have shaped the feminist discourse significantly. However, the recent discourse on feminism in Afrikaans largely overlooks the contributions of certain black Afrikaans women writers. Bettina Wyngaard, a black Afrikaans woman novelist, attempts to disrupt this silence and through her literature and opinion pieces, she advances an alternative feminist stance. This article focuses on Wyngaard’s contribution to the recent feminist discourse and the ways in which she asserts her voice within the debate. In this article I refer to three of her crime fiction novels, namely Vuilspel (Foul play) (2013), Slaafs (Slavishly) (2016) and Jagter (Hunter) (2019). I analyse these texts in attempt to examine the feminist ideology underlying her literature. I argue that Wyngaard chooses crime fiction, a genre traditionally dominated by white males, in attempt to sanction her voice within the feminism debate in Afrikaans. In this article, I examine Wyngaard’s crime fiction within the context of third wave of feminism, which engages with popular culture as a tool for critique and to promote feminist ideology. I explore the feminist consciousness and ideology in Wyngaard’s novels and the ways in which she challenges established patriarchal conventions in crime fiction as a genre. I employ Anne Cranny-Francis’ framework in the feminist value of crime fiction to examine the feminist themes in Wyngaard’s work.

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Ta'abudi, Drei Herba, e Nurul Asqi. "Nawal Al-Sa’dawi Dalam Tradisi Feminisme Barat". Nady Al-Adab 16, n.º 2 (30 de novembro de 2019): 103. http://dx.doi.org/10.20956/jna.v16i2.7734.

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Tulisan ini bertujuan melacak keterpengaruhan fiksi-fiksi Sa’da>wi> dengan pemikiran feminisme Barat. Kajian ini sangat menarik karena resepsi karya-karyanya yang tidak banyak diterima di tempat kelahirannya, namun populer serta diminati di luar negaranya. Ada dua pertanyaan yang dikaji: pertama, bagaimana tema yang ditampilkan Sa’da>wi> dalam karya-karya fiksinya; kedua, bagaimana relasi keterpengaruhan Sa’da>wi> dengan pemikiran feminis Barat. Adapun tulisan ini menggunakan pendekatan Muqa>ranah dengan metode deskriptif analitik. Tiga karya fiksi yang menjadi sumber primer di antaranya: “Adab am Qillah Adab” (2000), “Suqu>t}u al-Ima>m” (1987), serta “Imra’ah ‘Inda Nuqt}ah al-S{ifr” (1982). Selanjutnya aliran feminis marxis-sosialis menjadi hipogram dalam tulisan ini. Tulisan ini menghasilkan dua hal: pertama, narasi-narasi fiksi-fiksi Sa’dawi merepresentasikan aliran feminis marxist-sosialis; kedua, keterkaitannya dengan aliran ini dengan melihat Sa’da>wi> sebagai perempuan kelas terdidik yang dapat memperoleh akses informasi lebih luas, aktivitas politiknya, serta motivasi kepenulisannya. This article aims to explain influenced Sa’da>wi> fiction with western feminism. This research very interisting because of the receptions of her works are rejected in her country but became popular accepted outside her country. Two questions in this study: first, how Sa’da>wi> shows the theme in her fictional works; second, how does the relation of Sa’da>wi>’s influence with Western feminist thought\. This research uses Muqa>ranah approach with descriptive analytic method. Three works of fiction are the primary source: “Adab am Qillah Adab” (2000), “Suqu>t}u al-Ima>m” (1987) and “Imra’ah ‘Inda Nuqt}ah al-S{ifr” (1982). Further Marxist-socialist feminist flow becomes a hypogram in this paper. This reserch result in two discovering: first, the narratives of Sa’da>wi>’s fictions represent marxist-sosialist feminist stream; second, its association with this flow by seeing Sa’da>wi> as an educated class woman which can gain wider access to information, political activity and writing motivation.

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Köseoğlu, Berna. "The Change in the Reflection of Gender Roles from Proto-Science Fiction to Science Fiction with the Rise of Feminism: Margaret Cavendish’s The Blazing World and Mary Robinette Kowal’s The Calculating Stars". International Journal of Applied Linguistics and English Literature 10, n.º 6 (30 de novembro de 2021): 16. http://dx.doi.org/10.7575/aiac.ijalel.v.10n.6p.16.

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Before the rise of feminism, women were oppressed in the field of literature, particularly in science fiction. Despite this prejudice, Margaret Cavendish played a very important role in producing proto-science fiction with her utopian fiction, A Description of a New World Called the Blazing World, though gender problem can still be observed in the work. After the rise of feminism, with Mary Robinette Kowal’s science fiction, The Calculating Stars: A Lady Astronaut Novel, female characters, who are more active in science and technology, are depicted, even if these women still struggle with patriarchal values in a different context. Therefore, the aim of this article is to compare and contrast The Blazing World and The Calculating Stars by discussing the ways these two female writers try to achieve destroying the gender-based stereotypical roles in the field of science and technology. Consequently, what will be stressed is the change in the portrayal of gender roles within the transition period from proto-science fiction to science fiction, therefore it will be emphasized that proto-science fiction written before the feminist movement cannot overcome gender inequality in science and technology, whereas science fiction produced after feminism can break the gender-based barriers in these fields.

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Priyadharshini, P., S. Mohan, A. Hariharasudan e J. Sangeetha. "Authenticity of liberal feminism in Namita Gokhale's texts". Linguistics and Culture Review 5, S1 (8 de julho de 2021): 46–59. http://dx.doi.org/10.21744/lingcure.v5ns1.1312.

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Liberal feminism abbreviates women’s right and their empowerment. The aim of this study highlights liberal feminism in Namita Gokhale’s works The Book of Shadows (2001), Priya: In Incredible Indyaa (2011) and Things to leave Behind (2016). The features of liberal feminism exhibit the women protagonists’ grief and exertion to attain their goal and their responsibilities. Namita Gokhale is a multifarious writer, and her popular works are The Book of Shadows (2001), Priya: In Incredible Indyaa (2011) and Things to leave Behind (2016). Indian Fiction in general as well as in Indian English Fiction, both original and in translation (Gupta, 2020). The selected works have the issues of liberal feminism ideas that reflect throughout her writing. In Namita Gokhale’s works, the major protagonists that represent liberal feminist attributes are Rachita, Priya and Tilottama. Each character has the reflection of liberal feminist ideas through their life. The notable thinkers of liberal feminism are John Stuart Mill, Mary Wollstonecraft, Betty Friedan, Rosemarie Tong, Susan Moller Okin, Martha Nussbaum and Zillah Eisenstein.

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Devindrappa Mallikarjun. "Resistance and Identity: A Postcolonial Feminist Study of Ismat Chughtai’s Fiction". International Peer Reviewed E Journal of English Language & Literature Studies - ISSN: 2583-5963 4, n.º 2 (10 de dezembro de 2022): 291–97. http://dx.doi.org/10.58213/ell.v4i2.56.

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Postcolonial feminism has streamed out from the mainstream feminism in the latter half of the 20th century. It is a critique too and the reaction against the mainstream feminism. Postcolonial feminism deals with the social, political and economic marginalization of the third world women which has been overlooked and subsided by the European or mainstream Feminism. It disseminates the struggles and resistance of the “doubly marginalized” woman of the colonized nations. The postcolonial female writer believes that the feminist (mainstream) narratives have failed to bring the overall issues of third world women in their discourse. The woman, according to them does not share the common identity globally and there is a deep sense of dissatisfaction among them with patriarchy, colonization, and also with the mainstream feministic narratives. Postcolonial feminism seeks to address colonial oppression and turns down the idea of ‘global sisterhood’ as propagated by Western feminism. Whenever one talks about the feminism or post colonialism, they restrict themselves either to the unfair treatment of patriarchal forces in the western and the oppression of the imperial powers. Further they never paid attention to the ground realities of race, ethnicity, coercion, and intimidation of postcolonial cum patriarchal culture of downtrodden and less educated women of underdeveloped nations. The major concern of this paper is to look into Ismat Chughati’s works in the lens postcolonial feminist. And an attempt to deconstruct the patriarchal culture by looking the socio- political and economic conditions of the women and by reconstructing the lost identity of third world women in her work.

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Borbély, Carmen. "“Their Spidery Self”: On Webs of Subject-Object Empathy in Bernardine Evaristo’s Fiction". Caietele Echinox 41 (1 de dezembro de 2021): 281–95. http://dx.doi.org/10.24193/cechinox.2021.41.22.

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Drawing on the theoretical premises of Anthropocene feminism, new materialist feminism and empathy studies, this paper represents an attempt to explore the mutually constitutive relations conjured in Bernardine Evaristo’s fiction between subjects and the object worlds they inhabit. Focusing on Lara (1997) and Girl, Woman, Other (2019) as examples of “fusion fiction,” the paper explores the ways in which a composite sense of agency is articulated between the human and the nonhuman, shaping what feminist thinkers from Rosi Braidotti to Jane Bennett envision as our posthuman horizons.

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HAMZA REGUIG MOURO, Wassila. "From Feminization of Fiction to Feminine Metafiction in Gaskell’s Wives and Daughters and Woolf’s Orlando". Arab World English Journal For Translation and Literary Studies 4, n.º 4 (15 de outubro de 2020): 187–201. http://dx.doi.org/10.24093/awejtls/vol4no4.13.

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Feminism developed and widened its scope to different disciplines such as literature, history, and sociology. It is associated with various other schools and theories like Marxism and poststructuralism, as well. In the field of literature, feminist literary criticism managed to throw away the dust that cumulated on women’s writing and succeeded in raising interest in those forgotten female artists. Some critics in the field of feminism claim that there are no separate spheres, masculine and feminine, whereas others have opted for post-feminist thinking. Some women writers used metafiction to write literary criticism. Therefore, how do Gaskell and Woolf implement metafiction in their stories? Accordingly, this work aims at shedding light on Wives and Daughters by Gaskell and Orlando by Woolf to tackle metafiction from a feminist perspective. Examples from both novels about intertextuality, narration, and other aspects, that are part of metafiction, will be provided to illustrate how and where metafiction is used.

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Mahmood, Ambreen, e Masroor Sibtain. "Exploring Feminism and Marital Relations in “The Optimist” by Bina Shah: A Transitivity Analysis". Global Language Review V, n.º IV (30 de dezembro de 2020): 113–22. http://dx.doi.org/10.31703/glr.2020(v-iv).12.

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The current research paper tries to explore feminism and marital relations in an English short story by Bina Shah in a Pakistani context. Halliday's Trnsitivity System (2004) as textual analysis supported to identify the feminine and feminist traits in English fiction. The high frequency of material process (66) out of 200 clauses presented Raheela as a feminist, whereas the Relational process (56) reflected her feminine traits. The participants of the processes and circumstances made the institution of marriage clear; the desire and choice for marriage, sending marriage proposal and accepting proposal were all by the groom, his parents and bride's parents, but the bride had no right to express her choice and is generally supposed to follow her parents. Marital relation was built without the compatibility of the participants of marriage. The research helped to identify the writer's reflection of feminism and unfolded Asian culture with respect to marriage.

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Yusrina, Riris. "An Analysis of Popular Fiction Movie: Feminism in Movie Miss Peregrine’s Home for Peculiar Children (2016)". Rubikon : Journal of Transnational American Studies 9, n.º 2 (1 de novembro de 2022): 142. http://dx.doi.org/10.22146/rubikon.v6i2.73536.

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Film is one of American popular culture that attracts many people around the world. America has many movie genres, one of which is a fictional film genre. Fiction works do have very unique characters, from the storyline to the characters in the fictional film. In addition, in the modern era, feminism has been applied in everyday life, starting from education, politics, etc. This article analyzed the feminism of the character of Miss Peregrine in the American fiction film titled Miss Peregrine's Home for Peculiar Children (2016) by using semiotic theory. The results show that several scenes in the film represent feminism through Miss Peregrine's character, those are as a hero and as a leader. In addition, there is ecofeminism in the film.

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Zhao, Jialin. "Feminism in French Novels in the Late Renaissance-From the Perspective of Madeleine de Scudéry’s "The Story of Sapho"". Journal of Critical Studies in Language and Literature 3, n.º 5 (25 de junho de 2022): 9–16. http://dx.doi.org/10.46809/jcsll.v3i5.165.

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At the end of the Renaissance, Madeleine de Scudéry, an early exponent of historical fiction, infused French feminism with the spiritual qualities of the Renaissance with her novel The Story of Sapho. In this context, this essay takes it as the main subject and analyses the feminist qualities of this novel by examining the influence of the work over a period of nearly four centuries and comparing it specifically with the ideas of Gournay, one of the pioneers of French feminism, Rousseau, a revolutionary tutor, and Mona Ozouf, a contemporary historian. The study reveals that, unlike the feminism of Gournay's novel, Scudéry uses Sapho to reveal the birth of a new era of women with feminine virtue, feminine friendship and feminine love, and in this way to leave behind the old feminism of power struggles and gender differences. In the 18th century, this novel influenced Rousseau's Émile, in which the heroes and heroines are highly similar, and he continues to some extent the universalist spirit of The Story of Sapho, Rousseau's examination of the relationship between men and women has a similar concern to that of Scudéry, the pursuit of a harmonious society for both sexes. Finally, this novel echoes the uniqueness of French feminism as described by contemporary historian Mona Ozouf. In the long line of French feminism, Scudéry’s vision embodies the humanistic concerns of a feminism with a humanist core.

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Helford, Elyce Rae, e Sarah Lefanu. "Feminism and Science Fiction". SubStance 20, n.º 2 (1991): 110. http://dx.doi.org/10.2307/3684975.

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Hudock, Amy. "Feminism and science fiction". Women's Studies International Forum 14, n.º 1-2 (janeiro de 1991): 114–15. http://dx.doi.org/10.1016/0277-5395(91)90092-v.

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Kania, Richard R. E. "Amanda Cross and Androgyny". Gender Studies 15, n.º 1 (1 de dezembro de 2016): 91–103. http://dx.doi.org/10.1515/genst-2017-0007.

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Abstract Amanda Cross is the pen name Carolyn Heilbrun used for her mystery fiction. In two of her novels she employed the theme of androgyny. She also wrote the non-fiction, 1973 Toward a Recognition of Androgyny in which she promoted androgyny as aspect of her approach to feminism, an intellectual denial of any significant differences between the sexes. While that thread of American feminism has lost favor in current feminist ideologies, matters of gender identity are rising in prominence in American social and political thought, reviving the debate on male and female roles and identities in the United States.

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Adams, Julianne. "The Pre-History of White Feminism in Amatory Fiction". Eighteenth-Century Fiction 36, n.º 2 (1 de abril de 2024): 209–31. http://dx.doi.org/10.3138/ecf.36.2.209.

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This article reads amatory fiction through the image of white women’s tears, and it argues that amatory fiction assists in eighteenth-century racialization by idealizing a feminine affect that mobilizes passivity for status. A spectacle of sympathetic attention, white women’s tears exemplify the affective work of white feminism, which singularly analyzes power through gender. Lacking intersectionality, white feminism upholds white supremacy and enables constituents to wield gender oppression self-servingly. This article locates and deconstructs that affective dynamic in Delarivier Manley’s “The Wife’s Resentment” (1720), Penelope Aubin’s “Conjugal Duty Rewarded” (1721), and Eliza Haywood’s “Female Revenge” (1727). These retellings of heroines navigating adulterous lovers depict feminine virtue as passive and essentialize this virtuous passivity within the logic of whiteness. This narrativization victimizes the heroine and purchases her sympathy, which protects her virtue and maintains the heteropatriarchal standards that initially threatened her. This genealogical consideration reframes the affordances of amatory fiction within hegemonic affect.

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Altrows, Aiyana. "Silence and the Regulation of Feminist Anger in Young Adult Rape Fiction". Girlhood Studies 12, n.º 2 (1 de julho de 2019): 1–16. http://dx.doi.org/10.3167/ghs.2019.120202.

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Bringing rape stories into popular discussion was a crucial success of the Second Wave Women’s Liberation movement. Popular culture is now inundated with rape stories. However, the repetitive scripts and schemas that dominate these are often informed by neoliberal individualism that is antithetical to feminism. The contradictions that characterize the tensions between feminism and neoliberalism in these texts are typically postfeminist, combining often inconsistent feminist rhetoric with neoliberal ideology. By examining the use of the silent victim script in young adult rape fiction, in this article I argue that most young adult rape fiction presents rape as an individual, pathological defect and a precondition to be managed by girls on an individual basis, rather than an act of violence committed against them.

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Keener, Frederick M., e Margaret Kirkham. "Jane Austen, Feminism and Fiction". Yearbook of English Studies 16 (1986): 297. http://dx.doi.org/10.2307/3507824.

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Shiach, Morag, e Glenwood Irons. "Feminism in Women's Detective Fiction". Modern Language Review 93, n.º 3 (julho de 1998): 815. http://dx.doi.org/10.2307/3736540.

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Larson, Edith S., e Margaret Kirkham. "Jane Austen, Feminism and Fiction". Studies in Romanticism 26, n.º 3 (1987): 465. http://dx.doi.org/10.2307/25600670.

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Taha Al-Kassasbeh, Rabab. "Feminism and Postmodern Aesthetics in Angela Carter's "Wolf-Alice", "The Company of Wolves", and "The Werewolf"". International Journal of Arabic-English Studies 14, n.º 1 (1 de janeiro de 2013): 25–42. http://dx.doi.org/10.33806/ijaes2000.14.1.2.

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This paper analyzes the connections between feminist politics and postmodern aesthetics as demonstrated in recent women's fiction. It intends to investigate the much debated problematic of postmodernist and feminist ideologies by examining certain key texts written by Angela Carter, who is a British novelist. Angela Carter's "Wolf-Alice," "The Company of Wolves," and "The Werewolf" are examples which transform revolutionary aesthetics strategies usually associated with post-modern fiction to strengthen its feminist political edge. The first section highlights the theoretical frameworks of postmodernism and feminism accordingly showing the different perspectives from which Carter's work would be analyzed. The second section is devoted to Angela Carter's three short stories. .

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K, Dr Jaseedha. "Engendering the Feminine Unconscious through the Eco-Feminist Psychoanalytical Theory". International Journal of Research and Review 8, n.º 12 (16 de dezembro de 2021): 270–72. http://dx.doi.org/10.52403/ijrr.20211233.

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The research paper envisages to overview eco-feminism from the perspective of psycho analysis. Employing the concepts of psycho analysis provides an alternate view of the internal psycho-dynamics of complex and enigmatic characters in a work of fiction. Keywords: Eco-feminism, Psycho analysis, consciousness, eco-criticism.

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Hariharasudan, A., e S. Robert Gnanamony. "Feministic Analysis of Arundhati Roy's Postmodern Indian Fiction: The God of Small Things". GATR Global Journal of Business and Social Science Review (GJBSSR) Vol.5(3) Jul-Sep 2017 5, n.º 3 (23 de junho de 2017): 159–64. http://dx.doi.org/10.35609/gjbssr.2017.5.3(17).

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Objective - The aim of the research is to identify the feminist strains in the postmodern Indian Fiction The God of Small Things (TGST). The researcher has planned to investigate the text systematically for seeking feministic values. Methodology/Technique - The study reviews previous literature. Findings - Gender bias and feminism are relevant themes explored by postmodernists. Arundhati Roy portrays the predicament of women through her female characters belonging to three generations in this novel. In the novel, a sense of antagonism and division also infuse the difference senses of identity among the different generation of women. It also generates a line of the clash between the older and the younger generation. Family and political customs play a key role in disadvantaging women. Social constrains are so built up as to sanctify the persecution of women. This is because, in most of the civilizations, social structures are basically patriarchal. Arundhati's novel challenges this position, though her avowed feminist stance. Novelty - Women across the globe worldwide, nationwide, regionally and may be capable of holding the influential note of feminism and being capable of deconstructing a constructive implication of their own femaleness and womanhood after reading this paper. Type of Paper: Review Keywords: Feminism; Gender Bias; Patriarchal; Postmodernism; Downtrodden. JEL Classification: B54, H83.

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Manoj Kumar e Prof. V. Ch. N. K. Srinivasa Rao. "Narrating Marginality: Gender Crisis in Shashi Deshpande’s The Dark Holds No Terror". Creative Launcher 7, n.º 6 (30 de dezembro de 2022): 171–76. http://dx.doi.org/10.53032/tcl.2022.7.6.19.

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Feminine sensibilities and gender issues are based on different cultures and diasporic essence. The desire and aspirations of women of different countries are not similar. Their demands are influenced by a number of variables, including familial, societal/racial, marital, economic, cultural, and personal ones. It is considered incorrect to compare Indian feminism to western feminism, which is characterised by radical rules, in such a varied culture. In its early stages, Indian feminism was wholly liberal and addressed every facet of mankind. There hasn't been a significant political or social uprising in India against the male-dominated culture. In beginning, they seek to address the inequality and dissimilarity that existed between males and females. They desired to bridge the gaps between men and women through their social revolt and provide the psychological reason for the male violence against women. Some feminist intellectuals extended the gender issues focusing the intention on rape and other forms of sexual violence. To them, such gender issues of exploitation are because of the male dominant society. They agree with Liberal feminists that material change and patriarchy is the sole reason for women's discrimination. They argue against the existing tradition of love, marriage, and gender inequality and demand equal social rights. The women writers like Shashi Deshpande have used fiction to explore and share their experiences. The myriad conflicts, which they face in everyday lives, are woven into the fictional world of their creation. To Shashi Deshpande, traditional beliefs also play a major role in female discrimination.

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Dr. Sampath Kumar Chavvakula. "Feminism In The Novels Of Anita Desai". Journal of Namibian Studies : History Politics Culture 33 (20 de maio de 2023): 5462–70. http://dx.doi.org/10.59670/jns.v33i.4824.

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Feminism in western nations are epitomized in literature and different books, that is in composed shape however in the east, especially in nations like India, attributable to its oral tradition and more noteworthy lack of education, the effect of these investigations was limited to the urban populace. In any case, as of late, even the rural regions have been secured due to the regularly spreading wing of electronic media. Since the most recent couple of decades, women have been attempting their hands at writings and that too effectively. Anita Desai is a standout amongst other known contemporary women writers of Indian fiction in English. She has picked up qualification in investigating the human psyche and the enthusiastic sentiments of her protagonists. She has included a new dimension and great support to the contemporary Indian English fiction and has a huge place because of her creative topical concerns and arrangements in her fiction with feminine sensibility.

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Wolmark, Jenny. "Alternative futures? Science fiction and feminism". Cultural Studies 2, n.º 1 (janeiro de 1988): 48–56. http://dx.doi.org/10.1080/09502388800490021.

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Kim, Kyungok. "Feminism Education Based on Science Fiction". Journal of Humanities and Social sciences 21 14, n.º 1 (28 de fevereiro de 2023): 1557–70. http://dx.doi.org/10.22143/hss21.14.1.109.

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Gilarek, Anna. "Marginalization of “the Other”: Gender Discrimination in Dystopian Visions by Feminist Science Fiction Authors". Text Matters, n.º 2 (4 de dezembro de 2012): 221–38. http://dx.doi.org/10.2478/v10231-012-0066-3.

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In patriarchy women are frequently perceived as “the other” and as such they are subject to discrimination and marginalization. The androcentric character of patriarchy inherently confines women to the fringes of society. Undeniably, this was the case in Western culture throughout most of the twentieth century, before the social transformation triggered by the feminist movement enabled women to access spheres previously unavailable to them. Feminist science fiction of the 1970s, like feminism, attempted to challenge the patriarchal status quo in which gender-based discrimination against women was the norm. Thus, authors expressed, in a fictionalized form, the same issues that constituted the primary concerns of feminism in its second wave. As feminist science fiction is an imaginative genre, the critique of the abuses of the twentieth-century patriarchy is usually developed in defamiliarized, unreal settings. Consequently, current problems are recontextualized, a technique which is meant to give the reader a new perspective on certain aspects of life they might otherwise take for granted, such as the inadequacies of patriarchy and women’s marginality in society. Yet there are authors who consider the real world dystopian enough to be used as a setting for their novels. This is the case with Woman on the Edge of Time by Marge Piercy and The Female Man by Joanna Russ. Both texts split the narrative into a science fictional and a realistic strand so as to contrast the contemporary world with utopian and dystopian alternatives. Both texts are largely politicized as they expose and challenge the marginalized status of women in the American society of the 1970s. They explore the process of constructing marginalized identities, as well as the forms that marginalization takes in the society. Most importantly, they indicate the necessity of decisive steps being taken to improve the situation.

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Lane-McKinley, Madeline. "The Dialectic of Sex, after the Post-1960s". Cultural Politics 15, n.º 3 (1 de novembro de 2019): 331–42. http://dx.doi.org/10.1215/17432197-7725479.

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A key artifact of the political contradictions and utopian problematics of women’s liberation and the tradition of radical feminism at the end of the 1960s, Shulamith Firestone’s Dialectic of Sex remains a site of controversies, misinterpretations, and unmet challenges. This essay considers the critical capacity of this text at the present juncture, strongly characterized by the reactionary resurgence of second-wave feminism and a trans-exclusionary brand of radical feminism. While both illuminating and symptomatizing many of the contradictions and failures of radical feminism, Firestone’s text also strongly resonates with the critical utopian interventions of queer-feminist science fiction writing in the early 1970s. This critique of The Dialectic of Sex seeks to rearticulate some of Firestone’s key concepts within a critical utopian framework and to reconceptualize the text’s contributions to radical feminism in relation to a contemporary project of revolutionary feminism. To do this, the author suggests, requires a more nuanced approach to historicizing and engaging with political confusion—marking a matter of great urgency for the current cultural landscape.

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Gelasi, Eleni. "The pursuit of work-family balance and the crisis of social reproduction in short fiction by Helen Simpson and Tessa Hadley". Proceeding of the World Conference on Gender and Women's Studies 1, n.º 1 (21 de novembro de 2023): 7–21. http://dx.doi.org/10.33422/gwsconf.v1i1.141.

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In this interdisciplinary paper I will embark on a feminist reading of contemporary short fiction by women writers focusing on the topic of work-life balance in the first two decades of the 21st century. I will show how the Friedanian dissatisfaction traced in the female characters by Hadley and Simpson is symptomatic of the infeasibility of work-life balance which has emerged as a new feminist ideal in the 21st century. Through the writing of Angela McRobbie, Catherine Rottenberg and Nancy Fraser I will showcase how feminism has changed its goals and vocabulary and how it is being used in order to alleviate the ongoing crisis of social reproduction that has emerged in the neoliberal world. This paper will conclude that Helen Simpson’s and Tessa Hadley’s short fiction bring the crisis of social reproduction in the spotlight, expose the trap that the new ideal of work-life balance entails, showcase the challenges that women face when trying to reach an impossible ideal and question the contemporary face of mainstream feminism. In other words, I will show how Simpson and Hadley’s writing contends that patriarchy is still in place and calls for resistance.

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Basu, Srimati. "The Bleeding Edge: Resistance as Strength and Paralysis". Indian Journal of Gender Studies 7, n.º 2 (setembro de 2000): 185–202. http://dx.doi.org/10.1177/097152150000700203.

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The study of feminism as a mark of feminist agency is examined across a range of feminist schol arship, followed by reflections on the concluding scene of Ashapurna Devi's novel in Bangla, Pratham Pratisruti, and ends with some conclusions based upon ethnographic work on Indian women and inheritance. The explorations of different sites of fiction and ethnography indicate that individual acts of women's resistance should be kept separate from the systemic changes that organised movements seek to effect.

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Zainab, Rida, Maria Liaqat, Pakeeza Fatima e Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature". Journal of Education, Teaching and Social Studies 4, n.º 2 (25 de abril de 2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Pakistani modem writers have analyzed and discussed different issues related to women by portraying female characters in their works. Pakistani feminism is considered a part of Post Colonial fiction. Writers have introduced multiple dimensions of feminism. The main purpose of this research is to highlight different aspects which were caused by feminism. The study presents a detailed examination of females adjustment and its effect with great respect to Post Colonialism.

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Zainab, Rida, Maria Liaqat, Pakeeza Fatima e Hassan Bin Zubair. "A Postcolonial Feminist Appraisal of Pakistani English Literature". Journal of Education, Teaching and Social Studies 4, n.º 2 (25 de abril de 2022): p7. http://dx.doi.org/10.22158/jetss.v4n2p7.

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This research explores women’s position in Pakistani society. Women are considered an interesting topic for researchers. The following research will show women’s empowerment in male-dominant backgrounds. This research offers a close analysis of women’s presentations by Pakistani English writers. This research is qualitative in nature. It provides a detailed account of information about postcolonial feminism and feminist writers of contemporary times. Portraiture of women is clear in the works of Pakistani English writers. The whole task will be accomplished with the impact of Colonialism. Pakistani modem writers have analyzed and discussed different issues related to women by portraying female characters in their works. Pakistani feminism is considered a part of Post Colonial fiction. Writers have introduced multiple dimensions of feminism. The main purpose of this research is to highlight different aspects which were caused by feminism. The study presents a detailed examination of females adjustment and its effect with great respect to Post Colonialism.

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Hill, Alexandra Merley. ""Female Sobriety": Feminism, Motherhood, and the Works of Julia Franck". Women in German Yearbook: Feminist Studies in German Literature & Culture 24, n.º 1 (2008): 209–28. http://dx.doi.org/10.1353/fgs.2008.a254032.

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Following the renewed interest in the role of motherhood in Germany, a wave of articles and books has recently reassessed the women's movement of the 1970s. The author Julia Franck, winner of the 2007 German Book Prize, is an active participant in these discussions, not only in speeches and essays but also in her works of fiction. In telling the story of an unwilling mother, her latest novel, Die Mittagsfrau (Lady Midday, 2007), both participates in and fundamentally undermines the terms of the motherhood debates. In this essay I contextualize Franck's work within popular discourse around feminism, focusing in particular on Franck's own term "female sobriety," which she uses to characterize her style of writing and that of many female colleagues. Based on Silvia Bovenschen's theory of a feminine aesthetic, "female sobriety" is just one facet of Franck's engagement with women's issues and feminist theory. (AMH)

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Tully, Meg. "Constructing a feminist icon through erotic friend fiction: millennial feminism onBob’s Burgers". Critical Studies in Media Communication 35, n.º 2 (20 de novembro de 2017): 194–207. http://dx.doi.org/10.1080/15295036.2017.1398831.

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Aziz Mohammadi, Fatemeh. "A Study of Carter’s The Snow Child in the Light of Showalter’s Theories". International Letters of Social and Humanistic Sciences 48 (fevereiro de 2015): 133–37. http://dx.doi.org/10.18052/www.scipress.com/ilshs.48.133.

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Angela Carter was an English fiction writer and journalist. Her female protagonists often take an empowered roles where they rise up against oppression and fight for both sexual and political equality. The actions of these women are direct reflections of the feminist movement that took place in the 1970s. The concepts within this movement relating specifically to the ideologies of radical- libertarian feminist, and regarding the extent to which she promotes feminist due to her style, referred to as "Galm-Rock" feminism. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter’s work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter’s short stories; such as The Courtship of Mr. Lyon, The Tiger’s Bride, The snow child and mainly in The Bloody chamber have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.

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Beers, L. "Feminism and Sexuality in Ellen Wilkinson's Fiction". Parliamentary Affairs 64, n.º 2 (17 de dezembro de 2010): 248–62. http://dx.doi.org/10.1093/pa/gsq060.

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Fernald, Anne E. "Women’s Fiction, New Modernist Studies, and Feminism". MFS Modern Fiction Studies 59, n.º 2 (2013): 229–40. http://dx.doi.org/10.1353/mfs.2013.0024.

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Lal Dawar, Jagdish. "Feminism and Feminity: Women in Premchand's Fiction". Studies in History 3, n.º 1 (fevereiro de 1987): 121–36. http://dx.doi.org/10.1177/025764308700300108.

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Nouri, Azadeh, e Fatemeh Aziz Mohammadi. "A Gynocritical Study of The Company of Wolves by Angela Carter". International Letters of Social and Humanistic Sciences 48 (fevereiro de 2015): 100–106. http://dx.doi.org/10.18052/www.scipress.com/ilshs.48.100.

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In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter’s work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter’s short stories; such as The Werewolf, The Wolf_Alice,and mainly in The Company of Wolves have similar characteristics with different conditions, in which they are represented in a very negative light with less than ideal roles. In these stories, the protagonist is a young girl who has many conflicts with love and desire. Carter attempts to encourage women to do something about this degrading representation.

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Mukherjee, Sayan. "Dark Portrayal of Gender: A Post-colonial Feminist Reflection of Bapsi Sidhwa’s The Pakistani Bride and The Ice-candy Man". History Research Journal 5, n.º 5 (26 de setembro de 2019): 81–88. http://dx.doi.org/10.26643/hrj.v5i5.7919.

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The portrayals of women by fiction writers of Indian sub-continent can be seen in the context of postcolonial feminism. Sidhwa’s novels may be a part of postcolonial fiction, which is fiction produced mostly in the former British colonies. As Bill Ashcroft suggests in The Empire Writes Back, the literatures produced in these areas are mostly a reaction against the negative portrayals of the local culture by the literatures produced in these areas are mostly a reaction against the negative portrayals of the local culture by the colonizers. About the role of postcolonial literature with respect to feminism, Ashcroft writes, “Literature offers one of the most important ways in which these new perceptions are expressed and it is in their writings and through other arts such as paintings sculpture, music, and dance that today realities experienced by the colonized peoples have been most powerfully encoded and so profoundly influential.” Indian sub-continent fiction is the continuation and extension of the fiction produced under the colonial rulers in undivided India. As such it has inherited all the pros and cons of the fiction in India before the end of colonial rule in Indo-Pak. Feminism has been one part of this larger body of literature. Sidhwa has portrayed the lives of Pakistani women in dark shades under the imposing role of religious, social, and economic parameters. These roles presented in The Pakistani Bride and The Ice-Candy Man are partly traditional and partly modern – the realities women face.

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Cohen, Susan D. "An Onomastic Double Bind: Colette's Gigi and the Politics of Naming". Publications of the Modern Language Association of America 100, n.º 5 (outubro de 1985): 793–809. http://dx.doi.org/10.1632/s0030812900134960.

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Although Colette did not consider herself a feminist in the activist sense of the term and even mocked feminism as a political movement, her fiction presents the situation of women in ways that stress their specificity and their imposed social inferiority. Gigi addresses the problem of naming as a crucial factor in male-female relations and implicitly identifies it as the nodal point of a struggle for discursive, as well as socioeconomic, identity.

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Aliaga-Lavrijsen, Jessica. "Ectogenesis and Representations of Future Motherings in Helen Sedgwick’s The Growing Season". Atlantis. Journal of the Spanish Association for Anglo-American Studies 43, n.º 1 (28 de junho de 2021): 55–71. http://dx.doi.org/10.28914/atlantis-2021-43.1.04.

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After the boom of feminist science fiction in the 1970s, many such novels have tackled the different sociocultural understandings of gender and sexual reproduction. Conventionally, patriarchal thinking tends to posit a biological explanation for gender inequality: women are supposed to be child bearers and the primary caregivers, whereas men should provide for the family through their work. However, if men could share procreation, would these views change? A recent work of fiction exploring this question from multiple perspectives is Helen Sedgwick’s The Growing Season (2017), a novel that presents a near future in which babies can be grown in artificial wombs that can be carried around. As an analysis of the novel will show, The Growing Season creatively explores the existing tensions among contemporary understandings of motherhood and feminism(s), as well as developments in reproductive biotechnology, through the different perspectives offered by the heterodiegetic third-person narration and multiple focalisation. Ultimately, the voices of the different characters in the novel convey a polyhedral vision of possible future feminist motherhood(s) where ideas of personal freedom and codependency are radically reconceptualised—a rethinking that becomes especially important nowadays, for the biotechnological elements of this fictional dystopia are already a reality.

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Krause, Andrea J. "Feminism and Science Fiction, and: Contemporary Women's Fiction: Narrative Practice and Feminist Theory (review)". MFS Modern Fiction Studies 36, n.º 2 (1990): 311–13. http://dx.doi.org/10.1353/mfs.0.0795.

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Lakanse, Obakanse. "Of Difficult Mothers and Rebellious Daughters: Investigating the Electra Complex in Contemporary Nigerian Feminist Fiction". NIU Journal of Social Sciences 9, n.º 4 (31 de dezembro de 2023): 155–60. http://dx.doi.org/10.58709/niujss.v9i4.1769.

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Chimamanda Ngozi Adichie, Sefi Atta and Lola Shoneyin are undoubtedly three of the most celebrated feminist novelists in the contemporary Nigerian literature. These three women-writers have one thing in common – each has written at least a novel in which she employs the usual problematic relations between a mother figure and a daughter as a means of exploring feminism – inflected issues such as identity-construction, subjecthood, and patriarchy, etc. I am making reference to Adichie’s Half of a Yellow Sun, Atta’s Everything Good Will Come and Shoneyin’s The Secret Lives of Baba Segi’s Wives. These novelists thematize in various ways albeit unconsciously the Electra complex. This paper argues that it seems something of a paradox that these women – novelists in engaging in feminist critiques of patriarchy, should to some extent appear to do so through the agency of the difficult relationship between a mother-figure and a daughter even when no psychological exploration in the delineation of these characters appears to be intended in these novels. The paper aims to draw attention to each of these writers’ representation of certain aspects of the relations between the female protagonist of their respective novels, who appears to embody the novelist’s feminist values, and her parents, especially to the uneasy tensions that seem to exist between them. Keywords: Patriarchy, Feminism, The Electra Complex, The Symbolic Realm, The Unconscious

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Coit, Emily. "Ozick’s Feminism and the Woman Writer". Studies in American Jewish Literature (1981-) 43, n.º 1 (março de 2024): 59–75. http://dx.doi.org/10.5325/studamerijewilite.43.1.0059.

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Abstract As Ozick herself has noted, readers have observed a contradiction between her championing of the particularity of the Jewish writer and her insistence on the human universality of the writer who happens to be a woman. Examining Ozick’s thinking about sex and gender, this article explains why this apparent contradiction isn’t one for her. Considering the relationship between her “classical feminism” and her ideas about genius and art making, this article highlights the key claims of her polemics against “the woman writer” from the 1970s. The article then reads Ozick’s essays on Virginia Woolf and Edith Wharton from the same decade as richly unruly works of fiction that undermine some of those claims. Locating Ozick’s feminism among those of her peers in the late twentieth century, this article also points to the relevance of her ideas for the contending feminisms of the present.

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Domínguez-Rué, Emma. "In Their Blooming Sixties: Aging as Awakening in Amanda Cross’ The Imperfect Spy and The Puzzled Heart". European Journal of Life Writing 1 (5 de dezembro de 2012): 1–21. http://dx.doi.org/10.5463/ejlw.1.23.

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Although the writer and Columbia professor Carolyn Gold Heilbrun (1926-2003) is more widely known for her best-selling mystery novels, published under the pseudonym of Amanda Cross, she also authored remarkable pieces of non-fiction in which she asserted her long-standing commitment to feminism, while she also challenged established notions on women and aging and advocated for a reassessment of those negative views. Taking her essays in feminism and literary criticism as a basis and two of her later novels as substantiation to my argument, this paper will try to illustrate the ways in which the aging female characters in her Kate Fansler series became an instrument to reach a mass audience of readers who might not have read her non-fiction but who were perhaps finding it difficult to reach fulfillment as women under patriarchy, especially upon reaching middle age. My aim is to reveal the ways in which Heilbrun’s seemingly more superficial and much more commercial mystery novels as Amanda Cross were used a catalyst that informed her feminist principles while vindicating the need to rethink about issues concerning the cultural and literary representations of mature women.

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Zahra, Kanwal, e Aisha Jadoon. "A Reconsideration of Feminine Sensuality in Twilight in Delhi: Indian Women in Fiction". Global Social Sciences Review V, n.º II (30 de junho de 2020): 551–57. http://dx.doi.org/10.31703/gssr.2020(v-ii).52.

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Modernist discourses centralize feminine sensuality as an indicator of a female’s autonomy; generally, they denounce religious or traditional constraints related to its expression. In particular, liberal feminism rejects normative constraints on female sensuousness, which are argued to enforce gendered restrictions. Amid these popular considerations, there has been a remarkable increase in interest in postcolonial women’s approach to sensuality. Being perceived as sensually submissive by their faith, the question which continually surfaces is: is the sensual ethics of postcolonial women shaped by their religion? Or are they shaped by the societal considerations and values of the society they are born into? This paper addresses this question by considering the varied choices of sensual behaviour adopted by female characters in the postcolonial text, Twilight in Delhi, written by Ahmad Ali. By approaching the decadent culture of Delhi in this novel from a feminist perspective, this paper analyses the feminine sensuality of the Indian women and considers their assumptions about what counts as an appropriate choice for them within the cultural context of Indian society. This paper concludes that the sensual inhibition of these women is conditioned by the cultural bias towards the female gender that connects shame and guilt with their sensual desires in a traditional Indian society.

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Tahir, Alveena, e Rakia Imtiaz. "A Study of Epistemological Shifts of Feminism in Hashmi’s A House Without Windows and Khan’s Trespassing". Journal of Higher Education and Development Studies (JHEDS) 4, n.º 1 (6 de junho de 2024): 164–75. http://dx.doi.org/10.59219/jheds.04.01.58.

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This study deals with the ideas of 'Inclusivity' and 'Intersectionality' of the fourth wave of feminism while critically analyzing A House without Windows by Nadia Hashmi and Trespassing by Uzma Aslam Khan. The fourth wave of feminism, with its intersectionality and inclusivism epistemologies, is supported by these works of South Asian fiction. This study is meant to simply interpret the various problems that South Asian women confront on a single level. South Asian scriptures and society both downplay South Asian women. This study has cited Nicola Rivers' Fourth Wave of Feminism theory, which contends that these ideas of inclusion, intersectionality, and uniqueness are addressed by this wave. This new movement clarifies the concepts of plurality and variety. This study draws on third-world women's idea of Chandra Talpade Mohanty to bolster Rivers' understanding of feminism in the South Asian context. According to the results of this study, the fourth wave of feminism shares certain similarities with the preceding three waves. Men and women from poor countries are represented. The idea of "intersectionality" reveals the nuanced character of women's experiences with marginalization and oppression. In light of this study's emphasis on intersectionality and inclusivism, it is expected to advance knowledge in feminist studies.

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BLOUIN, MICHAEL J. "The Eternal Embrace: Ghostly Maidens in Sidney McCall's Fiction". Journal of American Studies 44, n.º 4 (19 de julho de 2010): 675–90. http://dx.doi.org/10.1017/s0021875810001295.

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At the turn of the century, “Japan” was being imagined for the American public in a variety of ways. Sidney McCall, wife of Hegelian Ernest Fenollosa and close friend of Romanticist Lafcadio Hearn, sought a way to incorporate “Japan” into Fenollosa's broader Idealist arch while simultaneously preserving the titillation of Hearn's “ghostly tales.” By so doing, McCall attempted to reconcile divided notions of “femininity” in early Japanology (and American discourse at large). She utilized the form of the novel itself to work systematically through the schism between “feminine mystique” and “maternal feminism”; this uncertainty was resolved, for McCall, in her Idealist fictions from “Japan.”

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