Bibliografias temáticas / Fashion Group

Literatura científica selecionada sobre o tema "Fashion Group"

Autor: Grafiati
Publicado: 26 de julho de 2024

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Artigos de revistas sobre o assunto "Fashion Group"

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Sultanova, Durdona A., e Aziza A. Ermekbayeva. "SEMANTICTERMINOLOGY OF THE LEXICAL-SEMANTIC GROUP “FASHION”". European International Journal of Philological Sciences 3, n.º 12 (1 de dezembro de 2023): 15–17. http://dx.doi.org/10.55640/eijps-03-12-04.

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This article is devoted to the study of the vocabulary of the lexical-semantic group “Fashion” at the present stage of development of the Russian language. The article examines the most productive methods of word formation, in particular, special attention is paid to semantic term formation, as well as borrowings from the English language, as a productive way of replenishing the vocabulary of LSP “Fashion”.
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Shen, Lei, e Muhammad Hussnain Sethi. "Sustainable Fashion and Young Fashion Designers: Are Fashion Schools Teaching Sustainability?" Fibres and Textiles in Eastern Europe 29, n.º 5(149) (31 de outubro de 2021): 9–13. http://dx.doi.org/10.5604/01.3001.0014.8036.

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The fashion Industry is one of the major polluting industries globally, and it has become a hot topic of debate. Thousands of people participate in climate change marches and attend seminars worldwide, but sadly most of them usually wear fast fashion products due to the lack of awareness. This pilot research investigates how well freshly graduated fashion designers know sustainable textiles and fashion as fashion designers are the ones who lead the fashion industry. We used a qualitative research method, and focus group discussion was applied for data collection. Twenty-four freshly graduated fashion designers from China, India, Bangladesh, and Pakistan participated in this research. The focus group discussions were conducted in Shanghai, China. Topics were divided into three categories:(a) fast fashion, recycling & upcycling, (b) zero-waste fashion, and (c) eco-friendly fibres. Findings disclosed that the participants were well-aware of techniques like fashion illustration, pattern-making, and draping but comparatively uninformed about sustainable fashion. They were familiar with the term „sustainable fashion” but completely unaware of details and their sustainability responsibilities. Suggestions to rectify this important issue are provided in this study.
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Быданцева, А. С., e Е. В. Трофимова. "Внедрение системы управления проектами в компании fashion-индустрии на примере Melon Fashion Group". ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ 86, n.º 2 (2022): 10–15. http://dx.doi.org/10.18411/trnio-06-2022-48.

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В статье рассмотрены проблемы проектного управления в компании «Мэлон Фэшн Груп», выбор методологии проектного управления. Предложены модель ИСУП, интеграционное решение между системами, а также модель Проектного офиса.
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G. Fowler, Jie, Timothy H. Reisenwitz e Aubrey R. Fowler. "Fashion globally". Qualitative Market Research: An International Journal 17, n.º 3 (3 de junho de 2014): 172–91. http://dx.doi.org/10.1108/qmr-04-2013-0022.

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Purpose – The aim of this study is to focus on consumers’ responses towards visual fashion ideal in hybrid magazine advertisements from a cross-cultural and generational perspective. Design/methodology/approach – This exploratory qualitative focus group study showed a set of validated advertisements to 64 female participants. Half of the sample was from the USA, the other half was from China. To examine generational differences, the interviewees were split by age in each group: half of the participants were between 18 and 34, and half were between the age of 45 and 65 years. Findings – Both Chinese and American target audiences viewed the trendy advertisements with an aspirational eye in which the advertisement was interpreted as representing an ideal self to which they aspired, one that they wanted to achieve but, for some reason(s), were not capable of achieving at the time. However, the degree of aspiration varied for Chinese and American audiences. Research limitations/implications – Because of the chosen research approach, the research results may lack generalizability. Therefore, future research may use survey and experimental research approaches. Practical implications – International marketers may need to design advertisements with more “realistic” imagery, while keeping the idealized Western style in Chinese advertising. Advertisers should also be cognizant of intergenerational influences in the Chinese market; many young Chinese women still rely on their mothers regarding fashion purchase decisions. Originality/value – This paper fills a need to understand both the similarities and the differences in marketing communications across cultures.
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K, Pavithra, e Shashi Nag. "The Impact of Contemporary Fashion on Indian Youth of Age Group (15 to 25) Years". International Journal for Research in Applied Science and Engineering Technology 12, n.º 2 (29 de fevereiro de 2024): 644–50. http://dx.doi.org/10.22214/ijraset.2024.58404.

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Abstract: Contemporary fashion change at a faster rate in this age of technology and social media. The fashion choices of India youth have undergone a significant transformation in recent years. Contemporary fashion stands for high quality modern clothing and accessories that are currently in trend, which are also accessible and attainable. Some brands also focus on the environmental factor. The rise of social media and global influence, India youth has been exposed to a wider range of fashion styles, which has led to a change in their traditional fashion preferences. Contemporary fashion come and go; meanwhile a society’s values are established and evolving characteristic to their beliefs and culture. The own business starts seeking for a solution to reduce this dissonance or it aspires to get better. Comprehensive analysis of changing contemporary fashion and choices of India youth, and the role that family approval and disapproval play in shaping their decisions. The youth are increasing the embracing global contemporary fashion, they are still deeply rooted in their cultural traditions and values and therefore the approval and support from their families comprehensive of the changing fashion landscape in India by highlighting the importance of understanding the interplay between cultural , family dynamics, and personal choices, in shaping the fashion preferences of young people in India .as an expression of their feelings today’s youth endeavor to understand the contemporary fashion and adopt the clothing style suits their value and traits. Besides the traditional social schedule of contemporary fashion, it is the attitude of the generation that has set forth the trend of anonymous style and self-expression. Having transcended from a precapitalist feudal social structure to a postmodern social structure, today’s behavior is marked by self-image and self-expression paving the way for uniqueness. The study adopted a qualitative research methodology “the impact of contemporary fashion on India youth” using charts, graphs, and numbers. The findings are related to google questionnaire team.
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Saputra, Muhammad Dinda, e Hestya Patrie. "PENERAPAN E-COMMERCE GUNA MENINGKATKAN PENJUALAN HEYHO GROUP INDONESIA". IDEALIS : InDonEsiA journaL Information System 3, n.º 1 (4 de fevereiro de 2020): 116–22. http://dx.doi.org/10.36080/idealis.v3i1.1677.

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Heyho Group Indonesia adalah satu tempat bisnis yang memproduksi fashion masa kini pada kalangan remaja untuk itu Heyho Group Indonesia mempunyai pemikiran bisnis yang sangat luas untuk memperkenalkan produk Brand dalam negeri, seiring berkembangnya jaman peminat fashion semakin meningkat. Pada umumnya usaha dengan konsep penjualan fashion mengutamakan kebutuhan untuk anak-anak muda, pelajar dan mahasiswa. Penulis melakukan analisa mengenai sistem penjualan tersebut, dimana sistem yang sedang berjalan pada Heyho Group Indonesia belum menggunakan teknologi berbasis web, seperti melakukan penjualan produk fashion yang terdapat pada brand dan pembuatan laporan bulanan. Begitupun dengan pengolahan data yang dihasilkan dari transaksi yang terjadi masih menggunakan tulisan tangan, sehingga memungkinkan terjadinya kesalahan atau masalah seperti kekeliruan dalam penulisan dan perhitungan. Dengan adanya teknologi yang berkembang pesat saat ini, sangat mungkin untuk mendukung bisnis menjadi lebih berkembang dan maju. Hal tersebut menjadi peluang untuk menangani masalah yang terjadi pada Heyho Group Indonesia. Dengan merancang sistem penjual berbasis web dengan memanfaatkan teknologi, diharapkan mampu memberikan dampak positif bagi Heyho Group Indonesia Sehingga kegiatan penjualan produk menjadi lancar serta mampu bertahan dan bersaing dengan bisnis serupa yang ada saat ini. Penulis mengimplementasikan dengan menggunakan database MySQL.
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Taylor, Madeline, Kiara Bulley e Anna Hickey. "Manifesto of dress: Political intersections in fashion lecture-performances". Clothing Cultures 6, n.º 2 (1 de junho de 2019): 265–80. http://dx.doi.org/10.1386/cc_00016_1.

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This article argues for the consideration of the lecture-performance as a genre that offers rich possibilities for critical fashion discourse, one that is uniquely suited to the material, embodied nature of clothing.The article recounts a lecture-performance by Australian-based design group The Stitchery Collective, which explored moments in history that demonstrate fashion’s capacity to resist, rebel and turn the political into the fabulous. From Amelia Bloomer’s bloomers to the sans-culottes of revolutionary France, fashion has acted as a tool and medium for great social protest and momentum for change. In contemporary fashion, local designers in Australia embed counter-fashion ideology into their business practices to offer a counteraction to the more negative effects of capital-F Fashion. The lecture-performance aimed to reframe personal consumption choices in the now, via the political fashion of the past, as politically motivated and most of all, capable of contributing to real change. The Stitchery proposed that in fashion, the personal is political and the political is personal, both throughout history and in the present day. The creative work combined public lecture, historical dress up, contemporary fashion showcase and call to action in an engaging lecture-performance format.
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Soodsang, Nirat. "Fashion Design from Woven Fabrics of Community Enterprise Group". Asian Social Science 12, n.º 3 (23 de fevereiro de 2016): 31. http://dx.doi.org/10.5539/ass.v12n3p31.

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<p>The objectives of this study were to 1) design fashion and bags from woven fabrics of the community enterprise group in Pitsanulok province 2) compare the quality of products based on the criteria used to measure community products classified by features, genders, level of income and 3) present a prototype from local woven fabrics in Pitsanulok province. The research procedure includes the sample group which incorporates 67 consumers in their working ages. Accidental sampling design was implemented. The instruments were modified and validated by the standard of community products scp. 196/2003 entitled handmade products from fabrics quality assured in terms of the product neatness, benefits, materials, and manufacturing processes as well as marketing possibility and career advancement. The results were that the fashion design and bags from the local woven fabrics proposed as the prototype had their own valued adding and could be able to market. As regards the quality assurance, the satisfactory level was good. Also, when the satisfactory level of the consumers towards the products were compared regarding genders and level of income, there was no significant differences found.<strong></strong></p>
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Lai, Yiqing. "LVMH Strategy and Financial Analysis of LVMH Group". Highlights in Business, Economics and Management 10 (9 de maio de 2023): 143–48. http://dx.doi.org/10.54097/hbem.v10i.8030.

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In the current environment of economic downturn, frequent regional conflicts and continuous impact of COVID-19, the luxury industry and fashion industry are also expanding with the trend of The Times. These industries have their own unique judgment on the current situation, and their strategic layout is constantly updated and changed with a deeper understanding of the situation and more accurate judgment. Through corporate strategy and financial indicators, this paper analyzes how LVMH Group, as a leader in the luxury industry and fashion industry, avoids risks in the face of multiple difficulties, carries out self-transformation and innovation, constantly realizes the digital transformation of LVMH enterprises, highlights and gives play to its comprehensive advantages, and implements merger and acquisition strategy to increase the company's profits. The analysis of the company can reflect from the side how the luxury industry and fashion industry promote consumption and economic development through their own strength under the current situation.
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Wang, Juan, e Kwang Sook Sung. "A Study on the Discourse and Characteristics of Design Expression of NFT Virtual Fashion Design through China Social Media Big date Analysis". Korea Institute of Design Research Society 8, n.º 2 (30 de junho de 2023): 335–52. http://dx.doi.org/10.46248/kidrs.2023.2.335.

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This study aims to analyze the discourse and design characteristics of ‘NFT virtual fashion’ through social media big data analysis. Data was collected using the keyword ‘NFT virtual fashion’ from Textom China, and the discourse of NFT virtual fashion was analyzed using CONCOR analysis. Cluster analysis was employed to examine the design characteristics of NFT virtual fashion. Four discourse groups emerged from the CONCOR analysis: Group 1 discussed the trends in NFT virtual fashion brands and its development, Group 2 explored the experiences and creation of NFT virtual fashion, Group 3 examined the market and investment trends of NFT virtual fashion in the fashion industry, while Group 4 focused on the subscribers desires and the presence of the sportswear brand Nike in NFT virtual fashion. Furthermore, eight design clusters were identified through cluster analysis, namely: Cluster 1 - ‘Boldness’, Cluster 2 - ‘Collaboration and High Quality’, Cluster 3 - ‘Artistry and Virtuality’, Cluster 4 - ‘Exaggeration and Technological Elements’, Cluster 5 - ‘Environmental Friendliness and Non-standardization’, Cluster6 - ‘Aesthetics and Interactivity’, Cluster 7 - ‘Non-contact’, and Cluster 8 - ‘Boundarylessness’. Finally, insights were drawn from the analysis of the discourse and design characteristics of NFT virtual fashion.
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Mais fontes

Teses / dissertações sobre o assunto "Fashion Group"

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Conocimiento, Dirección de Gestión del. "Journal of Global Fashion Marketing". Taylor & Francis Group, 2004. http://hdl.handle.net/10757/655336.

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Conocimiento, Dirección de Gestión del. "Guía de acceso para Journal of Global Fashion Marketing". Taylor & Francis Group, 2021. http://hdl.handle.net/10757/655336.

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Hayward, Chris. "Fashioning gender : the role of fashion in identity construction in a group of teenage girls". Thesis, Queensland University of Technology, 1997. https://eprints.qut.edu.au/36313/1/36313_Hayward_1997.pdf.

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This study explores the relationship between gender and fashion, by investigating the life experiences of a small group of teenage girls from an area south of Brisbane. Working from feminist perspectives, this study explores the way the girls, in the study, make sense of media representations of fashion and use this in their construction of their gendered self The representation of the fashion model construct and its role in this process is examined. Traditionally, approaches to the discussion of fashion have ranged from historical to socialist feminist, but few have focussed on the impact of fashion on teenage girls. This study is based on the assumption that there is a relationship between fashion and the social construction of the body. Connell's (1987) theories about the gender structures, oflabour, power, and cathexis, have been employed to provide a framework for the study. Femininity, in this study, is understood as not fixed, but rather created by biological and social factors which may be accepted and/or opposed at any moment on a life continuum. How teenage girls use fashion images to construct their identity is investigated. How they write their bodies, and for what purposes, is explored. This study argues that, involved in this process, is a potential struggle as these females utilise this discourse for both power and pleasure. Adopting a methodological approach similar to Gilbert and Taylor (1991), this study asks a small group of teenage girls to discuss their experiences in relation to fashion. The research is conducted in the form of a reading of a limited sample of newspaper and magazine articles about fashion, small group interviews, and a small questionnaire. It then investigates how these experiences are used by the girls in their formation of a gendered identity. The study concludes that media images of fashion play a role in designing and fabricating the gendered identity of the girls in the study, but they often experience difficulty relating to the images presented. The restrictions in their lives that preclude them from having the power to be like models have led to a resistance to many aspects of fashion, rather than reading of fashion as an unpleasant experience.
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Worth, Syd Graham. "Textile design consultancy in the U.K. : a study of a small group of textile design consultants working in the U.K". Thesis, Manchester Metropolitan University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267443.

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Alencar, Camila Osugi Cavalcanti de. "Aplicabilidade do grupo focal para avaliação do conforto em pesquisas de usabilidade em moda". Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/100/100133/tde-03072014-110844/.

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Para o lançamento de novos produtos na área do Design de Moda, os designers utilizam conceitos de ergonomia durante as etapas de formatação do produto. A pesquisa tem como objetivo introduzir na metodologia projetual a preocupação ergonômica, visando à adequação do design no que diz respeito à usabilidade e ao conforto. O estudo trata das relações entre Moda, Design e Metodologia para compreensão da importância da Ergonomia no auxílio dos projetos de Design de Moda. A proposta é sistematizar por meio da metodologia de Grupo Focal as questões ergonômicas na fase projetual de produtos por meio de uma revisão bibliográfica e de reflexões extraídas, constatando-se sua aplicabilidade ao permitir que o designer a partir de uma análise qualitativa dos dados captados nas discussões com o público-alvo proporcione um produto mais satisfatório ao usuário.
For the launch of new products in the area of Fashion Design, designers use concepts of ergonomics through the steps of formatting the product. The research aims at introducing a methodology projetual ergonomic concern, aiming at adapting the design with regard to usability and comfort. The study deals with the relationship between Fashion, Design and Methodology for understanding the importance of ergonomics in aid of Fashion Design projects. The proposal is to systematize through focus group methodology ergonomic issues in projetual phase products through a literature review and reflections drawn, though there is its applicability by allowing the designer from a qualitative analysis of the data captured in discussions with the audience provides the user a more satisfactory product.
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Håkansson, Nadja, e Amanda McCullough. "Hur legitimerar svenska modeföretag CSR? : En kvalitativ studie om hur H&M Group och Nudie Jeans legitimerar CSR". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-14668.

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Syftet med denna kvalitativa studie är att ta reda på vilka kanaler och vilka diskursiva strategier två svenska modeföretag använder för att legitimera CSR. Företagen vi har valt att studera är H&M Group och Nudie Jeans, då vi ser att dessa två företag representerar två olika delar av branschen. Vi valde metoden diskursanalys för att analysera företagens hemsidor och hållbarhetsrapporter, och kollade även på företagens instagram. Det empiriska materialet bestod alltså av analyser på de valda företagens hemsidor och hållbarhetsrapporter, utifrån den teoretiska referensram vi valt för studien. För att analysera och kunna beskriva hur företagen legitimerar CSR har vi kollat i vilken utsträckning de använder sig av strategierna moralisering, rationalisering, auktorisering och narrativisering. När vi kollade på företagens instagram räknas hur många bilder av de 100 senaste som har mer CSR att göra. Studien leder oss till slutsatsen att hållbarhetsrapporten är den mest använda kanalen för CSR legitimering av båda företagen, men att företagen använder sig av olika diskursiva strategier i legitimering av CSR. H&M Group använder sig främst av strategin moralisering för att legitimera CSR, medan Nudie Jeans främst använder rationalisering på hemsidan och auktorisering i hållbarhetsrapporten. Även att Nudie Jeans verkar ha funderat mer kring vilka strategier som ska användas på de olika kanalerna och att deras hållbarhetsrapport håller en bättre kvalitet än H&M Groups, trots att den är betydligt kortare. Framförallt för att Nudie Jeans till större utsträckning använder sig av strategin auktorisering i form av användandet av trovärdiga tredje parter för att bekräfta sina CSR-uttalanden, vilket vi ser är den viktigaste delen av legitimering av CSR. Vi hoppas att denna studie kan förmedla betydelsen av CSR och att den kan användas till att hjälpa företag hitta den rätta strategin för att legitimera CSR.
The purpose of this qualitative study is to find out which channels and discursive strategies two Swedish fashion companies use to legitimize CSR. The companies we have chosen to study are H&M Group and Nudie Jeans, as we see that these two companies represent two different parts of the industry. We chose the discourse analysis method to analyze corporate websites and sustainability reports, and also looked at companies' instagrams. The empirical material thus consisted of analyzes on the chosen companies' websites and sustainability reports, based on the theoretical framework we chose for the study. In order to analyze and describe how companies legitimize CSR, we have investigated to what extent they use the moralization, rationalization, authorization, and narrative strategies. When we looked at the corporate instagram, we looked at how many photos of the 100 latest ones have something to do with CSR. The study leads us to the conclusion that the sustainability report is the most used channel for CSR legitimization of both companies, but that the companies use different discursive strategies in CSR legitimacy. H&M Group mainly uses the strategy moralization to legitimize CSR, while Nudie Jeans primarily uses rationalization on the website and authorization in the sustainability report. Also that Nudie Jeans seems to have thought more about what strategies should be used on the different channels, and that their sustainability report is of a better quality than H&M Groups, even though it is significantly shorter. Above all, because Nudie Jeans makes use of strategy authorization in the form of the use of credible third parties to confirm their CSR statements, which we see is the most important part of CSR legitimation. We hope that this study can convey the importance of CSR and be used to help companies find the right strategy for them to legitimize CSR. The following essay is written in Swedish.
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Jamborová, Nikola. "Ether – Analýza české designérské značky a její rozvoj na českém a zahraničním trhu". Master's thesis, Vysoká škola ekonomická v Praze, 2017. http://www.nusl.cz/ntk/nusl-359797.

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De, Maio Andrea <1992&gt. "Il contributo del Geo Marketing nella scelta localizzativa di un punto vendita e lo sviluppo della rete attraverso il canale diretto e franchising nel Fashion Retail. Il caso Aw Lab (Bata Group)". Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12575.

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Lo sviluppo e l’evoluzione del Fashion Retail nell’attuale contesto digitale e globale ha modificato il comportamento d’acquisto del consumatore e il suo rapporto con il retailer. L’accesso immediato a una grande quantità di informazioni, le innovative piattaforme di shopping online e il legame sempre più ristretto tra mondo digitale e negozio fisico, hanno permesso la realizzazione di una relazione multidimensionale tra brand e consumatore. Le aziende devono essere in grado di recepire questa trasformazione integrando i diversi canali e valorizzando ogni punto vendita in un’ottica omnichannel. Il negozio, nonostante le nuove tendenze, resta lo strumento fondamentale per entrare in contatto con il consumatore, ma per far fronte al contesto odierno è necessaria una riprogettazione basata su una customer-experience centrale e unica oltre ad un’offerta aggiornata e personalizzata in linea con le abitudini e con lo stile di vita del consumatore. Nello sviluppo della propria rete di vendita e nel processo di crescita del brand, la scelta della location o localizzazione del punto vendita sarà uno degli elementi che caratterizzerà la strategia futura del settore. Analizzando il caso Aw Lab, brand di proprietà del gruppo Bata e retailer italiano di riferimento nella vendita di sneakers, apparel e accessories con la tendenza all’urban sport style, l’obiettivo dell’elaborato è quello di raccogliere, processare e analizzare i parametri di scelta nella decisione di apertura di un nuovo punto vendita attraverso il canale diretto oppure franchising avvalendosi dell’importante contributo del Geo Marketing. L’analisi del caso aziendale è strutturata ripercorrendo le tematiche relative al compendio teorico esposto nella prima parte dell’elaborato, quali: la differente gestione d’impresa nei due canali di vendita, i metodi di impiego e le potenzialità dello strumento del Geo Marketing nella scelta localizzativa di apertura dei punti vendita.
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Battezzati, Ligia Cristina. "A personalização dos ambientes domésticos através do uso dos estilos vintage e retrô na decoração contemporânea". Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/609.

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Este trabalho consiste no estudo sobre a utilização dos estilos vintage e retrô nos arranjos domésticos, considerando a ordem decorativa, as relações entre moda e decoração, os significados atribuídos aos artefatos, a construção e a representação de identidades. A pesquisa tem como objetivo compreender as características do vintage e do retrô, explorar suas maneiras de apropriação e constituição enquanto estratégias para a personalização dos ambientes domésticos. Tem como principais fontes os discursos encontrados nas revistas Casa Claudia e Casa e Jardim, especializadas em decoração, publicadas no período de 2002 a 2011. Nas reportagens, tanto os textos quanto as imagens são recursos importantes para a compreensão dos tipos de arranjos caracterizados como vintage, cuja principal propriedade está no uso de artefatos do passado, ou como retrô, classificados como objetos que se aproveitam de recursos tecnológicos atuais, mas que remetem ao passado. Através de algumas reportagens veiculadas, pretendo discutir a importância da cultura material como recurso para a construção de modelos de estilo de vida. Embora o discurso das revistas privilegie o entendimento do vintage e do retrô como formas de personalização e expressão das individualidades, quero destacar seu caráter social e cultural, evidenciando o conjunto de regras e significados que regulam suas formas de uso.
This work is a study on the use of vintage and retro styles in domestic arrangements, considering the decorative order, the relationship between fashion and interior design, the meanings attributed to artifacts, the construction and representation of identities. The research aims to understand the characteristics of the vintage and retro, explore their ways of appropriation and constitution as strategies for customizing home environments. Its main sources discourses were found in Casa Claudia and in Casa e Jardim magazines, specializing in decoration, published between 2002-2011. In the reports, both the texts and images are important features for understanding of the types of arrangements characterized as vintage, whose main property is the use of artifacts from the past, or as retro, classified as objects that take advantage of current technological resources, but that refer to the past. Through some articles published, I intend to discuss the importance of material culture as a resource for building models lifestyle. Although the discourse of magazines favors the understanding of vintage and retro as forms of customization and expression of individuality, I want to highlight their social and cultural nature, showing the set of rules governing their meanings and forms of use.
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Mong, Megan Lois. "Modest Dress as Literacy Practice in English-Speaking Conservative Mennonite Groups". Thesis, The University of North Dakota, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10845634.

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English-speaking conservative Mennonites exercise a distinct set of dress practices that are not often understood by people outside the community. Advances in New Literacy Studies pave the way to understand their dress practices as a type of literacy. Multiple literacies work together to inform conservative Mennonite dress practices. One of these literacies is the reading and writing of religious texts. A second literacy is a form of heritage literacy where clothing functions as a multimodal text. Conservative Mennonites use their clothing to codify their Christian identity, gender roles and church affiliation. They intend their clothing to represent who they are to the people around them. A conservative Mennonite woman's head covering is a subversive, embodied text that corrects power imbalances they perceive between masculine and feminine. The results of viewing Mennonite dress practices through the lens of literacy show them to be a coherent sign system that passes between generations.

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Livros sobre o assunto "Fashion Group"

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National Institute for Occupational Safety and Health., ed. Fairchild Fashion & Merchandising Group New York, New York. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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Sylvain, David C. Fairchild Fashion & Merchandising Group New York, New York. [Atlanta, Ga.?]: U.S. Dept. of Health and Human Services, Public Health Service, Centers for Disease Control and Prevention, National Institute for Occupational Safety and Health, 1993.

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Gilbert, Pat. Passion is a fashion: The real story of The Clash. Cambridge, MA: Da Capo Press, 2004.

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Gilbert, Pat. Passion is a fashion: The real story of the Clash. London: Aurum, 2004.

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Gradén, Lizette, e Magdalena Petersson McIntyre. Modets metamorfoser: Den klädda kroppens identiteter och förvandlingar. Stockholm: Carlssons, 2009.

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Aragoni, Guiseppe. The Gucci group: How global strategies can apply to the fashion world. London: LCP, 2001.

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Fred, Davis. Fashion, culture, and identity. Chicago: University of Chicago Press, 1994.

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Capítulos de livros sobre o assunto "Fashion Group"

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Chui, Yik-Hin, Pui-Sze Chow e Tsan-Ming Choi. "Consumer Perceived Risks Towards Online Group Buying Service for Fashion Apparel Products". In Fashion Branding and Consumer Behaviors, 133–46. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-0277-4_9.

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Tang, Ming, e Huchang Liao. "Multiple Criteria Group Decision-Making Based on Hesitant Fuzzy Linguistic Consensus Model for Fashion Sales Forecasting". In Artificial Intelligence on Fashion and Textiles, 329–36. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-99695-0_40.

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Limatius, Hanna, e Minna Nevala. "Chapter 6. Intragroup marginalization in social media". In Self- and Other-Reference in Social Contexts, 114–37. Amsterdam: John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/pbns.342.06lim.

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This chapter discusses plus-size group membership in Instagram (IG) posts published by the fashion retailer Fashion Nova Curve. Moreover, we focus on the ways in which self- and other-reference are used as tools for Intragroup Marginalization (IM). By IM we mean distancing by group members that occurs when a certain individual is believed to exhibit behaviors, values and beliefs that are outside the in-group culture’s norms. Our data consist of 233 Instagram posts published in October 2021, and our critical discourse analysis focuses on those person referential terms that show in-group membership polarization. Our results show that both the models and the customers in the IG posts are marginalized by the commenters in several ways, including critical comments not only from the out-group, but also from the members of the plus-size in-group, as their bodies are constructed as e.g. ‘not plus-size enough’ or ‘the wrong kind of plus-size’.
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Kafantogias, Aris. "The catalyst of change. The clothing of the Viennese servants and their relation to fashion in the period 1760-1823". In La moda come motore economico: innovazione di processo e prodotto, nuove strategie commerciali, comportamento dei consumatori / Fashion as an economic engine: process and product innovation, commercial strategies, consumer behavior, 251–89. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-565-3.15.

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In the eighteenth century, fashion constituted a fundamental criterion for consumption for broader parts of the European (and Viennese) population. This article investigates, through various sources, like probate inventories, fashion magazines and pattern books, the consumption of clothes and accessories of female servants in the period 1760-1823 and associates it with debates on their appearance at the time. It compares their wardrobes to those of a broad part of the Viennese female middle-class population, and examines the relation of their wardrobes to fashion, notably in the period of the emergence of Viennese fashion. Finally, it investigates whether female servants could function as intermediaries of the prevalent fashion between the elites and this middle stratum, and, consequently, as trendsetters for this group.
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Shang, Yan. "Wang Ruixiang Fashion Co, Ltd v Trend Co, Ltd and Shanghai Silk (Group) Co, Ltd". In Selected Chinese Cases on the UN Sales Convention (CISG) Vol. 1, 235–38. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-65250-3_29.

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García-Sancho, Miguel, e James Lowe. "Making Reference Genomes Useful: Annotation". In A History of Genomics across Species, Communities and Projects, 205–54. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-06130-1_6.

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AbstractThrough examining how the reference genomes of yeast, human and pig were annotated, in this chapter we further identify how the involvement or non-involvement of particular communities in the creation of a reference genome can affect the nature of the product. We therefore continue to distinguish the qualities of separate reference genomes, which are otherwise rendered as commensurate and equivalent objects by data repositories such as RefSeq. In doing so, we present alternative historical trajectories to the narrative centred around the Human Genome Project. In particular, this chapter conveys how the relationship between pig genomicists and a key annotation group at the Sanger Institute shaped the direction of annotation at that institution. This led the Sanger Institute group to formulate a new way of conducting ‘community annotation’, an approach that had previously been performed in a limited and attenuated fashion, for example at the jamboree meetings of Celera Genomics.
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Trisatya, Achmad Afriadi, e Yeni Absah. "The Effect of Consumer Ethnocentrism on Purchase Intention of Indonesian Local Fashion Brands". In Proceedings of the 19th International Symposium on Management (INSYMA 2022), 887–95. Dordrecht: Atlantis Press International BV, 2022. http://dx.doi.org/10.2991/978-94-6463-008-4_111.

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AbstractThere is a decline and lack of consumer interest in buying local Indonesian fashion products; however, many potential fashion brands are emerging and growing in Indonesia. A strategy is needed to increase local brand awareness among consumers in Indonesia, especially consumer ethnocentrism. It is known that the more ethnocentric a group of consumers is, the more important it is to them where the product comes from, and the impact is the more active they are in seeking information about the product. Ethnocentric consumers also create a value that can influence others; the value is considered important to explain that their products are much better than other people’s products. This study is a quantitative descriptive study that aims to determine the relationship between research variables, namely consumer ethnocentricity, brand value, and intention to buy local products. This study used a sampling technique that is purposive sampling. The data analysis technique used was the PLS-SEM test. The empirical results from PLS-SEM show that the effect of consumer ethnocentrism on brand value proved to have a positive and significant effect. Second, the effect of consumer ethnocentrism on purchase intention proved to have a positive and significant effect. Third, the effect of brand value on purchase intention proved to have a positive and significant effect.
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Boța-Moisin, Monica. "Cultural Fashion a Matter of Human Rights. Cultural Misappropriation as a Human Rights Violation. What is Wrong with the Fashion and Legal Systems and How Can We Make It Right? The Oma Ethnic Group of Nanam Village in Laos Have an Answer". In Sustainable Textiles: Production, Processing, Manufacturing & Chemistry, 91–109. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-0349-8_6.

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Chen, Peng. "Celebrities, Social Media Influencers and Reference Groups". In Digital Transformation for Fashion and Luxury Brands, 185–205. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-35589-9_9.

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Mehl, Margaret. "8. Playing Modern". In Music and the Making of Modern Japan, 203–36. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0374.08.

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Chapter 8, ‘Playing Modern: Blending Japanese and Western Music’, examines the widespread, albeit short-lived, fashion for performing Japanese music (chiefly koto and shamisen genres) on Western instruments, particularly the piano or organ and the violin; a practice known as wayō setchû (mixing Japanese and Western elements), wayō chōwa gaku (music harmonizing Japanese and Western elements), or wayō gassō (Japanese-Western ensemble playing). The propagators of the practice can be categorized loosely as ‘reformers’ and entrepreneurs.’ The former group consisted largely of graduates from the Tokyo Academy of Music. Their arguments about the importance of music reform were similar to those of the older Meiji elite, but in practice, their musical training resulted in their privileging Western music in the long run. More persistent was a grass-roots trend, promoted by enterprising musicians, often performers of indigenous music. They published sheet music in Western staff notation. This marked a departure from studying Japanese music in the traditional way of direct transmission from teacher to student, because it enabled independent study without a teacher. Wayō setchû, although frowned upon by the contemporary musical establishment in the capital, is regarded as having facilitated the assimilation of Western music. Another aspect, however, are the changing practices within traditional Japanese music. The practice suggests that the strict separation between Western and Japanese music (which from around 1900 began to be called hōgaku), was not a foregone conclusion, despite the privileging of Western music by the government.
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Trabalhos de conferências sobre o assunto "Fashion Group"

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REABENCHI, Eugen. "Analysis and prediction of fashion trends. How social trends affect fashion". In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p178-183.

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Today it is no longer enough to just catch the changes in society and use this knowledge: we have to be proactive: we “predict” and then quickly and accurately formulate the trends. Fashion design, as a creative unit, is a branch of production in which the use of forecasting techniques and systems is of particular importance, which makes it possible to predict directions and trends in the use of new technologies, materials and methods of producing a design. Forecasting development trends in these areas is an important way to form promising clothing collections with positive social impact. Using predictive design techniques allows companies to plan their product lineup to meet customer demand and have overall social value. The need to predict trends stems from the shared interest of designers and industry groups for commercial success. Based on forecasts, designers strive not only to meet the expectations of a target group, but also to create new materials and develop modern technologies. There are many approaches to forecasting in design: formal, intuitive, sociological and even astrological.
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Cramer, Jan Philip, Michael Melchiore, Elizabeth Bernard e Ashley McKay. "She-Hulk: Lawyer to Fashion Icon". In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3600145.

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Farahi, Behnaz. "Returning the Gaze: Robotic Installation for Milan Fashion Week". In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3588428.3593824.

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Yasnidawati, Yasnidawati. "Implementation Model Creative Group Investigation in Family Welfare Education Study Program (Fashion)". In Proceedings of the 1st International Conference on Innovation in Education (ICoIE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icoie-18.2019.140.

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LI, MENG-SHUANG. "ANALYSIS OF FAST FASHION CONSUMER BEHAVIOR FROM THE PERSPECTIVE OF CONSUMER SOCIETY RESEARCH". In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35724.

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The advent of the consumer society and mass media era has reconstructed the way people produce and live. Based on this condition, fast fashion as a new clothing industry has been spawned and has become popular rapidly. First of all, this article analyzes the concepts of fast fashion and fast fashion consumption, in order to explore the attribution of the rise of fast fashion consumption, including the rapid development of society and economy, the urgency of stimulating people's domestic demand, the driving role of mass media and advertising, and the psychological needs of the public keep increasing and so on. In addition, Fast-food consumerism represented by fast fashion has become a symbol that distinguishes a certain class or group. This article uses the sociology of consumption as a research perspective to explore the symbolic value of fast fashion consumption. It includes four types of symbolic values, including the value of highlighting differences, the value of distinguishing social classes, the value of belonging to a social group, and the value of resolving identity crises. At last, as a summary part, this article summarizes the benefits of fast fashion consumption, and makes certain reflections and suggestions on the disadvantages of fast fashion consumption.
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Ly, Ngoc Q., Tuong K. L. Do e Binh X. Nguyen. "Enhanced Fashion Attribute Learning Framework adapts to Attributes’ inner-group Correlations and Imbalanced Data". In 2018 10th International Conference on Knowledge and Systems Engineering (KSE). IEEE, 2018. http://dx.doi.org/10.1109/kse.2018.8573386.

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Ahn, Duck-Ki, e Byung-Chull Bae. "Exploring the Effects of Interactivity on User Experiences in an Interactive VR Fashion Show". In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388770.3407441.

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Pagnan, Andreia Salvan, Ana Carolina Rodarte, Graciela Martins Morais e Tulio César Salvan Pagnan. "Circular fashion: textile waste management project with communities". In ENSUS2023 - XI Encontro de Sustentabilidade em Projeto. Grupo de Pesquisa Virtuhab/UFSC, 2023. http://dx.doi.org/10.29183/2596-237x.ensus2023.v11.n4.p321-332.

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The awakening of the community to environmental, cultural and economic sustainability is among the results obtained that allow the autonomy of the group after the project and its strengthening. The lack of identity in local products is evident in the cultural and historical circuits of Minas Gerais, lacking products that apply local iconography. The extension project carried out at the School of Design at the State University of Minas Gerais (UEMG) in 2017 promoted the collection of textile waste, followed by cataloging, allowing a mapping of disposal by garment factories in Belo Horizonte, mobilizing city halls to the correct management of this solid waste. The waste served as input for the execution of the project with embroiderers from a community in the city of Mariana (MG), using the upcycling technique, which consists of using textile waste and trimmings to create new fashion products. The project was strengthened by developing a brand with a visual identity, a brand manual to be applied to products.
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Kohyama, Kai, Alexandre Berthault, Takuma Kato e Akihiko Shirai. "AI-Assisted Avatar Fashion Show: Word-to-Clothing Texture Exploration and Motion Synthesis for Metaverse UGC". In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3588028.3603660.

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Blanco-Lorenzo, Enrique M., e Zaida Garcia-Requejo. "Enjoy FFD". In Contextos universitarios transformadores: a nova normalidade académica. Leccións aprendidas e retos de futuro. V Xornadas de Innovación Docente. Servizo de Publicacións. Universidade da Coruña, 2021. http://dx.doi.org/10.17979/spudc.9788497498180.067.

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From the subject Fundamentals of Fashion Design (FFD), first year first term of the Degree in Fashion Industry Management of the UDC we aspire the enjoyment of the student is an effective tool to achieve the established competencies. With a profile that approaches to studies from a business vision, the subjects working under the design world need an impulse to catch their attention and interest, handling in the importance of the coherence between thought and design deepening the importance of coherence between thoughts and design. In the first three editions of the degree the role game has been used as a strategy to promote their commitment, so entitled Ferrol Fashion Show, Premier and Gala, group activities have been proposed to guaranteed it. They consisted of assuming the role of a fashion company that deals with the launch of a collection or a historical film, or the design of a virtual gala. They developed works hybridizing individual activities, for the construction of a personal booklet, and group commissions to achieve a final presentation, as a large collective event extended by all the physical or virtual spaces, which became the main objective and milestone of the course. The process has been tested useful and effective, in order to achieve the planned objectives.
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Relatórios de organizações sobre o assunto "Fashion Group"

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Martin, Kathi, Nick Jushchyshyn e Claire King. James Galanos Evening Gown c. 1957. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/jkyh-1b56.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening gown is from Galanos' Fall 1957 collection. It is embellished with polychrome glass beads in a red and green tartan plaid pattern on a base of silk . It was a gift of Mrs. John Thouron and is in The James G. Galanos Archive at Drexel University. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Matthews, Delisia R., e Nancy Hodges. Swapping Styles: An Exploration of Fashion Leadership, Brands, and Group Membership in the Context of Clothing Swaps. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-517.

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Martin, Kathi, Nick Jushchyshyn e Claire King. James Galanos, Wool Evening Suit. Fall 1984. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/6gzv-pb45.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This evening suit is from Galanos Fall 1984 collection. The skirt and bodice of the jacket are black and white plaid wool. The jacket sleeves are black mink with leather inserts that contrast the sheen of the leather against the luster of the mink and reduce some of the bulk of the sleeve. The suit is part of The James G. Galanos Archive at Drexel University gifted to Drexel University in 2016. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Martin, Kathi, Nick Jushchyshyn e Claire King. James Galanos, Silk Chiffon Afternoon Dress c. Fall 1976. Drexel Digital Museum, 2018. http://dx.doi.org/10.17918/q3g5-n257.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening suit by American fashion designer James Galanos with related text. This afternoon dress is from Galanos' Fall 1976 collection. It is made from pale pink silk chiffon and finished with hand stitching on the hems and edges of this dress, The dress was gifted to Drexel University as part of The James G. Galanos Archive at Drexel University in 2016. After it was imaged the gown was deemed too fragile to exhibit. By imaging it using high resolution GigaPan technology we are able to create an archival quality digital record of the dress and exhibit it virtually at life size in 3D panorama. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Martin, Kathi, Nick Jushchyshyn e Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished with a handkerchief edge, accentuate the asymmetrical draping of the gown. Ruching, controlled by internal drawstrings and ties, creates volume and a slight pouf, a nod to 'le pouf' silhouette Lacroix popularized in his collection for Patou in 1986. Decorative boning on the front of the bodice reflects Lacroix's early education as a costume historian and his sartorial reinterpretation of historic corsets. It is from the private collection of Mari Shaw. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Lee, Seung-Hee, Jane Workman e Kwangho Jung. Mobile Shopping Behavior among Fashion Adoption Groups. Ames: Iowa State University, Digital Repository, novembro de 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1475.

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Workman, Jane E., Seung-Hee Lee e Kyangho Jung. Fashion Adoption Groups and Consumer-Brand Relationships. Ames: Iowa State University, Digital Repository, novembro de 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-26.

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Yu, Ui-Jeen, Hae Jin Gam e Renee Baker. Identifying Characteristics of the Tween Fashion Consumer Groups. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-961.

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Ki, Chung-Wha, Theresa Hyunjin Kwon e Youn-Kyung Kim. Luxury Fashion Consumers: Comparing High and Low Guilt Groups. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1762.

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Lee, Seung-Hee, Jane Workman e Kwangho Jung. Tendency to Regret and Compulsive Buying Among Fashion Adoption Groups. Ames: Iowa State University, Digital Repository, novembro de 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1549.

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