Siga este link para ver outros tipos de publicações sobre o tema: Farsça.
Teses / dissertações sobre o tema "Farsça"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Farsça".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja as teses / dissertações das mais diversas áreas científicas e compile uma bibliografia correta.
1
Santos, Maricélia Nunes dos. "Ambivalência cômica: a farsa em cena." Universidade Estadual do Oeste do Parana, 2016. http://tede.unioeste.br:8080/tede/handle/tede/2464.
Texto completo da fonteResumo:
Made available in DSpace on 2017-07-10T18:56:10Z (GMT). No. of bitstreams: 1
MariceliaSantos.pdf: 789092 bytes, checksum: 94bde1b082c7131a118f441a6c179fb8 (MD5)
Previous issue date: 2016-12-15<br>Esta investigación consiste en el estudio comparativo de las obras La farsa de
Maître Pathelin, de autoría anónima, cuya fecha de creación es estimada en
aproximadamente 1465, Farsa de Inés Pereira, escrita por Gil Vicente y publicada en
1523, y La farsa de la buena pereza, del brasilero Ariano Suassuna, cuya fecha de
publicación es 1960. Se tiene como propuesta analizar comparativamente las farsas
que componen el corpus, con la finalidad de comprender la caracterización y las
modulaciones de ese género y sus relaciones con la cultura popular. En esa
perspectiva, el intuito es comprender cómo se da la constitución del cómico en cada
una de las obras, atentando para la manifestación de la ambivalencia y de las
relaciones que establecen con sus respectivos contextos históricos y sociales,
observar en qué aspectos la constitución de la farsa se asocia con la cultura popular
y en qué medida el corpus dialoga entre sí. De acuerdo con Berthold (2006), la
relación entre la farsa y los elementos de la cultura popular se encuentra expresa
incluso en el surgimiento de aquella, haya vista que era un teatro practicado por
amadores y basado, más allá de cualquier técnica escénica especial, en la astucia
verbal. En el estudio de las piezas, se consideró la tríade del cómico (relajamiento,
rescate y reconocimiento), la cual según Reckford (1987) es responsable por la
activación de la catarsis cómica. Para reflexionar sobre la ambivalencia del cómico,
la cosmovisión carnavalesca y la relación de la farsa con la cultura popular, los
fundamentos teóricos de Bajtín (1981, 1999) fueron fundamentales. El estudio de las
obras de acuerdo con tales presupuestos nos conduce al entendimiento de que la
catarsis cómica consiste en un nivel alcanzado por medio del empleo de recursos
oriundos del cómico ambivalente, cuyo potencial reside en la revitalización de lo
social<br>Esta pesquisa consiste no estudo comparativo das obras A farsa do advogado
Pathelin, de autoria anônima, cuja data de criação é estimada em aproximadamente
1465, Farsa de Inês Pereira, escrita por Gil Vicente e publicada em 1523, e Farsa da
boa preguiça, do brasileiro Ariano Suassuna, cuja data de publicação é 1960. Temse
como proposta analisar comparativamente as farsas que compõem o corpus, a
fim de compreender a caracterização e as modulações desse gênero e suas
relações com a cultura popular. Nessa perspectiva, o intuito é compreender como se
dá a constituição do cômico em cada uma das peças, atentando para a
manifestação da ambivalência e das relações que estabelecem com os seus
respectivos contextos históricos e sociais, observar em que aspectos a constituição
da farsa se associa à cultura popular e em que medida o corpus dialoga entre si. De
acordo com Berthold (2006), a relação entre o teatro farsesco e os elementos da
cultura popular se encontra expressa inclusive no surgimento daquele, visto que era
um teatro praticado por amadores e baseado, a despeito de qualquer técnica cênica
especial, na astúcia verbal. No estudo das peças, se considerou a tríade do cômico
(relaxamento, resgate e reconhecimento), a qual conforme Reckford (1987) é
responsável pela ativação da catarse cômica. Para refletir sobre a ambivalência do
cômico, a cosmovisão carnavalesca e a relação da farsa com a cultura popular, os
pressupostos teóricos de Bakhtin (1981, 1999) foram fundamentais. O estudo das
obras de acordo com tais pressupostos nos conduz ao entendimento de que a
catarse cômica consiste em um estágio alcançado por meio do emprego de recursos
oriundos do cômico ambivalente, cujo potencial reside na revitalização do social
2
Yañez, Valenzuela Nicolás. "Decadencia: una farsa sociológica de Steven Berkoff." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/146946.
Texto completo da fonte
3
Naji, Qusay. "Fastighetsutveckling i Farsta. Ekonomisk analys av TeliaSonera-områdets framtid." Thesis, KTH, Fastigheter och byggande, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-151447.
Texto completo da fonteResumo:
Stockholm is one of the fastest growing cities in the world. Its population is growing every day and the housing needs are becoming higher. Despite the growth and the need for more houses only a few new housing units are being built every year. Critics argue that if the building rate stays as it is today the development of the city will be very limited since there is no capacity for the city to embrace new incomers. The decision makers in the municipality of Stockholm are planning for large investments in housing units for the coming years up until 2030. There are plans of building approximately 140 000 new apartments to mend the ascending need for new houses. Farsta County is part of Stockholm and lies a few kilometers to the south of the city center. Today the county contains roughly 5 000 housing units. It also contains enormous office facilities rented by the Swedish Telecom company TeliaSonera. These facilities are the current TeliaSonera headquarters, but due to the aging nature of the facilities the company has decided to move out. It is known among market experts that Farsta does not possess the most attractive office location. Thus when TeliaSonera leaves the premises there is potential risk that they will be vacant for quite a long time. And in such situation the opportunity comes to exploit the land in different use than its original. The high need of housing combined with the high office vacancy rate of the county generate the idea of using the land for housing purposes. One can either use the already existing buildings and convert them into apartments and then complete the rest of the land with new buildings, which is a more sustainable alternative. Or one can demolish the existing stock and build a completely new compound. Feasibility and social studies have been carried out in this paper to determine which alternative is the most suitable in the current situation. Out of social point of view the alternative where a completely new compound is produced is more beneficial than the alternative with the conversion and completion. This is due to the higher standard the new apartments will have compared to the other alternative plus, and according to the study, the higher number of flats obtained. It will also be more beneficial economically in the future due to the reduced costs of maintenance. Regardless of which alternative to be chosen the project is going to be costly and it is therefore important to organize it well by finding the financiers and studying all the legal and economic aspects before starting off with it. This project is estimated to produce over 2 500 apartments, a number that says much about the size of the project.<br>Stockholm är en av världens snabbast växande städer. Dess befolkning ökar för varje dag och behovet av nya bostäder växer. Trots stadens utveckling och det växande bostadsbehovet byggs det enbart ett fåtal nya bostäder årligen. Om det fortsätter att byggas så lite som det görs idag kommer stadens utveckling att hämmas rejält då det inte finns möjlighet för nyinflyttade att bo i staden. Stockholms stad planerar för stora investeringar i bostadssektorn i de kommande åren och fram till år 2030. Avsikten är att bygga färdigt runt 140 000 nya lägenheter fram till 2030 för att minska det växande bostadsbehovet. Farsta är en stadsdel som är belägen ca 10 kilometer söder om Stockholms stadskärna. Idag finns det cirka 5 000 bostäder i stadsdelen. I Farsta finns också TeliaSoneras huvudkontor som består av ett stort kontorsområde. TeliaSonera har beslutat att flytta från Farsta år 2016. Det är känt bland marknads experter att Farsta inte är attraktivt för kontorsverksamhet. När TeliaSonera flyttar ut finns det därför stor risk att lokalerna står vakanta en längre period utan att hyras. Därför är det lämpligt att tänka på alternativa användningar för området. Det växande bostadsbehovet kombinerat med områdets höga vakansgrad på kontor skapar iden om att omvandla området till bostäder. Då finns det sätt att tillgå. Antingen konverteras det gamla beståndet till lägenheter och kompletteras med nya hus för att uppnå önskad täthet för marken, vilket är ett grönare alternativ. Eller rivs allt gammalt och nytt byggs istället. Ekonomiska och sociala faktorer vägs in för att avgöra vilket alternativ är mer passande för dagens behov. Utav samhälleliga anledningar tycks alternativet med totalomvandling (där det gamla beståndet rivs ner) vara mer fördelaktigt jämfört med konverteringsalternativet. Det är på grund av att totalomvandlingen skapar fler lägenheter samt att de nyproducerade lägenheterna har högre standard. I längden kommer detta alternativ att också vara mer ekonomiskt fördelaktig då det har mindre drift- och underhållskostnader. Oavsett vilket alternativ som föredras innebär ett sådant projekt stora kostnader. Därför är det viktigt att redan i ett tidigt skede organisera projektet genom att hitta lämpliga investerare samt att studera de juridiska och ekonomiska aspekterna. Detta projekt beräknas producera drygt 2 500 lägenheter, något som talar om storleken av projektet.
4
Reppling, Simon, and Tobias Tillander. "Optimizing Shopping Centres – A Case Study of Farsta Centrum." Thesis, KTH, Fastigheter och byggande, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-191306.
Texto completo da fonteResumo:
The purpose of this essay is to examine the possibilities for Farsta Centrum so they can increase their visitor count to avoid losing customers in favor of online shopping. It is investigated through several hypotheses that were formed. To accomplish this, a case study which consists of two parts has been completed. Firstly, a literature review was the basis for the hypotheses that investigates previous work concerning the subject. Secondly a questionnaire has been designed based on a standard model with attitude statements and a 7- point Likert scale. The questionnaire was then handed out to consumers as well as employees with a managerial role in the stores at Farsta Centrum. After this the answers were reviewed and analyzed based on average values. The results show that multi-channel shopping is not yet fully integrated with online shopping at Farsta Centrum. However other hypotheses were confirmed, for example that customer loyalty is important and that customers will prefer self-scanning. Therefore, two ways are presented to increase the visitor count to the center based on the results of the report. Firstly to pressure the stores to maintain a virtual store and secondly to force them to use self-scanning where appropriate.<br>Uppsatsens syfte är att undersöka om och i så fall hur Farsta Centrum kan öka besöksfrekvensen för att undvika att kunderna istället handlar online. För att problemet ska kunna diskuteras har en fallstudie av centrumet utförts vilken består av två delar. Först har en litteraturstudie gjorts där tidigare forskningsrapporter och litteratur presenteras. Här ligger också grunden till hypotesformuleringarna. Del två är en enkätundersökning med attitydfrågor som ställts till konsumenter respektive butiksansvariga i Farsta Centrum. Konsumenterna har fått besvara frågor relaterade till bland annat handelsmönster, hur det digitala integreras i handeln eller självscanning. Frågorna är kopplade till hypoteserna och svaren har utvärderats med medelvärden. Skalan som användes var en 7-gradig Likertskala. I resultatet framgår att Farsta Centrum inte är i framkant av den digitala handeln än. Hemsidor och telefoner är inte det viktigaste för konsumenterna och därför behöver inga anpassningar utföras än. Dock framgår till exempel att köptrohet är viktigt såväl som att självscanning är attraktivt. Det finns därför två sätt för Farsta Centrum att förvalta på ett bättre sätt för att öka besöksfrekvensen till centrumet utifrån rapportens resultat. De kan sätta mer press på butikerna att också tillhandahålla en virtuell butik samt forcera butiker att använda sig av självscanning där det är möjligt och passande.
5
Enckell, Julliard Julie Sabine. "Au seuil du Salut : les décors peints de l'avant-nef de Farfa en Sabine." Poitiers, 2004. http://www.theses.fr/2004POIT5017.
Texto completo da fonteResumo:
Ce travail se focalise sur les décors peints (XIe-XIIe siècle) de l'abbatiale médiévale de Farfa, respectivement situés dans la tour-porche et le "chœur carré" de l'édifice. Il s'agit d'un travail pionnier sur ces peintures demeurées jusqu'ici méconnues, qui propose une nouvelle identification des fragments peints, ainsi qu'une explication à leur localisation dans le porche de l'èglise par le biais de l'étude des sources liturgiques<br>This research studies the decoration of the bell-tower that plays a central role in the discussion about the art of the 11th century and the specific political climate in which they appear, called the "gregorian reform". In the second part, the work focuses on the paintings of the squared chor that are one of the most important testimonies of the 12th century monumental italian art, although never studied. Analysing these two stages of the church's decoration, this work takes part in a larger renewal of the Italian medieval studies on wall-painting, revelating an unknown decoration while putting forward an original method of analysis
6
Cerda, Gunnarsson Itzana, and Bruun Lucy Moreau. "“Näringen i livet!” : En studie om kulturnärvaron i Farsta stadsdel." Thesis, KTH, Urbana och regionala studier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-278549.
Texto completo da fonteResumo:
Genom alla tider har kulturen haft en stor betydelse för människan. I världen och i Sverige arbetas kontinuerligt med mål kopplade till social hållbarhet där kultur ingår. I denna uppsats utreds kulturens roll i stadsplaneringen och varför kultur är viktig för människan. Uppsatsen utgår från begreppet kulturnärvaro som anspelar på samhällets närvaro utifrån kulturella byggnader och verksamheter. Studien undersöker fallet Farsta stadsdel utifrån en litteraturstudie, en dokumentstudie, intervju med människor som arbetar med kultur och planering och en enkät till boende i Farsta stadsdel. Syftet blir att undersöka kulturnärvaron i Farsta stadsdel och stadsplanerarens roll i inkludering av kultur i planeringen. Kultur anses vara av vikt för människans liv och den sociala hållbarheten vilket gör kulturen av intresse att inkludera i stadsplaneringen. Stadsplaneringen kan skapa förutsättningar i den byggda miljön i ett tidigt skede och skapa möjligheter för att kunna placera kulturverksamheter vid flödet. En fullständig kartläggning över Stockholms stads kulturutbud kan utföras för att vägleda för en jämlik fördelning av stadens resurser. Kulturen som går att påverka genom stadsplaneringen är en liten del av ett större sammanhang och stadsplaneraren kan med fördel se till de begränsningar som finns. Generellt sett möter utbudet av kulturverksamheter de svarande i enkätens behov av kultur i stadsdelen.<br>Throughout time, culture has had a great impact on man. Across the world as well as in Sweden, the work connected to social sustainability and thereby culture, is becoming more known. This essay examines the culture in urban planning and the reason why culture is important in people's lives. The thesis is based on the concept of cultural presence, which refers to the presence of society on the basis of cultural buildings and activities. The study examines the case of Farsta district based on a literature study, document study, interviews with people working with culture in planning and a survey for the residents in Farsta district. The purpose is to investigate the cultural presence in the Farsta district and discuss the city planners role in the work with culture. Because of the importance of culture for social sustainability, it is of interest to include culture in urban planning. Urban planning should create the right conditions in the built environment at an early stage and place the cultural activities where the most people pass in their daily life. A complete survey of the City of Stockholm's culture should be carried out in order to achieve an even distribution of the city's resources. The cultural presence is something to be achieved through many different fields and the city planner can with advantage see its limitations. Over all the supply of cultural activities meets the demand of the people participating in the survey
7
Tavares, Leonardo de Sousa Oliveira. "A farsa do ego: ontologia e historicidade em Sartre." Universidade Federal da Paraíba, 2016. http://tede.biblioteca.ufpb.br:8080/handle/tede/9581.
Texto completo da fonteResumo:
Submitted by Maike Costa (maiksebas@gmail.com) on 2017-09-20T12:06:24Z
No. of bitstreams: 1
arquivototal.pdf: 929959 bytes, checksum: 22c8fd230da43c152bc122d16ee88ad3 (MD5)<br>Made available in DSpace on 2017-09-20T12:06:24Z (GMT). No. of bitstreams: 1
arquivototal.pdf: 929959 bytes, checksum: 22c8fd230da43c152bc122d16ee88ad3 (MD5)
Previous issue date: 2016-06-16<br>Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq<br>Avec l’analyse que été fait du essai La transcendance de l’Ego à la maturation du concept de Ego (Ipséité) dans Sartre de l’Être e le Néant, nous visons à atteindre non seulement une compréhension précise de ce que l'Ego. Plus que cela, nous cherchons définir ce que cet objet transcendant representé en face de la totalité de l'ontologie phénoménologique. Pour atteindre cet objectif, nous avons utilisé pour principalement une approche conceptuelle qui exprime des la continuité qui existe entre le jeune Sartre phénoménologue et le Sartre existentialiste. Ainsi, nous avons conclu l'analyse sartrienne du concept Ego avec une question qui nous dirige pour identification de la capitonnage qui comble l’Ego transcendant. Et en fin de compte, nous appelons à la constitution de conscience qui jette l’Ego loin de lui-même. Ceci est un effort de pour la relécture d’un concept qui sera, censément, analisé das son fondement constitutif, l’historicité.<br>Com a análise que se fez do ensaio A transcendência do Ego até o amadurecimento do conceito de Ego (ipseidade) no Sartre de O ser e o nada, nós almejamos atingir não só a compreensão precisa do que é o Ego. Mais do que isso, buscamos definir o que esse objeto transcendente representa diante da totalidade da ontologia fenomenológica. Para viabilizar tal intento, nós nos utilizamos, principalmente, de uma aproximação conceitual que expressa a continuidade que há entre o jovem Sartre fenomenólogo e um Sartre existencialista. Desse modo, concluímos a análise sartriana do conceito de Ego com um questionamento que nos direciona para a identificação do estofo que preenche o Ego transcendente. E, em última instância, apelamos para a constituição da consciência que o projeta para fora de si. Trata-se de um esforço para a releitura de um conceito que será, supostamente, analisado em seu fundamento constituinte, a historicidade.
8
Figueiredo, Clara de Freitas. "Fotografia: Entre Fato e Farsa (URSS - Itália, 1928-1934)." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27160/tde-13092018-145951/.
Texto completo da fonteResumo:
A presente investigação surgiu da constatação de entrecruzamentos entre os discursos visuais da Mostra da Revolução Fascista (Roma, 1932-34) e do pavilhão soviético na Exposição Internacional de Imprensa de Colônia (Alemanha, 1928). Tais entrecruzamentos - reforçados e consubstanciados por contatos concretos entre hierarcas do fascismo e do stalinismo - levaram, a partir dos materiais visuais selecionados, à investigação de problemáticas comuns aos dois regimes, como a industrialização acelerada tardia, a expansão produtiva e o culto do chefe. Nesse sentido, as reflexões de A. Gramsci e W. Benjamin acerca da \"revolução passiva\" e da \"estetização da política\", respectivamente, constituíram constructos crítico-teóricos cruciais no desenvolvimento reflexivo da investigação. O objetivo da pesquisa de doutorado, em síntese, foi examinar e refletir sobre o protagonismo da fotografia como instrumento de reprodução simbólica e dominação, tanto na Itália fascista e quanto na URSS stalinista.<br>The present research emerged from the perception of intersections in the language field between the Exhibition of Fascist Revolution (Rome, 1932-1934) and the Soviet Pavilion at the International Press Exhibition (Cologne, 1928). These intersections - strengthened and substantiated by concrete interactions between Fascist and Stalinist hierarchs - lead also to a research, based in selected visual material, about common problems for both regimes such as a catch-up industrialization, production expansion and the cult of the leader´s personality. In this sense, Antonio Gramsci\'s reflections on the notion of \"passive revolution\" and Walter Benjamin\'s on the \"aestheticization of politics\" emerged as fundamental critical-theoretical contributions. In short, the aim of this doctoral research was to analyse and reflect about the protagonism of photography as an instrument for symbolic reproduction and domination, both in the Fascist Italy and in the Stalinist URSS.
9
Griesbeck, Jean-Noël. "La farse d'Amphitrion." Metz, 1989. http://www.theses.fr/1989METZA001.
Texto completo da fonte
10
Afzali, Parichehr. "Marking Definiteness in Farsi and English by Farsi Speaking EFL Learners." Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-79180.
Texto completo da fonteResumo:
Differences in marking definiteness among various languages have been considered one of the most confusing areas for speakers of different languages. As a teacher of EFL to Farsi speakers, I have frequently noticed that the students face problems when it comes to marking a definite or indefinite noun in English. One of the main objectives of the present study is to shed light on the trouble sources in practice of the use of articles in English among the subjects of my study. Farsi as a language which has two distinct registers of spoken and written forms with 9 various forms of definite/indefinite markers is different from English with 4 definite/indefinite markers. Students who speak some languages that lack these articles (such as Japanese), or probably do not have the one-to-one correspondence with definite marking system in English (such as Farsi), tend to face problems while using them in English. It is believed that Farsi marks noun phrases for specificity/non-specificity rather than definiteness/indefiniteness, while English marks nouns for definiteness/indefiniteness. The present study shows interesting instances of the choices of article that Farsi native speakers make when it comes to marking definiteness in English. Definiteness is mostly marked by a bare noun, indefiniteness is marked by the numeral 'yek' (pre-positioned) or ye (pre-positioned) or suffix '-i' (i.e. one —post-positioned) and specificity can apply to both definite and indefinite NPs.
11
Farias, Jailine Mayara Sousa de. "Tradições discursivas: a circularidade das vozes na farsa da boa preguiça." Universidade Federal da Paraíba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/6374.
Texto completo da fonteResumo:
Made available in DSpace on 2015-05-14T12:42:45Z (GMT). No. of bitstreams: 1
arquivototal.pdf: 4722833 bytes, checksum: b34760c1d09f4bcb19feaeca44722984 (MD5)
Previous issue date: 2012-03-26<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The present research aims at examining, on the basis of Ariano Suassuna s work Farsa
da boa preguiça, in which ways the discourse traditions move through the voice and are
recreated according to the cultural context in which they are in, pointing to how
historical changes happen along with the cultural traditions. Therefore, the textual
production is modeled according to textual traditions enclosed in each community
collection of memory and imaginary, which revels the synchronic and diachronic
dynamics of the discourse traditions. It is verified that Farsa da boa preguiça is
permeated by memories and texts, metamorphosed to contemporary times in narrative
and thematic features, underpinning variations that reflect a dynamic of continuity and
rupture, in which the location of culture and the discourse traditions have a fundamental
role. This work is based on diversified but complementary theoretical perspectives that
deal with orality and literacy, cultural and discourse traditions, identitarian movements
today, popular culture and identities. Hence, the issues proposed can be observed on the
basis of many discourse features from the Northeast memory and imaginary that cuts
across the utilization of genres, themes, characters, that allow us to trace a reflection on
the language practices guided by different focuses.<br>A presente pesquisa objetiva examinar, a partir da obra Farsa da boa preguiça, de
Ariano Suassuna, de que forma as tradições discursivas se movimentam através da voz
e se ressignificam de acordo com o contexto cultural em que se inserem, e como
apontam a história linguística interna e externa, sinalizando como acontecem as
mudanças históricas de acordo com as tradições culturais. A produção textual é, neste
sentido, modelada de acordo com tradições textuais contidas no acervo da memória e
imaginário de cada comunidade que revelam de que modo se dá o jogo sincrônico e
diacrônico da movência das tradições discursivas. Com efeito, verifica-se que a Farsa
da Boa preguiça é permeada pelas memórias e textos, metamorfoseados até a
contemporaneidade em características narrativas e temáticas, corroborando variações
que refletem uma dinâmica de ruptura e continuidade, em que o local da cultura e as
tradições discursivas das culturas populares exercem papel fundamental. O presente
estudo aporta-se em perspectivas teóricas diversificadas, mas complementares, que
abordam a dupla oralidade-escritura, tradições culturais e tradições discursivas,
movimentos identitários no contexto da contemporaneidade, culturas populares, bem
como acerca das vozes, como lugares híbridos que reúnem múltiplas culturas e
identidades. Assim, os aspectos propostos são revelados a partir de inúmeras marcas
discursivas da memória e do imaginário do Nordeste que perpassam pela utilização de
gêneros, temas, personagens, que permitem traçar uma reflexão sobre as práticas de
linguagem pautada em diferentes ancoragens.
12
Teng, Sini. "Medmänniska, coach, farsa : En studie om rollen som kontaktperson inom socialtjänsten." Thesis, Ersta Sköndal Bräcke högskola, Institutionen för socialvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:esh:diva-7894.
Texto completo da fonteResumo:
Kontaktperson är en av de vanligaste insatserna inom socialtjänsten som beviljas för personer som av olika sociala skäl behöver stöd. De som utför uppdragen är vanliga människor, lekmän. I denna studie intervjuas åtta av dem i syfte att undersöka rollen som kontaktperson och hur den skapas. Intervjupersonerna består både av erfarna och nya kontaktpersoner som har uppdrag i både små och stora kommuner. De har berättat vad som gjorde att de tog steget till att bli kontaktpersoner, vad som driver dem idag och hur de definierar rollen. Den teoretiska ramen utgörs av tidigare studie kring frivilligt engagemang och av teorier som beskriver hur roller skapas och utvecklas. Intervjupersonerna definierar sitt engagemang både som ett ideellt engagemang då den ekonomiska ersättningen inte utgör ett motiv och som ett personligt engagemang då de genomför uppdraget i sina egna namn. Intervjupersonerna har inte fått någon introduktion till rollen och har ofta en begränsad kontakt med socialtjänsten under uppdragets gång. Bland annat av denna anledning skapar de sin roll utifrån den bild de har av uppgiften och sitt motiv till att engagera sig. Rollen som kontaktperson växer fram i ett samspel med den kontaktpersonen stödjer och den förändras ofta med tiden när relationen mellan kontaktperson och den enskilde utvecklas från ett mer formellt förhållningssätt till en mer privat relation. I analysen används även Wijkströms och Lundströms (2002) modell enligt vilken kontaktpersonerna kan anses befinna sig kontaktpersonerna i olika sfärer samidigt. 1) I den statliga sfären som ger dem uppdraget. 2) I familje-och samhällssfären på grund av det personliga åtagandet. 3) I civilsamhällesfären på grund av att kontaktpersonerna definierar sitt engagemang primärt som ideellt. Därmed är slutsatsen att rollen som kontaktperson positionerar sig i gränslandet mellan flera samhällssfärer snarare än att tillhöra enbart en sfär.<br>Assignment of a contact person is one of the most common social aids, based on the Swedish Social Service Act. It is granted by the municipal Social Services to youths and adults in need of a personal level of support for various social reasons. Persons who are recruited as contact persons are ordinary citizens, laymen. Eight contact persons were interviewed in this study to investigate their role as contact persons and how this role is created and defined. The interviewees consisted of both experienced and novel contact persons who had assignments in both small and large sized municipalities. In the interviews, they stated what initially motivated them to become a contact person and what motivates them today. They were interviewed on their own definition of the role of a contact person. The theoretical framework of the analysis consists of previous studies on volunteer engagement and theories describing how roles are created and developed. The interviewees defined their commitment mainly as voluntary since the economic compensation they receive is not their main motivation. They emphasized the long-term person-to-person level of the commitment. They were not introduced to the role of o contact person, and often had a limited contact with the Social services during the assignment. This is one reason why they had to create their own role as a contact person rather than adopting a predefined one. The role grew in interaction with the receiver of the support, and often developed towards a more personal rather than an official relationship over time. When analyzed according to the model of Wijkström and Lundström (2002), the role of the contact person attaches to several spheres in society. 1) In the state sphere, where society gives the laymen the official assignment as a contact person. 2) In the family sphere due to the personal level of commitment to the receiver of the support. 3) In the civil society sphere because of the contact persons’ own definition of their commitment mainly as being a volunteer. Hence, the conclusion of this study is that role of the contact person should be viewed as overlapping several spheres of society rather than being included in one of them.
13
Peraro, Maria Adenir. "Farda, saias e batina." reponame:Repositório Institucional da UFPR, 2012. http://hdl.handle.net/1884/27162.
Texto completo da fonte
14
Částková, Monika. "Farma v jeskyni: Odtržení." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2018. http://www.nusl.cz/ntk/nusl-391690.
Texto completo da fonteResumo:
The thesis studies and describes movement in physical theatre. Specifically it works with the production Odtržení of the dance group Farm in the cave.
The production was selected as the best production of the year 2016 on the festival of Czech Dance Platform. The thesis uncovers the backstage of preparations of the production, including the study stay in Japan and the process of creation of individual components of the production. It describes the content and the movement interpretation of individual scenes and situations. Since the author of the thesis took part in the production as one of its interpreters and at the same time participated in its choreography, the thesis includes subjective reflections, personal experience and interviews with other actors in the production.
15
Oliveira, Filho Caio Augusto Barbosa de. "Operação urbana Faria Lima." Universidade Presbiteriana Mackenzie, 2007. http://tede.mackenzie.br/jspui/handle/tede/2618.
Texto completo da fonteResumo:
Made available in DSpace on 2016-04-16T00:10:27Z (GMT). No. of bitstreams: 4
CaioAugustoBarbosaOliveiraFilho1.pdf: 1253484 bytes, checksum: 11096114fb7a77ace5b167afb4969cdb (MD5)
CaioAugustoBarbosaOliveiraFilho2.pdf: 2295106 bytes, checksum: 6b451f124cc7912348b71e6088659bc3 (MD5)
CaioAugustoBarbosaOliveiraFilho3.pdf: 1528753 bytes, checksum: be34d9cc08ee0b0863f6fd47b173609e (MD5)
CaioAugustoBarbosaOliveiraFilho4.pdf: 2161442 bytes, checksum: 927d558415e6d96485ca8c79806c93b1 (MD5)
Previous issue date: 2007-11-29<br>Fundo Mackenzie de Pesquisa<br>This project analyzes the results of the Urban Operation Implantation in the city of São Paulo starting from the calculation of the densification and also from the valorization suffered by the perimeter held by this operation, since 1995 until 2004. This calculation is based on the data organization obtained from the City hall from São Paulo City (PMSP), Official gazette of City (DOM), City Planning Department (Sempla) and Municipal Company of Urbanization (Emurb) Not only is this analysis based on the conceptualization of urban project and urban operation, but also on comments made regarding positive examples of established international urban operations already done. Besides there are other experiences implanted in the city of São Paulo, trying to disclose the aspects that had contributed and/or compromised the attainment of its effective results.<br>Este trabalho analisa os resultados da implantação da Operação Urbana Faria Lima no município de São Paulo a partir do cálculo do adensamento e da valorização sofridos pelo perímetro da referida operação, no período compreendido
entre os anos de 1995 e 2004, cálculo este baseado na organização de dados obtidos junto à Prefeitura Municipal de São Paulo, Diário Oficial do Município, Secretaria Municipal de Planejamento e Empresa Municipal de Urbanização. Para embasar esta análise, além da conceituação de projeto urbano e de operação urbana, comenta-se exemplos positivos de operações urbanas internacionais já estabelecidas, além de outras experiências implantadas na cidade de São Paulo, buscando revelar os aspectos que contribuíram e/ou comprometeram a obtenção de seus resultados efetivos.
16
Trykarová, Štěpánka. "Farma větrných elektráren Mauricius." Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-9194.
Texto completo da fonteResumo:
This diploma thesis evaluates the present standing of the wind energy in the Czech republic and in the world. It targets the results of new installed wind power stations to the economy. It ilustrates the preparation procedure. It shows the reasons why to invest to the wind energy. It is concerned with the question, if the building-up of wind power plant has the perspective of economic efficiency. It points out the effect on the environment and health.
17
Kühnová, Edita. "Farma v Horní Lipové." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-240235.
Texto completo da fonteResumo:
This diploma thesis deals with the processing of project documentation in the documentation phase for construction of building object SO 01 – Detached house with facilities. The thesis is not worked out in full extent, as prescribed in Decree No. 62/2013 Coll. Amending Decree No. 499/2006 Coll., On Construction Documentation. It includes only part A (Data Accompanying Report), B (Summary Technical Report), C (Situational Drawings), D.1.1 (Architectural and Building Solutions) and D.1.3 (Fire Safety Solutions) of Appendix 6 of this Decree. In addition, a thermal-technical assessment of the building was elaborated. There are two specializations in small range as additional part of the documentation as well. The proposed two-storey house with small cellar is situated on flat land in the village of Lipová-lázně and layout of the object is divided into two parts, part of house with function of housing and part with facilities for cooking and catering for more persons.
18
Silva-Santisteban, César. "Farsas de la memoria y otros relatos." To access this resource online via ProQuest Dissertations and Theses @ UTEP, 2009. http://0-proquest.umi.com.lib.utep.edu/login?COPT=REJTPTU0YmImSU5UPTAmVkVSPTI=&clientId=2515.
Texto completo da fonte
19
Rehbaum, Hubertus [Verfasser], Dario [Akademischer Betreuer] Farina, Otto [Akademischer Betreuer] Rienhoff, and Roberto [Akademischer Betreuer] Merletti. "Intuitive Myoelectric Control of Upper Limb Prostheses / Hubertus Rehbaum. Gutachter: Dario Farina ; Otto Rienhoff ; Roberto Merletti. Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2014. http://d-nb.info/1050873106/34.
Texto completo da fonte
20
Diedrichs, Robin [Verfasser], Dario [Akademischer Betreuer] Farina, Ralf [Gutachter] Heinrich, and Dario [Gutachter] Farina. "Neuromuscular adaptations induced by long-term motor skill training / Robin Diedrichs ; Gutachter: Ralf Heinrich, Dario Farina ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1169396623/34.
Texto completo da fonte
21
Faúndez, Viveros Ximena. "Montaje y farsa política como estrategias reflexivas en Muerte accidental de un anarquista." Tesis, Universidad de Chile, 2014. http://www.repositorio.uchile.cl/handle/2250/130409.
Texto completo da fonte
22
Valdés, Flores Francisco. "El "ridículo americano": la farsa satírica en el teatro de Juan Bautista Alberdi." Tesis, Universidad de Chile, 2018. http://repositorio.uchile.cl/handle/2250/171007.
Texto completo da fonteResumo:
Tesis para optar al grado de Magíster en Literatura<br>La presente investigación pretende estudiar la petit-pieza cómica El Gigante Amapolas (1841-1842) de Juan Bautista Alberdi, analizándola e interpretándola como una farsa satírica moderna. La lectura que proponemos pretende situar esta obra junto a un corpus de textos literarios que representan las contradicciones del proyecto de nación argentina durante la primera mitad del siglo XIX, a través de una reelaboración del pensamiento ideológico y estético autorial sobre el género cómico y su relación con la realidad latinoamericana de la época.
23
Del, grande Giulia. "Dinamiche di comunicazione culturale italiana in Francia fra Ottocento e Novecento : il caso di Salvatore Farina." Thesis, Toulouse 2, 2018. http://www.theses.fr/2018TOU20105.
Texto completo da fonteResumo:
La recherche vise à comprendre les dynamiques de diffusion de la littérature de Salvatore Farina à l’étranger et plus particulièrement en France. L’écrivain, né à Sorso en 1846 et décédé à Milan en 1918, est un des écrivains italiens le plus prolifique du XIXème siècle, ayant publié en quarante ans de carrière plus d’un roman par an, parmi lesquels certains ont été traduits en 11 langues. Dans la première partie de la recherche nous mettrons en lien les thèmes clés de son activité narrative en Italie avec ses œuvres principales qui le rendront célèbre à l’étranger comme « l’humoriste italien », « le Dickens italien » ou l’écrivain italien du roman intime, en terminant avec le « Giubileo letterario » consacré à l’auteur en 1907 et avec une large réflexion sur les caractéristiques culturelles italiennes que Salvatore Farina a transmises dans ses œuvres. Dans la deuxième partie nous chercherons dans le rapport avec De Gubernatis (intellectuel, journaliste, essayiste italien) les modalités de la diffusion de sa littérature à l’étranger, par la suite nous décrirons ses voyages en soulignant les rapports de Farina avec les intellectuels, les journalistes et les éditeurs européens les plus importants. Dans la troisième partie nous nous concentrerons plus particulièrement sur son succès en France en abordant ses voyages à Paris, les problématiques relatives au droit d’auteurs et au débat né en France au sein de la « société des gens des lettres » ses relations avec le monde de l’édition française, avec les journaux et ses traducteurs et à d’éventuelles correspondances avec les grands hommes de lettre française de son époque<br>This research is aimed at discovering the dynamics of diffusion of Salvatore Farina’s literature abroad and particularly in France. The writer, born in Sorso in 1846 and deceased in Milan in 1918 is one of the most prolific Italian writers of the XIX Th century. He published more than a novel a year, among which some were translated into 11 languages. In the first part of the research we will link the key themes of his literature in Italy with his greatest works, those who made him famous and considered as “the Italian humorist”, “the Italian Dickens”, or the Italian writer of the “intimate novel”. We will conclude with the « Giubileo letterario » dedicated to the author in 1907 and with a broad reflection on the Italian culture characteristic that Salvatore Farina conveyed in his works. In the second part, we will study his relation with De Gubernatis (italian intellectual, journalist and essayist) and the characteristics of the diffusion of his literature abroad, we will describe the activity of Farina in the Europe, focusing on his travels and underlining Farina’s relations with the most important foreign intellectuals, journalists and editors. In the third part we will concentrate more specifically on his success in France and also dealing with the problematic of copyrights and the debate born in France within the “« société des gens des lettres », his trips to Paris, his relations with the French publishing world, the literary journals, his translators and finally with his potential correspondences with the great French literature figures of his time. This research is aimed at discovering the dynamics of diffusion of Salvatore Farina’s literature abroad and particularly in France between 19th and 20th century. We will analyse his masterpieces, his journalistic activities in Italy and abroad, his international contacts and his travels abroad. The research will be concluded with the study of his relationship with French editors, journalists and with the most important intellectuals of his time
24
Holubová, Hana. "Včelí farma s prvky inovací." Master's thesis, Vysoká škola ekonomická v Praze, 2015. http://www.nusl.cz/ntk/nusl-264048.
Texto completo da fonteResumo:
The aim of the thesis is to create a business plan Bee farm U Králů in the region Šumava. The main activity of bee farm is the production of bee products. Thesis also deals with the problem of loss of beekeepers and the lack of awareness of this discipline in the Czech Republic through the beekeeping club, apitourism and bee educational trail. Bee farm is also pathfinder on the Czech market in the sphere apitherapy. The contribution of the thesis is in the support of beekeeping and in the production of quality products.
25
Hartmann, Cornelia [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, and Florentin [Gutachter] Wörgötter. "Electrocutaneous stimulation to close the loop in myoelectric prosthesis control / Cornelia Hartmann ; Gutachter: Dario Farina, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1138115061/34.
Texto completo da fonte
26
Xu, Ren [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, and Xiaoming [Gutachter] Fu. "Short-Latency Brain-Computer Interface Using Movement-Related Cortical Potentials / Ren Xu. Betreuer: Dario Farina. Gutachter: Dario Farina ; Xiaoming Fu." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1111100896/34.
Texto completo da fonte
27
Stach, Jakub. "Apartmány Farské lúky, Čeladná - příprava a realizace stavby." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2013. http://www.nusl.cz/ntk/nusl-226489.
Texto completo da fonteResumo:
The object of the diploma thesis is preparation and realization of the gross superstructure of apartment houses Farske luky in Celadna. Diploma thesis deals with facility of the building site, project of machines, technological rules of monolithic constructions, plans of quality controls, time and financial plan, works contract, schedule and work safety.
28
Patel, Gauravkumar K. [Verfasser], Dario [Akademischer Betreuer] Farina, Dario [Gutachter] Farina, and Marcus [Gutachter] Baum. "Context- and Physiology-aware Machine Learning for Upper-Limb Myocontrol / Gauravkumar K. Patel ; Gutachter: Dario Farina, Marcus Baum ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2018. http://d-nb.info/1185168508/34.
Texto completo da fonte
29
Kapelner, Tamás [Verfasser], Dario [Akademischer Betreuer] Farina, Dario [Gutachter] Farina, and David [Gutachter] Liebetanz. "Decoding motor neuron behavior for advanced control of upper limb prostheses / Tamás Kapelner ; Gutachter: Dario Farina, David Liebetanz ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1149958413/34.
Texto completo da fonte
30
Burnett, Carlos Frederico Lago. "DA TRAGÉDIA URBANA À FARSA DO URBANISMO REFORMISTA: a fetichização dos planos diretores participativos." Universidade Federal do Maranhão, 2007. http://tedebc.ufma.br:8080/jspui/handle/tede/756.
Texto completo da fonteResumo:
Made available in DSpace on 2016-08-18T18:53:57Z (GMT). No. of bitstreams: 1
CARLOS FREDERICO LAGO BURNETT.pdf: 1742928 bytes, checksum: 191ff75fbac84f6cbc2d8f1e58549040 (MD5)
Previous issue date: 2007-08-27<br>FUNDAÇÃO DE AMPARO À PESQUISA E AO DESENVOLVIMENTO CIENTIFICO E TECNOLÓGICO DO MARANHÃO<br>In the eighties, as a reaction to social-spatial inequity in Brazilian cities, the Urban
Reform program sought to unify academy intellectuals and organized community
entities in a movement for egalitarian and distributive urban policies. Partially
recognized by the Brazilian Federal Constitution of 1988, the ideas of the Urban
Reform movement were subjected to those of urban planning, since the Urban
Master Plan was declared the municipality s major instrument of urban policy. Initially
disputed by the Urban Reform movement, due to its technocratic and segregationist
character during the Brazilian military government, however regularized by the City
Statute, the Urban Master Plan proposes to insure, since 2005, urbanized and well
located land for the poorest in thousands of Brazilian cities. Despite the diminished
popular participation, low rates of legislation approval and almost null implementation
of its proposals, the Master Plan affirms itself as instrument of the Urban Reform
and the Movement condenses itself in the Urban Planning Law as a way to achieve
the city of all . By the means of a historical analysis of the twenty years that separate
the criticism from the adhesion to the Urban Master Plan, supported by a theoretical
study and field research on significant experiences of participative planning in Brazil,
the present study shows that, by partaking the values of the bourgeoisie democracy
and submitting the urban rights struggle to the institutional procedures of city
planning, the Urban Reform Movement compromises the autonomy of social
organizations and contributes to the capitalist accumulation and reproduction in the
urban space, aggravating the tragedy of the cities. In this way, under the leadership
of a technocratic elite and heavily influenced by the political and economic changes
that have occurred in Brazil conservative democratic consolidation, neoliberalism s
offensive and hegemony, political access of the Labor Party (Partido dos
Trabalhadores PT) to federal government -, the institutionalization process of the
Urban Reform project, through the fetishism of Participative Urban Master Plans,
turns into sham the purposes of reformist urbanism.<br>Nos anos 80, como reação às desigualdades sócio-espaciais das cidades
brasileiras, o projeto da Reforma Urbana logrou unificar, em torno de um movimento
por política urbana igualitária e distributiva, intelectuais da Academia e entidades da
organização popular. Parcialmente reconhecido pela Constituição Federal de 1988,
o ideário da Reforma Urbana ficou subordinado ao planejamento urbano, pois o
Plano Diretor foi declarado instrumento maior da política urbana municipal.
Inicialmente contestado pelo movimento, por seu caráter tecnocrata e
segregacionista durante o regime militar, mas regulamentado pelo Estatuto da
Cidade e através de campanha nacional do Ministério das Cidades, o Plano Diretor
se propõe garantir, a partir de 2005, terra urbanizada e bem localizada aos mais
pobres em milhares de municípios do país. Apesar da reduzida participação popular,
baixa taxa de aprovação da legislação e quase nula implementação de suas
propostas, se afirma como instrumento de Reforma Urbana e o Movimento se
concentra no Direito Urbanístico como meio para alcançar a cidade de todos .
Através da análise histórica dos vinte anos que separam a crítica da adesão ao
Plano Diretor, apoiada em estudo teórico e pesquisa de campo sobre experiências
significativas de planejamento participativo no Brasil, este trabalho demonstra que,
ao assumir valores da democracia burguesa e submeter a luta urbana aos
procedimentos institucionais do planejamento, o Movimento da Reforma Urbana
compromete a autonomia das organizações populares e contribui para acumulação
e reprodução capitalista no espaço urbano, agravante da tragédia das cidades.
Desta maneira, sob a liderança de uma elite tecnocrata e fortemente influenciado
pelas mudanças políticas e econômicas ocorridas no país - consolidação
democrática conservadora, ofensiva e hegemonia neoliberal, acesso do Partido dos
Trabalhadores ao governo federal -, o processo de institucionalização do projeto da
Reforma Urbana, por meio da fetichização dos Planos Diretores Participativos,
transmuda em farsa a proposta do urbanismo reformista.
31
Vahedi-Langrudi, Mohammad Mehdi. "Clausal and verbal structure in Farsi." Thesis, University of Ottawa (Canada), 1992. http://hdl.handle.net/10393/10974.
Texto completo da fonteResumo:
This thesis intend to study very broadly and generally the verbal and clausal structure of the Farsi, the official language of the Islamic Republic of Iran. It tries to bring the clausal and verbal structure of Farsi language into the recent amendments of X-bar theory, i.e. the introduction of two different sets of categories, namely functional and lexical ones. We will use the principle and parameter model of generative grammar as our theoretical model of analysis. The verbal structure of the language will be analyzed based on the proposal of Pollock (1989), Chomsky (1989), and Ouhalla (1990), where it is argued that Infl constitutes of two sets of functional projections, namely AgrP and T(ense)P. Further separate projections are proposed for Negation and Auxiliaries. As far as X-bar theory is concerned, we will adopt a theory of X-bar which is least sophisticated and assumed to be more natural. We will adopt the theory of X-bar as proposed in Fukui and Speas (1986), Fukui (1986), and Speas (1990) among others which suggests that lexical items as well as functional ones project to a head, X0, and Xmax, and any number of intermediate iterable bars. The other constraints on the structure of phrases and clauses are imposed by other modules and subtheories of grammar. We will show that the phrasal structure of Farsi does in fact match this system. Word order in main and subordinate clauses will be studied and shown that it is constrained with Specificity of the elements as discussed in Karimi (1989), as well as case theory and directionality of head placement. The Ezafe Construction will be studied in Chapter III. I will argue that Ezafe, which is a clitic-like suffix similar to English of and French de has three different functions in the language. In chapter IV the structure of verb Phrases will be analyzed. We will see that the future auxiliary in Farsi is not a true auxiliary but a modal-like element which acts as a verb and subcategorizes for a subordinate main, lexical verb which causes the latter to incorporate into it at a higher level. Based on the function of negation in the language, we will also show that auxiliaries are base generated outside the projection of the verb. For the passives, we will argue that there are no real verbal passives in the language, rather passive constructions are adjectival formed in the lexicon. This is accounted for by the types of verb movements/raisings involved in the verbal structure, and the function and position of negation. Finally morphological causatives in Farsi will be brought in line with the "Incorporation" analysis of Baker (1988) and Li (1991).
32
Bonilha, Alexandre da Cruz. "Manuel de Faria e Sousa, historiador." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30052012-132749/.
Texto completo da fonteResumo:
Neste trabalho, apresento num primeiro momento a ars historica como um sub-gênero do epidítico, com disposição e elocução autorizadas pelas poéticas aristotélica e horaciana, no que concerne à ordem natural do discurso (in ordo naturalis) e à imitação da pintura (ut pictura poesis). Suas virtudes discursivas verdade, clareza e juízo articulam decoro e invenção vinculados à utilidade, aos gêneros deliberativo e judiciário. Num segundo momento, examino a especificidade lusa mediante a obra histórica de Manuel de Faria e Sousa: como a origem e escatologia providencialistas regulam as variáveis da ars, a utilidade e a invenção de auctoritas.<br>The essay presents, in the first part, the ars historica; in the second part, its use in Manuel de Faria e Sousa
33
Svensson, Dennie. "Avhopp, utträde och konvertering : Analys kring orsakerna bakom tidigare medlemmars brytning med Svenska kyrkan i Farsta och Sundbybergs församlingar." Thesis, Södertörn University College, School of Gender, Culture and History, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-682.
Texto completo da fonte
34
Mockus, Robertas. "Statistinių įrankių, pagrįstų pokyčių statistika, paketo kūrimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080929_113159-18111.
Texto completo da fonteResumo:
Šiame magistro darbe nagrinėjama IR statistika bei FARIMA ir AR duomenų generavimo algoritmai. Darbe pateikta programinė IR statistikos skaičiavimo bei FARIMA ir AR duomenų generavimo algoritmų realizacija. Visi algoritmai visapusiškai ištestuoti bei jiems sukurta vartotojo sąsaja. IR statistika dar nėra pilnai įrodyta, todėl šis darbas galės būti naudojamas tolimesniems IR statistikos tyrimams.<br>IR statistics, FARIMA and AR data production algorithms are analyzed in this master’s degree study. I present IR statistics calculating, FARIMA and AR data production algorithms software realization. All algorithms are universally tested and has user interface. IR statistics is not fully proven, that’s why this study could be used in further IR statistics researches.
35
Ferrão, Miguel Carneiro Nogueira. "A conversa e o relato enquanto possibilidades do comum, apartir de we aim to be amateurs (Art & Language, 1997)." Master's thesis, Faculdade de Ciências Sociais e Humanas, Universidade Nova de Lisboa, 2011. http://hdl.handle.net/10362/7072.
Texto completo da fonteResumo:
Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de
Mestre em Filosofia-Estética<br>A prática artística auto-reflexiva baseada na conversa, ainda que encenada, vem colocar
um problema de interpretação nas relações correlativas entre artista e espectador, através da
introdução de um elemento externo e de difícil enquadramento: o actor-mimetizador. We Aim to
be Amateurs (1997), uma encenação criada pelo colectivo Art & Language, torna evidentes as
possíveis interferências entre as condições do amador e do profissional, do ponto de vista do
artista e do espectador, provocando uma situação de descontinuidade e intermitência,
concomitante com a prática artística fundada no constrangimento, como auxílio à progressão.
A busca por um corpo e uma voz, no interior da conversa ficcionada, transcrita, gravada e
reproduzida para ser de novo encenada, revela-se um percurso pela contínua transformação da
palavra em discurso e, consequentemente, do discurso em imagem. A conversa ficcionada pela
prática artística, encarada como lugar de pseudo-agregação em que o jogo, a farsa e a falha têm
um papel preponderante, implica um processo de pretensa abertura e aproximação entre os seus
intervenientes. No momento em que todos aceitam as condições do jogo, o encontro parece
tornar-se possível.
36
Cust?dio, D?bora Karla Sampaio Alves. "?lcool e sociabilidade: a farra das adolescentes." Universidade Federal do Rio Grande do Norte, 2009. http://repositorio.ufrn.br:8080/jspui/handle/123456789/17449.
Texto completo da fonteResumo:
Made available in DSpace on 2014-12-17T15:38:47Z (GMT). No. of bitstreams: 1
DeboraKSAC_DISSERT.pdf: 780113 bytes, checksum: 96901284608ba1ade901c730fc8b48f6 (MD5)
Previous issue date: 2009-07-10<br>The experience as a school psychologist allowed me to notice that expressions like I was like trash in the gang s barbecue , and we chatted away, only the girls, and we all got drunk , are very common in conversations between Elementary and High School students, pointing out to a concerning incidence of alcohol consumption among female adolescents. However, studies about this theme haven t gone deep in the nowadays reality these girls are
living in. This study aimed at comprehending the aspects of the relation between girls and alcohol, starting from the point that exaggerated consumption indicates introductory rituals for some groups, making social relations easier and becoming a sociability factor. To give this study some support, a questionnaire was applied to 1028 female teenagers, between 12 and 18 years old, students in private schools in Natal, capital of Rio Grande do Norte. The context chosen for the development of the study - private schools -, arose from the notion that the majority of the data collection carried out about alcohol and other psychotropic drugs aim at public school students. The instrument used was divided in two parts, one that treated about the first contact with alcohol (experimentation), and other that points to the current relation with alcoholic beverages, with 27 closed questions but nevertheless with available space for manifestation like if other; which?, applied collectively in classrooms. The data received a statistic treatment from SPSS and showed that the first contact with alcoholic beverage happens in domestic environment, having parents and friends as companions, very precociously, around 10 years of age, as curiosity. At this moment, Ice
drink is the most consumed beverage. The main reason that leads them to drink is to pass the time in parties, and they don t drink alone (93% of students researched), what gives alcohol this recreational and socializing characteristic. They do consider alcohol a kind of drug, but are not afraid of getting addicted. People that drink usually show to be extroverted, they get happier (40,3%) and are not shy at all (29,4%), have attitudes of
moral character, like to get involved with unknown boys (18,5%), get numb (9,9%), or get sad (1,9%). They label as vulgar the girls that drink, depending on the amount, and to be stimulated by the boys to drink. The study shows that systematic interventions of the school are necessary, once it is an institution that should care about education and personality traits of children and adolescents, as well as the important role of the psychologist in this context. Besides, it claims the society to get effectively involved with the public policies that already exist<br>A experi?ncia como psic?loga escolar permitiu perceber que express?es do tipo "fiquei um lixo no churrasco da turma", "fizemos uma resenha interna s? de meninas e ficamos todas embriagadas", se fazem presentes de um modo constante nas conversas das estudantes do Ensino Fundamental e do M?dio, sinalizando uma preocupante incid?ncia do consumo do ?lcool em adolescentes do sexo feminino. Contudo, os estudos sobre o tema ainda n?o se detiveram na realidade agora vivenciada pelas meninas. O presente estudo teve como objetivo compreender aspectos da rela??o entre meninas e ?lcool, partindo do pressuposto de que o consumo exacerbado ? express?o de rituais de inicia??o em grupos, facilitador das rela??es sociais, fator de sociabilidade. Apoiou-se na aplica??o de question?rio em 1028 adolescentes do sexo feminino, com idade entre 12 e 18 anos, estudantes de escolas privadas de Natal, capital do estado do Rio Grande do Norte. Indicou que o primeiro contato com a bebida alco?lica tem se dado em ambientes dom?sticos, em companhia de pais e amigos, de forma bastante precoce, por volta dos 10 anos de idade, por curiosidade. Em rela??o ao consumo atual, a bebida mais consumida ? a ice; o principal motivo que as levam a beber ? para passar o tempo ; a principal ocasi?o s?o as festas e elas n?o bebem sozinhas (93% do universo pesquisado), configurando o car?ter socializador e recreativo do ?lcool. Consideram o ?lcool uma droga, mas n?o demonstram medo de se viciar.Os comportamentos que mais destacam nas amigas que bebem est?o relacionados a desinibi??o, do tipo ficam mais alegres (40,3%) e perdem a timidez (29,4%), e atitudes de car?ter moral, como ficam com qualquer menino (18,5%), ficam tontas (9,9%), ou ficam tristes (1,9%). Acham vulgar as meninas beberem, dependendo da quantidade, e recebem est?mulo dos amigos para que bebam. O estudo aponta para a necessidade de interven??es sistem?ticas da psicologia escolar, que auxiliem na preven??o e erradica??o do problema, ao mesmo tempo que representa uma interroga??o na forma??o deste profissional
37
Cisneros, Luis Jaime. "La polémica Faria-Espinoza Medrano: Planteamiento crítico." Pontificia Universidad Católica del Perú, 2013. http://repositorio.pucp.edu.pe/index/handle/123456789/103436.
Texto completo da fonteResumo:
Aunque la edición anotada de Os Lusiadas que Manual de Faria y Sousapublica en Madrid es de 1639, a doce años de muerto Góngora, bueno es ubicar sus comentarios en el período en que el texto se va redactando. Veinticinco años de su vida consagró minuciosamente Faria a preparar este apoteósico y erudito comentario del poema de Camoens, cuya impresión -- a falta de editor y mecenas arriesgados terminó asumiendo por cuenta propia.
38
Dominová, Barbora. "Rodinná farma jako přirozená součást venkovského prostoru." Master's thesis, Česká zemědělská univerzita v Praze, 2016. http://www.nusl.cz/ntk/nusl-258237.
Texto completo da fonteResumo:
The subject of this masters thesis Family farm as an organic part of the rural space is position of the rural space and agriculture with possibilities for solution of specific problems of the territory.
The goals of this thesis are divided into two partial tasks. The first of which is the literature review of contemporary position and happening on the countryside, the position of the family farms in the Czech Republic, the possibilities and conditions of goat breeding and requirements in cultivation. The second part is focused on project design of small family business with focus on dairy goats breeding in the LFA area and production of selected crops.
The results of this thesis describe the position of the rural and agriculture in the Czech Republic. The proposal of the family farm as a small business on the countryside represents the development possibility of the village, the attractiveness of the place and total avoidance of depopulation of the village.
39
Krüger, Farida [Verfasser]. "Strömungsreaktormodell für die Wasserstoffbeladung eines Metallhydridspeichers in Fahrzeugen / Farida Krüger." München : Verlag Dr. Hut, 2012. http://d-nb.info/1026652391/34.
Texto completo da fonte
40
Akhavan, Fariba [Verfasser]. "Beurteilung der Rehabilitationsfortschritte nach Gelenkersatz bei älteren Menschen / Fariba Akhavan." Ulm : Universität Ulm. Medizinische Fakultät, 2012. http://d-nb.info/1022440535/34.
Texto completo da fonte
41
Bianco, Aurelio. ""Nach englischer und frantzösischer Art", l'oeuvre instrumentale de Carlo Farina." Tours, 2007. http://www.theses.fr/2007TOUR2038.
Texto completo da fonteResumo:
Cette étude est dédiée au musicien mantouan Carlo Farina, l'une des figures les plus éminentes de l'école violonistique du début du XVIIème siècle. Actif surtout au delà des Alpes, Farina inscrit la plus grande partie de sa production musicale dans le courant instrumental nord européen où la tradition musicale française et surtout anglaise avaient joué un rôle déterminant. Les formes et les traits stylistiques de ce répertoire portent en effet l'empreinte de compositeurs tels que William Brade ou Thomas Simpson. C'est donc par cette capacité de fondre et de synthétiser différents styles instrumentaux que s'explique la première partie du titre de cette étude, expression issue du frontispice d'une des nombreuses anthologies de danses allemandes du premier "Seicento". Plus qu'un simple véhicule des tendances musicales italiennes en Allemagne, l'oeuvre de Farina incarne de façon exemplaire le mélange des styles qui caractérise la production instrumentale allemande du début du XVIIème siècle<br>This study is dedicated to the Mantuan musician Carlo Farina, one of the most important early 17th-century violonists. Active mostly in Germany, most of Farina's musical output fits into the Northern European instrumental context, in the French and English musical tradition. The forms and stylistic traits of this repertoire were influenced by those of composers such William Brade and Thomas Simpson. The title of the first part of this study, taken from the frontispice of one of the many anthologies of German dances from the beginning of the sixteenth century, is explained by the synthesis of different instrumental writing. Farina's works were far more than a simple vehicle for the Italian style in Germany ; they also exemplify the stylistic variety characteristic of early seventeenth-century German instrumental music
42
Učňová, Petra. "Analýza a strategie firmy Farela na českém a zahraničním trhu." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-72224.
Texto completo da fonteResumo:
The thesis is divided into four main parts. The first part starts with the business`s macro environment analysis, which describes the economic factors, political factors, technological factors of the transport market. Further, an analysis company, which includes financial analysis, staffing analysis, analysis of business microenvironment and SWOT analysis. Another section is the strategy of the company, including marketing strategy, market segmentation and human resource management. The last part is about the vision for the future, this part is a draft plan of the reorganization.
43
Klafke, Sandra Regina. "Traços de carnavalização na instauração do humor em A farsa da boa preguiça, de Ariano Suassuna." Universidade do Vale do Rio dos Sinos, 2011. http://www.repositorio.jesuita.org.br/handle/UNISINOS/4467.
Texto completo da fonteResumo:
Submitted by William Justo Figueiro (williamjf) on 2015-07-15T19:24:24Z
No. of bitstreams: 1
06c.pdf: 821941 bytes, checksum: 15529bbcc8a54525c08a9c29ce1e1ff9 (MD5)<br>Made available in DSpace on 2015-07-15T19:24:24Z (GMT). No. of bitstreams: 1
06c.pdf: 821941 bytes, checksum: 15529bbcc8a54525c08a9c29ce1e1ff9 (MD5)
Previous issue date: 2011-12-21<br>CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>PROSUP - Programa de Suporte à Pós-Gradução de Instituições de Ensino Particulares<br>UNISINOS - Universidade do Vale do Rio dos Sinos<br>Esta dissertação investiga as formas de instauração do humor na literatura carnavalizada, de acordo com Bakhtin, em A cultura popular na Idade Média e no Renascimento: o contexto de François Rabelais (2008a), no intuito de desvelar sob que formas o humor emerge na obra A Farsa da Boa Preguiça, de Ariano Suassuna (2008), e em quais condições promove a singularização dos traços de carnavalização nela presentes. Buscou-se a compreensão do humor no estudo clássico de Freud (1977, 1996) e em estudos linguísticos Possenti (1998), França (2006) e de Ducrot (1988), em cuja teoria polifônica o humor é abordado como exemplo, e trazido sob a perspectiva de que, na enunciação humorística, há a presença de um ponto de vista absurdo que não é atribuído ao locutor. As referências teóricas orientaram a construção de categorias de análise, num processo de relação constante com a obra. Nesse processo, cada conceito, embora participe do conjunto, perde sua identidade, ou seja, adquire traços do ato de enunciação, que implica a singularidade da obra e da pesquisadora. O estudo confirma que o humor carnavalizado em A Farsa da Boa Preguiça, de Suassuna, se dá de forma singular, pela incorporação de traços da situação de produção da obra e da visão de mundo do autor.<br>This dissertation investigates the ways of establishment of the humor in the carnavalized literature, according to Bakhtin, in A cultura popular na Idade Média e no Renascimento: o contexto de François Rabelais (2008a), in order to uncover ways in which the humor emerges in the work A Farsa da Boa Preguiça, from Ariano Suassuna (2008), and under what conditions promote the individualization of the traits of carnavalization within it. We sought to understand the humor in the classic study of Freud (1977, 1996) and in linguistic studies Possenti (1998), França (2006) and Ducrot (1988), whose theory polyphonic humor is approached as an example and brought under the view that, in the humorous utterance, there is the presence of an absurd point of view that is not assigned to the announcer. The theoretical references guided the construction of categories of analysis, a process of constant relationship with the book. In this process, each concept, although participates of the group, loses its identity, in other words, acquires traits of the act of enunciation, that implies the uniqueness of the work and of the researcher. The study confirms that the carnavalized humor in A Farsa da Boa Preguiça, from Suassuna, occurs in a unique way, by the incorporation of traits of the production situation of the work and of the worldview of the author.
44
Loudilová, Martina. "Společenský dům - fara." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215617.
Texto completo da fonteResumo:
The theme of the dissertation is design of new building of community center with a vicarage. The building is designed as a flat for a vicar, office of a vicar, new rooms for meeting of the churchgoers and new garden. The vicarage is designed near of church. The vicagareis designed in an area, which is prepare for building of cottages. The old vicacare is in old house in the other part of street Kostelní, than is the church. Existing flat for the vicar is unsuitable. Theobject is designed with one or two floors. The object is designed of tree parts: living part – a flat of the vicar and a flat for visitors, a community center – a parish hall and a hygienic rooms, an office part – an office of a the vicar and a clubroom. All parts of building are divide with fiction, design and used materials. The building is designed with a traditional materials as wood, concrete, masonry. The shape of building is designed from three diferent blocks. An parish hall i designed with rectangle layout, in the hall are designed two windows. The north-west corner of hal lis designed higher than other part sof room, because this corner is situated to church. This window is designed with frame in cross shape. The second window is connection between the garden and hall. The external fasade is designed from smooth concrete with links, that are designed in cross kapes. The links are designe as some crosses, that are designed in gold section. The office of vicar is designed with wood arc beams. The external fasade is designed from titanzinc sheets. The fasade is designed as wall and roof. The end fasades are designed from glass walls, because wood beams are a dominant of this part of building. The living part of building is designed with two floors. Th structure is designed with traditional technologies from masonry and concrete or wood slabs.
45
Stango, Antonietta Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, Xiaoming [Gutachter] Fu, et al. "Increasing the robustness of active upper limb prostheses / Antonietta Stango ; Gutachter: Dario Farina, Xiaoming Fu, Jens Grabowski, Russell Luke, Stephan Waack, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1124680411/34.
Texto completo da fonte
46
Stango, Antonietta [Verfasser], Dario [Akademischer Betreuer] [Gutachter] Farina, Xiaoming [Gutachter] Fu, et al. "Increasing the robustness of active upper limb prostheses / Antonietta Stango ; Gutachter: Dario Farina, Xiaoming Fu, Jens Grabowski, Russell Luke, Stephan Waack, Florentin Wörgötter ; Betreuer: Dario Farina." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2017. http://d-nb.info/1124680411/34.
Texto completo da fonte
47
Farina, Dmytro [Verfasser]. "Forward and inverse problems of electrocardiography : clinical investigation / von Dmytro Farina." Karlsruhe : Univ.-Verl. Karlsruhe, 2008. http://d-nb.info/988009609/34.
Texto completo da fonte
48
Maja, Gullberg. ""Du och jag, farsan". : En genusvetenskaplig studie av fadersgestalter i "pappalitteratur"." Thesis, Uppsala universitet, Centrum för genusvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-305444.
Texto completo da fonteResumo:
This master thesis explores representations of fatherhood in the contemporary genre “daddy literature.” The study is based on four Swedish “daddy memoirs” published 2007-2010. In the genre, now adult children take a retrospective view on their relationships with their fathers, incorporating both a "child's perspective" on the father, and their present-day adult perspective. The analysis draws upon research about primary and secondary parenthood, critical studies of men and masculinities, and fatherhood studies. The analysis shows that the authors explicitly describe their fathers’ bodies. The male body is portrayed as muscular and strong, but the study shows that class, age and addiction restrict the male body. Three of the authors also describe their fathers’ as authorities that sometimes become violent. In a sense the father is the primary parent throughout the memoirs whilst the mother is usually portrayed, as the secondary parent even though she makes sure the child is properly cared for. “Daddy literature” renegotiates the power between the father and the child.
49
Marabese, Erica <1985>. "Franco Farina a Palazzo dei Diamanti: trent'anni di mostre a Ferrara." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7410.
Texto completo da fonteResumo:
Il presente studio vuole analizzare il contesto dell’arte contemporanea in un ambito decentrato rispetto alle altre grandi città artistiche, come Ferrara e vuole indagare il periodo storico tra gli anni ‘60 e ‘90 del novecento, lasso di tempo nel quale ha operato, a capo delle Gallerie dell’arte moderna e contemporanea, il maestro Franco Farina. L’ex direttore, in un periodo durato trent’anni (dal 1963 al 1993), ha compiuto a Ferrara un’instancabile operazione di divulgazione di artisti e opere d’arte contemporanee, in una città che fino a quel momento doveva la sua fama a epoche storiche precedenti, come il Rinascimento. Farina ha avuto il merito di far rivivere il fasto del Palazzo dei Diamanti dandogli una nuova destinazione d’uso, cioè trasformandolo in un perfetto contenitore museale, nel quale ha allestito una quantità considerevole di piccole e grandi mostre, che lo hanno reso uno dei luoghi più rappresentativi per l’arte contemporanea in Italia e all’estero. Lo scopo dello studio è indagare quali conseguenze abbia prodotto una tale operazione culturale sul pubblico e sulla città e quanto sia stata determinante per la divulgazione dell’arte contemporanea in un ambito così decentrato. Attraverso lo studio del contesto storico-artistico della città è possibile comprendere qual era il livello di diffusione degli artisti contemporanei e analizzando l’intero corpus di mostre di cui Farina fu il promotore, si riesce a stabilire il tipo di ricaduta che la città ha subito.
50
Lindhoff, Anna, Mattias Kristensson, and Andreas Nilsson. "Riskredovisning - fara eller möjlighet?" Thesis, Kristianstad University College, Department of Business Administration, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-3176.
Texto completo da fonteResumo:
<p>The purpose of this essay was to explain the contributory factors that influence the choice of account risk management in the annual report or not. Under the influence of the institutional theory and our frame of reference we constructed our own theory of account risk management. The method we used for the study was a survey method and the data we collected came from companies listed on the Stockholm Stock Exchange. When we analysed the collected data, with Fisher‘s exact probability test, we found a significant connection between company having a risk manager and account risk management. There were also tendencies between account risk management and our two variables “true and fair view” and “openness and credibility”. The report is written in Swedish, which is our mother tongue.</p>