Bibliografias temáticas / Farid al-Attar

Literatura científica selecionada sobre o tema "Farid al-Attar"

Autor: Grafiati
Publicado: 26 de julho de 2024

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Artigos de revistas sobre o assunto "Farid al-Attar"

1

Assadi, Jamal, e Mahmud Naamneh. "Mahmud Darwish: A Revived Sufi or a Sufi Reviver?" JOURNAL OF ADVANCES IN HUMANITIES 3, n.º 1 (31 de agosto de 2014): 152–60. http://dx.doi.org/10.24297/jah.v3i2.5117.

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This paper will discuss the mask of Farid Ed-Din Al-`Aattar as portrayed in the poetry of Mahmud Darwish with the aim of studying the concatenation between the Sufi mask and intertextuality, and between poetry and meta-poetry. To be more specific, this paper will investigate are some questions: Why did Darwish wear the mask of Al-`Attarr? Was it a mere fondness of an influential ancestor? Was it an act of protest against severe spiritual and intellectual deficiency and poverty which modern Arab literature suffers from? Was Al-`Attar simply used as a Sufi mask, or as a signal of inter-textuality? Did Darwish intend to pay homage to an ancient ancestor without whom he could not live his present and lead a successful struggle? In other words, did Darwish intend to resurrect Arab poetry and its revolutionary spirit by using Al-`Attar's heritage? If so, is Al-`Attar a revived Sufi living among us to guide in person the battle for freedom and to promote the level of Arab literature? Or was DarwÄ«sh given life by Al-`Attar, the Sufi saint?
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FEDOROVA, Yu E. "STORIES ABOUT SUFI DEVOTEES IN THE CONTEXT OF PHILOSOPHICAL VIEWS OF FARID AL-DIN ‘ATTAR". Islam in the modern world 13, n.º 4 (1 de janeiro de 2017): 187–202. http://dx.doi.org/10.22311/2074-1529-2017-13-4-187-202.

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Ismail Mahmoud Ehtoob, Ismail Mahmoud Ehtoob. "The Sufi Experience in Mahmoud Darwish's Poetry- the Hoopoe poem as a model: التجربة الصوفية في شعر محمود درويش- قصيدة الهدهد أنموذجًا". مجلة العلوم الإنسانية و الإجتماعية 5, n.º 11 (29 de setembro de 2021): 18–1. http://dx.doi.org/10.26389/ajsrp.c300121.

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This study is based on the analysis of the influence of Sufi thought on the poet Mahmoud Darwish in the poem "Hoopoe", which is combined with the book of Farid al- Din al- Attar "The Logic of the Bird." It turns out that Darwish turned to the world of brightness in order to take advantage of the mystical terminology of immersion, depth in the image, and difficulty in coding. In fact, his textual relevance in this experiment is not limited to his crucible in the crucible of "bird logic" alone, but extends to all sources of Persian mysticism, and therefore the researcher sought to reveal the references between the "bird logic" and the foundations of Sufi thought, and then monitor their reflections, taking into account Consider that the issue of belonging to the land or shifting from it is one of the most serious issues in the process of Mahmoud Darwish, and the reason is the stark contrast between his revolutionary and Sufi tolerant thought.
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Bulut, İhsan, e Elif Derya Özdemir. "İSKÂT-I İZÂFÂT TEVHÎDİ-II". International Journal of Social Sciences 5, n.º 23 (4 de novembro de 2021): 233–72. http://dx.doi.org/10.52096/usbd.5.23.5.13.

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“At-tawheedu isqāt al-idhāfāt”, which is a definition of tawheed, that states “tawheed is to deny the attributes” is a concept of tawheed belonging to high mysticism. One of the evaluations made about the tawheed of “isqāt al-idhāfāt” attributed to Junaid Baghdadi, is that it is the tawheed of true tawheed and havâssu'l-havâss. Isqāt al-idhāfāt tawheed is also presented as a benchmark, which is an important criterion of true tawheed in sufi literature. The fact that havâssu'l-havâss is a definition of tawheed is sufficient evidence to express its difficulty. It is for this reason that it is said that “ isqāt al-idhāfāt, which is the perfection of tawheed, is one of the intensified and difficult tasks of arbāb-i tahqīq”. When the isqāt al-idhāfāt tawheed is evaluated within the framework of the Sunni mysticism and unity of existing paradigms, some interpretation differences arise. This definition of tawheed has been mentioned a lot in the verse and prose texts of classical Turkish literature. When isqāt al-idhāfāt tawheed, (which has different interpretations), is used for human beings and other creatures, it does not give a real effect to bad thoughts, causes, and reduces the existence of creatures to the level of imagination and does not give them the rank of real existence (wujud-u-genuki); When used for the divine essence, it is based on the concept of Ahadiyet. As far as it is known, Farid al-Din Attar was the first person to use the term “isqāt al-idhāfāt” in poetry. Attar uses the term isqāt al-idhāfāt in Asrār-nāmeh's tawheed ode with the phrase “که التوحید اسقاط الإضافات / Ki al-tawheedu isqāt al-idhāfāt”. This usage has been quoted by both Persian literature poets and classical Turkish literature poets. The concepts of tajrīd, tefrīd, abandonment and unity of tawheed-i misākī have a very close connection with the concept of isqāt al-idhāfāt. Key Words: Tawheed (Monotheism), Tajrīd, Oneness, Abandoning, Ahadiyet
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Bulut, İhsan, e Elif Derya Özdemir. "The Tawheed of Isqāt al-Idhāfāt-I<br /> A Definition of Monotheism, the Finest, Most Intricate and Relatively Dangerous, Difficult Point of Religion and Sufism". Türk Edebiyatları Araştırma Dergisi 3, n.º 1 (15 de dezembro de 2022): 27–57. http://dx.doi.org/10.47580/tead.313.

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“At-tawheedu isqāt al-idhāfāt”, which is a definition of tawheed, that states “tawheed is to deny the attributes” is a concept of tawheed belonging to high mysticism. One of the evaluations made about the tawheed of “isqāt al-idhāfāt” attributed to Junaid Baghdadi, is that it is the tawheed of true tawheed and havâssu'l-havâss. Isqāt al-idhāfāt tawheed is also presented as a benchmark, which is an important criterion of true tawheed in sufi literature. The fact that havâssu'l-havâss is a definition of tawheed is sufficient evidence to express its difficulty. It is for this reason that it is said that “isqāt al-idhāfāt, which is the perfection of tawheed, is one of the intensified and difficult tasks of arbāb-i tahqīq”. When the isqāt al-idhāfāt tawheed is evaluated within the framework of the Sunni mysticism and unity of existing paradigms, some interpretation differences arise. This definition of tawheed has been mentioned a lot in the verse and prose texts of classical Turkish literature. When isqāt al-idhāfāt tawheed, (which has different interpretations), is used for human beings and other creatures, it does not give a real effect to bad thoughts, causes, and reduces the existence of creatures to the level of imagination and does not give them the rank of real existence (wujud-u-genuki); When used for the divine essence, it is based on the concept of Ahadiyet. As far as it is known, Farid al-Din Attar was the first person to use the term “isqāt al-idhāfāt” in poetry. Attar uses the term isqāt al-idhāfāt in Asrār-nāmeh's tawheed ode with the phrase “که التوحید اسقاط الإضافات / Ki al-tawheedu isqāt al-idhāfāt”. This usage has been quoted by both Persian literature poets and classical Turkish literature poets. The concepts of tajrīd, tefrīd, abandonment and unity of tawheed-i misākī have a very close connection with the concept of isqāt al-idhāfāt.
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6

Fedorova, Yu E. "‘KA‘BAH’ OF ACT AND KNOWLEDGE: ANALYSIS OF THE ETHICAL VIEWS OF HASSAN AL-BASRY (642–768)". Islam in the modern world 14, n.º 4 (7 de janeiro de 2019): 69–80. http://dx.doi.org/10.22311/2074-1529-2018-14-4-69-80.

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The article deals with investigation of a number of stories about Hasan al-Basri, a great preacher and a major representative of the zuhd movement (‘detachment’) in early Islam. These stories are gathered in anthology ‘Memorial of God’s Friends’ (Tadhkirat al-Awliya’) of the major Persian poet and Sufi thinker of XII–XIII centuries Farid ad-Din ‘Attar Nishaburi. The author provides a brief overview of the ethical ideas of Hasan al-Basri and explores the origins of his ethical doctrine. Hasan al-Basri followed the principle of strict responsibility. He was the forerunner of the Mu‘tazilite doctrine of the autonomy of human will. The focus of the article are the main themes of Hasan al-Basri’s ethical doctrine, such as: longing for higher virtues (sincerity, righteousness, piety, humility), the requirement to follow religious instructions, the overcoming attachments to the mortal world, the critique of wealth and the sermon of asceticism, etc. A detailed analysis of the stories about Hasan al-Basri and his statements allows to conclude, that there numerous ideas in his worldview later will take the form of developed Sufi ethical doctrine. The article shows, that all events from the life of Hasan al-Basri, from his birth to death, should be read and understood in the framework of his spiritual progress along a Sufi path.
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Lahuti, L. G. "A story about the Daughter of Ka‘b from the Masnavi Ilahi-nameh by the Sufi Persian poet Farid ad-Din ‘Attar". Orientalistica 3, n.º 1 (29 de março de 2020): 207–46. http://dx.doi.org/10.31696/2618-7043-2020-3-1-207-246.

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Ka‘b’s daughter Rābi‘a is briefly mentioned in the poetical anthology Lubāb al-awbāb by ‘Aufi as a brilliant poet. A subject of the majority of her poems was love and šāhid-bāzī, i.e. gazing at the beauty of youths, which brings the spectator to internal contemplation of the beauty of the Creator. ‘Attar, a Persian Sufi poet (12–13 cent.), dedicated to the love and death of Rābi‘a the longest story in his Masnavis. So far it has not been ascertained whether it was based upon a certain source, which has not survived until the present day, or whether it was a development of the account by ‘Aufi. The first part of the article contains an analysis of the story about daughter of Ka‘b in the Ilahi-nameh, its place within the structure of the poem as well as discusses its possible historical background. Then a line-by-line translation in Russian is provided, together with an extensive historical and philological commentary.The author declares that there is no conflict of interest.
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8

Khalil, Atif. "Comptes rendus / Reviews of books: The Ocean of the Soul: Men, the World and God in the Stories of Farid al-Din 'Attar". Studies in Religion/Sciences Religieuses 36, n.º 3-4 (setembro de 2007): 626–27. http://dx.doi.org/10.1177/000842980703600333.

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Lingwood, Chad G. "The Conference of the Birds". American Journal of Islam and Society 22, n.º 3 (1 de julho de 2005): 145–47. http://dx.doi.org/10.35632/ajis.v22i3.1691.

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In medieval Islamic civilization, poetry was widely acknowledged to be themost intimate vessel for conveying Sufism’s hidden truths. The spiritualstates and stations traversed by adepts along an ascending path to the realityof God’s unity largely defies simple descriptions into ordinary prose oreveryday language. The subtleties necessary to evocatively describe a spiritualjourney that is, by its very essence, ineffable, necessitates a linguisticmedium that could at once reveal secrets of inner contemplation and mysticalperception while simultaneously concealing such information from the“uninitiated” behind the exoteric understanding of the same work of literature.Persian poetry, with its unique capacity for metaphorical symbolism,puns, and paradoxes, thus emerged by the seventh/thirteenth century as anunparalleled vehicle for expressing the mystical experience.The most dramatic expression in all of Persian mystical literature of thisspiritual journey is the allegorical poem Mantiq al-Tair (best translated as“The Speech of the Birds”) by Farid al-Din `Attar (d. 627/1229), whichrecounts the initiatory voyage of a group of birds through seven valleys tothe palace of the mythical king-bird Simurgh, symbol of the Divine,enthroned atop the cosmic mountain Qaf.In addition to the book currently under review, `Attar’s masterpieceinspired other renditions into English, including an abbreviated and freelyreworked edition by Edward FitzGerald, The Bird-parliament (1903); R. P.Masani’s prose translation of half the original poem’s 4,600 lines, TheConference of the Birds (1924); the incomplete prose version by C. S. Nott,The Conference of the Birds (1954), which was prepared from Garcin deTassy’s nineteenth-century French translation, Le Langage des oiseaux, and,as such, is obscured by an intervening third language; Afkham Darbandi andDick Davis’ Penguin Classics edition The Conference of the Birds (1984),which represents the poem’s first complete English translation (minus theinvocation and epilogue), is based on the oldest extant manuscripts, and isskillfully rendered into heroic couplets pleasingly faithful to the letter andspirit of `Attar’s allegory; and Peter Avery’s determinedly literal translation,The Speech of the Birds (1998), whose 560-page opus includes 120 pages ofenriching endnotes on `Attar’s use of Qur’anic imagery and the hadith ...
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Khajehi, Yassaman, Mohammad Amin Zamani e Richard Schechner. "Fragments of a Revolution". TDR: The Drama Review, 29 de maio de 2023, 1–9. http://dx.doi.org/10.1017/s1054204323000163.

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In the spring of 2022, the theatre company of Tehran’s Fanous Art and Culture House decided to begin work on staging a contemporary adaptation of The Conference of the Birds by Farid al-Din Attar, the 12th-century Persian poet. Fanous planned to collaborate with Marco Berrettini, an Italian-German choreographer. The goal was a new reading of the poem in light of Iran’s contemporary social circumstances.
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Teses / dissertações sobre o assunto "Farid al-Attar"

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Pizarro, Edson. "Problemas de la Traducción Escénica de un texto no Dramático En base al poema sufi “Mantik Ütair” de Farid Ud Din Attar". Tesis, Universidad de Chile, 2008. http://repositorio.uchile.cl/handle/2250/109779.

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Livros sobre o assunto "Farid al-Attar"

1

Reza. L'envol: D'après la conférence des oiseaux de Farid Al-Din Attar. Paris: Democratic books, 2011.

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2

Hafeez, Mohammed Abdul, e Mohammed ABDUL HAFEEZ. Biography of Farid Al-Din Attar. Independently Published, 2018.

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3

Hafeez, Mohammed Abdul. Biography of Farid Al-Din Attar. Independently Published, 2017.

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4

'Attar, Farid Al, e Paul Smith. Divan of Farid Al-Din 'attar. Independently Published, 2019.

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5

HAFEEZ, Mohammed ABDUL. Biography of Shaikh Abul Hasan Qarqani by Farid Al-Din Attar. Independently Published, 2017.

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6

O'Malley, Austin. Poetics of Spiritual Instruction: Farid Al-Din 'Attar and Persian Sufi Didacticism. Edinburgh University Press, 2023.

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7

O'Malley, Austin. Poetics of Spiritual Instruction: Farid Al-Din 'Attar and Persian Sufi Didacticism. Edinburgh University Press, 2023.

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8

O'Malley, Austin. Poetics of Spiritual Instruction: Farid Al-Din 'Attar and Persian Sufi Didacticism. Edinburgh University Press, 2023.

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9

Hafeez, Mohammed Abdul, e Mohammed ABDUL HAFEEZ. Muslim Saints and Mystics: Episodes from the Tadhkirah Al-Awliya of Farid Al-Din Attar. Independently Published, 2018.

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10

Muslim Saints and Mystics: Episodes from the Tadhkirah al-Awliya' of Farid al-Din 'Attar. Kuala Lumpur, Malaysia: Islamic Book Trust, 2008.

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Capítulos de livros sobre o assunto "Farid al-Attar"

1

"Farid al-din ‘Attar, Mantiq al-tair on the spider (c. 1130–c. 1229)". In The Medieval Natural World, 165. Routledge, 2013. http://dx.doi.org/10.4324/9781315833316-41.

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