Literatura científica selecionada sobre o tema "Expressivité vocale"
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Artigos de revistas sobre o assunto "Expressivité vocale"
Malatesta-Magai, Carol, Sharon Leak, Johanna Tesman, Beth Shepard, Clayton Culver e Beatrice Smaggia. "Proffles of Emotional Development: Individual Differences in Facial and Vocal Expression of Emotion during the Second and Third Years of Life". International Journal of Behavioral Development 17, n.º 2 (junho de 1994): 239–69. http://dx.doi.org/10.1177/016502549401700202.
Texto completo da fonteKim, Heejung, Youngshin Cho, Sunghee Lee e Chaehyeon Kang. "MULTIMODAL AFFECTIVE ANALYSIS OF FACIAL AND VOCAL EXPRESSIVITY USING SMARTPHONE AND DEEP LEARNING ANALYSIS". Innovation in Aging 6, Supplement_1 (1 de novembro de 2022): 593–94. http://dx.doi.org/10.1093/geroni/igac059.2221.
Texto completo da fonteAbbas, Anzar, Bryan J. Hansen, Vidya Koesmahargyo, Vijay Yadav, Paul J. Rosenfield, Omkar Patil, Marissa F. Dockendorf et al. "Facial and Vocal Markers of Schizophrenia Measured Using Remote Smartphone Assessments: Observational Study". JMIR Formative Research 6, n.º 1 (21 de janeiro de 2022): e26276. http://dx.doi.org/10.2196/26276.
Texto completo da fonteElblaus, Ludvig, Carl Unander-Scharin e Åsa Unander-Scharin. "Singing Interaction: Embodied Instruments for Musical Expression in Opera". Leonardo Music Journal 24 (dezembro de 2014): 7–12. http://dx.doi.org/10.1162/lmj_a_00187.
Texto completo da fonteBickford, Tyler. "Music of Poetry and Poetry of Song: Expressivity and Grammar in Vocal Performance". Ethnomusicology 51, n.º 3 (1 de outubro de 2007): 439–76. http://dx.doi.org/10.2307/20174545.
Texto completo da fonteArya, Shantanu, Sachin ., L. N. Garg, Tashi Wangmo, Nima Zangmo e Komal Sharma. "Changes in speech charactersitics post thymoma". International Journal of Otorhinolaryngology and Head and Neck Surgery 5, n.º 1 (25 de dezembro de 2018): 212. http://dx.doi.org/10.18203/issn.2454-5929.ijohns20185318.
Texto completo da fonteRovner, Anton А. "Vocal and Choral Symphonies and Considerations on Text Representation in Music". ICONI, n.º 2 (2020): 26–37. http://dx.doi.org/10.33779/2658-4824.2020.2.026-037.
Texto completo da fonteSokolskaya, Anna. "“Obedient bodies”: Space, time and sound in the operas by Christoph Marthaler". Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 5, n.º 1 (1 de março de 2020): 34–49. http://dx.doi.org/10.18522/2415-8852-2020-1-34-49.
Texto completo da fonteKhilko, Natalia P. "Le marteau sans Maître by Pierre Boulez as a System of Cycles". Problemy Muzykal'noj Nauki / Music Scholarship, n.º 3 (2022): 155–70. http://dx.doi.org/10.56620/2782-3598.2022.3.155-170.
Texto completo da fonteCzajkowski, Anne-Marie Louise, Alinka Elizabeth Greasley e Michael Allis. "Mindfulness for Singers: A Mixed Methods Replication Study". Music & Science 4 (1 de janeiro de 2021): 205920432110448. http://dx.doi.org/10.1177/20592043211044816.
Texto completo da fonteTeses / dissertações sobre o assunto "Expressivité vocale"
Le, Beux Sylvain. "Contrôle gestuel de la prosodie et de la qualité vocale". Phd thesis, Université Paris Sud - Paris XI, 2009. http://tel.archives-ouvertes.fr/tel-00618427.
Texto completo da fonteChabot-Canet, Céline. "Interprétation, phrasé et rhétorique vocale dans la chanson française depuis 1950 : expliciter l’indicible de la voix". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20055.
Texto completo da fonteThe present thesis focuses on the study of the song not in its word and music dialectic but through the acquisition of a third entity : the vocal rendition. The point is to reveal its critical importance and richness and make it legitimate as a subject of study as the result of the implementation of a specific methodological and lexical protocol that allows the analysis – as with the composition – although its changeable nature is not conducive to theorizing. Considered as a complex object (according to Edgar Morin’s terminology), vocal rendition is submitted to the crossfire of various disciplines (musicology, linguistics, rhetoric, acoustics) in order to favour as far as it is possible its objectivization. Within the framework of musicology, the use of computer tools makes it possible to establish a complementarity between the perspectives of social sciences and exact sciences, to catch and analyse the peculiarities of the performances both in their dominant or agogic characters, their connexions to the score, their combinatorial complexity within the meta-parameters (timbre, rhythm, phrasing), as well as the dialogical tensions which run through them (variation and repetition, melodicity and noise integration, singing and speaking parts). Thanks to the existence of a large body of French-speaking singers (from Rive Gauche style to Nouvelle chanson française) it is possible by studying studio and concert recordings to grasp the irreducible specificity of everyone (what is issued from a unique body) as well as the great underlying networks of stylistic relationships. Disclosed by the semeiological perspective, around the notions of strategy and performance designs, vocal rhetoric, the way to induce pathos and to express ethos, there emerges a typology of performing styles that is open to considering the intrinsic originality of each performer and integrating further generic developments
Cadic, Didier. "Optimisation du procede de creation de voix en synthese par selection". Phd thesis, Université Paris Sud - Paris XI, 2011. http://tel.archives-ouvertes.fr/tel-00608610.
Texto completo da fonteCadic, Didier. "Optimisation du procédé de création de voix en synthèse par sélection". Thesis, Paris 11, 2011. http://www.theses.fr/2011PA112076/document.
Texto completo da fonteThis work falls within the scope of text-to-speech (TTS) technology. More precisely, focus is on the voice creation process for unit-selection synthesis. In a standard approach, a textual script of several thousands of words is read by a speaker in order to generate approximately 5 to 10 hours of useable speech. The recording time is spread out over one or two weeks and is followed by the considerable task of manually revising the phonetic segmentation for all of the speech.Such a costly and time-consuming process presents a major obstacle to diversifying synthesized voices. In order to increase efficiency in this process, we introduce a new unit, called a "vocalic sandwich", to optimize coverage of the recording texts. Phonetically, this unit better addresses the segmental limitations of unit-selection TTS than state-of-the-art units (diphones, triphones, syllables, words...). Linguistically, a new set of contextual symbols focuses the coverage, allowing for more control and consideration of prosody. Practically, in order to automate the segmentation process, better anticipation of the phonetic and prosodic content desired in the final database is required. This is achieved here by increasing the readability and consistency of each sentence included in the script. As a side, these properties also help to facilitate the reading stage. Furthermore, as an alternative to the classic corpus condensation, a semi-automatic sentence building algorithm is developed in this work wherein sentences are built rather than selected from a reference corpus. Ultimately, the sentence building provides access to much denser scripts, specifically allowing for increases in density of between 30 and 40%.In incorporating these new approaches and tools, the voice creation process is made very efficient, as is validated in this work through the preparation and evaluation of numerous synthesized voices. Perceptive scores that are comparable to the traditional process are achieved with 40 minutes of speech (half-day recording) and without any manual post-processing. Finally, we take advantage of these results in order to enhance our synthesized voices with various expressive, multi-expressive and paralinguistic features
Teytaut, Yann. "On temporal constraints for deep neural voice alignment". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUS196.
Texto completo da fonteTo listen, to respond, to make coincide, to coordinate, to adjust, to follow, to adapt, to be in unison, to synchronize, to align... The rich vocabulary dedicated to the correspondence of human activities shows the importance of their temporal organization. Human communication, multi-modal by nature, is fully concerned by this problematic since there exists a semantic gap between oral locutions and their symbolic sequences: how to interpret a written message without the vocal intonation? what performative style beyond a fixed musical score? This thesis proposes to uncover the complex underlying relationships between the audio and symbolic domains in order to reduce this gap through the fine study of the inherent temporality contained in voice recordings. The voice alignment task lies at the core of this objective, as it aims to determine the temporal occurrence of symbols that are assumed to be present in a voice signal. This work notably focuses on the development of an acoustic model, ADAGIO, capable of estimating such time-symbol links. Recent progress in deep learning have led to implement ADAGIO as a deep neural network in a powerful generic formalism: the “Connectionist Temporal Classification” (CTC). However, the great flexibility offered by CTC is undermined by its intrinsic lack of guarantees for temporally accurate predictions. Therefore, the key contributions of this research consist in reinforcing CTC with additional temporal constraints to improve the quality of the inferred alignments. To do so, three ancillary tasks of (1) spectral content reconstruction; (2) audio structure propagation; and (3) guided monotony are introduced and induce a positive impact on the alignment between voices, texts, and notes. Then, ADAGIO contributes to many practical applications via collaborations such as concatenative speech synthesis or the study of expressive production strategies at play for both social attitudes in speech and singing style in musical performances
Calzada, Defez Àngel. "Conveying expressivity and vocal effort transformation in synthetic speech with Harmonic plus Noise Models". Doctoral thesis, Universitat Ramon Llull, 2016. http://hdl.handle.net/10803/360587.
Texto completo da fonteEsta tesis se llevó a cabo en el Grup en Tecnologies Mèdia de la Escuela de Ingeniería y Arquitectura la Salle. El grupo lleva una larga trayectoria dentro del campo de la síntesis de voz y cuenta con su propio sistema de síntesis por concatenación de unidades (US-TTS). El sistema permite sintetizar múltiples estilos expresivos mediante el uso de corpus específicos para cada estilo expresivo. De este modo, para realizar una síntesis agresiva, el sistema usa el corpus de este estilo, y para un estilo sensual, usa otro corpus específico para ese estilo. La presente tesis aborda el problema con un enfoque distinto proponiendo cambios en el esquema del sistema con el fin de mejorar la flexibilidad para sintetizar múltiples estilos expresivos a partir de un único corpus de estilo de habla neutro. El planteamiento seguido en esta tesis esta basado en el uso de técnicas de procesamiento de señales (DSP) para llevar a cabo modificaciones del señal de voz para que este exprese el estilo de habla deseado. Para llevar acabo las modificaciones de la señal de voz se han usado los modelos harmónico más ruido (HNM) por su flexibilidad para efectuar modificaciones de señales. La cualidad de la voz (VoQ) juega un papel importante en diferentes estilos expresivos. Por ello se exploró la síntesis expresiva basada en modificaciones de parámetros de bajo nivel de la VoQ. Durante este estudio se detectaron diferentes problemas que dieron pié a los objetivos planteados en esta tesis, entre ellos el encontrar un único parámetro con fuerte influencia en la expresividad. El parámetro seleccionado fue el esfuerzo vocal (VE) por su importante papel a la hora de expresar diferentes emociones. Las primeras pruebas se realizaron con el fin de transferir el VE entre dos realizaciones con diferente grado de VE de la misma palabra usando una metodología basada en un proceso filtrado de pre-émfasis adaptativo con coeficientes de predicción lineales (APLP). Esta primera aproximación logró transferir el nivel de VE entre dos realizaciones de la misma palabra, sin embargo el proceso presentaba limitaciones para generar niveles de esfuerzo vocal intermedios. A fin de mejorar la flexibilidad y el control del sistema para expresar diferentes niveles de VE, se planteó un nuevo modelo de VE basado en polinomios lineales. Este modelo permitió transferir el VE entre dos palabras diferentes e incluso generar nuevos niveles no presentes en el corpus usado para la síntesis. Esta flexibilidad está alineada con el objetivo general de esta tesis de permitir a un sistema US-TTS expresar múltiples estilos de habla expresivos a partir de un único corpus de estilo neutro. Además, la metodología propuesta incorpora un parámetro que permite de forma sencilla controlar el nivel de VE expresado en la voz sintetizada. Esto abre la posibilidad de controlar fácilmente el proceso de síntesis tal y como se hizo en el proyecto CreaVeu usando interfaces simples e intuitivas, también realizado dentro del grupo GTM. Esta memoria concluye con una revisión del trabajo realizado en esta tesis y con una propuesta de modificación de un esquema de US-TTS para expresar diferentes niveles de VE a partir de un único corpus neutro.
This thesis was conducted in the Grup en Tecnologies M`edia (GTM) from Escola d’Enginyeria i Arquitectura la Salle. The group has a long trajectory in the speech synthesis field and has developed their own Unit-Selection Text-To-Speech (US-TTS) which is able to convey multiple expressive styles using multiple expressive corpora, one for each expressive style. Thus, in order to convey aggressive speech, the US-TTS uses an aggressive corpus, whereas for a sensual speech style, the system uses a sensual corpus. Unlike that approach, this dissertation aims to present a new schema for enhancing the flexibility of the US-TTS system for performing multiple expressive styles using a single neutral corpus. The approach followed in this dissertation is based on applying Digital Signal Processing (DSP) techniques for carrying out speech modifications in order to synthesize the desired expressive style. For conducting the speech modifications the Harmonics plus Noise Model (HNM) was chosen for its flexibility in conducting signal modifications. Voice Quality (VoQ) has been proven to play an important role in different expressive styles. Thus, low-level VoQ acoustic parameters were explored for conveying multiple emotions. This raised several problems setting new objectives for the rest of the thesis, among them finding a single parameter with strong impact on the expressive style conveyed. Vocal Effort (VE) was selected for conducting expressive speech style modifications due to its salient role in expressive speech. The first approach working with VE was based on transferring VE between two parallel utterances based on the Adaptive Pre-emphasis Linear Prediction (APLP) technique. This approach allowed transferring VE but the model presented certain restrictions regarding its flexibility for generating new intermediate VE levels. Aiming to improve the flexibility and control of the conveyed VE, a new approach using polynomial model for modelling VE was presented. This model not only allowed transferring VE levels between two different utterances, but also allowed to generate other VE levels than those present in the speech corpus. This is aligned with the general goal of this thesis, allowing US-TTS systems to convey multiple expressive styles with a single neutral corpus. Moreover, the proposed methodology introduces a parameter for controlling the degree of VE in the synthesized speech signal. This opens new possibilities for controlling the synthesis process such as the one in the CreaVeu project using a simple and intuitive graphical interfaces, also conducted in the GTM group. The dissertation concludes with a review of the conducted work and a proposal for schema modifications within a US-TTS system for introducing the VE modification blocks designed in this dissertation.
van, Stade Koenraad J. H. "Discovering Ideals of Expressivity and Artistry in 19th-Century Vocal Performance: Re-enacting Schumann’s Dichterliebe". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29588.
Texto completo da fonteKouklia, Charlotte. "Dominance, hostilité et expressivité vocale dans le débat politique ˸ étude perceptive et acoustique du conseil municipal de Montreuil (93100)". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA013/document.
Texto completo da fonteThis dissertation studies the relationship between the expression of controlled aggressive attitudes and the perception of dominance, based on extracts from televised sessions of the Municipal Council of Montreuil during 2013; a period marked by a lively and hostile political climate. We constituted a corpus of spontaneous speech extracts from the Mayor, Dominique Voynet, and four of her opponents. During subsequent recording sessions, the five speakers were asked to read transcriptions of their own speech extracts in a neutral tone (25 stimuli per speaker). They also participated in a self-evaluation questionnaire that focused on the perception of emotional profiles in their own stimuli. The results of the speakers’ perceptive evaluations were compared to those of a control group of naïve listeners. All speakers were perceived as slightly hostile, discontent and dominant, despite the variability observed in the self-evaluated profiles. The original and re-read extracts were compared in their prosodic- syntactic structure as well as their temporal and melodic characteristics. We show that: 1) some speakers seem to rely mostly on melodic parameters whereas others primarily use temporal parameters, 2) nevertheless, general trends emerge regarding the speech correlates of hostility and dominance in our corpus, notably: a) discrepancies between the syntactic and the prosodic structure of the extracts, b) reduction or absence of pre-pausal final syllabic lengthening, c) large variations in F0 range on both sides of silent pauses
Nunes, Rafaela Rohsbacker Gonzalez. "Voz-ruído na canção popular brasileira: a expressividade das vozes femininas do samba-canção da década de 1950". Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-07112017-155453/.
Texto completo da fonteThe song counts on the color of the voice qualities of its performers, who through different sonorities play a role in expressiveness and in the construction of its meaning. Among these sonorities are the noise voices, understood in this research as voice qualities that present sonorous noise next to the vocal tone. The present study aims to investigate the intrinsic aspects of the sound coming from such voices - physiological, acoustic, psychoacoustic and psychodynamic characteristics - and to propose a category survey, investigating its relation with the expressiveness of the singing voice through an analytic listening. This research includes the popular Brazilian singing model, in the repertoire of the samba-canção of the 1950s, in the voices of Dalva de Oliveira, Ângela Maria, Dolores Duran and Maysa. The results point to the role of the voice qualities of the performers in the construction of the meaning of the song, where the noise voice and its antagonistic sonority help to delineate an emotional state expressed by the lyrics, as well as suggest the identification of the singers to the aesthetic aspects of the samba-canção during the study period.
Recly, Mathilde. "La technique vocale de Michael Jackson : polyvocalité, théâtralité et virtuosité". Thèse, 2018. http://hdl.handle.net/1866/21875.
Texto completo da fonteLivros sobre o assunto "Expressivité vocale"
Nemec, John. The Ubiquitous Siva Volume II. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197566725.001.0001.
Texto completo da fonteBloom, Katya, Barbara Adrian, Tom Casciero, Jennifer Mizenko e Claire Porter. The Laban Workbook for Actors. Bloomsbury Publishing Plc, 2018. http://dx.doi.org/10.5040/9781474220705.
Texto completo da fonteCapítulos de livros sobre o assunto "Expressivité vocale"
Apolloni, Alexandra M. "Epilogue". In Freedom Girls, 255–60. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0010.
Texto completo da fonteApolloni, Alexandra M. "Introduction". In Freedom Girls, 1–22. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0001.
Texto completo da fonteNedecky, Jason. "Special Pronunciation Considerations". In French Lyric Diction, 107–24. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197573839.003.0008.
Texto completo da fonteKenny, Elizabeth. "Italian Performance Practices in Seventeenth-Century English Song". In The Edinburgh Companion to Literature and Music, 209–18. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9780748693122.003.0022.
Texto completo da fonteApolloni, Alexandra M. "Remembering Rock and Roll with P. P. Arnold". In Freedom Girls, 225–54. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190879891.003.0009.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Expressivité vocale"
Fontes, Mario, e Sandra Madureira. "Vocal and facial expressions and meaning effects in speech expressivity". In 10th International Conference of Experimental Linguistics. ExLing Society, 2019. http://dx.doi.org/10.36505/exling-2019/10/0020/000382.
Texto completo da fonte