Artigos de revistas sobre o tema "Exhibition, 1923"
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Lavrov, Dmitrii Evgen'evich. "Exhibition activity of the Palekh lacquer miniature craft (1923-1939)". Человек и культура, n.º 4 (abril de 2022): 36–45. http://dx.doi.org/10.25136/2409-8744.2022.4.36873.
Texto completo da fonteSidorova, Oksana. "CLASSICAL GRAPHIC ARTISTS OF ALTAI IN COLLECTIONS OF THE STATE ART MUSEUM OF THE ALTAI KRAI (BARNAUL, RUSSIA)". Proceedings of Altai State Academy of Culture and Arts, n.º 3 (2021): 52–59. http://dx.doi.org/10.32340/2414-9101-2021-3-52-59.
Texto completo da fonteIonescu, Adrian-Silvan. "Second Crusader Occupation in Constantinople, 1918-1923". Dialogica. Revistă de studii culturale și literatură, n.º 3 (novembro de 2023): 112–18. http://dx.doi.org/10.59295/dia.2023.3.15.
Texto completo da fonteWindisch e Tieber. ""Silent" Films, Singing Voices: Vocal Accompaniment in Viennese Moving Picture Exhibition, 1913-1923". Music and the Moving Image 8, n.º 1 (2015): 19. http://dx.doi.org/10.5406/musimoviimag.8.1.0019.
Texto completo da fonteYu Elina, O. "Exhibiting nature, modernising agriculture: ecology and technology at the All-Russian Agricultural Exhibition, 1923". IOP Conference Series: Earth and Environmental Science 350 (15 de novembro de 2019): 012001. http://dx.doi.org/10.1088/1755-1315/350/1/012001.
Texto completo da fontePasarello, Clerice, e Sabaté Sentís. "The origins of rugby in Catalonia". Fizicko vaspitanje i sport kroz vekove 8, n.º 2 (2021): 42–72. http://dx.doi.org/10.5937/spes2102042p.
Texto completo da fonteCHECHIK, Valentina. "VADIM MELLER’S ART: ON THE WAY TOWARDS CONSTRUCTIVIST ABSTRACTION". HUDPROM: The Ukrainian Art and Design Journal 2023, n.º 1 (30 de junho de 2023): 128–39. http://dx.doi.org/10.33625/hudprom2023.01.128.
Texto completo da fonteNowakowska-Sito, Katarzyna. "Ludomir Sleńdziński’s Trips to Italy 1923–1925". Roczniki Humanistyczne 67, n.º 4 SELECTED PAPERS IN ENGLISH (30 de outubro de 2019): 81–101. http://dx.doi.org/10.18290/rh.2019.68.4-4en.
Texto completo da fonteLeal Rodrigues, Sofia. "“Vision in motion”: László Moholy-Nagy and the Genesis of the Visual Book". Disegno, n.º 1-2 (2021): 86–109. http://dx.doi.org/10.21096/disegno_2021_1-2slr.
Texto completo da fonteBlackman, Cally. "The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923". Costume 56, n.º 1 (março de 2022): 51–73. http://dx.doi.org/10.3366/cost.2022.0218.
Texto completo da fonteBlinov, Ivan S. "COMPANY “FRIEDRICH KRUPP” AT THE FIRST SOVIET ALL-UNION AGRICULTURAL EXHIBITION IN 1923". RSUH/RGGU Bulletin. Series Political Sciences. History. International Relations, n.º 4 (2020): 156–66. http://dx.doi.org/10.28995/2073-6339-2020-4-156-166.
Texto completo da fonteLavrov, Dmitrii Evgen'evich. "Exhibition activity of the Palekh lacquer miniature craft (1945-1989)". Человек и культура, n.º 5 (maio de 2022): 117–25. http://dx.doi.org/10.25136/2409-8744.2022.5.36910.
Texto completo da fonteKarasev, Andrey V. "Genesis of autotractor diesel engineering and first diesel tractors". Tekhnicheskiy servis mashin, n.º 1 (1 de março de 2020): 207–15. http://dx.doi.org/10.22314/2618-8287-2020-58-1-207-215.
Texto completo da fonteSvetlana V., Bershadskaia. "Journey from Krasnoyarsk to Moscow in 1923". Humanitarian Vector 16, n.º 3 (junho de 2021): 71–78. http://dx.doi.org/10.21209/1996-7853-2021-16-3-71-78.
Texto completo da fonteJohnston, Keith M. "Beyond the “Exhibition Straight-Jacket”: How British Amateur Film Clubs Created an Alternative Distribution and Exhibition Network, 1923–1933". Film History 34, n.º 3 (janeiro de 2023): 46–70. http://dx.doi.org/10.2979/filmhistory.34.3.03.
Texto completo da fonteMakhrachev, Georgiy. "Development of handicraft industry in the period of the new economic policy according to the governorate newspaper “Tambovskaya Pravda”". Tambov University Review. Series: Humanities, n.º 183 (2019): 204–13. http://dx.doi.org/10.20310/1810-0201-2019-24-183-204-213.
Texto completo da fonteMaximov, Yuriy, Pavel Matviets e Polina Matviets. "RUSSIAN NORTH. IMAGES OF RUSSIA IN D.N. ANUCHIN’S PHOTO COLLECTION". LIFE OF THE EARTH 45, n.º 2 (14 de junho de 2023): 260–67. http://dx.doi.org/10.29003/m3454.0514-7468.2023_45_2/260-267.
Texto completo da fontePaz-Agras, Luz. "Creative processes in the Avant-Garde Movements". Estoa, n.º 15 (2019): 21–30. http://dx.doi.org/10.18537/est.v008.n015.a02.
Texto completo da fonteБатырева, К. П. "100th Anniversary of Garri Rokchinsky (1923–1993), People’s Artist of the RSFSR, Was Celebrated in the Republic of Kalmykia and Regions of Southern Russia". Nasledie Vekov, n.º 4(36) (31 de dezembro de 2023): 152–61. http://dx.doi.org/10.36343/sb.2023.36.4.012.
Texto completo da fonteJeong, So Young. "A Study on the holding Joseon Sideline-products Exhibition and its effect in 1923". Historical Association for Soong-Sil 38 (30 de junho de 2017): 133–81. http://dx.doi.org/10.16942/ssh.2017.38.06.05.
Texto completo da fonteJeong, So Young. "A Study on the holding Joseon Sideline-products Exhibition and its effect in 1923". Historical Association for Soong-Sil 38 (30 de junho de 2017): 133–81. http://dx.doi.org/10.16942/ssh.2017.38.6.05.
Texto completo da fonteElina, Olga. "The “New Peasant” at the 1923 All-Russian Agricultural Exhibition: Construction of an Image". Novoe literaturnoe obozrenie, n.º 4 (2022): 99–118. http://dx.doi.org/10.53953/08696365_2022_176_4_99.
Texto completo da fonteHitchcock, H. Wiley. "Ives's "114 [+ 15] Songs" and What He Thought of Them". Journal of the American Musicological Society 52, n.º 1 (1999): 97–144. http://dx.doi.org/10.2307/832025.
Texto completo da fonteRICE, TOM. "“The True Story of the Ku Klux Klan”: Defining the Klan through Film". Journal of American Studies 42, n.º 3 (dezembro de 2008): 471–88. http://dx.doi.org/10.1017/s0021875808005537.
Texto completo da fonteElina, O. Yu. "Regions at the All-Russian Agricultural and Handicraft Industrial Exhibition, 1923: Geography, Ethnology, and Art". IOP Conference Series: Earth and Environmental Science 579 (5 de novembro de 2020): 012157. http://dx.doi.org/10.1088/1755-1315/579/1/012157.
Texto completo da fonteLatifić, Amra. "Contextualisation of optico-plastic: The effects of Alexander Archipenko and Ljubomir Micić's cooperation". Zbornik Akademije umetnosti, n.º 9 (2021): 79–90. http://dx.doi.org/10.5937/zbaku2109079l.
Texto completo da fonteMinta-Tworzowska, Danuta. "Nowoczesna archeologia Profesora Jana Żaka (1923-1990). W 100. rocznicę urodzin". Folia Praehistorica Posnaniensia 28 (27 de dezembro de 2023): 231–53. http://dx.doi.org/10.14746/fpp.2023.28.10.
Texto completo da fonteAlbert, Samuel D. "Hungarian Representative Exhibitions and the Rhetoric of Display in the 1920s". Arts 13, n.º 1 (26 de janeiro de 2024): 23. http://dx.doi.org/10.3390/arts13010023.
Texto completo da fonteLand, Michael F., e Priscilla Heard. "Richard Langton Gregory. 24 July 1923—17 May 2010". Biographical Memoirs of Fellows of the Royal Society 64 (28 de março de 2018): 163–82. http://dx.doi.org/10.1098/rsbm.2017.0034.
Texto completo da fonteSchleicher, Alexander. "Museum of Contemporary Art by Artists". Advanced Engineering Forum 12 (novembro de 2014): 79–87. http://dx.doi.org/10.4028/www.scientific.net/aef.12.79.
Texto completo da fonteVaniuha, Liudmyla, Mariya Markovych, Nataliya Hryhoruk, Svitlana Matviishyn e Yaroslava Toporivska. "The history of the creation, formation and development of the Museum of Theater, Music and Cinema Arts of Ukraine". History of science and technology 13, n.º 1 (30 de junho de 2023): 78–100. http://dx.doi.org/10.32703/2415-7422-2023-13-1-78-100.
Texto completo da fontePryn, O. V. "“With God’s help, act in favor of Ukraine”: unknown letters of Fedir Ernst to Adelaida Artiukhova (1927–1929)". SUMY HISTORICAL AND ARCHIVAL JOURNAL, n.º 35 (2020): 12–30. http://dx.doi.org/10.21272/shaj.2020.i35.p.12.
Texto completo da fonteHemingway, Andrew. "To “Personalize the Rainpipe”: The Critical Mythology of Edward Hopper". Prospects 17 (outubro de 1992): 379–404. http://dx.doi.org/10.1017/s0361233300004774.
Texto completo da fonteШапченко, Юлия. "Дальневосточные зарисовки Александра Яковлева". Acta Polono-Ruthenica 2, n.º XXIV (30 de junho de 2019): 43–53. http://dx.doi.org/10.31648/apr.4460.
Texto completo da fonteMitjans, Frank. "Non sum Oedipus, sed Morus". Moreana 43 & 44 (Number, n.º 4 & 1-2 (março de 2007): 12–67. http://dx.doi.org/10.3366/more.2007.43-44.4_1-2.4.
Texto completo da fonteGidley, Mick. "Topographical Portraits: Seven Views of Richard Avedon'sIn the American West". Prospects 30 (outubro de 2005): 685–713. http://dx.doi.org/10.1017/s0361233300002234.
Texto completo da fonteO'Hear, Anthony. "Art and Technology: An Old Tension". Royal Institute of Philosophy Supplement 38 (março de 1995): 143–58. http://dx.doi.org/10.1017/s1358246100007335.
Texto completo da fonteКонёнкова, Алла Кирилловна. "The New Testament Images in the works of Sergei Timofeevich Kon’enkov". Вестник церковного искусства и археологии, n.º 3(4) (15 de agosto de 2020): 77–89. http://dx.doi.org/10.31802/bcaa.2020.4.3.005.
Texto completo da fonteŻywicki, Jerzy. "Architekci międzywojennego Lublina. Przyczynek do charakterystyki środowiska w pierwszym pięcioleciu niepodległości (1918-1923)". Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 16, n.º 1/2 (14 de junho de 2019): 43. http://dx.doi.org/10.17951/l.2018.16.1/2.43-62.
Texto completo da fonteKirk-Greene, Anthony. "The Changing Face of African Studies in Britain, 1962-2002". African Research & Documentation 90 (2002): 17–27. http://dx.doi.org/10.1017/s0305862x00016794.
Texto completo da fontePodlubnova, Yu S. "“To the Keeper of the Ufimian Museum...” The Letter by D. D. Burlyuk to A. A. Cherdantsev August 3, 1923. New York". Studies in Theory of Literary Plot and Narratology, n.º 1 (2019): 199–206. http://dx.doi.org/10.25205/2410-7883-2019-1-199-206.
Texto completo da fonteJovanov, Jasna. "Izložbe Grupe nezavisnih umjetnika u Vojvodini od 1924. do 1925." Peristil 57 (2015): 221–28. http://dx.doi.org/10.17685/peristil.57.19.
Texto completo da fonteMaly, Elizabeth, e Mariko Yamazaki. "Disaster Museums in Japan: Telling the Stories of Disasters Before and After 3.11". Journal of Disaster Research 16, n.º 2 (1 de fevereiro de 2021): 146–56. http://dx.doi.org/10.20965/jdr.2021.p0146.
Texto completo da fonteBobojonov, Dilmurod. "History of «Ichan Qala» State Museum-Reserve". Infolib 27, n.º 3 (30 de setembro de 2021): 60–64. http://dx.doi.org/10.47267/2181-8207/2021/3-077.
Texto completo da fonteBerard, Ewa. "The ‘First Exhibition of Russian Art’ in Berlin: The Transnational Origins of Bolshevik Cultural Diplomacy, 1921–1922". Contemporary European History 30, n.º 2 (23 de março de 2021): 164–80. http://dx.doi.org/10.1017/s0960777320000661.
Texto completo da fontePonomareva, Varvara Vitalievna. "First Russian National exhibition dedicated to hygiene and public health, 1893". Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), n.º 2 (22 de maio de 2023): 113–22. http://dx.doi.org/10.32521/2074-8132.2023.1.113-122.
Texto completo da fonteGaiduk, Maria Y., Alexander I. Klimenko e Alexander B. Khramtsov. "Open-air museums of folk architecture: overview of creation and development in Russia". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 61 (2021): 38–63. http://dx.doi.org/10.37816/2073-9567-2021-61-38-63.
Texto completo da fonteBojić, Zoja. "The Slav Avant-garde in Australian Art". Poznańskie Studia Slawistyczne, n.º 18 (28 de abril de 2020): 37–48. http://dx.doi.org/10.14746/pss.2020.18.2.
Texto completo da fonteLuba, Iwona. "Kobro and Strzemiński: Łódź – Warsaw – Paris (1956–1957)". Ikonotheka 26 (26 de junho de 2017): 137–66. http://dx.doi.org/10.5604/01.3001.0010.1676.
Texto completo da fonteSereda, Oksana. "The exhibiting activities of the Circle of Ukrainian Art Figures in the mirror of the Ukrainian press of the 1920s". Proceedings of Research and Scientific Institute for Periodicals, n.º 10(28) (janeiro de 2020): 165–79. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-11.
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