Artigos de revistas: "European cultural history"

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Middell, Matthias, e Matthias Middell. "European History and Cultural Transfer". Diogenes 48, n.º 189 (março de 2000): 23–30. http://dx.doi.org/10.1177/039219210004818903.

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DeGroat, J. A. "Cultural Encounters in European History". Radical History Review 1997, n.º 67 (1 de janeiro de 1997): 147–56. http://dx.doi.org/10.1215/01636545-1997-67-147.

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MAFTEI, Jana, e Anișoara POPA. "Cultural Diplomacy in the 21st Century in the European Context". Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 19 (8 de junho de 2021): 183–94. http://dx.doi.org/10.35219/history.2020.10.

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The fundamental role of culture in the development of international relations is undeniable, cultural diplomacy being an important component of public diplomacy. In this article we aim to analyse the influence of cultural diplomacy on the foreign policy of states in the general context of a constantly changing world. We will highlight the importance that the European Union attaches to the valorisation of the cultural diversity, the intercultural dialogue, the remarkable potential of culture for its foreign relations and we will explore the main trends in the development of cultural diplomacy. For the development of the paper, we used as research methods the analysis of the problems generated by the mentioned subject, with reference to the doctrinal points of view expressed in treatises and specialized works, documentary research, interpretation of legal norms in the field.

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Kühnhardt, Ludger. "Culture, Values and European Integration". Analele Universităţii "Dunărea de Jos" din Galaţi Fascicula XIX Istorie 3 (30 de novembro de 2004): 153–79. http://dx.doi.org/10.35219/history.2004.06.

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The meaning of Europe has changed all too often in the long history of the continent. Rarely has the idea of Europe lasted unchallenged by other forces within the diverse continent. A cultural and value based concept of identity has been the usual expression of Europe’s diversity. The strife for a political notion of identity, all the more based on freedom and on the very diversity of Europe, is as new as the process of European integration through the modus of the European Union is. This paper will discuss the traditional ingredients of European identity. It will then look into the notion of European citizenship as it is developing inside the European Union. This notion of citizenship and "ownership" of the European Union will be reflected in light of the notion of universality, Europe’s relationship with "the others" and as a potential basis for defining Europe’s role in the world. The paper then looks into the increasingly controversial debate in Europe over the notion of man in the context of medical developments and bioethical controversies about the beginning and the end of human life. Finally it takes up the question as to whether the emerging European constitution will be able to contribute to a political identity of Europe, thus transforming cultural traditions and European values into cornerstones of a future political role of Europe.

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Todorova, Maria. "‘Fragments of Cultural History'? Recent work on south-east European cultural history". Byzantine and Modern Greek Studies 22, n.º 1 (janeiro de 1998): 280–89. http://dx.doi.org/10.1179/byz.1998.22.1.280.

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Sanjurjo, Jesús. "Centring Blackness in European History: A European History Quarterly Forum". European History Quarterly 53, n.º 1 (janeiro de 2023): 5–7. http://dx.doi.org/10.1177/02656914221143661.

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Zhivov (†), Viktor. "Conceptual History, Cultural History, Social History". ВИВЛIОθИКА: E-Journal of Eighteenth-Century Russian Studies 2 (1 de novembro de 2014): 1–14. http://dx.doi.org/10.21900/j.vivliofika.v2.746.

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V. M. Zhivov’s introduction to Studies in Historical Semantics of the Russian Language in the Early Modern Period (2009), translated here for the first time, offers a critical survey of the historiography on Begriffsgeschichte, the German school of conceptual history associated with the work of Reinhart Koselleck, as well as of its application to the study of Russian culture. By situating Begriffsgeschichte in the context of late-nineteenth and early twentieth-century European philosophy, particularly hermeneutics and phenomenology, the author points out the important, and as yet unacknowledged, role that Russian linguists have played in the development of a native school of conceptual history. In the process of outlining this alternative history of the discipline, Zhivov provides some specific examples of the way in which the study of “historical semantics” can be used to analyze the development of Russian modernity.

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Donlan, Sean Patrick. "European Legal History: A Cultural and Political Perspective". American Journal of Legal History 51, n.º 2 (abril de 2011): 392–94. http://dx.doi.org/10.1093/ajlh/51.2.392.

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Herf, Jeffrey. "Mosse's Recasting of European Intellectual and Cultural History". German Politics and Society 18, n.º 4 (1 de dezembro de 2000): 18–29. http://dx.doi.org/10.3167/104503000782486435.

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George Mosse wrote European intellectual and cultural history in a way that recast its meaning. Because he did so without a specific theoretical program, the extent of his accomplishment in this regard at times went unnoticed. He was a member of the remarkable generation of European refugee historians who together formed the core of the American study of European culture and ideas in the postwar era. For his contemporaries, such as H. Stuart Hughes, Peter Gay, Leonard Krieger, Carl Schorske, and Fritz Stern, writing European intellectual history meant two things. First, it was a salvage operation, an effort to recall and preserve the traditions of humanism and liberalism destroyed by fascism and Nazism. Second, and related to that task, it entailed writing about other intellectuals—philosophers, social theorists, and novelists and artists of the first rank—who represented the best that had been thought in Europe.

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Robson, Kathryn. "Cultural Memory: Essays on European Literature and History". French Studies 59, n.º 4 (1 de outubro de 2005): 584–85. http://dx.doi.org/10.1093/fs/kni277.

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Struve, Walter. "Migration in European History". Journal of American Ethnic History 24, n.º 2 (1 de janeiro de 2005): 114–15. http://dx.doi.org/10.2307/27501572.

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Sovič, Silvia. "European Family History". Cultural and Social History 5, n.º 2 (junho de 2008): 141–63. http://dx.doi.org/10.2752/147800408x299602.

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Maza, Sarah. "Stories in History: Cultural Narratives in Recent Works in European History". American Historical Review 101, n.º 5 (dezembro de 1996): 1493. http://dx.doi.org/10.2307/2170180.

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Lee, Okjin. "European Capital of Culture Wrocław and European Cultural Identity". Korean Society for European Integration 14, n.º 2 (31 de julho de 2023): 33–61. http://dx.doi.org/10.32625/kjei.2023.30.33.

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Wrocław is the first city that earned the title in Poland, ‘European Capital of Culture(ECoC)’. Wrocław is a city with a dynamic history. From the Middle Ages to the Modern, Wrocław experienced the destruction of multicultural city after World War II, the migration and exchange of Polish and German residents, the communist era, and the process of the transition. Wrocław, as the ECoC tried to deliver the unique and tragic historical aspects at the level of beginning and the citizens endeavored to consider the identity of the city they shared own history and identity. Thanks to the various program of the ECoC, Wrocław had a chance to contemplate the changes in its culture from the past through the present to the future. Also, through the opportunity of the project, Wrocław could scrutinize the European cultural identity that its have. Not only residents in Wrocław and Lower Silesian Voivodeship but also all Poles fulfilled their substantial cultural benefits with the ECoC Projects. In addition, the program provided a chance for Poland and Wrocław to declare that they were part of Europe clearly. The project was useful to Wrocław. Wrocław has experienced the creation of jobs and vitalization of the service industry as well as the economic effect followed by attracting tourists to urban development. Also, the program supported numerous artists in Wrocław, thus they could expand their activity area from Poland to the whole Europe continent.

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Ireton, Chloe L. "Black Thought in European History". European History Quarterly 53, n.º 1 (janeiro de 2023): 21–25. http://dx.doi.org/10.1177/02656914221143667.

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Souza, Felipe Alexandre Silva de. "O desenvolvimento do capitalismo e a formação da cultura europeia no século XIX". Tempo 28, n.º 3 (dezembro de 2022): 382–87. http://dx.doi.org/10.1590/tem-1980-542x2022v280318.

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Resumo: Apresenta resenha do livro Os europeus, do historiador britânico Orlando Figes. A partir de uma ampla gama de fontes primárias, Figes narra o triângulo amoroso entre o romancista russo Ivan Turgeniev, a cantora de ópera franco-espanhola Pauline Viardot-García e seu marido e empresário, o francês Louis Viardot. O historiador utiliza a vida dessas três pessoas do mundo das artes, cujas relações se desenrolaram em vários países europeus ao longo do século XIX, para traçar um panorama das mudanças econômicas e culturais pelas quais passava a Europa. Para Figes, o triângulo Turgeniev/García/Viardot pode ser considerado uma síntese da identidade comum europeia que se criava no século XIX.

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Müller, Jan-Werner. "European Intellectual History as Contemporary History". Journal of Contemporary History 46, n.º 3 (julho de 2011): 574–90. http://dx.doi.org/10.1177/0022009411403339.

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The first part of this essay examines the peculiar role European intellectual history played in coming to terms with the twentieth century as an ‘Age of Extremes’ and the different weight it was given for that task at different times and in different national contexts up to the 1970s. The second part looks at the contemporary history of politically focused intellectual history — and the possible impact of the latter on the writing of contemporary history in general: it will be asked how the three great innovative movements in the history of political thought which emerged in the last fifty years have related to the practice of contemporary history: the German school of conceptual history, the ‘Cambridge School’, and the ‘linguistic turn’. The third part focuses on recent trends to understand processes of liberalization — as opposed to the older search for causes of political extremism. It is also in the third part that the so far rather Euro-centric perspective is left behind, as attempts to create an intellectual history of the more or less new enemies of the West are examined. Finally, the author pleads for a contemporary intellectual history that seeks novel ways of understanding the twentieth century and the ‘newest history’ since 1989 by combining tools from conceptual history and the Cambridge School.

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Kırlı, Cengiz. "From Economic History to Cultural History in Ottoman Studies". International Journal of Middle East Studies 46, n.º 2 (10 de abril de 2014): 376–78. http://dx.doi.org/10.1017/s0020743814000166.

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Reflecting on the state of Ottoman social history poses a paradox. On the one hand, it is impossible not to appreciate the great strides accomplished over the past three decades. Earlier approaches have been challenged, topics that were previously untouched or unimagined have been studied, and the foundations of a meaningful dialogue with historiographies of other parts of the world have been established. On the other hand, the theoretical sophistication and methodological debates of Ottoman social history still look pale compared to European and other non-Western historiographies in the same period.

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Moogk, Peter N. "Writing the Cultural History of Pre-1760 European Colonists". French Colonial History 4, n.º 1 (2003): 1–14. http://dx.doi.org/10.1353/fch.2003.0021.

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Rousseau, G. S. "On medicine and cultural history in the European enlightenment". History of European Ideas 18, n.º 5 (setembro de 1994): 747–51. http://dx.doi.org/10.1016/0191-6599(94)90427-8.

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Chamberland, Celeste. ":Cultural History of Early Modern European Streets". Sixteenth Century Journal 42, n.º 2 (1 de junho de 2011): 493–94. http://dx.doi.org/10.1086/scj23076812.

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Malečková, Jitka. "Gender, History and ‘Small Europe’". European History Quarterly 40, n.º 4 (9 de setembro de 2010): 685–700. http://dx.doi.org/10.1177/0265691410375506.

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Gender is a good place from which to start reflections on European history: gender history deliberately transcends borders and, at the same time, demonstrates the difficulties of writing European, or transnational, history. Focusing on recent syntheses of modern European history, both general works and those specifically devoted to gender, the article asks what kind of Europe emerges from the encounter between gender and history. It suggests that the writing of European history includes either Eastern Europe (and, sometimes, the Ottoman Empire) or a gender perspective, but seldom both. Thus, the projects of integrating a European dimension into gender history and gender into European history remain unfinished. The result is a history of a rather ‘small Europe’.

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Tamm, Marek. "Introduction: Cultural History Goes Global". Cultural History 9, n.º 2 (outubro de 2020): 135–55. http://dx.doi.org/10.3366/cult.2020.0218.

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This introduction to the special issue on ‘Global Cultural History’ proposes a historiographic and conceptual framework for a ‘global turn’ in cultural history and for the articles gathered in the special issue. It discusses first the ‘archaeology of global cultural history’, i.e. the previous attempts to expand the scope of cultural history and to focus on connections and comparisons. Next, it proposes a conceptual mapping of global cultural history, concentrating especially on two conceptual triads: comparisons, connections and circulations, and scopes, scales and spaces. Third, the global challenge to the Eurocentric periodization of history is addressed, particularly the various attempts to ‘globalize’ these cultural movements and epochs which are traditionally considered genuinely European. Finally, the introduction argues for a cultural history of the globe, for considering ‘the global’ and ‘the globe’ not only as conceptual tools but also as historical objects.

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Kalic, Jovanka. "European borders in Serbian history". Balcanica, n.º 52 (2021): 7–23. http://dx.doi.org/10.2298/balc2152007k.

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This paper looks at the typology of borders which have traversed the Balkan lands for centuries. They have been diverse - geographical, political, economic, ethnic, linguistic, religious and cultural. As a result of their length of duration, consequences and importance, they led to phenomena which can hardly be fully appreciated. Serbs lived along those borders, be they already existing or created over time. This research is focused on two borders. The one created by the division of the Roman Empire (395) and strengthened by the schism of Christianity (1054), and the other, completely different, created by the Ottoman conquest of the Balkan lands in the fifteenth century. Local Balkan borders, on the other hand, have never acquired a broader significance in the culture of this region.

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Jones, Ryan Tucker. "Approaching Russian History from European Seas". Kritika: Explorations in Russian and Eurasian History 19, n.º 1 (2018): 203–16. http://dx.doi.org/10.1353/kri.2018.0008.

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Cmeciu, Camelia-Mihaela. "The Cultural Identities of European Cities". European Legacy 18, n.º 3 (junho de 2013): 379–80. http://dx.doi.org/10.1080/10848770.2013.773495.

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Kostetckii, Victor V. "Cultural picture of Russian history". Vestnik of Samara State Technical University. Series Philosophy 4, n.º 2 (29 de julho de 2022): 29–48. http://dx.doi.org/10.17673/vsgtu-phil.2022.2.4.

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With a cultural approach, the history of Russia falls into three different stories: the history of the state, the history of the ethnic group, the history of the culture itself each of which lives its own life and in its own time. The Russian state did not form around the Russian world, but around the Danish money of the IX-XI century, the phenomenon of which distorts the whole picture of European feudalism. The ethnic culture of Slavism is determined by the taboo system of civilization in the process of Indo-Aryan migrations, which can theoretically be restored. As for the Russian culture, it is more original and Russian state, and Slavic. Russian culture, the Russian spirit are related to the society of the nobility of previous civilizations, borrowing elements of chivalry. The overlapping of three different stories turns into both the originality of Russia and many oddities in politics, economics, warfare, in the fields of art, religion, education.

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Larsen, Svend Erik. "Interdisciplinarity, History and Cultural Encounters". European Review 26, n.º 2 (7 de março de 2018): 354–67. http://dx.doi.org/10.1017/s1062798717000734.

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Interdisciplinarity has entered the agenda of researchers, teachers and policy makers and will remain there in the future. This does not mean that interdisciplinarity is understood the same way, let alone is appreciated everywhere. Researchers are challenged by increasingly complex problems in culture, nature and society beyond disciplinary boundaries; higher education has to cater to a volatile job market where known disciplines no longer define their own niches in terms of topics or practices for their candidates; and decision makers are confronted with challenges that do not respect ideologies of political parties and reports based on mainstream knowledge. In this context, interdisciplinarity is an ongoing re-consideration of the creation, the communication and the application of knowledge uniting the perspectives of research, teaching and decision making. While most discussions on interdisciplinarity focus on its theoretical and methodological complexity in an exclusively contemporary perspective, this article will discuss interdisciplinarity in a historical perspective as central to European history of knowledge as well as in an intercultural perspective.*

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Rüsen, Jörn. "Basic Issues of Cultural Interaction: A European Perspective". Journal of Cultural Interaction in East Asia 2, n.º 1 (1 de maio de 2011): 5–14. http://dx.doi.org/10.1515/jciea-2011-020102.

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Abstract The paper concentrates on the issue of ethnocentrism in cultural interaction. It briefly mentions the East Asian case and mainly tackles the European one. It gives examples of ethnocentric attitudes in history, but its main point is presenting examples of overcoming the unbalanced evaluation in expressing cultural identity and difference by means of new forms of generating a sense of history. Examples are discussed as indicators of new approaches to dealing with morality beyond the highly problematic distinction between good and evil along the line of self and other.

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Andrèn, Mats. "Introduction: Thinking Beyond Europe’s Cultural Borders". European Review 28, n.º 3 (27 de fevereiro de 2020): 358–64. http://dx.doi.org/10.1017/s1062798719000486.

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Cultural borders play a significant part in modern European history as well as in the present. This Focus has been chosen in order to enhance reflections on the transcendence of cultural borders; how the crossing is conducted, why we want to move beyond cultural borders, and what actually lies beyond them. The individual articles investigate ways to transcend borders, primarily those of the European nation state, in different genres from the nineteenth century onward. This editorial article introduces the theme of thinking beyond borders and presents the contributions to this Focus. It attempts to situate the issue of Europe´s cultural borders within European history by delving into three relevant themes: the cultural construction of borders, the growing number of recognized nationalities, and the practices of Europeanization.

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Andryeyeva, Svitlana, Mykhaylo Lashko e Iryna Yakovleva. "BORYS GRINCHENKO IN THE EUROPEAN SOCIO-CULTURAL SPACE". Kyiv Historical Studies, n.º 1 (2020): 150–57. http://dx.doi.org/10.28925/2524-0757.2020.1.20.

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In the article is highlighted the views of a famous Ukrainian writer, social and political figure, educator and humanitarian scientist Borys Grinchenko (1863–1910) concerning the problem of the modern Ukrainian nation civilization choice and its place in the European socio-cultural space. It is determined his main contacts with the European sciences and artists (especially in the spheres of publishing, linguistic, Ukrainian history and culture, problems of the national development of Ukrainians, their presentation in the European community, personal contacts etc.). The authors have came to the conclusion, that Borys Grinchenko preferred European values, democracy and parliamentarism as a way of resolving the problems of national and cultural development of Ukrainians in Russian Empire. Borys Grinchenko collaborated with cultural leaders in numerous European countries, published his works abroad and otherwise introduced Ukraine, its culture and history to the European community. The authors summarize the complex of historical and historiographical sources, the creative and scientific heritage of Borys Grinchenko. Some materials were first introduced into scientific circulation. He actively promoted the achievements of European civilization in Ukrainian society.

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Bagge, Sverre Håkon. "History, Archaeology and Cultural Comparison". European Review 28, n.º 3 (31 de março de 2020): 465–68. http://dx.doi.org/10.1017/s1062798719000590.

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Ian Morris’s Why the West Rules – for Now (2010) is a brilliant book, dealing with Eurasian history from the first civilisations to the present. It takes an intermediate position in the famous debate about Europe and the rest of the world and European dominance during the last few centuries. Morris uses all kinds of sources. However, his general approach is staunchly materialistic: the motors of history are fear, sloth and greed. Cultural differences do exist, but can be explained by the former factors. This is an attitude not confined to archaeologists, nor necessarily shared by all of them, but may nevertheless have something to do with Morris’s background in this field. One objection is that Morris may have underestimated the importance of institutional factors; he does not discuss the division of Europe into separate states, which has often been regarded as a central factor in ‘the Rise of the West’. This in turn raises the question of the ‘two hand-maidens’ and their relationship to the EU. If political division is an essential feature of Europe, what will happen if this division disappears?

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Ugli Utkirov, Abdulazizbek Fahriddin. "THE HISTORICAL PHENOMENON OF PHILANTHROPY IN EUROPEAN COUNTRIES (ON THE EXAMPLE OF GERMANY)". CURRENT RESEARCH JOURNAL OF HISTORY 02, n.º 05 (31 de maio de 2021): 37–41. http://dx.doi.org/10.37547/history-crjh-02-05-11.

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This article is devoted to the reformation of charity and charitable societies in Germany. The subject is the study of the formation and development of charity in Germany under the influence of socio-economic and cultural-historical factors.

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MAYER, TARA. "Cultural Cross-Dressing: Posing and Performance in Orientalist Portraits". Journal of the Royal Asiatic Society of Great Britain & Ireland 22, n.º 2 (abril de 2012): 281–98. http://dx.doi.org/10.1017/s1356186312000168.

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AbstractThis article provides new perspectives in interpreting the sartorial codes present in Orientalist portraits of European subjects. Art historians have traditionally implicated these works in the European imperialist project of appropriating, manipulating, and gaining mastery over the Orient. More recently, as part of a wider effort to challenge conventional portrayals of colonial encounters in purely confrontational, monolithic terms, portraits of Europeans in exotic dress have been seen as visual proof that certain Europeans may have ‘crossed-over’ or ‘gone-native’. This article advances a third perspective. Analysing several portraits of Europeans with Indian connections during the seventeenth, eighteenth and nineteenth centuries, it demonstrates the importance of analysing portraiture as an act of public performance. It shows that, in many cases, the performance of both artist and sitter alike were not intended for the colonial population, but for the spectators of colonialism situated ‘back home’ in Europe. Applying this new analytical approach to such an important and extensive genre of sources has far reaching implications both within the field of art history as well as within the broader domains of colonial history and contemporary East–West cultural studies. The interpretation of Western portrayals of the Orient – both visual and literary, both historical and contemporary – as active participants in an imperialist ideology must not eclipse the other, potentially less-charged, varied, and complex motivations of their participants.

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Cole, Laurence, e Philipp Ther. "Introduction: Current Challenges of Writing European History". European History Quarterly 40, n.º 4 (9 de setembro de 2010): 581–92. http://dx.doi.org/10.1177/0265691410377159.

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Reflecting on how the parameters and content of European history have changed since the foundation of European History Quarterly 40 years ago, the article considers also the impact on European history of general developments within the historical discipline, such as the spread of cultural history, the various ‘turns’ of postmodernism, and the ‘globalization of historiography’. It suggests that European history can only be considered to be ‘in crisis’, if the field is understood as the sum of national histories. It further explores the ways in which European history has become increasingly ‘Europeanized’ and the problems encountered in this process.

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Tolan, John. "The European Qur’ān: The Place of the Muslim Holy Book in European Cultural History". Medieval Worlds medieval worlds, Volume 13. 2021 (2021): 296–307. http://dx.doi.org/10.1553/medievalworlds_no13_2021s296.

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Мусієнко, Наталія. "European Year of Cultural Heritage: History, Purpose and Strategic Objectives". Artistic Culture. Topical Issues, n.º 15(2) (6 de dezembro de 2019): 35–40. http://dx.doi.org/10.31500/1992-5514.15(2).2019.186123.

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Weinstein, David. "European Woods and Forests: Studies in Cultural History. Charles Watkins". Quarterly Review of Biology 74, n.º 4 (dezembro de 1999): 486. http://dx.doi.org/10.1086/394182.

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Tzermias, Pavlos. "Geography, geopolitics and history: Considerations and conclusions". Ekistics and The New Habitat 70, n.º 418/419 (1 de abril de 2003): 42–46. http://dx.doi.org/10.53910/26531313-e200370418/419309.

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The author is a Corresponding Member of the Academy of Athens, University of Fribourg (Switzerland) (1965-1995), University of Zurich (1984-1992), former Director of the European Cultural Centre of Delphi, former Correspondent of Neue Zürcher Zeitung. Tzermias is the author of a great number of books and essays concerning the relations between history and geography. As the director of the European Cultural Centre of Delphi he organized an international scientific conference on architecture and landscape.

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Bilobrovets, Olga. "VIEWS OF POLISH DEMOCRAT EUGENIE STARCHEWSKI ON THE PROSPECTS FOR THE DEVELOPMENT OF EUROPE". Intermarum history policy culture, n.º 15 (14 de dezembro de 2024): 120–29. https://doi.org/10.35433/history.112085.

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The purpose of the article is to analyze and reveal the essence of the views of the Polish democrat, public and political figure E. Starczewski regarding the new foundations of international politics and unification of the European community in the first decades of the 20th century. The research methodology is based on general scientific principles, historical-systemic and textological methods, socio-political and prosopographic analysis. The scientific novelty consists in the presentation of the progressive views and positions of the Polish democrat E. Starczewski regarding the social and civilizational development of mankind and the construction of new foundations of European politics, which are consonant with modernity. The author's conclusions point to the uniqueness of Ye. Starchevskyi's personality. He distinguished himself as a historian, lawyer, public and political figure, publicist. The views expressed by him regarding the need to change social foundations and international policy, recognize the rights of peoples to political development, define borders within ethnic territories, and ensure the rights of national minorities became the program of activities of Polish democrats. His views on the need to unify European states into one organization based on parity, peaceful coexistence, protection of economic, political, and cultural rights of peoples deserve attention. His statements about the human desire for personal happiness and self-realization, the protection of human rights, and tolerance in the perception of others, which constitute the core values of the modern European Union, remain profoundly relevant.

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Thomas, Nick. "Themes in Modern European History since 1945". European History Quarterly 35, n.º 4 (outubro de 2005): 612–13. http://dx.doi.org/10.1177/026569140503500423.

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Rantala, Heli. "Towards the Inner History of the Nation: Defining ‘Cultural History’ in Nineteenth-Century Finland". Cultural History 6, n.º 2 (outubro de 2017): 119–40. http://dx.doi.org/10.3366/cult.2017.0146.

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This article contributes to the discussion on the European roots of cultural history by exploring the nineteenth-century understanding of cultural history from a Finnish perspective. The article argues that the Finnish case opens a fresh perspective to the history of cultural history by connecting it with the French historiography instead of German Kulturgeschichte. In Finland there is a special tradition of cultural history dating back to the early twentieth century, inspired by the German tradition of Kulturgeschichte. This article focuses on the earlier period, on the mid-nineteenth-century discussion concerning the scope of history and the ways the works of several European historians were reviewed in Finland. In this discussion the orientation was not so much in the German tradition but towards the French way of writing history. An important element in the Finnish discussion was the separation of political or official history from the so called inner history of the people, which was considered as more fundamental and comprehensive than political history. This orientation towards the history of the people was considered as cultural history. The article explores the question of ‘cultural history’ in Finland by drawing on the writings of influential Finnish thinker Johan Vilhelm Snellman (1806–1881).

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Choriyeva, Madina A. "HISTORY OF CREATION "SHAH-NAME" FIRDOUSI". CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, n.º 12 (1 de dezembro de 2021): 45–48. http://dx.doi.org/10.37547/philological-crjps-02-12-09.

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The name of Ferdousi and his heritage, both creative and the legends about him, are a cultural code that plays an important role in the unity of the Persian cultural space, extending far beyond Iran. And at the same time the author of "Shahnameh" became a romantic legend of the West. The image of the poet, who created the greatest work, but did not receive recognition during his lifetime, turned out to be very close to European romantics. As well as the theme of the struggle against tyrants and autocrats, therefore, in many interpretations, Ferdousi appears not only as an unrecognized genius, but also as a victim of persecution.

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Wang, Zhiyong. "Cultural Origin of European Modern Design". Journal of Visual Art and Design 16, n.º 2 (31 de dezembro de 2024): 172–87. https://doi.org/10.5614/j.vad.2024.16.2.3.

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Cultural studies of modern design are of great importance to scholarly research of modern design history, particularly in the context of the trend towards analysis and interpretation of modern design from sociological and cultural points of view. This article investigates the link between European modern design and the tradition of Western culture. Based on the definition of rationalism and idealism as ideal types of the Western cultural tradition, the investigation revealed that European modern design presents these ideal types through diversified design activities in the modern movements. It concludes that European modern design, as visualization of cultural codes, is a manifestation of Europe’s cultural heritage, although it reflects a revolutionary stance against the cultural background of modernization and achieved a breakthrough that showed the innovative quality of modern culture. This study also unfolded the long-term effect of culture on the rise of European modern design, which strongly indicates culture’s continuity in the long-range historical process and explains that the significance of European modern design is embodied not only in the revolution or innovation of modern culture but also in cultural inheritance and historical continuity.

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Babaie, Sussan. "Visual Vestiges of Travel: Persian Windows on European Weaknesses". Journal of Early Modern History 13, n.º 2 (2009): 105–36. http://dx.doi.org/10.1163/138537809x12498721974589.

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AbstractThe increased presence of Europeans in Safavid Persia and especially in the capital city of Isfahan during the seventeenth century would imply the production of a kaleidoscope of observations of the foreigners. The scarcity of written Persian views on their European guests in contrast to the abundance of European chronicles about Safavid society has further fueled the expectation of 'oriental' apathy in modern historiography. In contrast to the discursive sources, Persian pictorial evidence of the European presence in Persia is surprisingly rich. This article focuses on a genre of Persian painting in which figural subject matter alludes to a sexual peculiarity of Europeans as observed by the people of Isfahan. The social agency of such pictures and their efficacy as historical sources allow us to tease out the different ways Safavid urban society observed the Europeans and lodged a cultural critique on aspects of their sexual behavior even before the emergence of Persian polemics on the Christian practice of celibacy.

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Grosjean, Pauline. "The Weight of History on European Cultural Integration: A Gravity Approach". American Economic Review 101, n.º 3 (1 de maio de 2011): 504–8. http://dx.doi.org/10.1257/aer.101.3.504.

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The cultural gravity model proposed in this paper uses micro-level survey data of 21,000 households to estimate the contribution to cultural heterogeneity of a long history of division between the Ottoman, Habsburg, Russian or Prussian Empires since the year 1300 in 21 European countries. By exploiting the variation in the duration of integration of localities in different empires, this paper sheds light on the influence of political integration on cultural integration and on the rate of cultural change. History matters and cultural values change very slowly: long lasting effects on social trust comes after 400 years of common imperial rule.

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Smirnova, E. O., e M. V. Sokolova. "History of European and national toys". Современная зарубежная психология 5, n.º 1 (2016): 32–38. http://dx.doi.org/10.17759/jmfp.2016050104.

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The article examines the role of toys in the life and development of children. It traces the developmental trajectory of shaped toys in Europe and Russia from antiquity to the present day. It also shows the role of ideological factors in shaping the image of toys as well as long lasting contradiction between the developing features of toys and their market values. The article presents the comparative analysis of the image and the playing potential of the traditional and modern popular dolls. Functions of toys as mediums and tools for the transmission of cultural norms is exemplifies by gender stereotypes: it shows how the peculiarity of toys for boys and girls, affects the nature of the game. In the conclusion the article examines the main trends and problems of development of the market of modern toys.

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BURKE, PETER. "How to write a history of Europe: Europe, Europes, Eurasia". European Review 14, n.º 2 (12 de abril de 2006): 233–39. http://dx.doi.org/10.1017/s1062798706000226.

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This article looks at the history of European culture from three angles, those of European uniqueness, European variety and European consciousness. The first section discusses the question of whether the fundamental unit of study, for cultural as well as economic historians, is not Eurasia. The second section is concerned with cultural divisions within Europe, with Europes in the plural. It asks whether it is more illuminating to distinguish two Europes (like Leopold von Ranke), or three (like Jenő Szűcs), or even five (like Hugo Hassinger), and examine both centripetal and centrifugal forces in early modern history. The final section deals with the history of the idea of Europe, or more exactly with the rise of consciousness of being European, as it is revealed in early modern histories, geographies, journals and newspapers.

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Trigger, Bruce G. "Evolutionism, Relativism and Putting Native People into Historical Context". Culture 6, n.º 2 (8 de julho de 2021): 65–79. http://dx.doi.org/10.7202/1078737ar.

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What is the relevance of the seemingly antithetical views of cultural evolutionism and cultural relativism for the study of native history ? Despite the important role of epidemic diseases in weakening the capacity of native people to oppose early European domination, the technological gap between the two groups of societies, together with associated differences in social organization and values, played a significant role in making European domination possible. Native cultures were not adapted to coping with European ones. Yet the human capacity for rational calculation was not affected by cultural differences. Native people, both as individuals and as groups, displayed no less ingenuity than did Europeans in responding to the challenge of cultural contact. Despite severe deprivation they have gradually articulated the knowledge and sense of direction required to compete for a fairer share of North America’s resources.

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Lipoński, Wojciech. "Still an unknown european tradition: Polish sport in the European cultural heritage". International Journal of the History of Sport 13, n.º 2 (agosto de 1996): 1–41. http://dx.doi.org/10.1080/09523369608713934.

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