Literatura científica selecionada sobre o tema "Études animales critiques"
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Artigos de revistas sobre o assunto "Études animales critiques"
MOUROT, J., M. KOUBA e G. SALVATORI. "Facteurs de variation de la lipogenèse dans les adipocytes et les tissus adipeux chez le porc". INRAE Productions Animales 12, n.º 4 (1 de setembro de 1999): 311–18. http://dx.doi.org/10.20870/productions-animales.1999.12.4.3892.
Texto completo da fontePÉPIN, D. "Bilan critique des opérations de repeuplement en petit gibier". INRAE Productions Animales 6, n.º 4 (28 de outubro de 1993): 269–75. http://dx.doi.org/10.20870/productions-animales.1993.6.4.4208.
Texto completo da fonteRAINARD, Pascal, Gilles FOUCRAS, Didier BOICHARD e Rachel RUPP. "Faibles concentrations cellulaires du lait et sensibilité aux mammites des ruminants laitiers". INRA Productions Animales 31, n.º 4 (10 de fevereiro de 2019): 365–76. http://dx.doi.org/10.20870/productions-animales.2018.31.4.2393.
Texto completo da fonteRINALDO, D., e J. LE DIVIDICH. "Influence de la température ambiante sur les performances de croissance du porc". INRAE Productions Animales 4, n.º 1 (2 de fevereiro de 1991): 57–65. http://dx.doi.org/10.20870/productions-animales.1991.4.1.4318.
Texto completo da fonteMEUNIER-SALAUN, M. C., e M. PICARD. "Les facteurs des choix alimentaires chez le porc et les volailles". INRAE Productions Animales 9, n.º 5 (20 de outubro de 1996): 339–48. http://dx.doi.org/10.20870/productions-animales.1996.9.5.4073.
Texto completo da fonteEGGEN, A. "Cartographie fine d’un gène et clonage positionnel". INRAE Productions Animales 13, HS (22 de dezembro de 2000): 133–36. http://dx.doi.org/10.20870/productions-animales.2000.13.hs.3824.
Texto completo da fonteOliveira, Patricia Aguiar de, Gil Dutra Furtado e Magnolia Ouriques de Oliveira. "RAPPORT DES ACTIVITES DE TERRAIN: COMPORTEMENT DES ANIMAUX". ENVIRONMENTAL SMOKE 2, n.º 1 (7 de maio de 2019): 1–20. http://dx.doi.org/10.32435/envsmoke.2019211-20.
Texto completo da fonteSAUVANT, D. "Avant-propos". INRAE Productions Animales 14, n.º 5 (17 de dezembro de 2001): 283. http://dx.doi.org/10.20870/productions-animales.2001.14.5.3752.
Texto completo da fonteDUMONT, B., P. DUPRAZ, J. RYSCHAWY e C. DONNARS. "Avant-propos". INRA Productions Animales 30, n.º 4 (25 de junho de 2018): 271–72. http://dx.doi.org/10.20870/productions-animales.2017.30.4.2256.
Texto completo da fonteChasseray-Peraldi, Pauline. "Les atmosphères des goélands. Confrontations interspécifiques des images manquantes des drones policiers". Transbordeur 6 (2022): 78–87. http://dx.doi.org/10.4000/12gx8.
Texto completo da fonteTeses / dissertações sobre o assunto "Études animales critiques"
Lapicque, Rachel. "« Where’s the Beef? » Une Étude critique du carnisme, ou la violence invisible des fast-foods américains". Electronic Thesis or Diss., Rennes 2, 2024. http://www.theses.fr/2024REN20021.
Texto completo da fonteIn the 1920s, a new kind of food flourished in American cities before taking hold of the highways and the suburbs, and settling as a lasting symbol of American culture and soft power: fast food. Fast food franchises rapidly conquered the nation, with McDonald’s as their undisputed leader. Many studies have considered the United States through its unique relationship to fast food, but few have explored the way in which this industry is intertwined with carnism, the ideology according to which it is normal, natural and necessary for human beings to eat other animals as well as products obtained through their exploitation (eggs, dairy). This thesis studies American culture through the prism of fast food and carnism. Following into the footsteps of critical animal studies, it endeavors to restore the visibility of the victims exploited and slaughtered for food on a massive scale. It deals with the impact that fast foods have had on American culture and American politics, and seeks to determine whether the ultra-carnism of these restaurants has spawned a specific, supersized American carnism, which, through globalization, has spread to many “McDonaldized” nations. As carnism is a diet which relies on massive animal slaughter, this work understands it as a violent phenomenon, although this violence is often unnoticeable, as it is associated with the systematic invisibilization of its victims
Merijeau, Lucie. "Le cinéma d'animation et son image. Étude des pratiques industrielles et spectatorielles du cinéma d'animation américain contemporain. Le cas prototype de Pixar (1995-2010)". Thesis, Paris 3, 2012. http://www.theses.fr/2012PA030137.
Texto completo da fonteAs the first studio to have created a CGI animated feature film, Toy Story, whose success initiated a new era in animation production, Pixar Animation Studios occupy a significant position in the actual cultural landscape, and present a great opportunity to study the ways in which objects from cultural industries are produced and consumed. By examining the animated cartoon, from historic and aesthetic perspectives, I intend to determine the evolution of the production system and of the technics, which are related to stylistic changes as well. This study will help us understand the studio system in which Pixar’s movies have taken place. While the ways films are made and seen changed at the end of the last century, Toy Story’s films are the privileged object for an analysis of the transformations of cinema and its uses. By Pixar’s high cultural status, by the textual ambiguity that characterized them or the new representations of masculinity and femininity that they share, animated feature films tend to become "ordinary films", letting viewers grasp them as they want
Livros sobre o assunto "Études animales critiques"
Sergeant, Alexander, e Christopher Holliday. Fantasy/Animation: Connections Between Media, Mediums and Genres. Taylor & Francis Group, 2018.
Encontre o texto completo da fonteSergeant, Alexander, e Christopher Holliday. Fantasy/Animation: Connections Between Media, Mediums and Genres. Taylor & Francis Group, 2018.
Encontre o texto completo da fonteFantasy/Animation: Connections Between Media, Mediums and Genres. Routledge, 2018.
Encontre o texto completo da fonte