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Bibliografias temáticas / Ethical Dissonance / Livros

Livros sobre o tema "Ethical Dissonance"

Siga este link para ver outros tipos de publicações sobre o tema: Ethical Dissonance.

Autor: Grafiati

Publicado: 22 de junho de 2024

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1

French, Peter A. War and moral dissonance. Cambridge: Cambridge University Press, 2011.

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2

Meseke, Cornelia. Aspects of environmental dissonance: A comparison of German and Polish workers. Lublin, Poland: Wydawnictwo Ekoinżynieria, 1998.

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3

Aronson, Elliot, e Carol Tavris. Mistakes Were Made (But Not by Me): Why we Justify Foolish Beliefs, Bad Decisions, and Hurtful Acts. Orlando FL, USA: Harcourt, 2007.

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4

Erle, Giorgio. Leibniz, Lully e la teodicea: Forme etiche dell'armonia musicale. Padova: Il poligrafo, 2005.

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5

Asimov, Isaac. I, Robot. 2^a ed. New York: Bantam Books, 2004.

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6

Asimov, Isaac. I, Robot. London: Voyager, 1996.

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7

Asimov, Isaac. Wo, ji qi ren =: I, robot. 8^a ed. Taibei Shi: Mao tou ying chu ban she ke huan tui jin shi yan shi, 2006.

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8

Isaac Asimov. Ich, der Robot. München: William Heyne Verlag, 1987.

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9

Isaac Asimov. Les Robots. Paris: Editions J'ai Lu, 1998.

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10

Isaac Asimov. I, robot. New York: Bantam Books, 2004.

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11

Isaac Asimov. Yo, Robot. Barcelona: Edhasa, 1995.

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12

Isaac Asimov. I, Robot. 4^a ed. New York: Bantam Books, 2008.

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13

Isaac Asimov. I, Robot. Hammersmith, London: HarperCollins Publishers, 1996.

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14

Isaac Asimov. Le Cycle Des Robots 1: Les Robots. Paris: J'ai lu, 2011.

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15

Isaac Asimov. I, Robot. New York: Spectra, 1993.

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16

Isaac Asimov. Les robots. Paris: J'ai lu, 2001.

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17

Emerich, Monica M. Toward an Integrative Spirituality of Sustainability. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036422.003.0009.

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This chapter proposes that LOHAS represents a “spirituality of sustainability,” an integrative and pragmatic ethical system that seeks to help participants overcome the dissonance of modern life that has failed, in many ways, to deliver the promised goods of happiness and security. LOHAS juggles an enormous variety and number of concerns facing people around the world. While the focus is on the expression of LOHAS in the United States, LOHAS is a global phenomenon and that there is little doubt that LOHAS will express differently in different societies and cultures. For now, those necessary investigations must wait for other minds.

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18

Moss-Wellington, Wyatt. Cognitive Film and Media Ethics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552889.001.0001.

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Cognitive Film and Media Ethics provides a grounding in the use of cognitive science to address key questions in film, television, and screen media ethics. This book extends prior works in cognitive media studies to answer normative and ethically prescriptive questions: what could make media morally good or bad, and what, then, are the respective responsibilities of media producers and consumers? Moss-Wellington makes a primary claim that normative propositions are a kind of rigor, in that they force media theorists to draw more active ought conclusions from descriptive is arguments. Cognitive Film and Media Ethics presents the rigors of normative reasoning, cognitive science, and consequentialist ethics as complementary, arguing that each seeks progressive elaboration on its own models of causality, and causal projections are crucial for any reflection on our moral responsibilities in the world. A hermeneutics of “ethical cognitivism” is applied in the latter half of the book, with each essay addressing a different case study in film, television, news, and social media: cinema that sets out to inspire moral dissonance in the viewer, satirical and humorous depictions of family drama in film and television, the politics of the romantic comedy, formal aspects of screen media bullying in an era dubbed the “television renaissance,” and contemporary problems in the conflation of news and social media. Cognitive Film and Media Ethics synthesizes current research in social psychology, anthropology, memory studies, emotion and cognition, personality and media selection, and evolutionary biology, integrating wide-ranging concepts from the various disciplines that make up cognitive theory to provide new vantages on the applied ethics of film and screen media.

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19

Meseke, Cornelia. Aspects of Environmental Dissonance. Wydawnictwo Ekoinzynieria, 1998.

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20

Eriksson Baaz, Maria, e Maria Stern. Knowing Masculinities in Armed Conflict? Editado por Fionnuala Ní Aoláin, Naomi Cahn, Dina Francesca Haynes e Nahla Valji. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199300983.013.42.

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Drawing on interviews and ethnographic fieldwork with members of the Congolese military, this chapter explores conceptions of militarized masculinity, particularly in the context of sexual violence perpetrated by Congolese government forces during the protracted conflict in the Democratic Republic of Congo. The chapter opens with a review of the feminist research regarding the interconnectedness of gender, militarization, and war, comparing these theories with the conceptions of masculinity articulated by Congolese soldiers. While portions of the interviews were consistent with prevailing research framings, the chapter documents various points of dissonance. These include differences in the articulation of what characteristics make one a “good soldier”; the recurring articulations of vulnerability and failure; and a perception of rape as the action of an emasculated man. The chapter concludes with the authors’ reflection on their experience carrying out their research and the ethics of research in a post-colonial context.

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21

Roy, Subhadeep, e Goutam Karmakar, eds. Modernist Transitions. Bloomsbury Academic India, 2023. http://dx.doi.org/10.5040/9789356405394.

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This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century. The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, but conditioned in many ways by common socio-historical catastrophes and promises, interact with each other to constitute an ‘aesthetics of motion and dissonance’. Essays cut across literary criticism to employ interdisciplinary approaches, as they blur the boundaries between histories, biographies and fictional narratives, between individual ethics in and outside the fictional world, between imagined and living communities, between real and generic politics, between the home and the world, and between the corporeal and the cultural. These essays interrogate the mastery in literary techniques, narrative motives and dualities, 'major' and 'minor' genres, (de)formations of canons in respect of the 'worldliness' formed by the textual incorporation of the intricate imperial relationships between the United Kingdom and Bangla.

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22

Hayes, Patrick, e Jan Wilm, eds. Beyond the Ancient Quarrel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198805281.001.0001.

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In Plato’s Republic Socrates spoke of an ‘ancient quarrel’ between literature and philosophy, which he offered to resolve by banning the poets from his ideal city. Few philosophers have taken Socrates at his word, and there has emerged a long tradition that has sought to value literature chiefly as a useful supplement to philosophical reasoning. The fiction of J. M. Coetzee makes a striking challenge to this tradition. While his writing has frequently engaged philosophical subjects in explicit ways, it has done so with an emphasis on the dissonance between literary expression and philosophical reasoning. And while Coetzee has often overtly engaged with academic literary theory, his fiction has done so in a way that has tended to disorient rather than affirm those same theories, wrong-footing the normal processes of literary interpretation. The present collection gathers together a range of thinkers from both philosophy and literary theory to reflect upon the challenge Coetzee has made to their respective disciplines, and to the disciplinary distinctions at stake in the ‘ancient quarrel’. Coetzee’s fiction is used to explore questions about the boundaries between literature, philosophy, and literary criticism; the relationship between literature, theology, and post-secularism; the particular ways in which literature engages reality; how literature interacts with the philosophies of language, action, subjectivity, and ethics; and the institutions that govern the distinctions between literature and philosophy. It will be of importance not only to readers of Coetzee, but to anyone interested in the ancient quarrel itself.

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23

Apostolidis, Paul. The Fight For Time. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190459338.001.0001.

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In today’s precarious world, working people’s experiences are becoming more alike even as their disparities sharpen. This book unfolds a critique of the precarity phenomenon by setting Latino day laborers’ commentaries in dialogue with critical social theory. The Fight for Time shows how migrant labor on society’s jagged edges relates to encompassing syndromes of precarity as both exception and synecdoche. Subjected to especially harsh treatment as unauthorized migrants, these workers also epitomize struggles that apply throughout the economy. Juxtaposing day laborers’ accounts of their desperate circumstances, dangerous jobs, and informal job-seeking with theoretical accounts of the forces fueling precaritization, The Fight for Time illuminates a schema of precarity defined by temporal contradiction. This “critical-popular” approach, informed by Paulo Freire’s popular-education theory, elicits resonances and dissonances between day laborers’ themes and scholars’ analyses of neoliberal crisis, the postindustrial work ethic, affective and digital labor, the racial governance of public spaces, occupational safety and health hazards, and self-undermining patterns of desire and personal responsibility among precaritized subjects. Day laborers offer language redolent with potential to catalyze social critique among migrant workers. They also clarify the terms of mass-scale opposition to precarity. Such a politics would demand restoration of workers’ stolen time, engage a fight for the city, challenge the conversion of capital risk into workers’ bodily vulnerability, and foment the refusal of work. Day laborers’ convivial politics through self-organized worker centers, furthermore, offers a powerful basis for renewing radical democratic theory and imagining a key practical innovation: worker centers for all working people.

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24

Asimov, Isaac. I, Robot. Perfection Learning, 1991.

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25

Unknown. Yo, Robot. UNKNOWN, 1999.

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26

Isaac Asimov. Ben Robot. Ithaki Yayinlari, 2016.

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27

Isaac Asimov. I Robot: Robots and Empire. Grafton, 2005.

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28

Brick, Scott, e Isaac Asimov. I, Robot. Random House Audio, 2004.

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29

Isaac Asimov. I, Robot. ISIS Large Print Books, 2006.

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30

Isaac Asimov. I, Robot. Tandem Library, 1999.

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31

Isaac Asimov. Ich, der Roboter. Heyne, 2014.

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32

Isaac Asimov. Eu, Robo. Aleph, 2014.

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33

I, Robot. Penguin Random House Audio Publishing Group, 2004.

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34

Ellison, Harlan, e Isaac Asimov. I, robot. J'ai lu, 1999.

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35

Io, Robot. Arnoldo Mondadori Editore, 2003.

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36

Isaac Asimov. I, Robot. BBC Audiobooks, 2004.

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37

I, Robot. 3^a ed. New York: Spectra / Bantam Books, 2004.

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38

Isaac Asimov. I, Robot. I Books, 2004.

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39

Yo, robot. Barcelona, Spain: Edhasa, 2009.

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40

I, Robot. New York: Spectra, 1991.

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41

Isaac Asimov. I, Robot. Oxford University Press, 1993.

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42

Isaac Asimov. Yo, Robot. Edhasa, 2004.

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43

Isaac Asimov. I, Robot. Simon & Schuster, 2004.

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44

Isaac Asimov. I, Robot. ISIS Large Print Books, 2005.

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45

Isaac Asimov. I, Robot. HarperCollins Publishers, 2018.

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46

Isaac Asimov. Ya, robot. Eksmo, 2019.

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47

Isaac Asimov. I Robot. Harper Collins Publishers, 2013.

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48

Isaac Asimov e Tricia Reilly. I, Robot. Macmillan Publishers Limited, 2008.

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49

Isaac Asimov. I, Robot. Fiction, 2018.

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50

Isaac Asimov. I, Robot. Del Rey, 1985.

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