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Artigos de revistas sobre o assunto "English 17th century History and criticism"
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Mishina, L. A. "THE FAMILY PHENOMENON IN SEVENTEENTH-CENTURY AMERICAN LITERAURE". Bulletin of Udmurt University. Series History and Philology 32, n.º 2 (29 de abril de 2022): 355–62. http://dx.doi.org/10.35634/2412-9534-2022-32-2-355-362.
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The purpose of this article is to analyze the phenomenon of the New English family of the 17th century, the first century of the existence of American national literature, presented in the works of early American authors - period insufficiently studied in literary criticism. Untranslated or incompletely translated into Russian works of such religious and public figures, writers as Richard Mather (Diary), Inkris Mather (The Life and Death of the Reverend Richard Mather), Edward Johnson (The Miraculous Providence of the Savior of Zion in New England) , Samuel Sewall (Diary), John Cotton (God’s Promise to His Plantation), Cotton Mather (Life of Mr. Johnatan Burr), are introduced into literary criticism. Being one of the key in the early history and literature of the United States, the theme of the family has the following aspects considered within the framework of the article: the move of families to a new continent, settling in a new place, the status of a father, mother, and child. The process of formation and existence in extreme conditions of a Protestant family is analyzed, the role of the family community in the fulfillment of the sacred mission - the creation of the kingdom of Christ on new lands - is determined. The conclusion is made about the uniqueness of the New English family of the 17th century, which combined the features of both the family structure that developed in European society and those born in the process of American experiments. The idea is emphasized that the disclosure of the family theme by early American authors clearly represents the features of American literature of the 17th century in general. The article uses biographical, structural, cultural and historical methods of literary analysis.
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Nisancioglu, Kerem. "Racial sovereignty". European Journal of International Relations 26, n.º 1_suppl (5 de novembro de 2019): 39–63. http://dx.doi.org/10.1177/1354066119882991.
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This article explores how International Relations (IR) might better conceptualise and analyse an underexplored but constitutive relationship between race and sovereignty. I begin with a critical analysis of the ‘orthodox account’ of sovereignty which, I argue, produces an analytical and historical separation of race and sovereignty by: (1) abstracting from histories of colonial dispossession; (2) treating racism as a resolved issue in IR. Against the orthodox account, I develop the idea of ‘racial sovereignty’ as a mode of analysis which can: (1) overcome the historical abstractions in the orthodox account; (2) disclose the ongoing significance of racism in international politics. I make this argument in three moves. Firstly, I present a history of the 17th century struggle between ‘settlers’ and ‘natives’ over the colonisation of Virginia. This history, I argue, discloses the centrality of dispossession and racialisation in the attendant attempts of English settlers to establish sovereignty in the Americas. Secondly, by engaging with criticisms of ‘recognition’ found in the anticolonial tradition, I argue that the Virginian experience is not simply of historical interest or localised importance but helps us better understand racism as ongoing and structural. I then demonstrate how contemporary assertions of sovereignty in the context of Brexit disclose a set of otherwise concealed colonial and racialised relations. I conclude with the claim that interrogations of racial sovereignty are not solely of historical interest but are of political significance for our understanding of the world today.
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Pumfrey, S., P. Rayson e J. Mariani. "Experiments in 17th century English: manual versus automatic conceptual history". Literary and Linguistic Computing 27, n.º 4 (1 de junho de 2012): 395–408. http://dx.doi.org/10.1093/llc/fqs017.
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Subbiondo, Joseph L. "Neo-aristotelian grammar in 17th-century England". Historiographia Linguistica 17, n.º 1-2 (1 de janeiro de 1990): 87–98. http://dx.doi.org/10.1075/hl.17.1-2.08sub.
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Summary In his Herm’œlogium; or an Essay at the Rationality of Speaking of 1659 Basset Jones intended to supplement William Lily’s (c. 1468–1522) popular 16th-century grammar, which had received the endorsement of Edward VI. Written in English and Latin, Lily’s grammar through its many editions not only set the standard for Latin grammars, but it also established the style for the first and subsequent grammars of English. Jones realized that Lily’s grammatical model, with its emphasis solely on the classification and arrangement of material according to the classic paradigms for conjugation and declension, ignored the philosophy of grammar which was necessary for an understanding of the relationship of language and thought.
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Сорокина, Т. Б. "Freethinking of the 17th Century: Edward Herbert’s Philosophy". Диалог со временем, n.º 79(79) (20 de agosto de 2022): 47–56. http://dx.doi.org/10.21267/aquilo.2022.79.79.002.
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В работе характеризуются взгляды Эдварда Герберта – английского философа, политика и общественного деятеля первой половины XVII в. Автор анализирует основные положения философской системы Э. Герберта, отмечая логическую связь между теорией познания и философией религии. Показано, что гносеологический объективизм Герберта явился основанием для его деистических идей, главной из которых стала идея «естественной религии». Автор считает заслугой Герберта попытку обосновать объективные основы и критерии познания, соединить его когнитивные и ценностные начала, подчеркнуть системное взаимодействие всех элементов. In the work are characterized by philosophical views of Edward Herbert – English philosopher, politician and public figure of the first half of the 17th century. The author of the article analyzes the basic provisions of the philosophical system of E. Herbert, noting the logical connection between the theory of cognition and the philosophy of religion. It is shown that Herbert's epistemological objectivism was the basis for his deistic ideas, the main of which was the idea of "natural religion". The author considers Herbert's merit to try to substantiate objective basics and criteria of cognition, to combine his cognitive and value principles, to emphasize the systemic interaction of all elements.
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Dukhanina, Alexandra V. "The Life of St. Stephen of Perm in the Printed Prologue: Textual Criticism and Codicological Value". Труды Отдела древнерусской литературы 68 (2020): 135–74. http://dx.doi.org/10.31860/0130-464x-2020-67-135-174.
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The Life of St. Stephen of Perm in a specific redaction was included in the second edition of the Prologue of 1642—1643 and reprinted in all subsequent editions of the Prologue in the 17th—18th centuries. Eight handwritten copies of the text belonging to this redaction have been found in 17th- and 18th-century manuscripts. In most editions of the Prologue the text reveals minor linguistic and stylistic changes that provide material for the history of editing of the Prologue, as well as for the history of the Russian literary language. They also allow determining which particular edition served as a model for this or that manuscript copy of the Life. Knowing the publication year of the editions has helped to clarify the dating of some manuscripts of this redaction of the Life and even to correct some data from an album of seventeenth-century watermarks
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Salmon, Vivian. "Missionary linguistics in seventeenth century Ireland and a North American Analogy". Historiographia Linguistica 12, n.º 3 (1 de janeiro de 1985): 321–49. http://dx.doi.org/10.1075/hl.12.3.02sal.
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Summary Accounts of Christian missionary linguists in the 16th and 17th centuries are usually devoted to their achievements in the Americas and the Far East, and it is seldom remarked that, at the time when English Protestant missionaries were attempting to meet the challenge of unknown languages on the Eastern seaboard of North America, their fellow missionary-linguists were confronted with similar problems much nearer home – in Ireland, where the native language was quite as difficult as the Amerindian speech with which John Eliot and Roger Williams were engaged. Outside Ireland, few historians of linguistics have noted the extraordinarily interesting socio-linguistic situation in this period, when English Protestants and native-born Jesuits and Franciscans, revisiting their homeland covertly from abroad, did battle for the hearts and minds of the Irish-speaking population – nominally Catholic, but often so remote from contacts with their Mother Church that they seemed, to contemporary missionaries, to be hardly more Christian than the Amerindians. The linguistic problems of 16th-and 17th-century Ireland have often been discussed by historians dealing with attempts by Henry VIII and his successors to incorporate Ireland into a Protestant English state in respect of language, religion and forms of government, and during the 16th century various official initiatives were taken to convert the Irish to the beliefs of an English-speaking church. But it was in the 17th century that consistent and determined efforts were made by individual Englishmen, holding high ecclesiastical office in Ireland, to convert their nominal parishioners, not by forcing them to seek salvation via the English language, but to bring it to them by means of Irish-speaking ministers preaching the Gospel and reciting the Liturgy in their own vernacular. This paper describes the many parallels between the problems confronting Protestant missionaries in North America and these 17th-century Englishmen in Ireland, and – since the work of the American missions is relatively well-known – discusses in greater detail the achievements of missionary linguists in Ireland.
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Kirchanov, Maksim V. "“Revolutionary Nation”: “High Culture” of Emerging English Political Identity of the 17th Century". History 19, n.º 1 (2020): 32–42. http://dx.doi.org/10.25205/1818-7919-2020-19-1-32-42.
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The author analyzes how the emerging political identity of the early modern English nation expressed itself in literary texts of the 17th century. The revitalization of English nationalism in Britain actualizes the analysis of the early stages in the history of the formation and development of English identity. The author of the article believes that intellectual history, as a form of knowledge of the past, is, on the one hand, among those methodological approaches we can use for analysis of English identity. The author uses constructivist methods of Nationalism Studies, believing that the nation is the result of political and social modernizations, inspired by intellectuals as representatives of “high culture”. Analyzing the problems of the imagination and invention of a political nation in 17th century English identity, the author believes that several factors determined the main vectors and trajectories of developments and transformations of the self-consciousness of English intellectuals. It is assumed, that religion was one of those factors that influenced political identity significantly. Intellectuals were the main inspirers of the emerging English political identity. The intellectuals who represented the “high culture” initiated the processes of nationalization of politics, that expressed in the radical project of the Republic, which in fact became the historical predecessor of the modern nation-state. The author believes that the political imagination in 17th century England justified and legitimized political changes, stimulated the development of national identity and inspired the processes of transformation of Englishmen from traditional groups with unstable estate identities into an early modern nation with an emerging political identity.
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Abercrombie, David. "William Holder and other 17th-century phoneticians". Historiographia Linguistica 20, n.º 2-3 (1 de janeiro de 1993): 309–30. http://dx.doi.org/10.1075/hl.20.2-3.04abe.
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Summary In spite of inevitable deficiencies in their knowledge, 17th-century writers on phonetics can be said to have succeeded in laying the foundations of a true general phonetics. They include some famous names, such as John Wallis and Isaac Newton, but many of them have remained virtually unknown until comparatively recent times, in spite of having contributed significant insights. A brief mention is given here of the work of thirteen of these early writers on phonetics, followed by a fuller account of William Holder (1616–1698), probably the best phonetician of his time. He was not an orthoepist, nor was he concerned to describe the sounds of English. His book had a practical purpose – to provide a theoretical basis for techniques of teaching the deaf. Possible ambiguity in the 17th-century use of ‘letter’ is explained before examining Holder’s description of the sounds of speech. This includes his interesting use of the hylomorphic distinction between ‘matter’ and ‘form’. The description of vowels is almost inevitably less satisfactory than that of the consonants, but his phonetic terminology and general framework would not be out of place in a modern introduction to phonetics. He deserves more attention than he has received, both for his theoretical contribution and for his pioneering work in techniques of teaching the deaf.
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Bianchi, Daniela. "Some sources for a history of English Socinianism a bibliography of 17th century English Socinian writings". Topoi 4, n.º 1 (março de 1985): 91–120. http://dx.doi.org/10.1007/bf00138653.
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Henderson, Felicity 1973. "Erudite satire in seventeenth-century England". Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
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Jackson, Simon John. "The literary and musical activities of the Herbert family". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
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Miyoshi, Riki. "Thomas Killigrew and Carolean stage rivalry in London, 1660-1682". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.
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This thesis has two aims: to make an original contribution to knowledge by demonstrating the importance of theatrical rivalry to the development of drama in the Carolean period (the reign of Charles II), and to re-evaluate the managerial career of Thomas Killigrew (1612-1683). This is the first detailed survey of the circumstances in which the King's Company and the Duke's Company competed and an analysis of the troupes' devices of plotting and counter-plotting during their twenty-two years of stage rivalry from 1660 to 1682. As well as charting the stage rivalry between the two companies, my dissertation argues that Killigrew was a competent but unscrupulous and devious playhouse-manager. A close analysis of his managerial career will show how Thomas Killigrew was the central figure in the Carolean stage rivalry in London and how he helped to shape the future of English theatre. The survey starts from Killigrew's beginnings as the manager of the King's Company from 1660 and concludes in 1682 when the King's Company was effectively taken over by its rival, the Duke's Company, to make one United Company, thus ending the span of theatrical competition in the Carolean period. Each chapter is divided in accordance with the beginning and end of significant events of rivalry and are organised chronologically at different phases of the competition. The first chapter provides the historical background of the establishment of the patent grants and the gradual consolidation of the monopoly over dramatic entertainment in London. In charting the initial stages of the development of the King's Company and the Duke's Company from 1660 to 1663, this chapter argues that it was largely due to Thomas Killigrew's underhandedness that the King's Company began the competition in an advantageous position. The second chapter focuses on the theatrical competition from 1663 to 1668. Until 1663 both companies were busy consolidating their duopoly and the competition between the two managers ended abruptly with William Davenant's death in 1668. In the survey of the Killigrew-Davenant rivalry, this chapter's overall aim is to argue for narrowing of the wide chasm often described between the managerial skills of the two managers. Chapter three explores the period from when Mary Davenant, Thomas Betterton and Henry Harris took over the management of the Duke's Company to the burning of the King's Company's playhouse in 1672. It argues that the competition in this period was evenly matched. This chapter also revises the perceived style of management adopted by both Betterton and Killigrew. The chapter argues that Betterton was perhaps less involved in the most audacious project of the Duke's Company during these years: the building of three theatres including the Dorset Garden Theatre. In the case of the latter, this chapter argues that Killigrew continually took risks at other people's expense and was little concerned with the well being of his staff and shareholders as long as the company gained notoriety and retained its success. The penultimate chapter of the dissertation covers the time span from the Bridges Street Theatre's fire to the ousting of Killigrew as the manager by his own son, Charles Killigrew. It argues that this was the crucial period in which the Duke's Company began clearly to surpass its rival. This chapter qualifies the orthodox view that the King's Company simply lost its battle against the Duke's Company by demonstrating that the two companies also had to contend with a large number of foreign troupes and the rising popularity of music concerts. The final chapter explores the period from when Charles Killigrew took over the management of the King's Company to the amalgamation of the two acting troupes in 1682. It demonstrates the negative effects of the political turbulence of the Popish Plot and the Exclusion Crisis on both the troupes' plays and players. The chapter also argues that Charles Killigrew was not as charismatic or manipulative as his father, and that he greatly contributed to the demise of the King's Company. In conclusion, this is strictly a study of theatre history that looks at the importance of management and company rivalry to the development of Carolean drama. At its peak in the 1670s, the Carolean period produced on average twenty new plays per season. The highly competitive nature of the rivalry between the King's Company and the Duke's Company and how the respective managements responded to the success or the failure of the other theatre is the background against which one must read the plays of the Carolean period. Thomas Killigrew, whose managerial career spanned the longest in the Carolean years, was an influential figure in the period and whose innovations and difficulties as a manager had a direct effect not only on theatre history but also on the dramatic traditions of the seventeenth century.
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Boguszak, Jakub. "Actors' parts in the plays of Ben Jonson". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7732f887-5a9d-4fc6-afce-9bc4242265f9.
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The thesis continues the work undertaken in recent years by (in alphabetical order) James J. Marino, Scott McMillin, Paul Menzer, Simon Palfrey, Tiffany Stern, Evelyn Tribble, and others to put to use what is now known about the purpose, distribution, and usage of early modern actors' parts. The thesis applies the new methodology of reading 'in parts', or reconstituting early modern plays 'in parts', to the body of plays written by Ben Jonson. The aim of the project is to offer a reconsideration of Jonson as a man of theatre, interested not only in the presentation of his works in print, but also in their production at the Globe and at Blackfriars. By reconstructing and examining the parts through which the actors performing in Jonson's plays accessed their characters, the thesis proposes answers to the questions: how can we read and analyse Jonson's plays differently when looking at them in terms of actors' parts; did Jonson write with parts in mind; what did Jonsonian parts have to offer actors by way of challenge and guidance; what can we learn from parts about Jonson's assumptions and demands with regard to the actors; and how did actors themselves respond to those demands. These questions are significant because they engage critically with the tradition of seeing Jonson as a playwright dismissive of actors and distrustful of the theatre; they seek to establish a perspective that allows us to assess Jonson's abilities to instruct and challenge his actors through staging documents. More generally, the research contributes to the studies of the early modern rehearsal and staging practices and invites consideration of Shakespeare's part-writing techniques in contrast with those of his major rival. With no surviving early modern parts from Jonson's plays (indeed with only a handful of surviving parts from the period), the first task is to determine the level of accuracy with which the parts can be reconstructed from Jonson's printed plays. Stephen Orgel was by no means the first critic who used the example of Sejanus to assert that Jonson habitually doctored his plays before they were published, but his view has become a critical commonplace. This thesis re-examines the case of Jonson's revisions and concludes that, far from being representative, the 1605 Sejanus quarto is an anomaly which Jonson himself needed to account for in his address to the reader. It is true that Jonson cultivated a distinct style of presentation of printed material, but the evidence that he extensively tampered with the texts themselves after they were performed is scarce (again, the revisions found in the Folio versions of Every Man in His Humour and Cynthia's Revels are addressed and found to be exceptional, rather than typical), while the evidence of his pride in the original compositions and performances is much stronger. Since such enhancements as dedicatory poems, arguments (i.e. plot summaries), character sketches, or marginalia have no bearing on the shapes of actor's parts, they do not in any way compromise the reliability of the printed texts as sources from which Jonson's parts can, argues the thesis, be reconstructed with reasonable accuracy. Jonson, himself an actor and apparently a friend and admirer of a number of great actors of his age (Edward Alleyn, Nathan Field, Richard Robinson, Salomon Pavy, Richard Burbage), knew from personal experience how much depended on actors mastering, or, in their terminology, being 'perfect' in, their parts. By granting the actor access only to select portions of the complete play-text (i.e. his own lines and cues), the part effectively regulated the performance in cases when the actor had only limited knowledge of the rest of the play. Such cases seem to have been very common: documentary evidence suggests that actors had to learn their parts on their own over the course of a few weeks, and only then attended group rehearsals, most of which were concerned with 'business', not text which had already been learned. While some might have attended a reading of the play (if one was arranged for the benefit of the sharers, for instance), or gained more information about the play from their fellow actors, the parts remained their chief means of internalising their text and acquiring a sense of the play they were in. Jonson, who was not a resident playwright with any company performing in London and thus probably did not always have easy and regular access to the actors, could sometimes have taken advantage of the actors' dependence on their parts and crafted the parts as a means of exercising control over the performances of his plays. Building on this premise, the thesis examines various features of actors' parts that would have made a difference to an actor's performance. It draws on recent advancements in the studies of textual cohesion (linguistic features such as reference, substitution, ellipsis, etc.) to point out how the high and low frequency of cohesive ties (pairs of cohesively related words or phrases) in various sections of the part would have given an actor a good idea of how prominent his part was at any given moment. It examines Jonson's use of cues and patterns of cueing: like Shakespeare, Jonson was fond of using repeated cues to open up a space for improvisation, and he seems to have been aware of the need to provide the apprentices in the company with parts cued by a limited number of actors so as to allow for easier private rehearsals with their masters. The thesis also examines the common feature of Jonson's 'split jokes' - jokes that are divided across multiple parts - and asks whether any kind of comic effect can be achieved by excluding the punch line of a joke from the part that contains its setup, and the setup from the part that delivers the punch line, offering a fresh look at the nature of early modern comedy. In structural terms, the thesis considers how a narrative constituted solely by the lines present on an actor's part can diverge from the narrative of the play as a whole and how an understanding of a play as a text composed of actors' parts, as well as of acts and scenes, can help to refine arguments about Jonson's assumptions about the strengths of the companies for which he wrote. What emerges is an image of Jonson who, far from concerned only with readership, consciously developed a brand of comedy that was uniquely suited to, perhaps even relying on, the solipsistic manner in which the actors received and learned their parts.
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Kwong, Jessica Mun-Ling. "Playing the whore : representations of whoredom in early modern English comedy". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
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Laverick, Jane A. "A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England". Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.
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In the latter half of the seventeenth century, the first-person overseas voyage narrative enjoyed an unprecedented degree of popularity in England. This thesis is concerned with texts written by travellers and the increasing perception that such information might be useful to those engaged in newly-developing scientific specialisms. It draws upon a wide range of texts including geographiae, physico-theological texts, first-person voyage narratives and imaginary voyage prose fictions. The main focus of the thesis is on the movement away from traditional encyclopaedic geographical textbooks whose treatment of non-European countries comprised an amalgam of unattributed information and a mass of traditional and erudite beliefs, towards a priontising of eyewitness accounts by named observers. Following an introductory survey of the production of an indigenous body of geographical literature in England, the first chapter traces the decline in popularity of traditional geographiae and the separation of regional description from general theories of the earth. The second chapter shows how in the Restoration period the concerted efforts of Fellows of the newly-established Royal Society resulted in a significant increase in the number of overseas travel narratives being published. The third chapter looks at the way in which the Royal Society's campaign developed from its initiation in 1666 to the close of the century, focusing on the response of travellers to the Society's requests for information. The fourth chapter considers the way in which earlier accounts were advertised as fulfilling contemporary expectations of this type of discourse. The fifth and sixth chapters concern fictitious voyage narratives. Imitative of a genre the value of which was increasingly seen as residing in its veracity, these fictions adapted in accordance with the changes being introduced to real voyage accounts whilst continuing to perpetuate the archaic myths and traditional beliefs which had been ehminated from factual geographical description. Appended to the thesis is a list of accounts of voyages and travels outside Europe, printed in the Philosophical Transactions (1665-1700). Also listed are reviews and abstracts of geographical texts, inquiries concerning specific locations and directions and instructions aimed at seamen, with brief biographical information about the authors to indicate the range of contributors to that journal.
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Jones, Suzanne Barbara. "French imports : English translations of Molière, 1663-1732". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
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This thesis explores the first English translations of Molière's works published between 1663 and 1732 by writers that include John Dryden, Edward Ravenscroft, Aphra Behn, and Henry Fielding. It challenges the idea that the translators straightforwardly plagiarized the French plays and instead argues that their work demonstrates engagement with the dramatic impact and satirical drive of the source texts. It asks how far the process of anglicization required careful examination of the plays' initial French national context. The first part of the thesis presents three fundamental angles of interrogation addressing how the translators dealt with the form of the dramatic works according to theoretical and practical principles. It considers translators' responses to conventions of plot formation, translation methods, and prosody. The chapters are underpinned by comparative assessments of contextual theoretical writings in French and English in order to examine the plays in the light of the evolving theatrical tastes and literary practices occasioned by cross-Channel communication. The second part takes an alternative approach to assessing the earliest translations of Molière. Its four chapters are based on close analysis of culturally significant lexical terms which evoke comically contentious social themes. This enquiry charts the changes in translation-choices over the decades covered by the thesis corpus. The themes addressed, however, were relevant throughout the period in both France and England: marital discord caused by anxieties surrounding cuckoldry and gallantry, the problems of zealous religious ostentation, the dubious professional standing of medical practitioners, and bourgeois social pretension. This part assesses how the key terms in translation were chosen to resonate within the new semantic fields in English, a target language which was coming into close contact with new French terms.
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Hirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture". University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
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Each chapter of Werewolves and Women with Whiskers: Figures of Estrangement in Early Modern English Drama and Culture explores a particular figure of fascination and fear in the early modern English imagination: in one it is owls, in another bearded women, in a third werewolves, and in yet another Jews. Drawing on instances from drama and other cultural forms, this thesis seeks to examine each of these phenomena in terms of their estrangement. There is a symbolic appositeness in each of these figures, whether in estranged and estranging minority groups, such as Catholics, Jesuits, Jews, Puritans, Italians, the Irish, and the Scots; or in transgressive behaviours, such as cross-dressing and gender trouble, infidelity and apostasy, intemperate passion and unnatural desire. Essentially unfixed and unstable, these emblematic figures are indicative of cultural uncertainty and therefore are easily adapted to suit changing political, religious, and social climates. However, adaptability and fluidity come at a price, since figures of difference have an uncomfortable way of transforming themselves into figures of resemblance. Thus, this thesis argues, each of these figuresowls, bearded women, werewolves, Jewsoccupies an undefined and undefinable space on the precarious boundary between the usual and the unusual, between the strange and the strangely familiar, and, most strangely and paradoxically of all, between us and them.
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Hone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
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This thesis provides the first full-length account of the political and cultural significance of the accession of Queen Anne. It offers a critical reassessment of the politics of the royal image across a spectrum of texts, events, and artefacts - from panegyrics, newspapers, sermons, royal progresses, and processions to medals, coins, and playing cards. Recent scholarship has emphasized the importance of party politics to the literature and culture of the early eighteenth century. This thesis nuances that assumption by arguing: (1) that the principal focus of partisan texts was competing representations of monarchy; and (2) that the explosion of partisanship at the start of the eighteenth century was triggered by unrest about the royal succession. Anne was the last protestant Stuart. She had no surviving children. This thesis explores how authors such as Daniel Defoe, Joseph Addison, Alexander Pope, and a great many lesser known and anonymous writers and propagandists conceptualized the end of the Stuart dynasty. Anne's accession forced writers to conjecture on the future succession. There were two rival claimants to the throne after Anne's death: the protestant Electress Sophia of Hanover and Anne's Catholic half-brother, James Francis Edward. Sophia's claim was statutory, James's hereditary. Factions emerged in support of both claimants. Almost all topical writing took a stance on the issue. Many sided with the government, supporting Hanover. Yet some writers favoured the illegal but hereditary claim of James Francis Edward; they had to express support in covert ways. This succession crisis triggered not only printed polemic, but also swathes of clandestine manuscript literature circulating in the Jacobite underground. The government took a hard line on Jacobite writers and printers; this thesis documents both their persecution and the techniques they used to evade the law. The thesis concludes by suggesting that this oppositional literary culture only disintegrated after the defeat of the Jacobite rebellion, and the consequent settlement of the Hanoverian succession, in late 1716. After this point, royal succession ceased to be a major source of political discontent.
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Brammall, Sheldon. "Translating the Prince of Poets : the politics of the English translations of the Aeneid, 1558-1632". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283905.
Texto completo da fonteLivros sobre o assunto "English 17th century History and criticism"
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English drama: Restoration and eighteenth century, 1660-1789. London: Longman, 1988.
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Latz, Dorothy L. Glow-worm light: Writings of 17th century English recusant women from original manuscripts. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1989.
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Latz, Dorothy L. Glow-worm light: Writings of 17th century English recusant women from original manuscripts. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1989.
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Latz, Dorothy L. Glow-worm light: Writings of 17th century English recusant women from original manuscripts. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1989.
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Latz, Dorothy L. Glow-worm light: Writings of 17th century English recusant women from original manuscripts. Salzburg, Austria: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1989.
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Kennedy, Donald Edward. Grounds of controversy: Three studies in late 16th and early 17th century English polemics. Parkville, Vic., Australia: History Dept., University of Melbourne, 1989.
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Latz, Dorothy L. "Glow-worn light": Writings of 17th century English recusant women from original manuscripts. Salzburg: Institut für Anglistik und Amerikanistik, Universität Salzburg, 1989.
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Jacobean drama: A critical study of the professional drama, 1600-25. New York: St. Martin's Press, 1988.
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McAlindon, T. English Renaissance tragedy. Basingstoke: Macmillan Press, 1988.
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Simon Gray unbound: The journey of a dramatist. Jefferson, N.C: McFarland, 2011.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "English 17th century History and criticism"
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Shattock, Joanne, Joanne Wilkes, Katherine Newey e Valerie Sanders. "H. R. Fox Bourne, English Newspapers. Chapters in the History of Journalism". In Literary and Cultural Criticism from the Nineteenth Century, 193–96. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003199915-42.
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Yong, Heming, e Jing Peng. "The bourgeoning of the English monolingual dictionary paradigm and the extension of bilingual dictionary traditions in the 17th century". In A Sociolinguistic History of British English Lexicography, 52–81. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003183471-4.
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Scodel, Joshua. "Seventeenth-century English literary criticism: classical values, English texts and contexts". In The Cambridge History of Literary Criticism, 541–54. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.058.
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Ayers, David. "Literary criticism and cultural politics". In The Cambridge History of Twentieth-Century English Literature, 379–95. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521820776.023.
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Rabinowitz, Paula. "The Future of the Novel and Public Criticism in Mid-Century America". In The Oxford History of the Novel in English, 566–82. Oxford University Press, 2014. http://dx.doi.org/10.1093/acprof:osobl/9780195385342.003.0035.
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Patronnikova, Yulia S. "Francesco Fulvio Frugoni’s “The Tribunal of Criticism”. The Critical View on the Literature of the 17th Century". In “The History of Literature”: Non-scientific sources of a scientific genre, 350–67. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0684-0-350-367.
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The article looks at the critical analysis of the 17th-century literature carried out by Francesco Fulvio Frugoni in his life’s main opus, “Il Cane di Diogene” (“The Dog of Diogenes”, 1687–1689) — or, more, precisely, in its most famous, tenth novel “Il Tribunal della Critica” (“The Tribunal of Criticism”). The critical evaluation of the authors and their works has an allegorical form of the tribunal of the Criticism over the books. It takes place in Apollo’s temple on Mount Parnassus, where the opus’s main hero — dog Saetta owned by the Cynic philosopher Diogenes — arrives to after a long period of wandering. The tribunal evaluates typologically different works, for the most part, written in Roman languages in the first half of 17th century — presumably the author shares the knowledge he acquired while studying and travelling. A number of famous figures of Seicento are thus left out of consideration. The key criterion used in the evaluation of a text is the ratio of the pleasant and the useful in it. The pleasant refers to a text’s being written in a flamboyant style and the useful — to its containing a certain message or idea. For all the shortcomings of the baroque authors, Frugoni takes his age to be exemplary. Despite its incompleteness and partiality, Frugoni’s analysis is an important source of information about Seicento literature, as well as Seicento theory of literature. In addition, being an analysis of literary texts, it contributes to the development of the history of literature as a self-standing discipline.
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Meurman-Solin, Anneli. "The Connectives And, For, But, and Only as Clause and Discourse Type Indicators in 16th- and 17th-Century Epistolary Prose". In Information Structure and Syntactic Change in the History of English, 164–96. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:oso/9780199860210.003.0008.
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Cheney, Patrick. "Poetics". In The Oxford History of Poetry in English, 83–100. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0005.
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The sixteenth century prints the first treatises in English on ‘poetics’, a branch of literary criticism outlining a theory of poetry. Traditionally, modern scholars understand English poetics to be rhetorical: poetry is a rational form of persuasion. However, sixteenth-century theorists also introduce a counter-theory known as the sublime, first outlined by Longinus, who sees poetry as an irrational art aiming at ‘amazement and wonder’. For Longinus, the goal of sublime poetry is not to civilise the human but to secure freedom from the human: sublime poetry catapults the reader to the godhead. Sidney’s Defence taps into a poetics of sublime freedom, as do other treatises, such as Scott’s Model of Poetry. Consequently, the sixteenth century is the first era to theorise sublime poetic freedom of the literary imagination itself. Poets and playwrights like Marlowe in Doctor Faustus cohere with the theorists by scripting a liberating poetics of sublime authorship.
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Schoenfeldt, Michael. "Impractical criticism: close reading and the contingencies of history". In Texts and readers in the Age of Marvell, 17–32. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526113894.003.0002.
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Over the last seventy years, the discipline of English literature has been marked by an unnecessary and largely counterproductive tension between aesthetics and history. For many politically oriented critics, aesthetics was either uninteresting or implicated in the elite practices they deliberately opposed. And for those who focused on aesthetics, history frequently seemed like a distraction from what made the work of art a special kind of utterance, separate from other modes of language. This chapter revisits some of the signal literary engagements in the latter half of the long twentieth century, in order to consider what has been accomplished, what we have left out, and where we may be going next. With reference to writers from Donne and Herbert to John Milton, the chapter suggests, finally, that our analyses have too frequently ignored the decidedly impractical pleasure that emerges from literary activity, and argues that by bringing our own pleasure out of the closet, we can begin to restore to literary criticism some of the visceral thrill that drew us to it in the first place.
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McCormack, Bruce L. "Scottish Kenotic Theology". In The History of Scottish Theology, Volume III, 19–34. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198759355.003.0002.
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This chapter treats Scottish kenoticism as an empirically driven appropriation of mid-nineteenth-century German Lutheran kenoticists. In his seminal work, The Humiliation of Christ (1876), A. B. Bruce is shown to be the mediator of the new German theology. Later Scottish kenoticism is represented here by David Forrest, P. T. Forsyth, and H. R. Mackintosh, all of whom sought to maintain a commitment to the incarnation through the employment of kenotic categories. The development and criticism of kenoticism are considered as it migrated from Germany to the English-speaking world. Questions are raised in conclusion as to the ongoing usefulness of the theory of a divine ‘self-reduction’ or depotentiation.
Trabalhos de conferências sobre o assunto "English 17th century History and criticism"
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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries". In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.
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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (1772–1829) в ситуации философской революции рубежа XVIII–XIX вв. постарался соединить эти две позиции в одну, что и стало предметом анализа автора статьи. in the philosophy of the history of the twentieth century, a twofold tendency can be distinguished. On the one hand, the classical philosophy of history is subjected to radical criticism (in German philosophical hermeneutics, French structuralism and poststructuralism, English-speaking analytical philosophy), and on the other hand, it continues and develops in various concepts and theories (S. Huntington's "clash of civilizations", "end of history" F. Fukuyama). Such duality (criticism of the philosophy of history and its development) is not a characteristic only of our modernity. The outstanding German philologist and philosopher Friedrich Schlegel (1772–1829), in the situation of the philosophical revolution at the turn of the 18th–19th centuries, tried to combine these two positions into one, , which became the subject of the analysis of the author of the article.
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Kochetkova, Uliana E. "SIGNIFICANCE OF DECIPHERING THE ADAM ALPHABET IN THE HISTORY OF PHONETIC RESEARCH". In 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.28.
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This study aims to consider the significance of deciphering the Hebrew alphabet for the history of phonetic thought. Hermetic and Kabbalistic teachings endowed the Hebrew language with a divine meaning. Traditionally considered as given to Adam by God, this alphabet was called the Alphabet of Adam. The novelty and relevance of the current work are defined by the lack of a comprehensive description of the relationship between these traditional ideas and phonetics. The need for it is caused by the earlier observations about the possible influence of the 17th century concepts on the results of later measurements of vowels with tuning forks, and by the widespread opinion about the low significance of this period in linguistic science history. Though there can be found some publications devoted to concrete authors of the 16th–17th centuries, their contribution to the development of phonetic sciences has not yet been acknowledged. The current research is based on primary and secondary sources in Latin, English, French and Russian. The analysis showed that deciphering the vowels of Hebrew alphabet led to the first attempt to accurately describe vowel acoustic features, the empirical study of their articulatory characteristics and to the search for the “ideal” alphabet built of iconic signs. It also allowed the authors to develop methods for teaching deaf-mutes and systematize vowels. Thus the initial hypothesis about the significance of deciphering the Alphabet of Adam for the history of phonetic thought was confirmed. Refs 25.