Literatura científica selecionada sobre o tema "Egidio (Church : Rome, Italy)"
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Artigos de revistas sobre o assunto "Egidio (Church : Rome, Italy)"
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Copenhaver, Brian, e Daniel Stein Kokin. "Egidio da Viterbo’s Book on Hebrew Letters: Christian Kabbalah in Papal Rome*". Renaissance Quarterly 67, n.º 1 (2014): 1–42. http://dx.doi.org/10.1086/676151.
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AbstractEgidio da Viterbo (1469–1532) wrote his Book on Hebrew Letters (Libellus de litteris hebraicis) in 1517 to persuade Pope Leo X to reform the Roman alphabet. Behind this concrete, if farfetched, proposal was a millenarian theology that Egidio revealed by introducing his Christian readers to Kabbalah, whose first Christian advocate, Giovanni Pico della Mirandola, had done his pioneering work only a few decades before. Inspired by Pico and by Johann Reuchlin, Egidio also absorbed the Platonism of Marsilio Ficino, applying it in the Libellus to a Kabbalist analysis of the Aeneid, which he reads as a prophecy of papal victory over the Jews at the end of time, while also seeing Pope Leo as a modern-day Etruscan. But the main source of Egidio’s apocalyptic theology is a medieval Hebrew book, the Sefer ha-Temunah, which in Italy was new to Jews at the time Egidio read it.
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GARCÍA, Ricardo M. "La propiedad según Juan Quidort de París y Egidio Romano / Ownership According to John Quidort and Giles of Rome". Revista Española de Filosofía Medieval 22 (1 de janeiro de 2015): 181. http://dx.doi.org/10.21071/refime.v22i.6219.
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John Quidort considers individual work, among other activities, the most suitable form of appropriation. Giles of Rome seems to share this view but, in contrast to John’s opinion, he claims that all possession is legitimate only when the owner is baptized, i.e., when he is part of the Church community. This view depends on Giles’s political thought, that the temporal order should be subordinated to the ecclesiastical order. John, on the other hand, when referring to the independence of the two powers, considers work and other activities independent from the Church, although linked to Christian ethics.
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Coniglio, Paolo Cesare. "The Legal Status of the Church of England in Italy". Ecclesiastical Law Journal 17, n.º 1 (11 de dezembro de 2014): 53–57. http://dx.doi.org/10.1017/s0956618x1400091x.
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In a historic move, the Church of England has achieved legal recognition in Italy. Legal status was declared by a presidential decree signed by the President of the Italian Republic, Giorgio Napolitano, in July 2014. This recognises the Church of England as a denomination and a ‘properly organised and authorised’ religion in Italy. The decree gives legal status to the association Chiesa d'Inghilterra (Church of England), which represents the Church of England in Italy, and accepts its statutes. The registered address of the Chiesa d'Inghilterra is in the centre of Rome.
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Concas, Daniela. "Liturgical renovation of modern churches in Rome (Italy)". Resourceedings 2, n.º 3 (12 de novembro de 2019): 39. http://dx.doi.org/10.21625/resourceedings.v2i3.623.
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At the beginning of the first half of the twentieth century the bond between ars-venustas and cultus-pietas has produced many churches of Roman Catholic cult.It’s between the 20s and 60s of the twentieth century that the experiments of the Liturgical Movement in Germany lead to the evolution of the liturgical space, which, even today, we see engraving in modern churches in Rome (Italy).The Council of Trent (1545-1563) constitutes the precedent historical moment, in which the Church recognised the need for major liturgical renovation of its churches. In comparison with this, the Second Vatican Council (1959-65) introduced some radical changes within the church architectural spaces.The observations come from the direct reading of the present architectural space and the interventions already realised in modern churches in Rome. The most significant churches from an historical-artistic point of view were selected (1924-1965). Significantly, although every single architecture is unique for dimensions, architectural language and used materials, a comparison, in order to gather the discovered characteristics and to compare the restrictions regarding the different operations, would extremely effective, as demonstrated below.Since the matter is considerably vast, in this work, only some brief notes regarding the liturgical renovation of the Presbytery area will be outlined.
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Wueste, Elizabeth, Giulia Facchin e Pier Matteo Barone. "Aventinus Minor Project: Remote Sensing for Archaeological Research in Rome (Italy)". Remote Sensing 14, n.º 4 (16 de fevereiro de 2022): 959. http://dx.doi.org/10.3390/rs14040959.
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This paper presents the results of a preliminary survey in a central urban area of Rome, Italy. The results were obtained from both desktop and remote sensing surveys. The Aventinus Minor Project (AMP) is a community archaeological excavation project focusing on an understudied area in Rome with limited modern archaeological excavation: the Aventinus Minor or Little Aventine. The remote sensing (RS) anomalies revealed by the survey illustrate that this area is potentially rich in buried structures potentially correlated with ancient visible remains (i.e., the Servian Walls and Santa Balbina church). The application of RS approaches (such as NDVI, VARI, and GPR) and the creation of a GIS platform lays the foundations for a correct and georeferenced reporting of all collected data, providing a nuanced understanding of the urban archaeology in the dense topography of Rome.
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Gudelj, Jasenka. "The Hospital and Church of the Schiavoni / Illyrian Confraternity in Early Modern Rome". Confraternitas 27, n.º 1-2 (19 de maio de 2017): 5–29. http://dx.doi.org/10.33137/confrat.v27i1-2.28222.
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Slavic people from South-Eastern Europe immigrated to Italy throughout the Early Modern period and organized themselves into confraternities based on common origin and language. This article analyses the role of the images and architecture of the “national” church and hospital of the Schiavoni or Illyrian community in Rome in the fashioning and management of their confraternity, which played a pivotal role in the self-definition of the Schiavoni in Italy and also served as an expression of papal foreign policy in the Balkans.
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Rota, Mauro, e Jacob Weisdorf. "Italy and the Little Divergence in Wages and Prices: New Data, New Results". Journal of Economic History 80, n.º 4 (24 de setembro de 2020): 931–60. http://dx.doi.org/10.1017/s0022050720000467.
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We present new wage indices for skilled and unskilled construction workers in Italy. Our data avoid multiple issues pestering earlier wages, making our new indices the first consistent ones for early-modern Italy. Our improved wages, obtained from the St. Peter’s Church in Rome, consolidate the view that urban Italy began a prolonged downturn during the seventeenth century. They also offer sustenance to the idea that epidemics instigated the decline. Comparison with new construction wages for London shows that Roman workers outearned their early-modern English counterparts. This suggests that high wages alone were not enough to trigger industrialization.
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Schettini, Glauco. "Building the Third Rome: Italy, the Vatican, and the new district in Prati di Castello, 1870–1895". Modern Italy 24, n.º 1 (23 de outubro de 2018): 63–79. http://dx.doi.org/10.1017/mit.2018.39.
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When the Italian army breached the Aurelian walls at Porta Pia in 1870 and Rome was seized from the pope, the city could not have been more unlike a contemporary European capital city. In the years after it became Italy’s capital, Rome underwent a process of radical urban renewal. This article, focusing on the creation of a new neighbourhood in Prati di Castello – the area north-east of the Vatican – frames Rome’s transformation as part of the ‘culture wars’ between the Church and the new Italian state. The decision to postpone the creation of the new district in Prati until the 1880s and the way it was then carried out reflect the wider shift of Italian politics from Cavour’s notion of ‘a free Church in a free State’ to the more combative anticlericalism of the Left after 1876. Against this background, Prati emerged as a political landscape in which competing powers articulated their aspirations and values, negotiated their respective authorities, and transmitted political ideas.
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Trequattrini, Patrizio. "The Church and national issues in the context of Italian-Romanian relations (19th century). Some considerations". Journal of Church History 2022, n.º 1 (1 de junho de 2022): 17–34. http://dx.doi.org/10.24193/jch.2022.1.2.
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Abstract: The article resumes the most important moments of the relations between Italian and Romanian religious authorities. Beginning from the end of the 18th century, it underlines the importance of Holy Congregation “De Propaganda Fide” in order to start religious and cultural relations between Italy and Romania. Congregation missionary effort in the Romanian room and Greek-Catholic Transilvanian “élites peregrinatio” to Rome had as a result a strong religious and cultural connection that would determine the birth of powerful “topoi” in Romanian imagery: Ancient Rome and Popish Rome images, together with ecclesiastical Romanian élites debut as national élites. Romanian Churches and Romanian political ruling class, the last one affirmed in the middle of the 19th century, led the process of national unity till the end of World War I.
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Pibaev, Igor. "The principle of secularism of the state in the decisions of the Constitutional Court of Italy: all roads lead to Rome". Sravnitel noe konstitucionnoe obozrenie 29, n.º 5 (2020): 56–73. http://dx.doi.org/10.21128/1812-7126-2020-5-56-73.
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The main characteristics of the European approach to the understanding of state secularism in many respects is based on the interpretations of Article 9 of the 1950 European Convention for the Protection of Human Rights and Fundamental Freedoms by the European Court of Human Rights are, on the one hand, private freedom of faith, civil and political equality of citizens regardless of their confession, and non-discrimination, and on the other, the autonomy of religious communities from the state and the non-interference of religious organizations in public governance. The article shows the special way these values were implemented in the Italian state from the moment of drafting and adoption of the Constitution in 1947 to the present time. We analyze the judgments of the Constitutional Court of Italy interpreting articles 2, 3, 7, 8, 17, 19 and 20 of the Constitution of Italy on freedom of faith and the relationship between the Roman Catholic Church and other religious communities of Italy with state authorities of the Republic of Italy. The author underlines the characteristic features of Italian secularism, including the principle of “bi-lateralization” providing for the possibility of combining the principle of separation of church and state with the bilateral agreement between the state and religious communities. In the article we try to answer to the questions of how, after the revision of the Lateran Concordat in 1984, the position changed of the Catholic religion, which previously was the state religion, and what role the Constitutional Court of Italy played in this change. Finally, the author concludes that the judgments of the Constitutional Court of Italy de jure promoted centrality and impartiality of all confessions to a great extent, but de facto the problem of realization of the principle of equality still exists, with the Roman Catholic Church preserving its dominant position in political life.
Teses / dissertações sobre o assunto "Egidio (Church : Rome, Italy)"
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Merrill, Aaron Thomas. "The subterranean strata of the basilica San Clemente". Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
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Bolgia, Claudia. "The church of S. Maria in Aracoeli, Rome : from the earliest times to circa 1400". Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/2963/.
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This thesis aims to reconstruct the history, building phases, original appearance and role in mediaeval Rome of the church of S. Maria in Aracoeli, from its origins to c. 1400. The introduction describes the topographical setting of the church and traces its historiography . The first chapter investigates previous churches, their documentary sources, archaeological evidence and surviving components of church furniture. Patronage, date and original appearance of the so-called ‘ara coeli’, the extant main altar of the former church, are discussed. The second chapter concerns the present church, constructed by the Franciscans after their arrival on the hill in the mid-thirteenth century. The first section covers the building history from a documentary point of view, while the second provides a formal analysis, dedicating a subsection to each surviving part (nave and aisles, transept and adjacent chapel, facade). Archaeological research, together with graphic, epigraphic, literary and documentary sources, establishes the transformations of the building as well as the original plan and elevation of its lost parts (apse and eastern chapels). The third section critically reconsiders the lost decoration of the original apse, its iconography and the reasons for its success. The fourth section focuses on the workshop: analysis of the building technique is combined with the information on the architect gathered from his surviving sepulchral epitaph; the use of spolia and the adoption of gothic window-tracery are also discussed. The final chapter places Aracoeli in its context: the first section examines the civic role of the church as a setting for communal assemblies and a privileged site for judgement, the second considers its role as a favourite site for burial chapels of important Roman families. This thesis clarifies the history and appearance of the Christian site before the Franciscans, and provides a reconstruction of the building stages and original aspect of the present church (as well as of the function of some annexed structures) which differs radically from previous hypotheses, thus situating Aracoeli in a different architectural and cultural framework.
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O'Regan, Thomas Noel. "Sacred polychoral music in Rome, 1575-1621". Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:daa9a67e-cf31-4a1b-8d74-4b814acb6957.
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The object of this thesis is to lay open a repertory of music which has long been ignored, the music for two and more choirs composed by Roman composers of the generation of Palestrina and his immediate successors. Polychoral music is taken to mean music in which two or more independent and consistent groups of voices take part, singing separately and together; the parts should remain independent in tuttl sections, with the possible exception of the bass parts. By this definition, the first real polychoral music to be published in Rome was that by Giovanni P. da Palestrina in his Motettorum liber secundus of 1575. This is taken as the starting point for this study. Music which might have influenced Roman composers is examined, as well as eight-voice music by Roman composers which is not polychoral according to the above criteria. The development of polychoral music in the city is then traced through the reigns of the various popes from Gregory XIII to Paul V, whose death in 1621 is taken as a convenient place to end the study. Particular emphasis is laid on structural and textural aspects and the way these were adapted by successive composers. The ground for the Roman concerts to style was laid in the early experiments by composers such as Giovanni Animuccia, Palestrina and Tomas Luis de Victoria; this is traced through what is termed the 'fragmented' style of the last two decades of the sixteenth century to the full flowering of the large-scale concerts to motet after 1605. The music is studied in the context of the institutions for which it was written. The archives of these Institutions have been researched for information on performance practice, which is presented here. The broader cultural, social and religious background which spawned the idiom is also examined and polychoral music related both to the new propagandist attitude of church leaders from Gregory XIII onwards, and to a general expansion in musical activity in the city of Rome through the period under investigation. The various printed and manuscript sources for this music have been researched and the resulting catalogue of pieces by fifty or so composers who worked in the city is presented. A more detailed examination is carried out of the primary manuscript sources, from which valuable information on various aspects of the music can be obtained.
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Schluter, Lindsay. "The religious and ecclesiastical role of women in the church in the city of Rome in the late eighth and early ninth century". Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/2437/.
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The religious and ecclesiastical role of women in the early medieval church in the city of Rome has so far not been studied in detail and this thesis offers to remedy that gap. It presents in form of a case study limiting itself in terms of its topographical boundaries to the city of Rome, and in terms of a historical time period to that which coincides approximately to the start of the papacy of Hadrian I to the end of the papacy of Paschal I. Use is made only of source material which can be connected directly to early medieval Rome, and not only ordained and monastic roles of women are explored but also the many other ways in which women were able to engage with the liturgy, sacraments and religious ordinances as well as through diaconal and other forms of work. This is done not least through a detailed analysis of the relevant Ordines Romani. Other ways in which women of early medieval Rome were able to engage in the life of the church was through the production and maintenance of liturgical textiles and also through patronage on large and small scales towards individual ecclesiastical institutions. A less well known means of engagement was through the work of the diaconitae at Rome’s diaconiae. Throughout the thesis a particular interest is expressed in exploring how religious and ecclesiastical engagement was possible for women from lower social strata. In addition to this the overall inclusion, or otherwise, of women in the surviving iconographical material of early medieval Rome is analysed. Particular attention is given to matters such as relics, saints patronage and lectionary readings in relation to saints’ days. Matters of hermeneutics are explored on an ongoing basis in relation to the source material, but also in relation to the secondary literature consulted. Regarding the latter this is especially undertaken in relation to female monastic communities and the offices of the diacona, presbytera and episcopa. In respect of these offices, but also in relation to all other matters pertaining to the ecclesiastical and religious roles of women in early medieval Rome this thesis argues neither for a minimalist nor for a maximalist interpretation, but offers a nuanced yet, of necessity, fragmentary overall picture. This is borne out of the decision to work only with source materials that can be directly linked to early medieval Rome which in itself is fragmentary in nature. On the one hand it means that little can be made known on a subject area such as women’s religious education for instance. On the other hand this concentration on Roman source material alone means that matters unique to the situation of women in the church of medieval Rome can be established, such as, for instance, the continuation of the ordained office of the diacona into the early ninth century or the absence of any issues regarding cultic cleanness relating to women.
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Hill, Michael. "Cardinal Scipione Borghese's patronage of ecclesiastical architecture, 1605-1633". Phd thesis, Faculty of Arts, 1998. http://hdl.handle.net/2123/16344.
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Clines, Robert John. "By virtue of the senses Ignatian aestheticism and the origins of sense application in the first decades of the Gesù in Rome /". Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1249941901.
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Sénié, Jean. "Entre l'aigle, les Lys et la tiare : les relations des cardinaux d'Este avec le royaume de France (environ 1530 - environ 1590), entre diplomatie et affirmation de soi". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL128.
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Ma recherche porte sur l’action diplomatique et religieuse des cardinaux d’Este et sur leur rôle de médiateurs entre l’Italie et la France. L’objectif est de faire apparaître les fondements géopolitiques de leur action, en prenant soin de faire ressortir les différentes échelles de leur action. L’emprise territoriale des cardinaux d’Este se manifeste, en effet, par l’existence de relais italiens et français. La présence d’Ippolito II d’Este et de Luigi d’Este est étudiée aussi bien sous l’angle de leur présence matérielle que sous celui de leur participation aux enjeux politiques du temps. La recherche s’inscrit à la croisée de plusieurs historiographies. Tout d’abord, elle cherche à affiner la connaissance de la sociologie des cardinaux au XVIe siècle. Ensuite, elle reprend les apports de l’histoire des relations internationales pour revenir sur le rôle des deux cardinaux d’Este comme supports de la couronne française à Rome et médiateurs pontificaux à la cour de France, et étudier leurs pratiques. Enfin, l’analyse vise à reprendre la catégorie d’humanisme chrétien, conceptualisée par Erasme, pour voir si elle constitue une ligne directrice de leur conduite religieuse. En prêtant attention à leur démarche sur la scène internationale, l’étude vise également à montrer que se dessine une identité catholique qui n’est pas hétérodoxe, mais s’insère bien dans la plus stricte orthodoxie confessionnelle. En revanche, la traversée des monts entraîne des réajustements sur le plan de l’expression et de la représentation de la foiMy research focuses on the d’Este cardinals’ diplomatic and religious actions and on their role as mediators between Italy and France. My objective is to uncover the geopolitical foundations of their actions whilst highlighting the different scales thereof. The territorial emprise of the d’Este cardinals is actually revealed by the existence of Italian and French relays. I study the presence of Ippolito II and Luigi d’Este both in terms of their material presence and their participation in the political stakes of the time. This research combines multiple forms of historiography. First, it develops the existing knowledge of the cardinals’ sociology in the sixteenth century. It then considers contributions from the history of international relations and how they pertain to the roles of the two d’Este cardinals as supporters of the French crown in Rome and pontifical mediators in the French court and studies their methods. I conclude by analysing Christian humanism as conceptualised by Erasmus to see whether it constitutes a guideline for their religious conduct. By examining their modus operandi on the international scene, this thesis argues that a Catholic identity is emerging which is not heterodox, but rather which fits into the strictest denominational orthodoxy. Nevertheless, crossing the mountains leads to readjustments in manners of expressing and representing the Catholic faith
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Sénié, Jean. "Entre l'aigle, les Lys et la tiare : les relations des cardinaux d'Este avec le royaume de France (environ 1530 - environ 1590), entre diplomatie et affirmation de soi". Electronic Thesis or Diss., Sorbonne université, 2019. http://www.theses.fr/2019SORUL128.
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Ma recherche porte sur l’action diplomatique et religieuse des cardinaux d’Este et sur leur rôle de médiateurs entre l’Italie et la France. L’objectif est de faire apparaître les fondements géopolitiques de leur action, en prenant soin de faire ressortir les différentes échelles de leur action. L’emprise territoriale des cardinaux d’Este se manifeste, en effet, par l’existence de relais italiens et français. La présence d’Ippolito II d’Este et de Luigi d’Este est étudiée aussi bien sous l’angle de leur présence matérielle que sous celui de leur participation aux enjeux politiques du temps. La recherche s’inscrit à la croisée de plusieurs historiographies. Tout d’abord, elle cherche à affiner la connaissance de la sociologie des cardinaux au XVIe siècle. Ensuite, elle reprend les apports de l’histoire des relations internationales pour revenir sur le rôle des deux cardinaux d’Este comme supports de la couronne française à Rome et médiateurs pontificaux à la cour de France, et étudier leurs pratiques. Enfin, l’analyse vise à reprendre la catégorie d’humanisme chrétien, conceptualisée par Erasme, pour voir si elle constitue une ligne directrice de leur conduite religieuse. En prêtant attention à leur démarche sur la scène internationale, l’étude vise également à montrer que se dessine une identité catholique qui n’est pas hétérodoxe, mais s’insère bien dans la plus stricte orthodoxie confessionnelle. En revanche, la traversée des monts entraîne des réajustements sur le plan de l’expression et de la représentation de la foiMy research focuses on the d’Este cardinals’ diplomatic and religious actions and on their role as mediators between Italy and France. My objective is to uncover the geopolitical foundations of their actions whilst highlighting the different scales thereof. The territorial emprise of the d’Este cardinals is actually revealed by the existence of Italian and French relays. I study the presence of Ippolito II and Luigi d’Este both in terms of their material presence and their participation in the political stakes of the time. This research combines multiple forms of historiography. First, it develops the existing knowledge of the cardinals’ sociology in the sixteenth century. It then considers contributions from the history of international relations and how they pertain to the roles of the two d’Este cardinals as supporters of the French crown in Rome and pontifical mediators in the French court and studies their methods. I conclude by analysing Christian humanism as conceptualised by Erasmus to see whether it constitutes a guideline for their religious conduct. By examining their modus operandi on the international scene, this thesis argues that a Catholic identity is emerging which is not heterodox, but rather which fits into the strictest denominational orthodoxy. Nevertheless, crossing the mountains leads to readjustments in manners of expressing and representing the Catholic faith
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Bodin, Ariane. "Les manifestations sociales de l’être-chrétien en Italie et en Afrique romaine : début du IVe siècle-fin du VIe siècle". Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100128.
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Cette thèse d’histoire sociale, fondée sur « l’individualisme méthodologique », donne à l’individu et à l’action individuelle une place considérable dans la société entre le début du IVe siècle et la fin du VIe siècle, et ne s’intéresse pas en soi à la communauté des chrétiens. À partir d’un échantillon constitué de cent quatre-Vingt-Dix-Huit personnages d’Italie et d’Afrique, cette thèse se propose de mettre en lumière les manifestations de l’être-Chrétien, en étudiant le faire, le croire et le dire des chrétiens, ce que nous avons regroupé sous le nom de christianité, d’après le néologisme das Christlichkeit, fondé par le philosophe F. Nietzsche. L’analyse des sources mettant en lumière la foi de ces individus a conduit l’auteur à procéder à des classifications, retenant quatre catégories de gestes et deux modes d’expression. Les gestes primaires sont ceux qui sont typiquement chrétiens et qu’on ne retrouve pas sous cette forme, dans les autres religions. Les gestes secondaires sont des réappropriations chrétiennes de gestes qui existent déjà dans le monde romain. Les gestes à caractère social traite des réseaux sociaux du chrétien et le geste militant met en lumière les actions que le chrétien peut effectuer pour défendre sa religion. Le chrétien exprime sa foi de deux façons différentes, soit par l’expression écrite, soit à travers son corps. Deux parties, constituées au total de huit chapitres, composent cette thèse. Elles s’intitulent dans l’ordre d’apparition : « Les chrétien et le monde. Vivre en chrétien dans la société romaine » et « Les chrétien, les clercs et l’Église »The approach of this dissertation is based not on the Christian community but on social history, and focuses on the issues of “Methodological individualism”, of which individuals form the social dynamics between the beginning of the 4th century and the end of the 6th century. Based on a sample of 198 individuals from Italy and Roman Africa, this thesis highlights the social manifestations of the Christian-Being by studying the Christians’s ways of doing, believing and saying, grouped together in what we have called their Christianess, according to the neologism das Christlichkeit coined by F. Nietzsche. In this dissertation, the author carried out the analysis of primary sources highlighting the faith of the Christians, which helped him to draw up a classification, comprising four different actions and two forms of expression. Primary actions are those deemed to be typically Christian, since this kind of behavior cannot be found in this form in any other religions of the Roman World. Secondary actions are those which already existed in the Roman Society, and are re-Used by Christians. Social actions deal with the networks of the faithful Christians, and lastly militant actions demonstrate the ability of Christians to stand up for their beliefs. The fellow Christians express their faith into two different ways, in writing and with their body. Two main parts compose this dissertation, made up of eight chapters, entitled - in order of appearance - as follows : “The Christians and the World. Living as a Christian in the roman society”and “The Christians, the Clerics and the Church”
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Kalas, Gregor A. "Sacred image, urban space image, installations, and ritual in the early medieval Roman forum /". 1999. http://catalog.hathitrust.org/api/volumes/oclc/49623530.html.
Texto completo da fonteLivros sobre o assunto "Egidio (Church : Rome, Italy)"
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Pierre, Grimal. Churches of Rome. New York, NY: Vendome Press, 1997.
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Pierre, Grimal. Churches of Rome. London: Tauris Parke, 1997.
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3
Boyle, Leonard E. A short guide to St. Clement's, Rome. Rome: Collegio San Clemente Via Labicana 95, 1989.
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Boyle, Leonard E. A short guide to St Clement's, Rome. 7a ed. Rome: [s.n.], 1987.
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Boyle, Leonard E. A short guide to St. Clement's, Rome. Rome: Collegio San Clemente Via Labicana 95, 1989.
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Baumüller, Barbara. Santa Maria dell'Anima in Rom: Ein Kirchenbau im politischen Spannungsfeld der Zeit um 1500 : Aspekte einer historischen Architekturbefragung. Berlin: Gebr. Mann, 2000.
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Boyle, Leonard E. A short guide to St. Clement's Rome. Rome: Collegio San Clemente, 1989.
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Nicassio, Susan Vandiver. Tosca's Rome: The play and the opera in historical perspective. Chicago, Ill: University of Chicago Press, 2001.
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Éamonn, Ó Carragáin, e Neuman de Vegvar, Carol L., 1953-, eds. Roma felix: Formation and reflections of Medieval Rome. Aldershot, Hants, England: Ashgate, 2007.
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Serlorenzi, Mirella. Terme di Diocleziano, Santa Maria degli Angeli. Roma: EdUP, 2002.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Egidio (Church : Rome, Italy)"
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Morgan. "Rome.—Ceremonies of the Church". In Italy, Volume III, 5–71. Routledge, 2021. http://dx.doi.org/10.4324/9780429349867-1.
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Ortenberg, Veronica. "Italy (Except Rome)". In The English Church and the Continent in the Tenth and Eleventh CenturiesCultural, Spiritual, and Artistic Exchanges, 95–126. Oxford University Press, 1992. http://dx.doi.org/10.1093/acprof:oso/9780198201595.003.0005.
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Miller, Maureen C. "Bishops". In A People's Church, editado por Agostino Paravicini Bagliani, 46–70. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501716768.003.0003.
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This chapter focuses on the significance of bishops in medieval Italy. All bishops were geographically closer to Rome, which was recognized as the undisputed center of Western Christianity. Episcopates in Italy from 1050 to 1300 are characterized by a large number of sees, extreme disparities in their status and resources, and proximity to the Holy See. Moreover, the aforementioned characteristics shaped the experience of Christianity and the institutional character of the medieval Italian Church. The chapter explains how dense urbanization resulted in the large number of bishops in the Italian peninsula. It also mentions papal territorial ambitions as the chief disadvantage of proximity to Rome.
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Villani, Stefano. "Paolo Sarpi, William Bedell, and the First Italian Translation of the Book of Common Prayer". In Making Italy Anglican, 23–48. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197587737.003.0002.
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The first Italian translation of the Book of Common Prayer was made in 1608 by William Bedell (the chaplain to James I’s ambassador in Venice) with the help of Fulgenzio Micanzio and Paolo Sarpi. This translation was part of an English propaganda plan to instigate a schism in the Church of Venice, at a time of conflict between the court of Rome and the Venetian republic. The schism never came to pass, and the Republic of Venice remained loyal to the Church of Rome. As far as we know, Bedell’s translation remained a manuscript, with no known copies extant although a now-untraceable edition may have been issued years later. This chapter reconstructs the relationships between Sarpi and Micanzio and the English embassy in Venice.
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Kelly, Thomas Forrest. "The Texts". In The Exultet in Southern Italy, 30–78. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195095272.003.0003.
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Abstract The Exultet in southern Italy, whether written in roll or codex, is always one of two texts, which we shall call the Beneventan and the Franco Roman versions. The Beneventan text, used in the pre-Gregorian liturgical rite of the southern Lombards, is present in the oldest sources. In the course of the eleventh century, older rolls are replaced by new documents (or rewritten) with the Franco-Roman text of the Exultet, an importation from the north; this text represents the efforts of Carolingian reform corrupted by Gallican obstinacy and its adoption as part of a growing tendency toward unification in the church, acknowledging at the same time the primacy of the liturgy of Rome. Although this “Roman” text is not Roman in origin, it came to be universally adopted and reflects the rites of the church of Rome as they were understood in the south. It is essentially the text used in the Roman liturgy to this day.
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"Church Reform and Devotional Music in Sixteenth-Century Rome: The Influence of Lay Confraternities". In Forms of Faith in Sixteenth-Century Italy, 229–46. Routledge, 2016. http://dx.doi.org/10.4324/9781315255149-18.
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Kateusz, Ally, e Luca Badini Confalonieri. "Women Church Leaders in and around Fifth-century Rome". In Patterns of Women's Leadership in Early Christianity, 228–60. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198867067.003.0013.
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This chapter considers artistic representations, showing evidence of ‘Women Church Leaders in and around Fifth-century Rome’. It focuses on two artefacts that portrayed women church leaders operating in this broad context. It addresses frescoes of deceased women painted with open gospel books in the San Gennaro Catacombs in Naples; it proposes that the most logical interpretation of the iconographic motifs associated with them is that they were women bishops, perhaps two of the women about whom Pope Gelasius complained to male bishops in southern Italy c.496. For cultural context it next considers an ivory reliquary box discovered in 1906, which depicts three pairs of men and women in the altar area of Old St Peter’s Basilica in Rome. This scene has recently been re-analysed; one of the pairs appears to have been sculpted jointly officiating the Eucharist at the basilica’s altar. Additional fifth- and sixth-century artefacts that portray women as clergy, sometimes paired with men, sometimes independently, affirm both the identification of women bishops in the two Naples catacomb frescoes and also the scene of the woman and man officiating at the altar in Old St Peters on the ivory box.
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Story, Joanna. "Charlemagne, St Peter’s, and the Imperial Coronation". In Charlemagne and Rome, 311—C8F2. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780199206346.003.0009.
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Abstract This chapter returns the analysis to St Peter’s basilica, focusing on Charlemagne’s imperial coronation at Christmas 800 and on the inscriptions that were visible there to Frankish viewers. It argues that the form, script, and materials of the epitaph made for Hadrian reflects ideas about empire that were current in the 790s in Carolingian court circles, and that the inscription probably arrived in Rome before the end of 796. It discusses the sources for the early years of the pontificate of Leo III, and the build-up to the attempted assassination of the pope in 799, which precipitated his flight from Italy to Charlemagne in Francia, and the events leading to the imperial coronation in Rome the following year. Contemporary texts and manuscripts are discussed, including Theodulf’s debt to the verse of Corippus describing earlier imperial ceremonial in Constantinople. Inscriptions in St Peter’s associated with Constantine are discussed in the context of Carolingian understanding of the antiquity of that building and its connection to the first Christian emperor. Carolingian manuscripts are the first to record some of these inscriptions, and modifications to those texts, possibly done in the fifteenth century, serve to illuminate the internal struggles of the late medieval Church and the arguments surrounding the veracity of the document known as the Donation of Constantine that underpinned the temporal powers of the Church. The chapter also analyses antiquarian sources for the famous Lateran mosaic, much discussed in the sixteenth century because of its supposed connection to the Donation, which showed Pope Leo and Charlemagne kneeling at the feet of St Peter. This chapter closes with a discussion about the role of materiality and spatial intertextuality in the patronage of inscriptions set within sacred spaces and how a building can shape the content, form, and audience engagement with such texts.
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de Beer, Susanna. "Weaponized Images of Roman Virtue and Vice". In The Renaissance Battle for Rome, 91–131. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198878902.003.0004.
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Abstract Chapter 3 starts by explaining how the papal claims to the imperial legacy of Rome were also legitimized with a claim to the moral legacy of Rome, triggering positive images of Rome as the City of Virtue by means of a narrative of moral reform. The chapter then examines the way in which “outsider” parties exploited negative counter-images of Rome as the City of Vice to undermine these claims, and how they used linear templates to suggest virtus romana (Roman virtue) had moved elsewhere. The chapter argues that the focus on Rome’s morality as foundation for political and religious authority, and the rhetorical uses of image and counter-image in claiming and contesting this authority, sharpened the divide between insiders and outsiders. Not only distinguishing more radical reformers from those who upheld the Roman church, it also deepened the divide between Italy and Northern Europe, regions that were also driven apart in the cultural domain. This chapter enters into discussion with scholarship on early modern (proto-)nationalist identities and tries to bridge the divide that is still visible between scholarship on Renaissance Rome and Italy until the Sack of Rome (1527), on the one hand, and on Reformation Europe, on the other.
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Sessa, Kristina. "Rome at War: The Effects of Crisis on Church and Community in Late Antiquity". In Urban Developments in Late Antique and Medieval Rome. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462989085_ch02.
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This chapter explores ecclesiastical responses to the military and subsistence crises that directly impacted Italy, and the city of Rome, during the later fifth and sixth centuries. It examines how a series of events, such as the civil war in 489–493 between the barbarian warlords Odoacer and Theoderic, the Gothic War from c. 535–554, and regional food shortages shaped the development of the Roman church both culturally and materially. While acknowledging the deleterious impact of these crises on individual bodies and communities, the chapter argues that war and its related effects were essentially generative in nature, offering opportunities for churchmen and laypeople to formulate new ecclesiastical ideals, practices, and spaces.
Trabalhos de conferências sobre o assunto "Egidio (Church : Rome, Italy)"
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Ludeno, Giovanni, Carlo Noviello, Genanrelli Gianluca, Francesco Soldovieri e Ilaria Catapano. "GPR Monitoring at the Crypt of Sant’Agnese in Agone Church, Rome, Italy". In 2021 11th International Workshop on Advanced Ground Penetrating Radar (IWAGPR). IEEE, 2021. http://dx.doi.org/10.1109/iwagpr50767.2021.9843166.
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