Literatura científica selecionada sobre o tema "Écrivains – Dans la littérature – Irlande"
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Artigos de revistas sobre o assunto "Écrivains – Dans la littérature – Irlande"
Barral, Céline, e Tristan Leperlier. "Les écrivains polémistes dans la littérature mondiale. Introduction". Revue des Sciences Humaines, n.º 351 (25 de setembro de 2023): 7–16. http://dx.doi.org/10.4000/rsh.3234.
Texto completo da fonteVelmezova, Ekaterina. "L’histoire de la linguistique dans l’histoire de la littérature: exposé d’une méthodologie pour l’enseignement de l’histoire des idées linguistiques". Cahiers du Centre de Linguistique et des Sciences du Langage, n.º 31 (5 de outubro de 2011): 223–46. http://dx.doi.org/10.26034/la.cdclsl.2011.861.
Texto completo da fonteRobert, Lucie. "« Étranger à son temps et à lui-même. »". Dossier 30, n.º 1 (21 de janeiro de 2005): 31–46. http://dx.doi.org/10.7202/009887ar.
Texto completo da fonteOnnis, Ramona Iolanda. "Sergio Atzeni et Patrick Chamoiseau: frères bergers de la Diversité". ALTERNATIVE FRANCOPHONE 1, n.º 4 (23 de setembro de 2011): 62–73. http://dx.doi.org/10.29173/af11246.
Texto completo da fonteBerton, Jean. "Écrivains et raconteurs de l’Écosse septentrionale au XXe siècle". Recherches anglaises et nord-américaines 40, n.º 1 (2007): 115–25. http://dx.doi.org/10.3406/ranam.2007.1340.
Texto completo da fonteHADEFI, Ourida Nawel. "Regards des écrivains sur la femme dans la littérature maghrébine". ALTRALANG Journal 3, n.º 01 (31 de julho de 2021): 108–17. http://dx.doi.org/10.52919/altralang.v3i01.106.
Texto completo da fonteMajit, Afaf. "identité à l’épreuve de l’exclusion sociale dans le roman beur". Voix Plurielles 18, n.º 2 (4 de dezembro de 2021): 188–99. http://dx.doi.org/10.26522/vp.v18i2.3535.
Texto completo da fonteHajji, Abdelouahed. "Atmane Bissani, Ecriture et infini. Essais sur la mystique en littérature." Jangada: crítica | literatura | artes 1, n.º 20 (17 de abril de 2023): 291–96. http://dx.doi.org/10.35921/jangada.v1i20.429.
Texto completo da fonteGonzález Dopazo, Olaya. "La expresión de la identidad cultural en las obras de escritores italo-quebequeses". Çédille 5 (1 de abril de 2009): 164. http://dx.doi.org/10.21071/ced.v5i.5406.
Texto completo da fonteBertho, Elara. "Écrivains « noirs » et prix littéraires". Annales. Histoire, Sciences Sociales 77, n.º 3 (setembro de 2022): 491–507. http://dx.doi.org/10.1017/ahss.2022.117.
Texto completo da fonteTeses / dissertações sobre o assunto "Écrivains – Dans la littérature – Irlande"
Wiart, Stéphanie. "L'écrivain-personnage dans la littérature grand public de l'entre-deux-guerres (Royaume-Uni, Irlande)". Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH013.
Texto completo da fonteThe PhD thesis examines the way the fictitious writer is represented in interwar popular (middlebrow) literature (United Kingdom, Ireland). The analysis first tackles the characterisation of the fictitious writer, particularly the way the public image of highbrow and middlebrow writers is depicted in the middlebrow novel ; additionally to this, it studies the way the fictitious writer himself characterises the other characters he encounters, turning them into types. It traces how the indiscreet behaviour of fictitious writers within the plot turns out to be a professional quirk, in the sense that they still behave like writers while they are part of a domestic-related plot focusing on abidance by the rules of propriety. It is one of the aspects taken by the recurring phenomenon, within the primary corpus, according to which the domestic-related plot actually relies upon a metafictional subtext. Finally, the thesis aims at highlighting the recurring dramatisation, within the middlebrow novel, of the authorship of non-writing secondary characters ; it consists in showing that some of the secondary characters met by the fictitious writers are implicitly equated to professional writers, because what seems to be their trivial activities, belonging to the domestic realm, turn out to be metaphors of writing. The uncovering of this phenomenon relies on a detailed analysis of the texts, in an attempt to move beyond the subject of the plot in order to focus on the metafictional metaphorical meshing of the middlebrow novel
Feat, Anne-Marine. "De la mère à la mère-patrie : quête identitaire dans la littérature irlando-américaine féminine". Bordeaux 3, 2009. http://www.theses.fr/2009BOR30070.
Texto completo da fonteRobin, Thierry. "Ironie et chaos ou les manifestations de l'absence : analyse d'un rapport problématique au réel dans l'œuvre romanesque de Flann O'Brien : at Swim-Two-Birds, The Poor Mouth, The Hard Life, The Dalkey Archive, The Third Policeman". Rennes 2, 2004. http://www.theses.fr/2004REN20032.
Texto completo da fonteThis Ph. D is based on the 5 novels written by Flann O'Brien aka Myles na gCopaleen for his caustic column in The Irish Times. It aims at going beyond the usual fields of postmodern or gender studies by resorting to the ambivalent implications of the concepts of reflexiveness and reality idiosyncrasy lying at the very heart of our corpus. Leaving hyperbolic farce aside, focusing on a crisis of representation and identity, we notice these dynamic epistemological contradictions are epitomized by two characters extracted from O'Brien's mock cosmogony: de Selby and the anonymous narrator in The Third Policeman. Language is therefore the means and the limit of our exploration of O'Brien's prose. The analysis of the conflicts displayed by O'Brien's fiction provides us with an insight into the aporias of ideology, be it P. C. , deliberately transgressive or simply postmodern. We acknowledge our conceptual debts to contemporary thinkers or writers such as C. Rosset, J. -F. Lyotard or J. Banville
Mouchel-Vallon, Alain. "La ré-écriture de l'histoire dans les romans de Dermot Bolger, Roddy Doyle et Patrick McCabe". Reims, 2005. http://www.theses.fr/2005REIML005.
Texto completo da fonteThe pastoral pervades irish literature, and so does most literature “about” Ireland. Taking this observation as a starting point our study, we have tried to assess how much this important theme could still influence the new irish writers and in particular three of them : Roddy Doyle, Dermot Bolger AND Patrick McCabe. The opposition between tradition and modernity is at the core of the pastoral ’s reasoning and forms the tension that feeds this reasoning. But in the writing of our three irish writers, tradition and modernity keep reminiding readers that their ambiguous relathinship also gives its ideological motivation to the writing of the island's history. Owing to this permanent dialogue between writing and pastoral, the new generation of irish writers tends to illustrate a typically irish debate in which nationalism and revisionism, the writing and re-writing of history, form key themes. So much so that literature and politics keep interwining in their novels while myth and reality get mixed up in the minds of their characters, thus affecting their own sense of identity. Conditionned by this literary and ideological framework which they themselves contribute to perpetuate, Doyle, Bolger and McCabe tend, however, to differ frome each other in such a way that their writings reflect the complexity of an irish cultural geography where revisionist nationalism and nationalist revisionsim unsurprisingly stand side by side. Considering that the writing of history or that of a simple story first supposes a principle of re-writing, these novelists bring text and context in tight connection in their own writing and depict an ireland that goes far beyond preconceived definitions
McQuade, Joan-Margaret. "Mexique-Irlande : relations littéraires". Paris 3, 2001. http://www.theses.fr/2001PA030003.
Texto completo da fonteBorie, Cécile. "L'exotisme dans la littérature latine de Plaute aux écrivains augustéens". Limoges, 2011. https://aurore.unilim.fr/theses/nxfile/default/21fd5abd-2093-4307-8d97-24e75c8e998a/blobholder:0/2011LIMO2001.pdf.
Texto completo da fontePeyronnet, Marianne. "Les personnages féminins dans l'oeuvre dramatique de Sean O'Casey". Paris 8, 1997. http://www.theses.fr/1997PA081255.
Texto completo da fonteIn ireland, from the beginning of the century to the sixties, men dominate their female fellow-citizens in every field. The elementary rights of the irish women are flouted : they are deprived of citizenship, are relegated to the home in spite of their resistance. Sean o'casey, in his dramatic works, during the whole period, depicts female characters fighting for their emancipation. He shows brave heroines confronted by coward companions and lovers. They are determined to free themselves from male yoke. O'casey paints images of women which cause displeasure to his contemporaries because of their realism, because they are too far from the models of submitted mothers and wives desired by the religious and nationalist groups. He creates a language to make them appear superior ; he gives them a political function. He maintains that women only will be able to construct a better, a more egalitarian world. Through his works, the evolution of his thought can be read ; a change in his way of looking at woman's place in society is revealed. If he can be considered at the beginning as a "feministe differencialiste", he becomes at the end a feministe
El, Houlali Abdellah. "La conception de la ville dans l'oeuvre des écrivains marocains d'expression française et arabe". Bordeaux 3, 2007. http://www.theses.fr/2007BOR30026.
Texto completo da fonteThrough the reading of Moroccan literary work, our attention is captivated by manner in which novelists have orchestrated the representation of the city, in our case, the city of Fes. En fact, this city is represented according to a double disposition. On the one hand, there is the disposition of the new city, on the other hand, that of the ancient city. Our conviction is this divide has not arbitrary. It discloses, indeed, a certain symbolism. A symbolism we have attempted to extricate, by the means of a back-and-forth between the Moroccan literature of French and of Arabic expression. The present work intends to reveal the complexities of the Moroccan society, its aspirations and disillusionments. It aims, as well, at bringing to light the conflicts and intrigues which plot in this space split in two
Lê, Huu Khoa. "Sociologie de la littérature des exilés". Paris École des hautes études en sciences sociales, 1992. http://www.theses.fr/1992EHES0330.
Texto completo da fonteThis work is composed of three distinct parts, each volume corresponding to a separate study field but dealing with a common topic : literature of exilees. Each volume has its proper structural and functional logic, a specific way of raising questions and using methods, thenceforth an introduction, a field of argumentation and a conclusion of its own. The first volume deals with an enquiry about exiled writers, belonging to several nations scattered on four continents, africa, asia, latin america, eastern europe. . . The second volume may be summarized as a case study, about literature, of vietnamise exilees to western countries. The third, using the prevous presentation of empirical data, deals with categories and models of literature of exilees. As a common denominator of these three volumes, one may emphasize the path followed from particular to general, from empirical enquiry to more encompassing conceptions : how may the creative process, either interupted or maintained, modify, transform a literary fate?
Soussan, Myriam. "Kaddish, deuil et écriture : les oeuvres des écrivains enfants de déportés". Paris 3, 2003. http://www.theses.fr/2003PA030014.
Texto completo da fonteWe attempt to draw a common thematic from writings of a fractured childhood, haunted by the missing deportees, through a corpus of writers whose parents were sent to Auschwitz : Jean-Claude Grumberg, Sarah Kofman, Georges Perec and Art Spiegelman. How do these orphans or children of survivors of the Shoah, and their autobiographical texts, render those dead unburied, whom the specificity of the genocide prevented their heirs from mourning ? The writing of the children of deportees endeavors first to restore for their parents an living identity while searching for what remains of their existence. A corpus of proofs, -photographs, official documents, etc. -, memory and places, are collected, searched, deciphered, in order to inscribe attestation of their past life in some form of textuality. Secondly, their writing testifies to their death, through the literature of the survivors and its incorporation into the text of corpses, and ashes Finally it comes up against the unquenchable, a tearing between commemoration of the dead in a book- mausoleum or the impossibility of a separation from them, conserved crypted, in a non-appeasing struggle, rooted in the disaster of their disapearance
Livros sobre o assunto "Écrivains – Dans la littérature – Irlande"
Robert, Ferrieux, e Amiot-Jouenne Pascale, eds. La littérature autobiographique en Grande-Bretagne et en Irlande. Paris: Ellipses, 2001.
Encontre o texto completo da fonteDuech, Lorie-Anne. James Joyce: Dubliner ; A Portrait of the artist as a young man. Paris: Ophrys, 2005.
Encontre o texto completo da fonteÉcrivains en prison. Genève: Labor et Fides, 1997.
Encontre o texto completo da fonteCeux de Verdun: Les écrivains et la Grande Guerre. Paris: Flammarion, 2006.
Encontre o texto completo da fonteÉloge du livre: Lecteurs et écrivains dans la littérature et la peinture. Paris]: Hazan, 2018.
Encontre o texto completo da fonteLefouin, Claire. Étude sur le roman d'apprentissage au féminin. Paris: Ellipses, 1995.
Encontre o texto completo da fonteLitfass: Zeitschrift für Literatur. München: R. Piper, 1988.
Encontre o texto completo da fonteParcours interculturels: Être et devenir : mélanges offerts à Pierre Morel. Québec: Éditions Peisaj, 2010.
Encontre o texto completo da fonteKing, Jeannette. Jane Eyre. Milton Keynes, Buckinghamshire: Open University Press, 1986.
Encontre o texto completo da fonteJurney, Florence Ramond. Voix/es libres: Maternité et identité féminine dans la littérature antillaise. Birmingham, Ala: Summa Publications, 2006.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Écrivains – Dans la littérature – Irlande"
Galand, David. "Dominique Carlat : Témoins de l’inactuel. Quatre écrivains contemporains face au deuil". In L'imposture dans la littérature, 289–90. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.12190.
Texto completo da fonteHarrison, Osvaldo Di Paolo, e Allen Guillermo Rivas-Prado. "Littérature portoricaine anglophone : rébellion, résistance et confusion identitaire dans le mouvement Nuyorican". In Écrivains de la Caraïbe, 39–55. Presses universitaires des Antilles, 2022. http://dx.doi.org/10.3917/pua.lezia.2022.01.0039.
Texto completo da fonte"53. Anatole France, « L’hypnotisme dans la littérature », La Vie littéraire, Paris, Calmann-Lévy, s. d. [1888-1892], première série". In Savants et écrivains, 307–10. Artois Presses Université, 2015. http://dx.doi.org/10.4000/books.apu.17643.
Texto completo da fonteMinami, Asuka. "La littérature française vue par des écrivains du Japon moderne". In La modernité française dans l'Asie littéraire (Chine, Corée, Japon), 147. Presses Universitaires de France, 2004. http://dx.doi.org/10.3917/puf.kata.2004.01.0147.
Texto completo da fonteMartinet, Jean-Luc. "Un usage politique du conte : les écrivains prolétariens et le conte (Neel Doff, René Bonnet et Henry Poulaille)". In L’épanchement du conte dans la littérature, 193–203. Presses Universitaires de Bordeaux, 2018. http://dx.doi.org/10.4000/books.pub.7781.
Texto completo da fonteSCHNEIDER, Anne. "Tomi Ungerer saute-frontières, une enfance alsacienne plurilingue". In L'enfant plurilingue en littérature, 25–38. Editions des archives contemporaines, 2024. http://dx.doi.org/10.17184/eac.7807.
Texto completo da fonteDe Pieri, Damiano. "«Tu t’appelles Marinetti ou d’Annunzio?». Poètes et artistes italiens dans la revue “Littérature” (1919-1924) et ses alentours". In Écrivains et artistes en revue, 163–86. Rosenberg & Sellier, 2022. http://dx.doi.org/10.4000/books.res.9319.
Texto completo da fonteKemp, Anna. "Conclusion". In Life as Creative Constraint, 185–90. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348448.003.0006.
Texto completo da fonteCamacho, Rubis. "Trangression et recherche d’identité nationale dans les premiers pas de la littérature portoricaine au XIXe siècle : anti-chambre de la réaffirmation nationale durant le processus d’américanisation à Porto Rico". In Écrivains de la Caraïbe, 91–100. Presses universitaires des Antilles, 2022. http://dx.doi.org/10.3917/pua.lezia.2022.01.0091.
Texto completo da fontePerkins, Wendy. "Littérature morale et femmes écrivains dans la deuxième moitié du dix-septième siècle". In Aspects de la critique, 27–37. Presses universitaires de Franche-Comté, 1998. http://dx.doi.org/10.4000/books.pufc.1945.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Écrivains – Dans la littérature – Irlande"
Blesch, Agnès. "Cartographie de la conférence dans la littérature française contemporaine". In Écrivains en performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6384.
Texto completo da fonteLabra Cenitagoya, Ana Isabel. "Neige ardente ou les métamorphoses des éléments dans les littératures maghrébines d'expression française". In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3173.
Texto completo da fonteMérigonde, Mireille. "Transition écologique, transition littéraire : la représentation de la communication du vivant dans les Sciences et les Lettres". In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8519.
Texto completo da fonte