Livros: "Dvořák"

1

Dvořák. London: Haus Pub., 2004.

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2

Jelen, Josef. Antonín Dvořák. Praha: Nakladatelství L, 1991.

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3

International Musical Festival (26th 1991 Brno, Czech Republic). Mozart, Dvořák a dnešek =: Mozart, Dvořák, and today. Brno: Mezinárodní hudební festival, 1991.

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4

Dvořák, Otakar. Můj otec Antonín Dvořák. Příbram: Knihovna Jana Drdy, 2004.

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5

Walter, Wiese. Tschechische Kammermusik: Smetana, Dvořák, Janáček. Winterthur: Amadeus, 2004.

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6

Philippe, Simon. Antonín Dvořák, ou L'effusion lyrique. Genève: Editions Papillon, 2004.

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7

Strejc, Zdeněk. Antonín Dvořák and his operas. Prague: Dilia, 1991.

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8

Döge, Klaus. Antonín Dvořák: Leben, Werke, Dokumente. 2^a ed. Zürich: Atlantis Musikbuch-Verlag, 1997.

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9

Burghauser, Jarmil. Antonín Dvořák: Life and work. Praha: KLP, 2007.

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10

Thirion, Annie. Antonín Dvořák: Sa vie, son oeuvre. Zaventem, Belgium: Graffikka, 2003.

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11

Škvorecký, Josef. Scherzo capriccioso: Een vrolijke droom van Dvořák. Baarn: Ambo, 1990.

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12

Burghauser, Jarmil. Antonín Dvořák, thematický katalog =: Thematisches Verzeichnis = thematic catalogue. 2^a ed. Praha: Bärenreiter Editio Supraphon, 1996.

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13

Jackson, Fleda Brown. Driving with Dvořák: Essays on memory and identity. Lincoln: University of Nebraska Press, 2010.

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14

Driving with Dvořák: Essays on memory and identity. Lincoln: University of Nebraska Press, 2010.

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15

Horowitz, Joseph. Dvořák in America: In search of the New World. Chicago: Cricket Books, 2003.

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16

Ivanov, Miroslav. Dvořák in Amerika: Auf den Spuren eines grossen Musikers. Berlin: Edition q, 1998.

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17

Hoffmann, Hans. Aus der Neuen Welt: Antonín Dvořák und seine Zeit. Wien: Amalthea, 2007.

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18

Burghauser, Jarmil. Antonín Dvořák, 1841-1904: Life and work = Leben und Werk. Praha: Divadelní ústav, 1991.

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19

Die Klavierkammermusik von Antonín Dvořák: Studien und Vergleiche mit Werken von Brahms. Tutzing: Hans Schneider, 2010.

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20

Balík, Stanislav, Petr Dvořák, Petr Fiala, Pavel Floss, Petr Horák, Jakub Jirsa, Jiří Lach et al. Idea univerzity z české perspektivy. Editado por Jiří Hanuš. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.m210-9763-2021.

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The aim of this book is to explore the ‘idea of a university’ and specific modern developments both abroad and in the Czech Republic through dialogues with prominent Czech academics: Stanislav Balík, Petr Dvořák, Petr Fiala, Pavel Floss, Jiří Hanuš, Petr Horák, Jakub Jirsa, Jiří Lach, Jiří Macháček, Tomáš Machula, Dominik Munzar, Ivana Noble, Jan Sokol, Daniel Soukup and Kateřina Šimáčková.

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21

1950-, Adams David, e Smetana Bedřich 1824-1884, eds. The song and duet texts of Antonín Dvořák.: Večerní písně = (Evening songs) of Bedřich Smetana. Geneseo, N.Y: Leyerle Publications, 2003.

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22

Jarmila, Gabrielová, e Kachlík Jan, eds. The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Prague: Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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23

Mezinárodní muzikologicka konference "Dílo Antonína Dvořáka (1841-1904): kompoziční aspekty - ediční problematika - recepce". The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Prague: Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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24

Mezinárodní muzikologicka konference "Dílo Antonína Dvořáka (1841-1904): kompoziční aspekty - ediční problematika - recepce". The work of Antonín Dvořák (1841-1904): Aspects of composition, problems of editing, reception : proceedings of the international musicological conference, Prague, September 8-11, 2004. Prague: Institute of Ethnology, Academy of Sciences of the Czech Republic, 2007.

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25

Burghauser, Jarmil. Antonín Dvořák: Thematický katalog, bibliografie, přehled z̆ivota a díla = thematisches Verzeichnis, Bibliographie, Übersicht des Lebens und des Werkes = thematic catalogue, bibliography, survey of life and work. 2^a ed. Praha: Bärenreiter Editio Supraphon, 1996.

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26

Burghauser, Jarmil. Antonín Dvořák: Thematický katalog, bibliografie = Thematisches Verzeichnis, Bibliographie = Thematic catalogue, Bibliography ; Přehled života a díla =Übersicht des Lebens und des Werkes = Survey of life and work. 2^a ed. Praha: Bärenreiter Editio Supraphon, 1996.

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27

Smaczny, Jan. Dvorák, Cello concerto. Cambridge: Cambridge University Press, 1999.

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28

Schaefer, Carole Lexa. Two scarlet songbirds: A story of Anton Dvor̆ák. New York: Alfred A. Knopf, 2001.

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29

Hurwitz, David. Dvorák: Romantic music's most versatile genius. Pompton Plains, NJ: Amadeus Press, 2005.

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30

Okudzhava, Bulat Shalvovich. Arbatskiĭ dvorik: Lirika, proza. Moskva: "Zebra E", 2006.

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31

Translator, Nemt︠s︡ov Maksim, ed. Solnechnyĭ dvorik: Vladivostokskai︠a︡ povestʹ. Vladivostok: Rubezh, 2011.

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32

Beckerman, Michael, ed. Dvorak and His World. Princeton: Princeton University Press, 2012. http://dx.doi.org/10.1515/9781400831692.

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33

Dvorak: His life & music. Naperville, Ill: Sourcebooks MediaFusion, 2008.

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34

Okudzhava, Bulat Shalvovich. Arbatskiĭ dvorik: Stikhi i pesni. Moskva: "Zebra E", 2006.

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35

Krajnik, Stanislav. Antonin Dvorak a nas kraj. Kladno: Okresni muzeum, 1997.

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36

Cihlář, Ondřej. Nový cirkus: S doslovem O atribuci davdlu od Jana Dvořáka. Praha: Pražskaá scéna, 2006.

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37

Antonín Dvořák: Untersuchungen zur Formentwicklung in den drei ersten Symphonien. Frankfurt am Main: P. Lang, 1997.

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38

1951-, Beckerman Michael Brim, ed. Dvořák and his world. Princeton, N.J: Princeton University Press, 1993.

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39

Veselá, Lenka. Knihy na dvoře Rožmberků. Praha: Knihovna Akademie věd ČR, 2005.

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40

Škvorecký, Josef. Dvorak in love: Alight-hearted dream. London: Hogarth, 1989.

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41

Škvorecký, Josef. How I wrote "Dvorak in love". [Portand, Oregon: Amadeus Press, 1993.

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42

Antonin Dvorak: Le génie d'un peuple. Paris: Fayard, 2004.

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43

Snyder, Jean E. Introducing Antonín Dvořák to African American Music. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0005.

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This chapter focuses on how Harry T. Burleigh, during his study at the National Conservatory of Music, became Czech composer Antonín Dvořák's most direct link to the African American music traditions in which he was keenly interested. Burleigh's second year at the conservatory would be a momentous one not only for him but also for the conservatory and for American music when Dvořák was appointed director. By the end of the academic year, Dvořák would complete the composition of his most famous American work, Symphony No. 9 in E Minor, “From the New World.” Burleigh would be intimately involved in the process of its creation. Dvořák validated the artistic value of African Americans' folk music during his time at the conservatory.

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44

Smetana, Bedřich. Smetana, Dvořák and Suk. 2018.

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45

Ladislav, Soldán, ed. Miloš Dvořák: Literární historik, kritik a básník. Opava: Slezská univerzita, 2005.

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46

Snyder, Jean E. The Symphony “From the New World”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0007.

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This chapter focuses on Harry T. Burleigh's involvement in the creation of Antonín Dvořák's Symphony No. 9 in E Minor, “From the New World.” After attending the Chicago World's Fair and visiting Erie, Burleigh returned to New York City in late September 1893 to continue his studies at the National Conservatory of Music. He was joined this time by his friend Will Marion Cook, who was impressed by Jeannette Thurber's genuinely inclusive approach in recruiting students. The two men relished opportunities to enjoy the abundance of fine music the city had to offer, pondering how African American music should find its place in such settings. Burleigh continued to spend evenings with the Dvořák family through the fall. This chapter also considers the controversy stirred by Dvořák's Symphony No. 9 in E Minor and his advocacy of an American school of music based on Negro music.

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47

Beckerman, Michael. Oh, the Stories We Tell! Editado por Blake Howe, Stephanie Jensen-Moulton, Neil Lerner e Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.35.

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The way listeners and performers understand and experience music is inflected by what they know, that is, the stories they have been told. Restricting the field to stories about disability, this essay explores the effect on performers (in this case, the Mivos Quartet) of stories of experiences of disability in the lives of Dvořák, Smetana, and Martinů.

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48

Dvořák, Antonín. Antonín Dvořák - Cello Concerto in B Minor - Op.104 - A Score for Piano and Cello. Masterson Press, 2012.

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49

Smaczny, Jan. Dvorák: Cello Concerto. Cambridge University Press, 1999.

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50

Smaczny, Jan. Dvorák: Cello Concerto. Cambridge University Press, 1999.

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