Literatura científica selecionada sobre o tema "Dramatic criticism – history"
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Artigos de revistas sobre o assunto "Dramatic criticism – history"
EVANS, PETER W. "GOLDEN-AGE DRAMATIC CRITICISM NOW". Seventeenth Century 2, n.º 1 (janeiro de 1987): 49–53. http://dx.doi.org/10.1080/0268117x.1987.10555260.
Texto completo da fonteEllenzweig, Sarah. "Rhyme's Contrapuntal History in Early Dryden". ELH 91, n.º 2 (junho de 2024): 377–404. http://dx.doi.org/10.1353/elh.2024.a929153.
Texto completo da fonteShapoval, Mariana. "The intellectual's artistic biography in S. Rosovetskyi's dramatic". Synopsis: Text Context Media 26, n.º 1 (2020): 1–10. http://dx.doi.org/10.28925/2311-259x.2020.1.1.
Texto completo da fonteElam Jr., Harry J. "Making History". Theatre Survey 45, n.º 2 (novembro de 2004): 219–25. http://dx.doi.org/10.1017/s0040557404000171.
Texto completo da fonteKnowles, Richard Paul. "CTR and Canadian Theatre Criticism: Constructing the Discipline". Canadian Theatre Review 79-80 (junho de 1994): 10–13. http://dx.doi.org/10.3138/ctr.79-80.002.
Texto completo da fonteCatană, Elisabeta Simona. "History as Story and Parody in Julian Barnes’s the Noise of Time". Romanian Journal of English Studies 16, n.º 1 (1 de novembro de 2019): 25–31. http://dx.doi.org/10.1515/rjes-2019-0004.
Texto completo da fonteÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n.º 2 (1 de setembro de 2018): 196–204. http://dx.doi.org/10.3167/ej.2018.510226.
Texto completo da fonteÖzmen, Özlem. "Identity and Gender Politics in Contemporary Shakespearean Rewriting". European Judaism 51, n.º 2 (1 de setembro de 2018): 196–204. http://dx.doi.org/10.3167/ej.2017.510226.
Texto completo da fonteBenson, Eugene, e L. W. Conolly. "English-Canadian Theatre". Canadian Theatre Review 57 (dezembro de 1988): 90–91. http://dx.doi.org/10.3138/ctr.57.020.
Texto completo da fonteHarp, Gillis. "Hofstadter's The Age of Reform and the Crucible of the Fifties". Journal of the Gilded Age and Progressive Era 6, n.º 2 (abril de 2007): 139–48. http://dx.doi.org/10.1017/s1537781400001973.
Texto completo da fonteTeses / dissertações sobre o assunto "Dramatic criticism – history"
Li, Siu Leung, e 李小良. "Toward a theory of dramatic adaptation: with special reference to Shakespearean and Ming Qing adaptations". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31207352.
Texto completo da fonteWright, Elizabeth Helena. "Virginia Woolf and the dramatic imagination". Thesis, St Andrews, 2008. http://hdl.handle.net/10023/510.
Texto completo da fonteLaReau, Brandon. "Dramatic Themes: Active Learning and Thematic Teaching in the Theatre History Classroom". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5755.
Texto completo da fonteAllingham, Philip Victor. "Dramatic adaptations of the Christmas books of Charles Dickens, 1844-8 : texts and contexts". Thesis, University of British Columbia, 1988. http://hdl.handle.net/2429/28615.
Texto completo da fonteArts, Faculty of
English, Department of
Graduate
Carson, Jo. "Teller Tales: Histories". Digital Commons @ East Tennessee State University, 2007. http://amzn.com/082141753.
Texto completo da fontehttps://dc.etsu.edu/alumni_books/1018/thumbnail.jpg
LAW, Ching. "高行健之戲劇 : 理論與實踐". Digital Commons @ Lingnan University, 2006. https://commons.ln.edu.hk/otd/17.
Texto completo da fonteWeiss, Katherine. "Haunted by the Blitz: History, Trauma and Noel Coward’s Blithe Spirit". Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/2257.
Texto completo da fonteChoate, Catie. "The Action to the Word, The Word to the Action: Teaching Shakespeare as Performance Litearture". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4234.
Texto completo da fonteBen-Shach, Jane Respitz. "The false Messiah in Yiddish literature : a comparison between two dramatic works". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59384.
Texto completo da fonteThe figure of the Messiah in Jewish religious imagination signifies the prophetic yearning for redemption at the end of days, but it also provoked hopes in a strong leader who will bring about social and political redemption. Based on historical models, literature from the twelfth to the twentieth century addressed these "false Messiahs" and in the modern period used them to define and illustrate contemporary catastrophe.
Shlomo Molcho by American Yiddish poet Aaron Glanz-Leyeles and Prince Reuveni by Soviet Yiddish author David Bergelson are two twentieth century poetic historic dramas based on two messianic figures of the sixteenth century. These two modern works are compared in relation to the respective authors' life and times, political and aesthetic outlook, and dramatic powers. The comparison shows the usefulness of the "false Messiah" in dramatizing and expressing difficult contemporary issues.
Yantolo-Sotyelelwa, Betty Matase. "The portrayal of characters through dialogue and action in isiXhosa drama : dramatic and cultural perspectives". Thesis, Stellenbosch : University of Stellenbosch, 2005. http://hdl.handle.net/10019.1/3361.
Texto completo da fonteThis study aims at highlighting one of the crucial aspects of Xhosa drama: how women have been regarded by a variety of communities as being inferior to men. This stereotype pervades almost all spheres of life. The low status assigned to women find its way into literature as well. Ngewu’s drama “Yeha mfazi obulala indoda” and Taleni’s drama “Nyana nank’uNyoko” has been examined. In most Xhosa literature, women are portrayed as submissive, obedient and minor characters. The advent of Ngewu’s work changed this scenario by portraying women as independent characters. This has led to great conflict with male characteristics and this demonstrates clearly that partriarchal domination is deep rooted in Xhosa culture.
Livros sobre o assunto "Dramatic criticism – history"
Austin, Gayle. Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press, 1990.
Encontre o texto completo da fonteCardullo, Bert. Dramatic considerations: Essays in criticism, 1977-1987. New York: P. Lang, 1991.
Encontre o texto completo da fonteUniversity of Florida Department of Classics Comparative Drama Conference (1985). Within the dramatic spectrum. Lanham, Md: University Press of America, 1986.
Encontre o texto completo da fonteHanbery, MacKay Carol, ed. Dramatic Dickens. Basingstoke: Macmillan, 1988.
Encontre o texto completo da fonteByron, Glennis. Dramatic monologue. London: Routledge, 2003.
Encontre o texto completo da fonteHanbery, MacKay Carol, ed. Dramatic Dickens. New York: St. Martin's Press, 1989.
Encontre o texto completo da fonteLynn, Hulse, e Malone Society, eds. Dramatic works. Oxford: Published for the Malone Society by Oxford University Press, 1996.
Encontre o texto completo da fonteNwabueze, Emeka. Studies in dramatic literature. Nigeria: ABIC Books, 2011.
Encontre o texto completo da fonteEkstein, Nina C. Dramatic narrative: Racine's récits. New York: P. Lang, 1986.
Encontre o texto completo da fonteJürgen, Wolter, ed. The Dawning of American drama: American dramatic criticism, 1746-1915. Westport, Conn: Greenwood Press, 1993.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Dramatic criticism – history"
Cannan, Paul D. "Introduction: On Writing the History of Early English Criticism". In The Emergence of Dramatic Criticism in England, 1–17. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-03717-6_1.
Texto completo da fonteSaber, Fathieh Hussam. "Shellyseer: A Literary Evolution". In Gulf Studies, 365–80. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-7796-1_22.
Texto completo da fonte"Criticism and Destiny: Kundera and Havel on the Legacy of 1968". In 1948 and 1968 – Dramatic Milestones in Czech and Slovak History, 193–212. Routledge, 2013. http://dx.doi.org/10.4324/9781315879413-13.
Texto completo da fonteMitchell-Boyask, Robin N. "Dramatic Scapegoating: On the Uses and Abuses of Girard and Shakespearean Criticism". In Tragedy and the Tragic, 426–37. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198149514.003.0028.
Texto completo da fonteGoldhill, Simon. "Representing Democracy: Women at the Great Dionysia". In Ritual, Finance, Politics, 347–69. Oxford University PressOxford, 1994. http://dx.doi.org/10.1093/oso/9780198149927.003.0022.
Texto completo da fonteGraziosi, Barbara. "Performing Epic and Reading Homer". In Epic Performances from the Middle Ages into the Twenty-First Century, 16–30. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198804215.003.0002.
Texto completo da fonteHershinow, David. "Coda". In Shakespeare and the Truth-Teller, 225–28. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474439572.003.0007.
Texto completo da fonteJones, Polly. "Perestroika and Post-Soviet Afterlives". In Revolution Rekindled, 229–66. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198804345.003.0006.
Texto completo da fonteDailey, Alice. "Dummies and Doppelgängers". In How to Do Things with Dead People, 77–104. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501763656.003.0004.
Texto completo da fonteMilder, Robert. "The Broken Circle: Mardi and (Post-)Romanticism". In Exiled Royalties, 27–49. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0002.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Dramatic criticism – history"
Zlotnikova, Tatyana. "Power in Russia: Modus Vivendi and Artis Imago". In Russian Man and Power in the Context of Dramatic Changes in Today’s World, the 21st Russian scientific-practical conference (with international participation) (Yekaterinburg, April 12–13, 2019). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-rmp-2019-pc02.
Texto completo da fonteBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.56.
Texto completo da fonteBrand, Anthony. "The ChatGPT Effect: Rethinking Architectural Pedagogy in the AI Age". In 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.55.
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