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Bibliografias temáticas / Documentary photography / Livros

Siga este link para ver outros tipos de publicações sobre o tema: Documentary photography.

Livros sobre o tema "Documentary photography"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 7 de setembro de 2024

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1

Rothstein, Arthur. Documentary photography. Boston: Focal Press, 1986.

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2

Bogre, Michelle. Documentary Photography Reconsidered. London; New York: Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing, Plc, 2019.: Routledge, 2020. http://dx.doi.org/10.4324/9781003103516.

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3

Kadic, Fatima. Documentary photography and propaganda. London: LCP, 2001.

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4

Biasi, Mario De. Mario De Biasi: Dal fotogiornalismo alla fotografia astratta. Venezia: Marsilio, 2010.

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5

author, Stanković Branislav, e Gajić Branimir author, eds. (Neviđeni) Beograd : U objektivu Riste Marjanovića 1936-1946: The Unseen Belgrade : (In Rista Marjanovic Objective 1936-1946). Beograd: [Službeni glasnik], 2021.

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6

National Archives of Canada. Documentary Art and Photography Division. Documentary Art and Photography Division. Ottawa: Ministry of Supply and Services, 1992.

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7

Gordon, Stillman. Groundwork: A documentary photography project. Richmond, Virginia: Gordon Stillman Photography, 2011.

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8

James, Burant, National Archives of Canada. Documentary Art and Photography Division., Public Archives Canada. Picture Division. e National Photography Collection (Canada), eds. Documentary Art and Photography Division. Ottawa, Ont: National Archives of Canada, 1992.

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9

Peter, Wilkinson, ed. Photography yearbook. Tolworth: Fountain Press, 1986.

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10

Homma, Takashi. New documentary. Tokyo: Asahi Shimbun, 2011.

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11

Brett, Rogers, e British Council, eds. Documentary dilemmas: Aspects of British documentary photography 1983-1993. London: British Council, 1994.

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12

Peter, Wilkinson, ed. Photography year book. Tolworth: Fountain Press, 1985.

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13

Fromm, Karen. Image/con/text: Dokumentarische Praktiken zwischen Journalismus, Kunst und Aktivismus. Berlin: Reimer, 2020.

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14

Guislain, Museum Dr, ed. In de marge: Belgische documentaire fotografie = In the margin : Belgian documentary photography = En marge : photographie documentaire belge. Gent: Lannoo, 2011.

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15

Kaplan, Daile. Lewis Hine in Europe: The lost photographs. New York: Abbeville Press, 1988.

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16

Freestone, Richard. Documentary photography: Its issues and practices. Derby: Derbyshire College of Higher Education, 1990.

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17

Hakubutsukan, Ashiya Shiritsu Bijutsu, ed. Hanaya Kanbē ten: Hanaya Kanbee, retrospective. [Ashiya-shi]: Ashiya Shiritsu Bijutsu Hakubutsukan, 1995.

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18

Rutting, Raymond. The art of news: Photography. Amsterdam: Focus, 2005.

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19

Craig, Charles. The documentary photograph as historical evidence: A critical appraisal. London: Croom Helm, 1986.

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20

Evans, Walker. Walker Evans: Lyric documentary. Göttingen: Steidl, 2006.

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21

Evans, Walker. Walker Evans: Lyric documentary. Göttingen: Steidl, 2006.

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22

Thomas, Weski, Chevrier Jean-François, Vos Johan de, Palais des beaux-arts (Brussels, Belgium) e Haus der Kunst München, eds. Click doubleclick: The documentary factor. Köln: König, 2006.

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23

Evans, Walker. Walker Evans: Lyric documentary. Göttingen: Steidl, 2006.

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24

Bourke-White, Margaret. Bourke-White. (Hartford, Conn.): United Technologies Corp, 1988.

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25

Salgado, Sebastião. An uncertain grace. London: Thames and Hudson, 1990.

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26

Rosenblum, Walter. Walter Rosenblum: Fotografische huldigung an die menschheit = Walter Rosenblum : paying homage through photography / Shelley Rice. Dresden: Verlag der Kunst, 1990.

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27

1937-, Hughes Jim, e Haas Alexander, eds. Ernst Haas in black and white. Boston: Bulfinch Press Book, 1992.

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28

M, Rosenberg Eric, ed. Trauma and documentary photography of the FSA. Berkeley, Calif: University of California Press, 2012.

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29

Museum, J. Paul Getty, ed. Engaged observers: Documentary photography since the sixties. Los Angeles: J. Paul Getty Museum, 2010.

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30

T, Hill John, ed. Walker Evans: Lyric documentary. Göttingen: Steidl, 2006.

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31

Hannover, Sprengel Museum, e Niedersächsische Sparkassenstiftung, eds. Photography calling! Göttingen: Steidl, 2011.

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32

Conte, Alejandro C. del, e Alfredo Srur. Alejandro C. del Conte: Memorias de un soñador. Editado por Arte x Arte (Art gallery : Buenos Aires, Argentina) e Fundación Alfonso y Luz Castillo. Ciudad Autónoma de Buenos Aires: Centro de Investigación Fotográfico Histórico Argentino, CIFHA, 2021.

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33

d'Hautefort, Guillaume Lavit. Errance: Carnets d'un photographe, 2000-2020. Paris: HDiffusion, 2021.

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34

Roberts, Stephanie. Lens on life: Documenting your world through photography. Lewes, East Sussex: Ilex, 2012.

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35

Brittain, David. Found, shared: The magazine photowork. [Place of publication not identified]: Righton Press, 2006.

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36

D'Alessio, Vito. Claro Jansson: O fotógrafo viajante. São Paulo: Dialeto, Latin American Documentary, 2003.

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37

David, Featherstone, ed. Close to home: Seven documentary photographers. San Francisco: Friends of Photography, 1989.

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38

Ben, Clarke, Lange Dorothea e Braley Scott, eds. Image and imagination: Encounters with the photography of Dorothea Lange. San Francisco, Calif: Freedom Voices, 1997.

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39

Nalbandian, Nish. Documentary Photography. Blurb, 2014.

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40

Documentary photography. Boston: Focal Press, 1986.

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41

Bogre, Michelle. Documentary Photography Reconsidered. Taylor & Francis Group, 2021.

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42

Many Voices: Documentary Photography. Trafford Publishing, 2006.

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43

Lindsey, Rachel McBride. Documentary Photography and the Visual Politics of Race and Religion. Editado por Paul Harvey e Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.5.

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Resumo:

The photographs of twentieth-century photographer Roy DeCarava are a rich case study for mapping the visual theater of race and religion in twentieth-century America. Despite visual similarities in his photographs to contemporary documentary photographers, DeCarava contended that claims to document race in fact worked to invest power in the “madness” of “skin color.” Such a statement echoes the teachings of prophets of black urban religion who incorporated critiques of racial classification into their theological visions. Such visual regimes of race and religion were not limited to persons of African descent. Lewis Hine’s photographs of European immigrants arriving on Ellis Island and Dorothea Lange’s photographs of Japanese American internees were also part of the visual politics of race and religion. By structuring the twentieth century’s ascendant visual regimes around DeCarava, this chapter explores how the technologies, aesthetics, and politics of photography shaped the moral theater of race and religion.

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44

Wilkinson, Peter. Photography Yearbook. Fountain Press, 1991.

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45

The Documentary Impulse. Phaidon Press, 2016.

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46

Hwang, Inhwa. Study of Personal Documentary Photography. Before And After Science, 2015.

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47

Ownes, Bill. Documentary Photography: A Personal View. Matrix Pubns, 2012.

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48

Featherstone, David. Observations: Essays on Documentary Photography. Friends of Photography Bookstore, 1991.

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49

Owens, Bill. documentary photography: A personal view. White Mule Press, 2017.

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50

Bogre, Michelle. Documentary Photography Reconsidered: History, Theory and Practice. Taylor & Francis Group, 2020.

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