Literatura científica selecionada sobre o tema "DIY culture"
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Artigos de revistas sobre o assunto "DIY culture"
Jackson, Andrew. "Tinkering: Australians Re-invent DIY Culture". Journal of Modern Craft 12, n.º 1 (2 de janeiro de 2019): 85–87. http://dx.doi.org/10.1080/17496772.2019.1568056.
Texto completo da fonteKnochel, Aaron D. "DIY Prosthetics: Digital Fabrication and Participatory Culture". Art Education 69, n.º 5 (15 de agosto de 2016): 7–13. http://dx.doi.org/10.1080/00043125.2016.1201401.
Texto completo da fonteBradley, Pete. "Enjoy the Ride: DIY culture in Nottingham". Capital & Class 28, n.º 3 (novembro de 2004): 179–81. http://dx.doi.org/10.1177/030981680408400114.
Texto completo da fonteSipos, Regina, e Kerstin Franzl. "Tracing the History of DIY and Maker Culture in Germany’s Open Workshops". Digital Culture & Society 6, n.º 1 (1 de dezembro de 2020): 109–20. http://dx.doi.org/10.14361/dcs-2020-0106.
Texto completo da fonteWihewuren, Jessefan Isaiah, Elisabeth Christine Yuwono e Vanessa Yusuf. "Basajiwa: Do It Yourself Innovation of Indonesian Batik Education". Gelar : Jurnal Seni Budaya 20, n.º 1 (29 de julho de 2022): 29–37. http://dx.doi.org/10.33153/glr.v20i1.4231.
Texto completo da fontePoon, Michelle, e Wilhelm E. J. Klein. "Identity Crisis in the Pearl River Delta". Digital Culture & Society 3, n.º 1 (26 de julho de 2017): 159–84. http://dx.doi.org/10.14361/dcs-2017-0111.
Texto completo da fonteMartin-Iverson, Sean. "REVIEW | Underground: The Subterranean Culture of DIY Punk Shows". IASPM@Journal 6, n.º 1 (7 de novembro de 2016): 154–56. http://dx.doi.org/10.5429/2079-3871(2016)v6i1.12en.
Texto completo da fonteKanai, Akane. "Jennifer Lawrence, remixed: approaching celebrity through DIY digital culture". Celebrity Studies 6, n.º 3 (3 de julho de 2015): 322–40. http://dx.doi.org/10.1080/19392397.2015.1062644.
Texto completo da fontePrabowo, Trisnar Adi, Endang Rini Sukamti, Ardiah Juita, Agus Sulastio, Ni Putu Nita Wijayanti e Ricky Susiono. "Analysis of Coaches Work Culture Behavior in DIY Province". COMPETITOR: Jurnal Pendidikan Kepelatihan Olahraga 15, n.º 2 (25 de junho de 2023): 356. http://dx.doi.org/10.26858/cjpko.v15i2.48020.
Texto completo da fonteMuallidin, Isnaini, Abdul Juli Andi Gani, Mujibur Rahman Khairul Muluk e Andy Fefta Wijaya. "THE BARRIERS TO ORGANIZATIONAL REFORM IN LOCAL GOVERNMENT: CASE STUDY IN THE SPECIAL REGION OF YOGYAKARTA". International Journal of Applied Research in Social Sciences 4, n.º 3 (19 de maio de 2022): 75–81. http://dx.doi.org/10.51594/ijarss.v4i3.333.
Texto completo da fonteTeses / dissertações sobre o assunto "DIY culture"
Quader, Shams Bin. "Like a sustainable version: Practising independence in the Central Sydney independent music scene". Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/23381.
Texto completo da fonteLuvaas, Brent Adam. "Generation DIY youth, class, and the culture of indie production in digital-age Indonesia /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1835632681&sid=3&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteJessee, Nathan. "Alternative Literacies, Resistance, and Spatial Representations in The Do-It-Yourself (DIY) Culture of Zine Publication in New Orleans". ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1223.
Texto completo da fonteBenhaïm, Sarah. "Aux marges du bruit. Une étude de la musique noise et du Do it Yourself". Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH140/document.
Texto completo da fonteAlthough noise music has only recently become an object of interest for academic research, it still represents a form of art emblematic of the underground music scene. It is characterized by a radical approach which implies using noise as work material, playing with form and development, and hybridizing its stylistic territories. This approach is reflected by playing practices in which the emphasis is no longer laid on the supremacy of instruments and composition, but rather on playful and makeshift experimentation. Musical quality is not assessed on the artist’s technical skills anymore, while the listening conditions call for a specific implication of both body and environment. The practices of production, organization, and diffusion of music, borrowing from the éthos of DIY, place autonomy, versatility, and amateurism at the heart of this art world. This PhD research, based on musical analyses, press archives, field surveys, topographies, and an ethnographic study of the Parisian scene, proposes an interdisciplinary approach marked by musicology, aesthetics, and social sciences. Its aim is to question the way noise music and its specific social practices challenge the manner in which we conventionally apprehend what we consider as music, and even “good” music, the image of the musician, the artistic intermediaries or the stage, in light of what seems to constitute a new contemporary paradigm of experimentation
Howe, Christopher David. "Analog synthesizers in the classroom: How creative play, musical composition, and project-based learning can enhance STEM standard literacy and self-efficacy". Thesis, Georgia Institute of Technology, 2015. http://hdl.handle.net/1853/53614.
Texto completo da fontePeters, Sean (Sean Louis). "Listening in the Living Room: The Pursuit of Authentic Spaces and Sounds in Dallas/Fort Worth (DFW) Do-It-Yourself (DIY) Punk Rock". Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062889/.
Texto completo da fonteLigot, Damien. "Trans-musicalité « taike » : Distinction d’une nouvelle « taiwanité » au sein d'un underground local (1990-2010)". Thesis, Lyon 3, 2012. http://www.theses.fr/2012LYO30022/document.
Texto completo da fonteIn the 1990's and 2000's, the underground music scene in Taiwan successively gave birth to the Taik – also called Taike Rock 台客搖滾 taike yaogun – then to Taiwan Traditional Rap 台灣味唸歌 Taiwan wei niange. These "trans-musical" currents are similar in many issues such as the claim to local folk traditions, accompanied however by accomodating a strong cultural mix and by a need to define – to identify – themselves outside the alienating good taste, so dictated since the late 1940's by the hegemonic "dominant" culture focused along the lines of the Republic of China. This thesis proposes a ''sensitive'' approach to a particular subculture, furthermore tempered by a critique of theories developed by Pierre Bourdieu in Distinction: A Social Critique of the Judgment of Taste. It has been backed up by field studies conducted between 2005 and 2010 according to the principles of the participant-observer and trends of thought enlightened by cultural studies and works of authors such as Dick Hebdige and Stuart Hall. It attempts also – through the prism of trans-musicality – to define the place of the local "Taike" subculture in the global history of other comparable subcultures, as an essentiel link between Taiwan and the rest of the world
Andersson, Pär. "Digital Fabrication and Open Concepts : An emergent paradigm of consumer electronics production". Thesis, Umeå universitet, Institutionen för informatik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-104994.
Texto completo da fonteKaewpanukrangsi, Nuanphan. "Creative-Up-Cycling". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-21543.
Texto completo da fonteMessey, Orlane. ""C’est du sport, tu t’attendais à quoi ?". D'un entre-soi permissif à un sport inclusif : le cas du roller derby français". Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCC001.
Texto completo da fonteRoller derby is an American sports discipline that emerged in France in 2009. Its spread in Europe is notably linked to the film Bliss, which contributes to the popularization of this ancient sport, recreated in 2001 in the alternative music scenes of Texas. Roller derby establishes itself in France based on a carnival and permissive practice model through which the teams hijacked the mainstream sport. Furthermore, teams initially organized around the punk do-it-yourself (DIY) logic, which involved rejecting capitalist logic and favoring self-management. Ten years after the emergence of this practice in France, this sports science thesis aims to understand the structuring of roller derby in relation to the "traditional," mainstream sports model. Using a sociological and ethnographic approach, the aim is to examine how French roller derby managed to structure itself outside dominant frameworks. The observation of an obvious euphemization of subversive markers and the adoption of codes from the federal sports environment suggest the incorporation of the practice into a sportification process. However, this is not synonymous with a takeover by sports authorities here. On the contrary, this normalization of practice takes place within the teams themselves. By mobilizing symbolic interactionism frameworks, this research highlights the role played by the female practitioners during this sportsification and how they negotiate a practice framework articulated between the diversion and appropriation of the dominant sports model. The main challenge is to show the transition from a so-called "permissive" practice to an "inclusive" sport. While female players now defend their place on mainstream sports fields, the display of inclusion of gender minorities has gradually replaced the carnivalesque markers of subversion of sports codes. As teams are leaving the margins of the sport to enter its institutions, subversion gives way to inclusion, as a final marker of distance from the core of the sports environment. Nevertheless, some teams continue to resist the pressure of the competitive model. Some embrace DIY as a means of organizing sports practice differently (without hierarchy, but horizontally), while others choose to prioritize folklore as a mode of resistance to the homogenization of practice
Livros sobre o assunto "DIY culture"
Spencer, Amy. DIY: The rise of lo-fi culture. London: Marion Boyars, 2005.
Encontre o texto completo da fonteSpencer, Amy. DIY: The rise of lo-fi culture. 2a ed. London: Marion Boyars, 2008.
Encontre o texto completo da fonteJacobs, Katrien. Netporn: DIY web culture and sexual politics. Lanham, MA: Rowman & Littlefield, 2008.
Encontre o texto completo da fonte1960-, McKay George, ed. DiY culture: Party & protest in Nineties Britain. London: Verso, 1998.
Encontre o texto completo da fonteBen-Ari, Hadass S. Fallopian Falafel: DIY or Die! Jerusalem, Israel: Daily H Publications, 2010.
Encontre o texto completo da fonteMichele, Knobel, e Lankshear Colin, eds. DIY media: Digital literacies and learning through popular culture production. New York: Peter Lang, 2010.
Encontre o texto completo da fonteWrekk, Alex, Nicole Introvert e Sugene Mine. Stolen Sharpie Revolution 2: A Diy Resource for Zines and Zine Culture. Oakland, USA: Brand: Lunchroom Publishing, 2009.
Encontre o texto completo da fonteBrass, Elaine. Gathering force: DIY culture : radical action for those tired of waiting. London: Big Issue Writers, 1997.
Encontre o texto completo da fonteWrekk, Alex. Stolen sharpie revolution: A DIY resource for zines and zine culture. 6a ed. Portland, Oregon: Lunchroom Publishing / Silver Sprocket, 2022.
Encontre o texto completo da fonteGauntlett, David. Making is connecting: The social meaning of creativity from DIY and knitting to YouTube and Web 2.0. Cambridge, UK: Polity Press, 2011.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "DIY culture"
Kanai, Akane. "DIY Culture". In Keywords in Remix Studies, 125–34. New York : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315516417-12.
Texto completo da fonteRedman, Lena. "DIY Creativity: Culture of Self-Sufficiency". In Knowing with New Media, 167–93. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-1361-5_8.
Texto completo da fonteBenhaïm, Sarah. "Noise records as noise culture". In DIY Cultures and Underground Music Scenes, 112–24. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-11.
Texto completo da fonteBecuț, Anda Georgiana. "Between popular and underground culture". In DIY Cultures and Underground Music Scenes, 41–51. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-5.
Texto completo da fonteBustad, Jacob J., e Oliver J. C. Rick. "Downhill MTB, digital media, and DIY urbanism". In Mountain Biking, Culture and Society, 113–24. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003361626-11.
Texto completo da fonteBennett, Andy, e Paula Guerra. "Rethinking DIY culture in a post-industrial and global context". In DIY Cultures and Underground Music Scenes, 7–18. Abingdon, Oxon ; New York : Routledge, 2019. | Series: Routledge advances in sociology: Routledge, 2018. http://dx.doi.org/10.4324/9781315226507-2.
Texto completo da fonteDonaghey, Jim, e Jian Xiao. "A Comparison Between Indonesian and Chinese Punks: Resistance, Hangouts, and DIY". In Punk Culture in Contemporary China, 155–76. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0977-9_7.
Texto completo da fonteMyzelev, Alla. "Fashion and the DIY culture of textiles during the Art Deco period". In The Routledge Companion to Art Deco, 194–212. New York: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429032165-11.
Texto completo da fonteGrewe-Salfeld, Mirjam. "4 With my Own two Hands - Tracing DIY from Individualism to Maker Culture". In Biohacking, Bodies and Do-It-Yourself, 97–126. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839460047-005.
Texto completo da fonteFerris, Eric. "Culture of Conformism (Culture … To Be Cultured)". In The (Dis)Order of U.S. Schooling, 118–61. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003375203-6.
Texto completo da fonteTrabalhos de conferências sobre o assunto "DIY culture"
Farikha, Alfi Yusrina. "The Existence of Indonesian Craft in the Middle of DiY Craft Movement by Millennial Community". In 4th International Conference on Arts Language and Culture (ICALC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200323.060.
Texto completo da fonteHertz, Garnet. "Arduino Microcontrollers and The Queen’s Hamlet: Utilitarian and Hedonized DIY Practices in Contemporary Electronic Culture". In ACADIA 2011: Integration Through Computation. ACADIA, 2011. http://dx.doi.org/10.52842/conf.acadia.2011.044.
Texto completo da fonteTuan Nguyen Thien, Minh, Minh Anh Nguyen Duc e Kenneth Y T Lim. "Designing for the investigation of microclimate stressors and physiological and neurological responses from the perspective of maker culture". In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004042.
Texto completo da fonteZhou, Jiaxin, e Duoduo Zhang. "Stimulating Everyday Creativity: Mediating Role of New Tools in DIY Craft". In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003396.
Texto completo da fonteNASTAS, Natalia, e Ecaterina LUNGU. "Intercultural professional competence in teaching foreign languages to students from higher education institutions". In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v2.24-25-03-2023.p97-101.
Texto completo da fonteJi, Nancy Yao. "Renovation Machizukuri in Contemporary Japan: The Cases of Suwa, Kokura and Onomichi". In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5026ptoed.
Texto completo da fonteReis de Matos Braz, Patricia. "CULTURA E DESENVOLVIMENTO URBANO NO PORTO. Variações de discursos e de práticas na política municipal recente da cidade." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12780.
Texto completo da fonteTrinca, Lilia. "Profilul cultural românesc al conceptului de „frică”". In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.43.
Texto completo da fonteKinigama, I. M. M. K., e A. Weerasinghe. "Cultural identity formation through hybridization: dressing under portuguese intervention in Sri Lanka". In Awakening the economy through design innovation. Department of Integrated Design, University of Moratuwa, Sri Lanka, 2023. http://dx.doi.org/10.31705/idr.2023.2.
Texto completo da fonteHartescu, Ioana. "ONE SIZE FITS ALL? – CULTURAL DIVERSITY REFLECTED IN INSTRUCTIONAL DESIGN MODELS". In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-080.
Texto completo da fonteRelatórios de organizações sobre o assunto "DIY culture"
Thunø, Mette, e Jan Ifversen. Global Leadership Teams and Cultural Diversity: Exploring how perceptions of culture influence the dynamics of global teams. Aarhus University, outubro de 2018. http://dx.doi.org/10.7146/aul.273.
Texto completo da fonteConklin, David. The traditional and the modern : the history of Japanese food culture in Oregon and how it did and did not integrate with American food culture. Portland State University Library, janeiro de 2000. http://dx.doi.org/10.15760/etd.5670.
Texto completo da fontePlessi, Fabrizio, Celestino Soddu e Adriano Abbado. digitalyart: An exhibition honoring Italy, Host of the 44th Annual Meeting of the Board of Governors of the Inter-American Development Bank. Inter-American Development Bank, fevereiro de 2003. http://dx.doi.org/10.18235/0005909.
Texto completo da fonteLee, Aubra L., e Anne F. Gettys. Cultural Resources Survey. Road Alignment Alternatives Sunlight Day Recreational Area, Nimrod Lake, Arkansas. Fort Belvoir, VA: Defense Technical Information Center, outubro de 1986. http://dx.doi.org/10.21236/ada196833.
Texto completo da fonteChallenger, Denise. Playin' Mas, Play and Mas | A Pedagogical Journey of Children in Caribana. York University, 2018. http://dx.doi.org/10.25071/10315/41551.
Texto completo da fonteMiller, James E. Wild Turkeys. U.S. Department of Agriculture, Animal and Plant Health Inspection Service, janeiro de 2018. http://dx.doi.org/10.32747/2018.7208751.ws.
Texto completo da fonteMitchell, Brian G., Amir Neori, Charles Yarish, D. Allen Davis, Tzachi Samocha e Lior Guttman. The use of aquaculture effluents in spray culture for the production of high protein macroalgae for shrimp aqua-feeds. United States Department of Agriculture, janeiro de 2013. http://dx.doi.org/10.32747/2013.7597934.bard.
Texto completo da fonteStumpo, Sergio. The Sustainability of Urban Heritage Preservation: Caso di studio: Siracusa, Italia. Inter-American Development Bank, agosto de 2010. http://dx.doi.org/10.18235/0007766.
Texto completo da fonteBlaxter, Tamsin, e Tara Garnett. Primed for power: a short cultural history of protein. TABLE, novembro de 2022. http://dx.doi.org/10.56661/ba271ef5.
Texto completo da fonteZhytaryuk, Maryan. UKRAINIAN JOURNALISM IN GREAT BRITAIN. Ivan Franko National University of Lviv, março de 2021. http://dx.doi.org/10.30970/vjo.2021.50.11115.
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