Teses / dissertações sobre o tema "Démocratie imaginaire"
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Veja os 16 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Démocratie imaginaire".
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Roman, Sébastien. "Conflit civil et imaginaire social : une approche néo-machiavélienne de la démocratie par l'espace public dissensuel". Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00682490.
Texto completo da fonteLaverdière, Andréanne. "Quel imaginaire national à Taiwan? : l’évolution du portrait des religions populaires dans les manuels scolaires". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37476.
Texto completo da fonteDenicourt-Fauvel, Camille. "Au-delà du chaos : l’héritage de l’impunité institutionnalisée pour expliquer l’extrême violence au Guatemala post-conflit". Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/40565.
Texto completo da fonteDécary-Secours, Benoit. "Violences criminelles et contexte démocratique : la politique des imaginaires de la punition au Brésil". Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34843.
Texto completo da fonteLemouzy, Laurence. "L’imaginaire dans l’action publique territoriale". Thesis, Paris 2, 2017. http://www.theses.fr/2017PA020013.
Texto completo da fonteThis research concern myths and tales who structure the territorial public sector. The purpose is to conduct a réflexion about their permanency or their decline. Then, imaginary must be understood like a way to « make society ». Administrative law, specifically, contribute to the performance of the imaginary by creating and inventing norms. However, the failures of the public sector — frequently denounced — signal sometimes a weakening, a saturation or a transformation of the public sectorimaginary. The public policies appears like a victim of the imaginary, a victim of an excess or a lack of imaginary, maybe because of the pressure and the influence of the economic power. This strain drives to interrogate themselves on the phenomena who cancel the capability of imagination among the public actors. While the local administrations are considered like service providers and individual rights providers too, which symbols, which representations, which promises does the public sector carry today ? What are the « new political imaginaries » ? Can we re-model public policies with utopia ? The question is to update the imaginaries attached to public policies. These imaginaries are invisible, hidden in the undergrounds but the are really present in the way to drive and build public policies today
Sidaoui, Caloc Nadine. "Identités, regards, démocraties". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010682.
Texto completo da fonteDue to the series of artworks that I realized between 2005 and 2012 between Paris and Shanghai, this thesis proposes to study the group portrait from various angles, it is all about fictitious portraits whose main aim is the place that may hold the viewer facing a variety of social groups, in which represented people remain staring at the spectator in a silent way. These works invite us to reflect on and permeability between the boundaries of art, ethnology and social sciences, on the question of identity gender, intercultural interaction and methods of communication beyond the language of words. However I tried to develop a painting that conveys the possibility of an exchange between the viewer and the represented group of people. A painting in which the model becomes the beholder, and vice versa. Michael Fried's book entitled Absorption and Theatricality: Painting and Beholder served as a support for me in my initial observation of theatricality in painting. Living in Shanghai for the past three years, I have been most inspired by Asian faces. I’ve observed for a long time the functioning of the Chinese society with it’s own social codes which are not limited only to language barriers but can be expressions beyond words. A society that is organized in groups according to various functions and activities where the wearing of the uniform is very common and it runs into various social fronts. We, as humans, strive towards an ideal, a possible success, a utopia where men and women compete for professions, and the role of women have become more visible in society which has been patriarchal for decades. The image of the androgynous appears through a crowd that moves with heavy dancing steps, especially examining the choreography of Jing Xing, this Chinese dancer who was a man originally, and then decided to transform himself into a woman. It is the transition from male to female and vice versa in a society in mutation. This expression generates two kinds of confusion: the ambiguity of gender, where women are increasingly present in a highly competitive professional field on the one hand, and the ambiguity of language and communication for a foreigner in this society. It is the barrier of social codes and the omnipresence of "network" (Guanxi) as an essential tool to penetrate this society. [...]
Hallade, Sébastien. "« A la recherche de la meilleure des républiques ». Les romanciers-feuilletonistes engagés sous la Deuxième République française. Littérature, presse, politique et morales". Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL036.pdf.
Texto completo da fonteThe title of my thesis partly takes up the title of a satirical novel written by Louis Reybaud, a novelist, columnist and representative of the people, elected to the Academy of Moral and Political Sciences in 1850: Jérôme Paturot à la recherche de la meilleure des Républiques, offered in serials, by extracts, in the spring and summer of 1848. From August 1, 1850, under article 14 of the law on the press passed on July 16, 1850, any serial novel was taxed - until the repeal of this article, after 19 months of existence, by article 36 of the organic decree on the press of February 17, 1852, which took effect on March 1, 1852. Why did the majority of the National Legislative Assembly decide in the summer of 1850, about 29 months after the birth of the Second Republic, to tax serial novels? This PhD is based on the census of 155 authors of committed serial novels and of 952 serial novels published in the press of the departments of the Seine and of the Seine-et-Oise - particularly targeted by the Riancey stamp (after the name of the representative of the people who was behind article 14) - and on a prosopographic approach, in order to retrace the literary and political career and the reception of the authors of serial novels studied. At the crossroads of a political, literary, and religious history, this thesis intends, above all, to question the object of the serial novel and the figure of the 1848 novelist-journalist in light of the moral question under the Second Republic as well as the relevance of the caesura of 1850 as a literary, aesthetic and ethical break
Pochetti, Irène. "La cité des enfants des rues. Représentations, politiques et expériences des jeunesses urbaines marginales à Mexico et Tijuana". Thesis, Paris, EHESS, 2017. http://www.theses.fr/2017EHES0018.
Texto completo da fonteThis thesis deals with the history and construction of the social problem of Mexican street children and with the actual experience of marginalised youth in Mexico City and Tijuana. Symbol of the issue of “abandoned children” in developing countries, this social category has become one of the priorities of the first democratically elected Mexican government in 2000. The thesis examines how the world of “street children” is shaped by analysing the actors of social intervention and the effects of the country’s deep political and societal changes on these marginalised urban youth.Through a socio-historic approach from 1880 to nowadays, this thesis firstly studies the emergence of this category within the public space and its construction as a social problem, embedded in the socio-political transformations of the country. By exploring iconographic and documentary supports, the analysis identifies a constant tension between the figure of ‘victim’ and of ‘delinquent’, a tension which goes hand in hand with the anxiety produced by the tremendous urban development of Mexico.This ethnographic research, carried out in Mexico and Tijuana between 2003 and 2010, demonstrates the relevance of observing at city level in order to understand how the policies, representations and social experiences articulate. The analysis brings to light the specific features of these two cities in their perception and treatment of the problem as well as in the resulting individualisation modes and biographies of these young people. In Tijuana, a “border effect” is observed, whereas the streets dynamics in Mexico City are characterised by a “capital effect”. Finally, the gender analysis demonstrates the tensions between the appropriation of a law terminology in the everyday practices of the organisations working with this population and the traditional image of a sexualised and hierarchic family, embedded in the national narrative
Joinau, Benjamin. "L’image de l'Autre dans le cinéma coréen (1945-2013) : centrée sur l’ère du Rayon de soleil (1998-2008) : hétérologie et imaginaire". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0077.
Texto completo da fonteHow can we speak about the Other if he/she is the Same? It is the question that Koreans both from North and South ask themselves since the partition of their country. In this non-communicative situation, cinema has been used as a symbolic interface to represent the division. Thus, on each side of the border; heterologic narratives have been elaborated. This thesis studies the nature and the regulatory function of these narratives. Gilbert Durand’s mythodology allows me to analyze this vast material running from 1945 to present and to locate the structures, schemes and symbols which define the Korean imaginary of the Other (alter) through films. I have centered my study on the pivotal Sunshine Policy era (1998-2008). The first part defines the methodology and concepts used. The second part studies the setting of the theme during the pre-1998 period, revealing an imaginary strongly structured by a diurnal and oppositional regime of images. The third part focuses on North Korean cinema during the period 1998-2008 and concludes on the progressive “disappearance” of South Korea as an explicit Other in the movies. The fourth part deals with the specific context of production of the South Korean cinema during the Korean Wave era. In the next part, the experimental dimension of the heterologic narrative reveals four main structures organizing the corpus of 25 movies. The last part deals with the transfer, in the post-1998 South Korean cinema, of the Otherness from the alter to the alius, to non-Korean other Others, opening a dialogic imaginary. We also note the resilience of the theme in movies released after 2008 and the end of the Sunshine Policy
Martin, Sylvie. "Presse quotidienne de la transition et syndrome toxique : Essai fortuit de modélisation des procédures informatives dans la presse nationale espagnole". Lyon 2, 1988. http://www.theses.fr/1988LYO20052.
Texto completo da fonteThe tensions between archaism and modernity that appeared through the complex realities of the spanish transition have led to questioning the modalities and the specific aspects of a democratization process. The press, in its different forms and in its different roles, represents a privileged observation field of the balance between disruption and continuity in the first few years of spanish democracy. It is challenged in its ambition to become both the reflection and the driving force of social changes by the analysis of a particular narrative, that of the toxic syndrome. This event (epidemic accident then affaire) coincided with a transition period when democracy seemed to be established and in jeopardy at the same time. Thus, from the point of view of a semiotic analysis of the discursive strategies of the Madrid daily press, this event represents an unchanging system of reference for an analysis of the informative role of the press during the transition. But it is also considered a new social object in the field of collective representations: the constant presence of this event in the media, its ability to include all the important themes and issues of the community can allow one to regard the phenomenon as a more complex one which combines the narrative imposition, the ideological manipulation and the fulfilment of a social demand
Bessard, Rudy. "Pouvoir personnel et ressources politiques : Gaston Flosse en Polynesie francaise". Thesis, Pau, 2013. http://www.theses.fr/2013PAUU2011/document.
Texto completo da fonteThe strategic mobilization of multidimensional political resources allows the political leader to take power in a political space. Then, the leader uses a combination of political capacities to keep the power and extend his domination. Thus, the political leadership of the Boss Gaston Flosse, in the overseas collectivity of French Polynesia, has become a personal rule inside the French Republic. The domination of the Polynesian sociopolitical space is illustrated by the plasticity of an authoritarian leadership, which questions the expressions of democracy in Tahiti, and in the French political regime
Rebreyend, Anne-Laure. "Nouveaux réalismes et imaginaires sociaux de la modernité dans le roman espagnol contemporain (2001-2011)". Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30043/document.
Texto completo da fonteThis thesis studies new forms of realism in Spanish prose in the 2000s, from a corpus of four novels. It contemplates what makes the contemporary reality aesthetic, what its epistemology is, and what links it bears to other forms of knowledge. What roles do realist narrations play in the configuration of social imaginaries, when the heritage of the democratic transition and the narration of Spanish modernisation are called into question? We first examine the conditions of historical, socio-economic and cultural possibilities of a renewal of realism, which is mapped throughout the literary field of the last twenty years. The central hypothesis is that realism springs back up from the fact that debates around historical memory in the 2000s, and since 2008, the economic, social and political crisis prompt the revision of the transition myth and the project of modernity which had been structuring Spain’s social imaginaries since the 1960s. Three parts offer different studies of realist poetics, diachronically and synchronically, to highlight the evolution of the modes of realist referentiality between the start of the 2000s and the beginning of the 2010s, the crisis of 2008 and its beginning as an inflexion point. The first part tackles two novels (Antonio Muñoz Molina, Sefarad, 2001 and Ignacio Martínez de Pisón, Enterrar a los muertos, 2005), which discuss the social fabrication of documents and historiography to reinterpret the 1936 war, the dictatorship and the transition. The second and third parts (Rafael Chirbes, Crematorio, 2007, and Isaac Rosa, La mano invisible, 2011) analyse the elaboration of a collective narrative of developmental Spain, at the dawn of the crisis, through novels which interact with the economic theory of liberalism and historic sociology. At the crossroads of literary studies, social discourse, history and the contemporary sociology of Spain, this thesis argues that the appropriation of realism in the 2000s questions a national identity that is democratic, modern, and takes part in the reappearance of a problematic reality after the meta narration of a model transition collapsed. If the novels all try to tackle the social reality according to its representations, they differ through what « reality » means to them, through the nature of its historic and material causes, and through the ways they describe it
Grabli, Charlotte. "L’urbanité sonore : auditeurs, circulations musicales et imaginaires afro-atlantiques entre la cité de Léopoldville et Sophiatown de 1930 à 1960". Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0138.
Texto completo da fonteThis thesis studies connections between music and politics within the space of music circulation stretching from Sophiatown, in Johannesburg, South Africa, to the cité (the “native quarters”) of Léopoldville (today Kinshasa), in the Belgian Congo, from 1930 to 1960. This study considers the music making of these segregated areas – the uses of new sound technologies, the appropriation of Afro-Atlantic styles, the profusion of festivities and nightlife – as well as the formation of the trans-colonial space of modern Congolese music—better known as “Congolese rumba”—in the age of radio. Although often overlooked, the early development of the South African record industry played an important role in the making and mobility of the first Congolese media celebrities who circulated across the trans-imperial roads between Léopoldville, Elisabethville (Lubumbashi), Nairobi and Johannesburg. Studied together, the grounding and the deployment of what I call “sonic urbanity” highlight the place of trans-colonial celebrities and songs in the political imaginary of African listeners. These phenomena also show how the economy of pleasure offered new possibilities of emancipation to the most marginalized categories such as the "free women" and members of women’s fashion associations.Both in the cité of Léopoldville and in Sophiatown, listeners, dancers and musicians challenged ideas of black exclusion to urbanity enforced by the government that conditioned symbolic and material access to “the city”. Until the day after independence in 1960, the musical scene represented the main space for political expression in the modern Congo, allowing it to claim its place in the Black Atlantic.This thesis thus conceptualizes music as part of the city’s ecology of sound in an attempt to “write the world from the African metropolis”. It does not merely think of music in context but also regards it as context and soundscape, extending it beyond performance by including the different “scale games” that shaped musical worlds. Understanding the political dimension of the AfroAtlantic exchanges involved in the creation of Congolese rumba – an African style born out of listening to Afro-Cuban music – requires a consideration of the globalisation of ways of listening and ethnicity. How can we rethink the opposition of a “Latin Africa” to an “Africa of jazz”, whose poles would be located respectively in Léopoldville and Johannesburg, at the moment when U.S. racialized nationalism shaped understandings of jazz? This thesis seeks to both deconstruct these representations and examine the power of black music to act—its “reality and non-existence”— depending on contexts, actors and places
Doz, Emilie. "Néstor Kirchner (2003-2007) : rupture ou continuité du péronisme ? : Les mutations du populisme en Argentine". Thesis, Lyon 2, 2013. http://www.theses.fr/2013LYO20072.
Texto completo da fonteOn 25 May 2003, argentinian population attended the presidential nomination of the "Frente Para la Victoria" party candidate, Néstor Kirchner. Thanks to the defection of Carlos Menem between the two rounds, he was elected with 22% of votes. Despite this weak legitimacy, he succeeded in impulsing changes in Argentina political agenda. The purpose of this thesis is to show how Néstor Kirchner managed to impose a new system as a new reference, and to move on from a neoliberal past which led the country to collapse. Therefore, our work first focuses on a necessary presentation of economic and political background prior to 2003' elections. Such contextualisation allows us to have a better understanding of the conditions in which Néstor Kirchner reached the presidency. Then, we study the ideological struggle taking place afterwards, particularly within peronism itself, in order to identify the processes allowing the kirchnerist line to become a dominant speech. Finally, we will focus on Kirchnerism’s breakpoints or convergences with Peronist populism for a better characterization. In addition, the death of Néstor Kirchner the 27th of october 2010 caused a real shock. Also, the study of the postmortem figure of Kirchner allows us to estimate the "K" phenomenon, in the sense it symbolizes as well a rehabilitation of politics as a reconstruction of the argentinian nation, or an overhaul of peronism in the XXIst century
Dlimi, Nadia. "L'adultère dans le cinéma italien (1950-2013)". Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H301.
Texto completo da fonteMy choice of twenty-eight films that span Italian cinema is predicated on the act of adultery, from the perspective of the advent of the threesome and the breaking up of the initial couple. I shall use cinema and sociology in close connection to try and show the evolution of the filming of lovers’ intimacy, throughout periods marked, among other things, by the influence of the Catholic religion on the behaviour of different protagonists. Relations outside of marriage are offered as “representations” which, according to José Moure, have “a dual value” that can come into the perception of both images and soundtracks, and meet both an “ethical” and an “aesthetic” standard
Plante, Dominic. "La création culturelle et les significations imaginaires sociales dans la société "démocratique" contemporaine : réflexion critique sur l'œuvre de Cornelius Castoriadis". Mémoire, 2013. http://www.archipel.uqam.ca/5399/1/M12853.pdf.
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