Bibliografias temáticas / Deleuze, Gilles. Mille plateaux

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Literatura científica selecionada sobre o tema "Deleuze, Gilles. Mille plateaux"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de fevereiro de 2022

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Artigos de revistas sobre o assunto "Deleuze, Gilles. Mille plateaux"

Krtolica, Igor. "Diagramme et agencement chez Gilles Deleuze: L'élaboration du concept de diagramme au contact de Foucault". Filozofija i drustvo 20, n.º 3 (2009): 97–124. http://dx.doi.org/10.2298/fid0903097k.

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(francuski) Pendant les ann?es 1970, Gilles Deleuze ?labore avec F?lix Guattari et Claire Parnet les concepts d'agencement et de diagramme: au moins jusqu'? Mille plateaux (1980), agencement et diagramme - rebaptis?s machine concr?te et machine abstraite -, constitueront le soubassement th?orique de l'ensemble du travail de Deleuze. Or, l'id?e de diagramme doit beaucoup au Foucault de Surveiller et punir avec lequel Deleuze m?ne un dialogue th?orique ininterrompu pendant ces ann?es-l?: elle cristallise pour lui un enjeu de taille, celui de penser la mutation des structures historiques hors des sch?mas dominants du structuralisme et du marxisme. Deleuze, penseur du devenir, se confrontant ? Foucault, historien-g?n?alogiste des transformations: au coeur de cette confrontation sur le diagramme, surgissent deux conceptions distinctes de la mutation que Deleuze s'efforce de concilier dans son livre sur Foucault.

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Krtolica, Igor. "Secret d'état et machine de guerre secrète chez Gilles Deleuze". Theoria, Beograd 50, n.º 2 (2007): 47–64. http://dx.doi.org/10.2298/theo0702047k.

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(francuski) Cet article trouve son point d?part dans une note de Mille plateaux, o? Deleuze et Guattari sugg?rent l'id?e que le secret ne trouve pas son origine dans un appareil d'?tat mais dans la ?machine de guerre?, ruinant du m?me coup l'apparente homog?n?it? entre le secret et l'appareil d'?tat. Cette th?se d?coule de la n?cessit? logique de ne plus d?finir le secret ? partir de la position d'un contenu cach? (toujours perceptible en droit). L'exposition de cette exigence logique permettra d'assigner une forme primitive et une forme d?riv?e du secret, dont l'enjeu est ici triple: (1) montrer le rapport sp?cifique de l'Etat au secret: l'Etat ne produit du secret qu'en le maintenant dans des limites qui pervertissent sa nature; (2) appr?hender les modalit?s selon lesquelles l'appareil d'Etat organise la perception du secret d'Etat: l'appareil d'Etat ne fonctionne au secret d'Etat qu'? condition d'en hi?rarchiser pr?cis?ment la perception, selon des seuils dont la communication est r?gl?e; (3) connecter l'id?e de secret ? sa potentialit? r?volutionnaire, toujours susceptible de miner l'organisation d'un appareil d'Etat: parce que le secret a son origine dans la machine de guerre - qui est formellement ext?rieure ? l'appareil d'?tat - et il introduit dans celui-ci un facteur de tension.

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Renard, Caroline. "Les répétitions contrariées. Sur Beau travail de Claire Denis". Cinémas 23, n.º 1 (21 de dezembro de 2012): 55–71. http://dx.doi.org/10.7202/1013368ar.

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Beau travail de Claire Denis fait partie des films qui nous invitent à les aborder sous l’angle de la répétition. Figure esthétique majeure des arts du xxe siècle, la répétition peut aussi être une forme discrète qui circule d’image en image. Parfois elle se cache et se déguise d’un plan à l’autre au sein d’un même film. Dans une approche analytique, l’auteure de cet article emploie la notion de « plan de consistance » présentée par Gilles Deleuze et Félix Guattari dans Mille plateaux (1980) pour proposer une étude figurative des formes de la répétition dans Beau travail. Deleuze et Guattari ont défini le « plan de consistance » comme un espace formel qui est simultanément un fond et un volume, une armature et une trame. Cet espace résiste dans la durée. En termes de cinéma, le plan de consistance d’un film est élaboré par l’articulation des plans, par la composition des cadres, par les mouvements qui animent l’espace ou les trajets qui le parcourent. Il constitue un repère visuel parfois fuyant, en mouvement mais repérable. L’analyse de Beau travail montre que les répétitions, loin de simplement construire des effets narratifs ou scéniques, participent de la mise en place d’un socle perceptif à la fois récurrent et variable, d’une trame visuelle reconnaissable et instable. L’auteure met ainsi au jour, dans l’économie figurative de ce film d’inspiration littéraire et musicale, l’élaboration de ce « plan de consistance » comme fond visible et invisible du montage filmique.

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Amaral, Pedro. "Pisando em putas: Notas sobre o vigor contemporâneo do fascismo tupiniquim". Viso: Cadernos de estética aplicada 1, n.º 2 (17 de julho de 2007): 38–46. http://dx.doi.org/10.22409/1981-4062/v2i/39.

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O artigo analisa fatos recentes relacionados ao combate à prostituição no Brasil, baseado em lei incoerente e ultrapassada, para, inspirado pela leitura de Mille Plateaux, de Deleuze e Guatarri, apontar a perigosa vitalidade do desejo fascista na sociedade brasileira contemporânea.

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Possati, Luca M. "Ricœur et Deleuze, lecteurs de Spinoza: Ontologie, éthique, imagination". Études Ricoeuriennes / Ricoeur Studies 4, n.º 2 (3 de janeiro de 2014): 123–39. http://dx.doi.org/10.5195/errs.2013.199.

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This article proposes a reading of Ricoeur and Deleuze from their respective interpretations of Spinoza's thought. Ricoeur and Deleuze are placed in the center of the Spinoza-Renaissance that took place in France in the Fifties and Sixties. However, Ricoeur's Spinozism is still largely unknown. The first two parts of the article concern Spinoza's concepts of conatus and essentia actuosa, emphasizing their importance for Ricoeur's hermeneutics of symbols, especially in relation to his reading of Jean Nabert. The following three sections concern Deleuze and the role of Spinoza's thought in the genesis of rhizomatic ontology in Mille plateaux. The last part of the article seeks to explore the possibility of a dialogue between Ricoeur and Deleuze.

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Adams, Craig. "Deleuze and Guattari in the Labyrinth: Mille Plateaux and Dans Le Labyrinthe". Australian Journal of French Studies 52, n.º 1 (janeiro de 2015): 53–64. http://dx.doi.org/10.3828/ajfs.2015.04.

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Lecercle, J. J. "The Misprision of Pragmatics: Conceptions of Language in Contemporary French Philosophy". Royal Institute of Philosophy Lecture Series 21 (março de 1987): 21–40. http://dx.doi.org/10.1017/s1358246100003453.

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I come to praise contemporary French philosophy not to bury it. My aim is not to hail the appearance in France of a native brand of analytic philosophy—in itself an important event in the last decade—but to describe the indirect and selective importation of certain Anglo-Saxon concepts by French philosophers whose practice is far from analytic; and also to describe the resultant misunderstanding. In this paper I shall analyse the use of pragmatic concepts—and of the concept ‘pragmatics’—in the recent work by Deleuze and Guattari, Mille Plateaux, and I shall try to show that these concepts are the object of a creative misunderstanding, of a misprision.

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Lopes, Rodrigo Barbosa. "Da configuração antropológica da filosofia ao pensamento do acontecimento: devir, infância e educação". Poiésis - Revista do Programa de Pós-Graduação em Educação 4 (22 de novembro de 2011): 69. http://dx.doi.org/10.19177/prppge.v4e0201169-85.

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Este artigo tem o objetivo de propor em linhas gerais uma alternativa ao discurso antropológico-humanista do pensamento filosófico, que predominava em fins do século XIX, e que ainda hoje estende seus efeitos ao pensamento da filosofia sobre a educação e sobre o tema do sujeito e da subjetividade no processo educativo. Essa alternativa está proposta na forma de uma síntese do conceito de devir, pensado por Deleuze e Guattari na obra Mille Plateaux, com o conceito de infância compreendida como signo do novo, da afirmação, da diferença e da criação no pensamento. Propõe-se, desse modo, pensar a dimensão ética e política da subjetividade e dos modos de subjetivação a partir do conceito de devir-criança, como um signo capaz de colocar a relação pedagógica e a produção de subjetividade que dela resulta no cruzamento de intensidades e singularidades pré-individuais que o acontecimento nos abre, e da experiência que com elas somos capazes de criar.

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Blan, Sibertan. "Politisation de la pensée deleuzienne, position de minorité dans le marxisme". Filozofija i drustvo 20, n.º 2 (2009): 75–95. http://dx.doi.org/10.2298/fid0902075b.

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(francuski) Repartant de la premi?re courbe d'?laboration du concept de 'devenir- Mineur' de Deleuze et Guattari (de Kafka Pour une litt?rature mineure ? Mille plateaux), nous interrogeons le rapport entre les deux lignes de probl?matisation de ce concept: une analyse des antagonismes historiques dont les minorit?s sociales sont aujourd'hui le lieu 'surd?termin?' l'identification d'un type de position au sein des modes collectifs d'?nonciation. Par l?, nous soulevons ?galement le probl?me de ce que peut signifier politiquement occuper une position de minorit? dans le discours (th?orique, litt?raire, philosophique?). C'est en ce sens que nous confrontons les luttes de minorit?s au sch?me de la lutte des classes, que nous examinons certains liens (liens de prolongement, d'int?gration, mais aussi de diff?renciation) entre les processus de 'prol?tarisation' et de 'minoration', et que nous reposons sur cette base la question d'un nouvel internationalisme.

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Mais fontes

Teses / dissertações sobre o assunto "Deleuze, Gilles. Mille plateaux"

Cowan, Gregory John. "Nomadology in architecture : ephemerality, movement and collaboration". Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09ARCHM/09archmc8742.pdf.

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Bibliography: leaves 138-149. This thesis investigates the theoretical and practical importance of nomadic ways of life for architecture. Nomadology is a construction of Deleuze and Gattari's 'counter-philosophy' challenging authenticity and propriety, in this case, in the context of architecture. It describes how nomadology may challenge static, permanent, heroically solitary ways of working and dwelling, and suggests strategies - diagramming, ephemerality, movement, and collaboration - as ways of reconciling nomadism and architecture.

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Díaz, Luis Omar. "La problemática de lo ético-político en Mille plateaux". Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/119634.

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The present contribution aims to clarify the ethics involved in the notionof territory, coined by Deleuze and Guattari in Mille plateaux, whose philosophical notes are taken from Spinoza’s and Nietzsche’s works. We will see that this project is sufficiently consistent and united, according to its immanent and materialistic lines. However, this ethics finds its limits, not in its internal constitution but in its tacit iden- tification with politics. Our authors conceive the existential field as crossed by political effects, therefore, all ethical acts would be, by their accounts, a political act too. And these acts will be the more perfect –more ethical and more political– the less they deal with traditional state policy. This involves reducing policy to the political, which we believe is a mistake; because, what applies to the singular-collective existence cannotcount nor compete as a substitute of the collective institutional policy.
El presente artículo da cuenta de la ética asociada a la noción de territorioelaborada por Deleuze y Guattari en Mille plateaux, cuyas notas filosóficas son spino- zistas y nietzscheanas. Veremos que este proyecto es suficientemente consistente y cohesionado, de acuerdo a sus lineamientos inmanentes y materialistas. Sin embargo, esta ética encuentra su límite, no tanto en su constitución interna como en su iden- tificación tácita con la política. Nuestros autores entienden que lo existencial está traspasado por efectos políticos, luego, todo acto ético sería de suyo político, y será tanto más pleno –más ético y más político– cuanto menos tenga que ver con la política estatal tradicional. Esto implica reducir la política a lo político, lo cual creemos que es un error, pues lo que vale muy bien para la existencia singular-colectiva, no puede valer ni competir en sí mismo como substituto de la política institucional colectiva.

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Lee, Jae-Moon. "A thousand plateaux". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274259.

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The puzzle known as tangram was the inspiration behind this composition. Just as the seven pieces of the tangram create shapes, seven contrasting musical fragments appear as thematic materials from which to draw sonic imagery. Sapphic Fragments for two sopranos This composition was constructed from “broken” materials - an analogy for Sappho's dismembered poem. These broken materials were arranged in a pointillistic manner. I drew inspiration from M.C. Escher's works to vary thematic fragments of this work. M.O.N.T.A.G.E. for flute, clarinet, violin and cello This work was influenced by the video work, Wantee, by artist, Laure Prouvost. The title, M.O.N.T.A.G.E., is an acrostic, using words that show intimate relations with my composition: Multicolour, Oscillation, Numbers, Television, the Artist, Gleam, Etc. Once Emerged from the Grey of Night for flute, clarinet, horn, violin, viola and cello This sextet consists of numerous fragments with various colours and textures, forming a musical collage. A picture-poem by Paul Klee offered the starting point for this work. Scale-Free Spaces for flute, guitar, viola and cello I drew compositional ideas from the video installation, Irreversible, by artist Norimichi Hirakawa. This quartet was composed of brief fragments of dots, lines and movements. Various fragments were structured in forms of both simplicity and complexity. For the latter, ideas were drawn from the study in randomness, ‘Scale-Free Network’. String Quartet no. 3 This composition consists of four movements. In the first and third movements, the sound of rain drops and images of light through stained glass are explored. The second and fourth movements effect a structural metamorphoses of musical elements. I drew inspiration from Kafka's novella The Metamorphosis. A Thousand Plateaux for orchestra In this orchestral work, a variety of images of both plateaux and movements were invoked. The work was inspired by both the book, A Thousand Plateaux by Gilles Deleuze and Félix Guattari, and the Alhambra palace in Granada, Spain.

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Finichiu, Ana-Alice. "Territoires entre-deux: agencements, biopolitique et junkspace". Doctoral thesis, Universite Libre de Bruxelles, 2014. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209210.

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(résumé en français)

Le diagnostic de Rem Koolhaas sur les métropoles actuelles montre une ville générique, sans fin, sans identité, sans passé, sans rues, la seule activité qui reste est le shopping et la condition « in-transit » devient universelle. À cette analyse manque une partie très importante, la condition biopolitique de la métropole, qui expliquerait plusieurs des caractéristiques de ce Junkspace, comme le fait qu’il contient la possibilité de résistance face au générique.

À la lumière de ce constat et suivant les directions de pensée que Gilles Deleuze et Félix Guattari ouvrent dans Mille Plateaux, cette thèse propose d’identifier les intervalles témoignant de la dimension biopolitique du Junkspace au travers d’une mobilisation de la théorie des agencements comme hypothèse pour la théorie architecturale et urbaine. Le postulat général est que ces intervalles seraient des territoires entre-deux qui fonctionneraient comme des laboratoires d’agencements témoignant d’une pratique architecturale politique redéfinissant le rôle même de l’architecte.

Trois axes de recherche sont déployés. Le premier interroge la pertinence d’une pensée architecturale en termes d’agencements dans le contexte des transformations actuelles des territoires. À la suite d’un croisement avec la pensée de Deleuze et Guattari l’architecture se comprend dans son processus d’agencement et réagencement. Le second axe interroge la dimension biopolitique du Junkspace identifiant les points critiques de ses agencements et évaluant le paradoxe de l’entre-deux. Le troisième axe met à l’épreuve le potentiel des territoires entre-deux de créer des opportunités pour de nouvelles configurations spatiales.

(english abstract)

Rem Koolhaas’s diagnostic of the modern metropolis shows a generic city with no end, no identity, no past, no streets where the only activity remaining is shopping and the « in-transit » condition is becoming universal. An important part is missing from this analysis: the biopolitical condition of the metropolis, that could explain a number of Junkspace’s characteristics, like the fact that it contains the possibility to resist the generic condition.

In the light of this review and in accordance with the philosophical directions that Gilles Deleuze and Félix Guattari draw in A Thousand Plateaus, this research intends to identify the intervals witnessing the biopolitical dimension of Junkspace by rallying the assemblage theory as hypothesis for the architectural and urban theory. The general postulate is that these intervals are in-between territories functioning as laboratories of assemblages that show a political and resistant architectural practice redefining the very part of the architect.

Three lines of research are deployed. The first one questions the relevance of an architectural assemblage thinking in the context of the current territorial transformations. Operating a crossing with Deleuze and Guattari’s thought, architecture is understood as a process of assembling and re-assembling. The second line of research is questioning the biopolitical dimension of Junkspace identifying the critical points of its assemblages and evaluating the in-between paradox. The third research line is testing the in-between territories potential to create opportunities for new spatial configurations.

Doctorat en Art de bâtir et urbanisme
info:eu-repo/semantics/nonPublished

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Livros sobre o assunto "Deleuze, Gilles. Mille plateaux"

Gagnon, Madeleine. L' instance orpheline: Petite lecture de Mille plateaux de G. Deleuze et F. Guattari. Laval, Québec: Trois, 1991.

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Capítulos de livros sobre o assunto "Deleuze, Gilles. Mille plateaux"

Chastan, Aurélien. "L’ANARCHO-CAPITALISME DANS MILLE PLATEAUX". In Vers Deleuze. Nature, pensée, politique, 295–354. Presses de l'Université Laval, 2018. http://dx.doi.org/10.2307/j.ctv1g247wb.14.

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"The Undecidable and the Fugitive: Mille Plateaux and the State-Form". In Deleuze and Guattari. Bloomsbury Academic, 2019. http://dx.doi.org/10.5040/9781350103122.ch-014.

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de Miranda, Luis. "The Mystique of Esprit de Corps in France in the Twentieth Century". In Ensemblance, 166–93. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474454193.003.0007.

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The traditional critique of esprit de corps in the name of egalitarianism and personal freedom never ran dry in France, contrary to the UK or the USA. While the idea of esprit de corps maintained its strong critical aspect for example in Zola’s J’accuse or later in Bourdieu, a certain mystique of esprit de corps emerged in Bergson and later in Deleuze & Guattari. Esprit de corps was a fundamental notion in Bergson’s The Two Sources of Morality and Religion,whichtransposed to philosophical discourse the individualist idea according to which only a few can innovate, while the masses need esprit de corps. Deleuze and Guattari, in Mille plateaux,proposed a ‘revolutionary’ laudative reading of esprit de corps in their influential chapter on the ‘war machine’. The authors opposed nationalist hegemonies and the state ideologies of grands ensembles by advocating a return to the esprit de corps of small-scale autonomist and creative communities.

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