Bibliografias temáticas / De lauretis, teresa

Literatura científica selecionada sobre o tema "De lauretis, teresa"

Autor: Grafiati
Publicado: 26 de julho de 2024
Última modificação: 27 de julho de 2024

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Artigos de revistas sobre o assunto "De lauretis, teresa"

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Lépinard, Éléonore, e Pascale Molinier. "Entretien avec Teresa de Lauretis". Mouvements 57, n.º 1 (2009): 84. http://dx.doi.org/10.3917/mouv.057.0084.

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Cervulle, Maxime, Françoise Duroux e Lise Gaignard. "« À plusieurs voix » autour de Teresa de Lauretis". Mouvements 57, n.º 1 (2009): 138. http://dx.doi.org/10.3917/mouv.057.0138.

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Creekmuir, Corey K. ": Alice Doesn't: Feminism, Semiotics, Cinema . Teresa de Lauretis." Film Quarterly 40, n.º 1 (outubro de 1986): 48–50. http://dx.doi.org/10.1525/fq.1986.40.1.04a00180.

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Boria, Adriana. "Sujetos, identidades y teorías". Estudios digital, n.º 34 (12 de fevereiro de 2016): 201–6. http://dx.doi.org/10.31050/re.v0i34.13342.

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El título retoma problemáticas que dan origen a este dossier, que además de intentar una suerte de homenaje Teresa De Lauretis nos posibilita pensar la noción de identidad con un margen de apertura necesaria para las diferentes perspectivas que aquí se proponen.
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Parra, Fabiana. "Resonancias feministas latinaomericanas de Sujetos excéntricos de Teresa de Lauretis". Protrepsis, n.º 21 (22 de novembro de 2021): 127–46. http://dx.doi.org/10.32870/prot.i21.316.

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Teresa de Lauretis plantea que para construir un sujeto feminista histórico no homogéneo las mujeres deben encontrar el parámetro de su identidad fuera de las dicotomías del discurso dominante androcéntrico que, si las incluye, es sólo como objetos de sus representaciones. Sin embargo, puesto que el sujeto está constituido por representaciones lingüísticas y culturales, y sus prácticas se encuentran reguladas por varias tecnologías sociales que prescriben y controlan las significaciones sociales; es posible subvertir la lógica androcéntrica y eurocéntrica a través de una posición discursiva excéntrica. Un lugar privilegiado para promover esta posición subversiva es a través de la crítica a la tecnología del cine hegemónico, uno de los aparatos sociales a partir de los cuales se construye la subjetividad; en tanto soporte material y actividad significante. Siguiendo esta dirección, a través de una lectura crítica del cine, es posible desentrañar la ideología que subyace en la representación hegemónica sobre las mujeres, reducidas al papel de objeto y ausentes como sujetos históricos y políticos. Bajo esta hipótesis, este trabajo se propone examinar posiciones discursivas excéntricas que subvierten la lógica dicotómica binaria y jerárquica propia de la Modernidad occidental, que relega a las mujeres al lugar de alteridad en relación a lo masculino y que las pretende homologar bajo la representación de una arquetípica Mujer. Lo cual revela, subsidiariamente, la potencia material que los discursos críticos del cine –posicionados desde el margen- tienen para desestabilizar el poder hegemónico androcéntrico y euronorcéntrico; a favor de un sujeto múltiple, contradictorio, disidente y otro.
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Haselstein, Ulla. "Teresa de Lauretis: Die andere Szene. Psychoanalyse und lesbische Sexualität". Die Philosophin 8, n.º 15 (1997): 111–14. http://dx.doi.org/10.5840/philosophin199781521.

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Lauer, A. Robert. "Freud's Drive: Psychoanalysis, Literature and Film. By Teresa de Lauretis". European Legacy 17, n.º 4 (julho de 2012): 549–50. http://dx.doi.org/10.1080/10848770.2012.686758.

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Creekmuir, Corey K. "Review: Alice Doesn't: Feminism, Semiotics, Cinema by Teresa de Lauretis". Film Quarterly 40, n.º 1 (1986): 48–50. http://dx.doi.org/10.2307/1212313.

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de Lauretis, Teresa. "Genus, kropp och habitusförändring". Tidskrift för genusvetenskap 22, n.º 1 (16 de junho de 2022): 41–52. http://dx.doi.org/10.55870/tgv.v22i1.4321.

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With very few exceptions, gender and the body have been a matter of complete indifference to semiotics, but a central concern of psychoanalysis. In her book Alice Doesn't: Feminism, Semiotics, Cinema (1984) Teresa de Lauretis argued that Peirce's notion of habit effectively bridges the theoretical divide between semiotics and psychoanalysis. In this article she explores the relation of habit to gender.
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Hällgren, Anneli, e Ingrid Nilsson. "I Skyddsängelns gränsland". Tidskrift för genusvetenskap 15, n.º 3 (21 de junho de 2022): 35–48. http://dx.doi.org/10.55870/tgv.v15i3.4885.

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I traditionell film går berättandet patriarkatets ärenden menar forskaren Teresa de Lauretis. För att fä svar på frågan varför kvinnor ändå roas av att se sådan film, studerar hon berättelser i området där semiotik och psykoanalys överlappar varandra. Kvinnor förförs genom dubbel identifikation, menar hon. Men går det inte att i berättelser direkt rikta sig till kvinnliga åskådar subjekt ? Med hjälp av hennes teorier ser vi filmen Skyddsängeln med nya ögon.
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Mais fontes

Livros sobre o assunto "De lauretis, teresa"

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Lauretis, Teresa De. Teresa De Lauretis. Basingstoke: Macmillan, 1985.

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2

Chaudhuri, Shohini. Feminist film theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. London: Routledge, 2006.

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Laurens, Henri. Henri Laurens, (1885-1954): 60 terres cuites. Paris: Galerie Louise Leiris, 1998.

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Laurens, Henri. Henri Laurens, (1885-1954): 60 terres cuites. Paris: Galerie Louise Leiris, 1998.

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Laurens, Henri. Henri Laurens, 1885-1954: Bronzen, Steine, und Arbeiten auf Papier. [Berlin]: Staatliche Museen zu Berlin, Nationalgalerie, 1991.

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Laurens, Henri. Henri Laurens 1885-1954: 60 œuvres, 1915-1954. Paris: Galerie Louise Leiris, 1985.

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Laurens, Henri. Henri Laurens, 1885-1954: Château de Biron, Dordogne, 7 juillet-23 septembre 1990. Périgueux: Conseil général de la Dordogne, 1990.

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Chaudhuri, Shohini. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Taylor & Francis Group, 2006.

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Chaudhuri, Shohini. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Taylor & Francis Group, 2006.

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10

Chaudhuri, Shohini. Feminist Film Theorists: Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed. Taylor & Francis Group, 2006.

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Capítulos de livros sobre o assunto "De lauretis, teresa"

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Iglesias-Díaz, E. Guillermo. "Resisting Binaries: Vulnerability, Agency and the Sovereign Subject Through a Feminist Critical Gaze". In Cultural Representations of Gender Vulnerability and Resistance, 129–46. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-95508-3_8.

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AbstractVulnerability has been traditionally opposed to resistance and agency. However, this proposition has been contested recently as a simplistic opposition of the binary kind: my argument is predicated on the idea that Andrea Arnold is a filmmaker who problematizes these concepts through a self-conscious critical gaze, in particular, in her film Red Road (2008). Drawing from Teresa De Lauretis’ approach to the technologies of gender, I will pay attention to how Arnold inverts the roles traditionally assigned in film: in this case, it is the male character the one under the female gaze, a strategy used by Arnold to question the myth of the sovereign subject. My focus will be on how Arnold presents her characters as vulnerable but always with full agency, and never as victims.
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Robinson, Christopher L. "Making Narrative Connections with Ursula K. Le Guin, Rosi Braidotti, and Teresa de Lauretis". In Palgrave Studies in Science and Popular Culture, 27–46. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82827-1_3.

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"Teresa de Lauretis: Sexing the subject of semiosis". In Feminist Poetics, 45–67. Routledge, 2002. http://dx.doi.org/10.4324/9780203206201-7.

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"Teresa de Lauretis: Sexual Indifference and Lesbian Representation". In The Routledge Reader in Gender and Performance, 302–7. Routledge, 2002. http://dx.doi.org/10.4324/9780203143926-61.

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"Returning Desire and Agency: Simon Frith and Teresa de Lauretis". In Hearing Film, 72–84. Routledge, 2002. http://dx.doi.org/10.4324/9780203900802-8.

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Dawson, Clive. "‘Jane Eyre in the West Indies’". In I Walked With a Zombie, 13–38. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781837645169.003.0003.

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The development of I Walked with a Zombie, from conception to production, is covered in this chapter. RKO purchased the rights to a newspaper article to form the basis of Lewton’s second film, and commissioned a treatment from the article’s author, Inez Wallace. They also engaged Universal screenwriter Curt Siodmak to write the script. However, Lewton rejected both of these works and instead employed first time screenwriter Ardel Wray to write the production script, using a template loosely based on Jane Eye and Rebecca. He also employed specialist black performers and choreographers to ensure the voodoo element of the film was treated with respect. In doing so, he introduced what Teresa de Lauretis described as ‘a proto-feminist and proto-decolonial perspective … long before feminist and decolonial studies became part of the academic, intellectual and political discourse.’
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Moore, Stephen D. "Sex (a thousand tiny sexes, a trillion tiny Jesuses)". In The Bible After Deleuze, 146—C3.N55. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197581254.003.0004.

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Abstract Queer theory’s standard origin story centers on Michel Foucault and Judith Butler, together with Eve Sedgwick and Teresa de Lauretis. This chapter proceeds down a less-traveled road yet to be explored in biblical studies. Deleuze and Guattari’s iconoclastic theory of desire is its point of departure, yielding a concept of the gendered body that is neither discursive (à la Foucault) nor performative (à la Butler) but virtual; a concept of sexuality that overflows the human/nonhuman binary containers no less than the heterosexual/homosexual containers; and an alternative version of queer theory’s “antisocial thesis” that precedes Lee Edelman’s by more than thirty years, namely, Guy Hocquenghem’s Deleuzoguattarian version. Deleuze’s own engagement with Hocquenghem also fuels this chapter. How might Deleuze and Guattari’s hyperqueer theory translate into biblical reading? Addressing this question through an extended analysis of the Gospel of Mark is the main business of the chapter.
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ARBO, Jade Bueno. "O GÊNERO COMO TECNOLOGIA: REPENSANDO A DIFERENÇA SEXUAL NA TEORIA FEMINISTA A PARTIR DE TERESA DE LAURETIS". In FILOSOFIAS, FEMINISMOS E DIVERSIDADE. RFB Editora, 2021. http://dx.doi.org/10.46898/rfb.9786558891468.6.

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Hadlock, Heather. "Drowning in Music: Ophelia’s Death and Feminist Hermeneutics". In Musicology And Sister Disciplines Past,Present,Future, 139–53. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167341.003.0015.

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Abstract Thoughts and affliction, passion, hell itself, She turns to favour and to prettiness. (Hamlet, Act 4 scene v, II. 191-2) In recent years, questions about ‘female vocality’, female singers, and the feminine qualities attributed to musical performance and to music itself have emerged as a diverse yet coherent body of concerns for feminist literary critics and musicologists alike.1 Much of the resulting work, which I have characterized in my title as ‘feminist hermeneutics’, relies on a psychoanalytical model of creativity according to which the artist consolidates himself (sic) against inchoate matter-sound, colour, or line-and against the existential dread of not-being. The fundamental assumption is that Freudian and post-Freudian models of individual development may be mapped onto the creative process; or (to put it the other way round) that the creative process recapitulates the developmental task of individuation, the subject’s sense of an individual self and of mastery over the Other. The artist’s presumed antagonism against his ‘feminine’ material in this model resonates with narrative paradigms that align ‘Woman’ with obstacles to be overcome-a structural presumption summarized in Teresa de Lauretis’s oft-quoted remark that ‘the hero is always male’.2 The result is a system of identification and projection according to
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Trabalhos de conferências sobre o assunto "De lauretis, teresa"

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Piolo, Kryzel Maire E., Cristella Andrea J. Samonte, Carlo S. Emolaga e Jeremiah C. Millare. "Comparison of Organic and Inorganic - Modified Halloysite Nanotube for Improved Drug Delivery of Aspirin". In 2023 7th International Conference on Nanomaterials and Biomaterials & 2023 5th Asia Conference on Material and Manufacturing Technology. Switzerland: Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-h0cjwf.

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Halloysite nanotubes (HNTs), the naturally formed mineral clays with hollow tubular structures, have found promising applications as nanocarriers for drug delivery systems due to their biocompatibility and nontoxicity. By modifying the lumen of HNT, drug delivery of various types of sensitive and low-dissolution drugs could be enhanced. This study presents a comparison of the properties of modified HNTs containing an organic modifier (Sodium Laureth Sulfate, SLES) and an inorganic modifier (Sodium Thiosulfate, STS) as carriers of a slightly water-soluble drug, aspirin. HNTs modified by STS showed higher negative zeta potential than those modified by SLES, indicating that STS-modified HNTs are relatively more stable. The negative zeta potential of STS-modified HNT however decreased upon aspirin loading while that of SLES-modified HNT increased, implying that aspirin interacts with the modifiers differently. In terms of drug release, both modified HNTs showed an improved aspirin release rate compared with pure HNT. Moreover, the STS-modified HNT showed a higher aspirin release (21.5%) in the first hour but the SLES-modified HNT showed the highest cumulative release of 62.5% after 6 hours. These results therefore show that the developed modified HNTs improve the release of aspirin and demonstrate how the nature of the modifier (organic or inorganic) on the HNT lumen affects the behaviour of the drug release of aspirin. This also gives an avenue for modulating drug release based on certain requirements such as time and quantity of drug released.
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Schuhmacher, Jonas, Fabio Gratl, Dario Izzo e Pablo Gómez. "Investigation of the Robustness of Neural Density Fields". In ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-067.

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Recent advances in modeling density distributions, so-called neural density fields [1], can accurately describe the density distribution of even irregular celestial bodies, such as asteroids and comets. This representation has several advantages as it relies on no prior information, converges even inside the Brillouin sphere, and is extensible to heterogeneous density distributions of the celestial bodies [1,2]. The accurate knowledge about the density representation of a body is of crucial interest in several fields. For example, spacecraft operations in close proximity to these bodies require this knowledge to be capable of designing safe and efficient trajectories [3]. However, there are open questions in terms of the robustness of this approach with regard to several factors. Previous work utilized a synthetic gravity signal generated with a mascon model as ground truth [1] or measured data from the OSIRIS-REx mission for the asteroid Bennu [4] to train these neural density fields. Further, the influence of other perturbations (e.g. solar radiation pressure), noise and a potentially weak gravitational signal depending on distance warrant further study. Here, we perform a detailed study of these factors, further investigating the capabilities and robustness of neural density fields. As mascon models discretize the body into point masses, their application is accompanied by the appearance of inaccuracy, especially close to the surface inside the Brillouin sphere. The present work resolves this by using the polyhedral gravity model using the line integral approach capable of analytically computing the gravity tensor given a polyhedral mesh assuming homogeneous density [5, 6]. Herewith, this work presents the obtainable precision of whether a mascon or polyhedral ground truth is used for training the neural network and if the polyhedral model can eliminate errors in the surface region, given its smoother analytical form. Further, we explore the robustness against noise when training the neural network. Noise can appear due to multiple sources like numerical errors of the numerical integration of the gravitational triple integral, measurement errors or due to limited sampling of the volume given spacecraft trajectories. Second, it can result from non-gravitational accelerations like the Yarkovsky effect or solar radiation pressure (suspected to have affected the measurements of [4]). Hence, we investigate the effects of noise in the measurements, adding systematic and random noise to the training data in order to present its impact when compared to training without it. Results are presented in terms of absolute and relative errors but also visually explored in representations of the neural density field and acceleration errors. Another central question is how sparse or weak the gravitational signal can be. This is especially a problem during the approach to the body where – due to distance – the gravitational signal is close to a spherical/ point mass, and any irregularities are more challenging to find. Here, we present different sampling strategies given different distance thresholds and we study the resulting precision while also taking propagated orbits for the sampling process into account. This provides an essential insight into whether neural density fields could be employed in a specific mission scenario or whether the gravitational signal is insufficient. For detailed and robust results, we compare these aspects on several celestial bodies, including 67P Churyumov-Gerasimenko, 433 Eros, 101955 Bennu and 25143 Itokawa. Overall, we thus take the next step on bringing neural density fields to an onboard mission scenario, where they can be a useful and potent tool complementing existing approaches such as polyhedral or mascon models. All data and code used for the study are available online. References: [1] Izzo, D. and Gómez, P., 2021. Geodesy of irregular small bodies via neural density fields: geodesyNets. arXiv preprint arXiv:2105.13031. [2] Cui, Pingyuan, and Dong Qiao. "The present status and prospects in the research of orbital dynamics and control near small celestial bodies." Theoretical and Applied Mechanics Letters 4.1 (2014): 013013. [3] Leonard, J.M., Geeraert, J.L., Page, B.R., French, A.S., Antreasian, P.G., Adam, C.D., Wibben, D.R., Moreau, M.C. and Lauretta, D.S., 2019, August. OSIRIS-REx orbit determination performance during the navigation campaign. In 2019 AAS/AIAA Astrodynamics Specialist Conference (pp. 1-20). [4] von Looz, M., Gómez, P. and Izzo, D., 2021. Study of the asteroid Bennu using geodesyANNs and Osiris-Rex data. arXiv preprint arXiv:2109.14427. [5] Tsoulis, D., 2012. Analytical computation of the full gravity tensor of a homogeneous arbitrarily shaped polyhedral source using line integrals. Geophysics, 77(2), pp.F1-F11. [6] Tsoulis, D. and Gavriilidou, G., 2021. A computational review of the line integral analytical formulation of the polyhedral gravity signal. Geophysical Prospecting, vol. 69, no. 8-9, pp. 1745–1760.
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