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Livros sobre o tema "Danse postmoderne"

Autor: Grafiati

Publicado: 31 de agosto de 2024

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1

Midol, Nancy. La démiurgie dans les sports et la danse: Consciences traditionnelle, moderne et postmoderne. Paris: L'Harmattan, 1995.

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2

Ilkjær, Marianne Olsson. Postmodernismen i dansk arkitektur: International baggrund, dansk debat og praksis. [København: Byggeriets studiearkiv, 1987.

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3

Flemming, Skude, e Petersen Erik Werner, eds. Den Danske debat om postmodernisme. Kbh. [i.e. Copenhagen]: Byggeriets studiearkiv, BSA, 1985.

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4

Louis, Murray. Murray Louis on dance. Chicago, IL: A Cappella Books, 1992.

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5

Portzamparc, Christian de. De la danse: Ecole du ballet de l'Opéra de Paris à Nanterre. Paris: Editions du Demi-Cercle, 1990.

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6

Tampini, Marina. Cuerpo e ideas en danza: Una mirada sobre el Contact improvisation. Buenos Aires: IUNA, Instituto Universitario Nacional de Arte, 2012.

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7

Louis, Murray. Murray Louis ondance. Chicago, IL: A Cappella Books, 1992.

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8

Silva, Eliana Rodrigues. Dança e pós-modernidade. Salvador: EDUFBA, 2004.

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9

Klein, Susan Blakeley. Ankoku Butō: The premodern and postmodern influences on the dance of Utter Darkness. Ithaca, N.Y: East Asia Program, Cornell University, 1988.

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10

Alison, Lee. Realism and power: Postmodern British fiction. London: Routledge, 1990.

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11

Inc, NetLibrary, ed. The Holocaust and the postmodern. Oxford: Oxford University Press, 2004.

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12

Paterson, Janet M. Moments postmodernes dans le roman québécois. Ottawa, Ont: Presses de l'Université d'Ottawa, 1990.

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13

Varsava, Jerry A. Contingent meanings: Postmodern fiction, mimesis, and the reader. Tallahassee: Florida State University Press, 1990.

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14

Bültzingslöwen, Cora von. Unorthodox: Wegbereiterinnen der tänzerischen Moderne und Postmoderne in Texten und Bildern : Maya Plisetkaya, Marcia Haydée, Gelsey Kirkland, Sylvie Guillem, Pina Bausch. Wilhelmshaven: Florian Noetzel Verlag, 2020.

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15

Dyke, Jan Van. Modern dance in a postmodern world: An analysis of federal arts funding and its impact on the field of modern dance. Reston, VA: National Dance Association, 1992.

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16

1952-, Osborne Richard, e Kidd-Hewitt David 1944-, eds. Crime and the media: The postmodern spectacle. London: Pluto Press, 1995.

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17

Tabbi, Joseph. Postmodern sublime: Technologyand American writing from Mailer to Cyberpunk. Ithaca, N.Y: Cornell University Press, 1995.

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18

Folks, Jeffrey J. From Richard Wright to Toni Morrison: Ethics in modern & postmodern American narrative. New York: P. Lang, 2001.

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19

Aponte, Marianna Ramírez. Coreografia del error, CONDUCTA de Viveca Vázquez. San Juan: Museo de Arte Contemporáneo de Puerto Rico, 2013.

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20

Rojo, Antonio Benítez. The repeating island: The Caribbean and the postmodern perspective. Durham: Duke University Press, 1992.

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21

Jarvis, Brian. Postmodern cartographies: The geographical imagination in contemporary American culture. New York: St. Martin's Press, 1998.

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22

Daly. Postmodern Dance Americ Dance. Taylor & Francis Group, 2004.

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23

Daly. Postmodern Dance Americ Dance. Taylor & Francis Group, 2004.

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24

Kirk, Johanna. Becomings: Pregnancy, Phenomenology, and Postmodern Dance. Routledge, Chapman & Hall, Incorporated, 2024.

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25

Banes, Sally. Terpsichore in Sneakers. Wesleyan University Press, 2011.

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26

Banes, Sally. Terpsichore in Sneakers: Post-Modern Dance. Wesleyan University Press, 2011.

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27

Reinventing Dance in the 1960s: Everything Was Possible. University of Wisconsin Press, 2003.

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28

(Foreword), Mikhail Baryshnikov, Andrea Harris (Contributor) e Sally Banes (Editor), eds. Reinventing Dance in the 1960s: Everything Was Possible. University of Wisconsin Press, 2003.

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29

Eḳstremum: Mabaṭim ʻal yetsiratah shel Yasmin Goder. Petaḥ-Tikṿah: Muzeʼon Petaḥ-Tiḳvah le-omanut, 2014.

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30

Postmodern sexualities. London: Routledge, 1996.

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31

Ramsay, Burt. Judson Dance Theater. Routledge, 2006.

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32

Brandstetter, Gabriele. Showing Dance. Editado por Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.49.

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The lecture performance is a format in contemporary dance, established since the 1990s in various pieces by choreographers and performers from different fields. This chapter draws on the history, aesthetics, and theory of the lecture performance from modern dance and the avant-garde to postmodern dance, and discusses examples of contemporary lecture performance, including Xavier Le Roy, Jérôme Bel, Lindy Annis, Martin Nachbar, among others. Starting from current definitions of “performance,” the chapter focuses on questions of the “solo”—the model of showing/demonstrating that is part of the performative and epistemic presentation of the lecture performance—and questions of gesture and movement, and shows the different formats choreographers have developed for the lecture performance. It also traces the question of media and the intersection of art forms, and shows how audiovisual media are integrated in the process of lecturing/performing.

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33

The Wise Body: Conversations with Experienced Dancers. Intellect Ltd, 2011.

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34

Rossen, Rebecca. Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. Oxford University Press, Incorporated, 2014.

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35

Rossen, Rebecca. Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. Oxford University Press, 2014.

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36

Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. Oxford University Press, Incorporated, 2014.

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37

Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance. Oxford University Press, 2014.

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38

Zuschreibung und Befremden: Postmoderne Repräsentationskrise und verkörpertes Wissen im balinesischen Tanz. Berlin: Reimer, 2005.

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39

Making Dances That Matter: Resources for Community Creativity. Wesleyan University Press, 2019.

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40

Burt, Ramsay. Judson Dance Theater: Performative Traces. Taylor & Francis Group, 2006.

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41

Burt, Ramsay. Judson Dance Theater: Performative Traces. Taylor & Francis Group, 2006.

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42

Burt, Ramsay. Judson Dance Theater: Performative Traces. Taylor & Francis Group, 2006.

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43

Burt, Ramsay. Judson Dance Theater: Performative Traces. Taylor & Francis Group, 2006.

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44

Burt, Ramsay. Judson Dance Theater: Performative Traces. Taylor & Francis Group, 2006.

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45

Judson Dance Theater: Performative traces. New York, NY: Routledge, 2007.

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46

Carter, Julian B. Chasing Feathers. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0006.

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This chapter puts Jerome Bel’s 2004 dance Veronique Doisneau in conversation with recent critical work on re-enactment to explore the complex temporal politics that emerge when postmodern dance draws on and restages classical forms. The chapter describes how such restaging can make time fold and pleat around dancing bodies and their audiences, soliciting embodied participation in the power structures of both past and present.

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47

Barry Hannah, postmodern romantic. Baton Rouge: Louisiana State University Press, 1998.

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48

Emerging Bodies: The Performance of Worldmaking in Dance and Choreography. transcript Verlag, 2014.

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49

Feminist fabulation: Space/postmodern fiction. Iowa City: University of Iowa Press, 1992.

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50

Realism and Power: Postmodern British Fiction. Routledge, 2014.

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