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Artigos de revistas sobre o tema "Daniel II"

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Publicado: 25 de julho de 2024

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1

Wiermann, Barbara. "Bach und Palestrina - Einige praktische Probleme II". Bach-Jahrbuch 89 (12 de março de 2018): 225–28. http://dx.doi.org/10.13141/bjb.v20031768.

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Anschließend an die im vorstehenden Beitrag von Daniel R. Melamed geäußerten Fragen hinsichtlich einiger Probleme eines Stimmensatzes zu Palestrinas Missa Ecce sacerdos magnus aus J. S. Bachs Notenbibliothek, den die Autorin im BJ 2002 vorstellte, werden einige der dort aufgeworfenen Fragen weiterverfolgt. Erwähnte Artikel: Barbara Wiermann: Bach und Palestrina. Neue Quellen aus Johann Sebastian Bachs Notenbibliothek. BJ 2002, S. 9-28 Daniel R. Melamed: Bach und Palestrina - Einige praktische Probleme I. BJ 2003, S. 221-224 Weiterführender Artikel: Daniel R. Melamed: Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi Palestrina. BJ 2012, S. 73-94

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2

Sullivan, Daniel. "Remarks by Daniel Sullivan". Proceedings of the ASIL Annual Meeting 113 (2019): 115–17. http://dx.doi.org/10.1017/amp.2019.159.

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Today, the world is facing the highest numbers of internally displaced persons and refugees since at least World War II. Addressing this crisis involves several challenges regarding the law and politics of displacement. To see how this plays out, it is helpful to zero in on a particular case. The case of the Rohingya minority from Myanmar who have been pushed out into Bangladesh is a particularly acute case, one involving atrocity crimes and ethnic cleansing.

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3

Hynes, Darren, e Bernard Wills. "Politicizing Biology: Daniel Dennett'sBreaking the Spell: Part II". Toronto Journal of Theology 27, n.º 2 (setembro de 2011): 235–48. http://dx.doi.org/10.3138/tjt.27.2.235.

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4

Eckblad, Jim. "Ecopath II. Version 2.12.Villy Christensen , Daniel Pauly". Quarterly Review of Biology 69, n.º 3 (setembro de 1994): 441–42. http://dx.doi.org/10.1086/418740.

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5

Mastin, B. A. "The Reading of 1Qdana At Daniel Ii 4". Vetus Testamentum 38, n.º 3 (1988): 341–46. http://dx.doi.org/10.1163/156853388x00094.

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6

Wisniak, Jaime. "Daniel Berthelot. Part II. Contribution to electrolytic solutions". Educación Química 21, n.º 3 (julho de 2010): 238–45. http://dx.doi.org/10.1016/s0187-893x(18)30089-2.

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7

Maiorov, Alexander V. "The Cult of St. Daniel the Stylite Among the Russian Princes of the Rurik Dynasty". Slavic and East European Journal 59, n.º 3 (2015): 345–66. http://dx.doi.org/10.30851/59.3.001.

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The influence of Grand Princess Euphrosyne (second wife of Prince Roman Mstislavovitch) explains the appearance among the Galician-Volhynian princes of Christian names which were unusual and unique for the Rurikides. This is the name Daniel, which was later included into the name list of the Moscow princes. This name spread among the princes due to the expansion of the cult of St Daniel the Stylite and the rising interest in the attributes of Stylitism. This can be seen in sphragistics and in the numerous architectural monuments of Galician-Volhynian Rus' of the 13th–early 14th century. Thanks to the family links between the Galician-Volhynian and the Vladimir-Suzdal princes, this cult spread in the North-Eastern Rus' and later to Moscow. The fact that Euphrosyne of Galicia was the daughter of Basileus Isaak II explains the unexpected rise of interest in Stylitism among the princes of Rus' and their milieu. According to Niketas Choniates, Emperor Isaak II especially sympathized with the Stylites and the ascetics and patronized them. Thus he astonished his contemporaries, since the Stylites had lost the influence over the emperors that they had exerted at the time of iconoclasm. The Byzantine hagiography concerning Sts. Daniel the Stylite and Leo the Great Tsar explains the connection between the names of Daniel and Leo among the descendants of Roman Mstislavich. Daniel the Stylite was the spiritual father and the main adviser of Emperor Leo I. Apparently this relationship was reflected in the names of the father and the son, the Galician-Volhynian princes Daniel Romanovich and Lev Danilovich.

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8

Shanahan, Daniel. "Empirical Musicology: An Interview with David Huron Part II". Empirical Musicology Review 15, n.º 3-4 (28 de junho de 2021): 249–64. http://dx.doi.org/10.18061/emr.v15i3-4.8103.

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On the occasion of David Huron's retirement, EMR Editor, Daniel Shanahan, recently interviewed him regarding research methodology, public musicology, music and emotion, formal theory, the place of biology in music studies, and other topics. The second of two interviews.

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9

Lundbom, Jack R. "Builders of Ancient Babylon: Nabopolassar and Nebuchadnezzar II". Interpretation: A Journal of Bible and Theology 71, n.º 2 (29 de março de 2017): 154–66. http://dx.doi.org/10.1177/0020964316688050.

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Nebuchadnezzar II looms large in the biblical books of Jeremiah and Daniel, the apocryphal literature, and writings of the classical authors. This article focuses on the building activity of Nebuchadnezzar II and his father Nabopolassar and describes also an inscribed brick found among the ruins of ancient Babylon.

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10

Kubies, Grzegorz. "Orkiestra króla Nabuchodonozora II czy zespół Antiocha IV Epifanesa? Kilka uwag muzykologa". Ruch Biblijny i Liturgiczny 58, n.º 2 (30 de junho de 2005): 135. http://dx.doi.org/10.21906/rbl.589.

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The article is an attempt to answer two questions set at the beginning of the article about the instruments and the origin of the band described in the book of Daniel 3: 5, 7, 10 and 15. After short historical remarks, the current knowledge about the instruments mentioned in the book of Daniel is presented. To all of the seven terms (for comparative purposes) Greek and Latin equivalents were added, as well as the etymology. In case of the disputable terms the most important hypothesis were put forward, forming (more than once erroneously) mainly through the translational practice an image of the musical scene.In the next part, first the Hellenic (2nd century B. C.) and then – supported by the author – Mesopotamian (6th century B. C.) hypothesis about the origin of the band are discussed. The subject of the article is set in the context of the reflections on the musical cultures of ancient Greece and Mesopotamia. The musicological discourse is based in the first place on the preserved iconographical evidence and, to a lesser degree, on the stationery one. Five modern Polish translations of Daniel 3: 5, 7, 10 and 15 and a comment on them form the final part of the article.

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11

Hall, Kevin T. "Michigan in World War II by Daniel W. Mason". Michigan Historical Review 48, n.º 1 (março de 2022): 152–53. http://dx.doi.org/10.1353/mhr.2022.0015.

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12

Waller, Daniel James. "Sympathy for a Gentile King: Nebuchadnezzar, Exile, and Mortality in the Book of Daniel". Biblical Interpretation 28, n.º 3 (4 de junho de 2020): 327–46. http://dx.doi.org/10.1163/15685152-00283p03.

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Abstract Nebuchadnezzar II sacked Jerusalem and destroyed its temple. Yet he emerges in Daniel 1-4 as a compelling and sometimes sympathetic hero-villain. Drawing upon the concept of the story-collection, this article considers the implications of this genre for character formation, examines the further thematic means by which Nebuchadnezzar’s sympathetic characterization is generated in the book of Daniel, and explains his character in terms that make his often contradictory nature understandable across the text of the book. This article argues that Nebuchadnezzar’s dreams reflect deep-seated anxieties about his own mortality and relates these anxieties about death and time to Daniel’s broader themes of time, mortality, and exile. It suggests an analogy between the death of the self and the death of one’s state, and suggests that Nebuchadnezzar’s portrayal in Daniel has a role to play in our understanding of Daniel as a reflection upon life in exile.

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13

Wentz, Margaret R. "Camden Harbor II and Cape Cod Cottage Garden II by Daniel Anthony Daly". Mayo Clinic Proceedings 92, n.º 8 (agosto de 2017): e117. http://dx.doi.org/10.1016/j.mayocp.2017.06.001.

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14

Ceran, Tomasz. "Masakry czy ludobójstwo?" Rocznik Polsko-Niemiecki, n.º 28 (17 de dezembro de 2020): 265–75. http://dx.doi.org/10.35757/rpn.2020.28.01.

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15

Seferian, Gustavo. "Ecossocialismo e humanismo". Germinal: Marxismo e Educação em Debate 13, n.º 2 (17 de setembro de 2021): 515–34. http://dx.doi.org/10.9771/gmed.v13i2.45211.

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Reconhecendo a popularização do ecossocialismo nos debates públicos contemporâneos e a perda de parte de seus sentidos neste processo, o artigo busca resgatar uma de suas bases de sustentação – o humanismo –, passando pela (i) breve exposição dos principais elementos de caracterização teórico-práticos do ecossocialismo; (ii) resgate de suas bases desde um humanismo naturalista que exsurge da obra de Karl Marx; (iii) distanciando o ecossocialismo pelas suas próprias linhas estruturantes de outras correntes ecológicas de caráter anti-humanismo tomando as formulações de Daniel Bensaïd, Daniel Tanuro e Michael Löwy.

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16

Glazer, Nathan. "In Memoriam: Daniel BELL (1919-2011)". Tocqueville Review 32, n.º 1 (janeiro de 2011): 5–9. http://dx.doi.org/10.3138/ttr.32.1.5.

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Daniel Bell, the distinguished and influential American sociologist and social theorist, died at the age of 91 years in January, 2011. Bell had an amazingly wide range of interests and knowledge. While he could be called a sociologist—he had served as a professor of sociology at Columbia University, and then as Henry Ford II Professor of Sociology at Harvard University—his academic life came after a long and varied career in serious journalism, as managing editor of the socialist weekly The New Leader, as editor of Common Sense, and as an editor and writer on the American business magazine Fortune. He also founded, with Irving Kristol, and edited for some years, the influential American quarterly The Public Interest.

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17

Göpfert, Eberhard, e Förderverein Künstlerfamilie Sommer. "Rezension von: Förderverein Künstlerfamilie Sommer e.V. (Hrsg.), Der Kabinettschrank des Würzburger Fürstbischofs Johann Gottfried von Guttenberg von Johann Daniel Sommer". Württembergisch Franken, n.º 90/91 (17 de janeiro de 2023): 404–5. http://dx.doi.org/10.53458/wfr.vi90/91.4861.

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Förderverein Künstlerfamilie Sommer e.V. (Hg.): Der Kabinettschrank des Würzburger Fürstbischofs Johann Gottfried von Guttenberg von Johann Daniel Sommer. Texte von Ursula Angelmaier, Ulli Freyer und Andrea Huber. Meisterwerke II, Künzelsau (Swiridoff) 2004, 40 S., Farbtafeln, Abb.

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18

Pléh, Csaba. "Interjú Daniel Sperberrel, az MTA tiszteleti tagjával". Magyar Pszichológiai Szemle 69, n.º 3 (1 de setembro de 2014): 603–4. http://dx.doi.org/10.1556/mpszle.69.2014.3.8.

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A Magyar Tudományos Akadémia 184. közgyűlése 2013. május 6-án olyan új tiszteleti tagot választott, aki, ha nem is pszichológus, a kognitív tudomány, antropológia és pragmatika képviselőjeként lett a II. (Filozófiai és Történettudományi) Osztályának tagja, Kiefer Ferenc, Pataki Ferenc és Pléh Csaba ajánlásával. Spreber székfoglaló előadását Rethining reasoning címmel 2014. február 20-án tartotta meg az MTA székházában.Szerkesztőségünk — szokásának megfelelően — a gratulációnak azt a formáját választotta, hogy a szakmánk megbecsültségét mutató és tekintélyét növelő új taggal rövid személyes (elektronikus levelezésen alapuló) interjút készítettünk.

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19

Gilmartin, Daniel. "Daniel, Lost Revolutions - The South In The 1950s". Teaching History: A Journal of Methods 29, n.º 2 (1 de setembro de 2004): 109–10. http://dx.doi.org/10.33043/th.29.2.109-110.

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Lost Revolutions characterizes the two decades following World War II as a period of missed opportunity in terms of racial relations in the postwar South. Daniel grapples with mercurial and sometimes contradictory evidence in trying to make a case that racial relations in the South could have been very different. While providing much discussion and anecdote that is worthwhile to the teacher of U.S. history, he fails to convince the reader of the validity of his main assertion.

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20

J, Galvão-Alves. "Editorial: Sobre o Academia na Serra II". Anais da Academia Nacional de Medicina 192, Especial (2021): 7. http://dx.doi.org/10.52130/0001.3838.anm2021v.192n.especial.editorial.p.7.

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Os Anais da Academia Nacional de Medicina (ANM), a primeira revista científico-cultural de nosso país, circulam ininterruptamente desde a primeira metade do século XIX. Embora não indexada, retrata a história de nossa Academia nestes últimos 190 anos, e ilustram a produção científica de muitos de nossos acadêmicos. Neste número, retratamos a participação da ANM na Serra Fluminense, onde o acadêmico e professor Cláudio Tadeu Daniel-Ribeiro organizou um excelente simpósio, em comunhão com a Faculdade de Medicina de Petrópolis e com o apoio da Fiocruz. Esta atividade da ANM tem por principal objetivo contribuir e estimular aos jovens estudantes de Medicina a tornarem-se amantes e admiradores da arte médica.

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21

Nachman, Patricia, e Elizabeth M. Carr. "Prologue: Daniel Stern: Contributions to Psychoanalysis and Developmental Psychology, Part II". Psychoanalytic Inquiry 38, n.º 2 (16 de fevereiro de 2018): 113–15. http://dx.doi.org/10.1080/07351690.2018.1405662.

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Carr, Elizabeth M., e Patricia Nachman. "Epilogue: Daniel Stern: Contributions to Psychoanalysis and Developmental Psychology, Part II". Psychoanalytic Inquiry 38, n.º 2 (16 de fevereiro de 2018): 172–73. http://dx.doi.org/10.1080/07351690.2018.1405684.

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23

Baxter, Maurice, Kenneth E. Shewmaker, Kenneth R. Stevens, Charles M. Wiltse e Alan R. Berolzheimer. "The Papers of Daniel Webster: Diplomatic Papers. Vol. II: 1850-1852". Journal of American History 75, n.º 3 (dezembro de 1988): 951. http://dx.doi.org/10.2307/1901626.

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Levantovskaya, Margarita. "The Russian-Speaking Jewish Diaspora in Translation: Liudmila Ulitskaia's Daniel Stein, Translator". Slavic Review 71, n.º 1 (2012): 91–107. http://dx.doi.org/10.5612/slavicreview.71.1.0091.

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Liudmila Ulitskaia's 2006 novel, Daniel' Shtain, pervodchik (Daniel Stein, Translator), explores the experience of the Russian-speaking diaspora in the aftermath of World War II through a focus on Jewish immigrants in Israel who convert to Christianity. The novel's treatment of the divisive topic of Jewish to Christian conversion is enabled by the author's reliance on the theoretical and allegorical values of translation. Evoking advancements in twentieth-century translation studies through its broad treatment of translation and critique of the investment in the notion of fidelity to the original, be it language or identity, the novel advocates for the acceptance of the transformations and the resulting hybridity of the Jewish diasporic self. Daniel Stein, Translator specifically highlights the influence of the Soviet nationalities policies and the Nazi occupation of eastern Europe on the identity metamorphoses of Soviet Jews. By promoting the legitimacy of the expressions of Jewish identity by immigrants from the USSR through her novel, Ulitskaia proposes an expanded and anti-essentialist view of Jewish identity that would include individuals traditionally viewed as apostates.

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25

Todic, Branislav. "An inquiry into the girls school at Serbian Queen Helen’s court". Prilozi za knjizevnost, jezik, istoriju i folklor, n.º 85 (2019): 3–14. http://dx.doi.org/10.2298/pkjif1985003t.

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Archbishop Daniel II wrote The Life of Queen Helen about ten years after the death of this Serbian queen (1314), wife to King Uros I. It is a work of complex structure which features a harmonious intertwining of information from the biography of queen and nun Helen with an extensive exposition of the author. The work depicts the Queen?s early commencement of good deeds: she fed the poor, clothed the naked, hosted the homeless and richly donated to churches and priests. ?She was not pleased only with this,? says the Life at a later place, ?but she also added another virtue to that; she ordered that in all of her lands the daughters of poor parents should be assembled, and feeding them at her court, she brought them up in all good manners and handiwork befitting the female sex.? This place drew critical attention very early on, having been interpreted as the foundation of the first girls school in Serbia, and it remains the most popular part of the Life until the present day. However, that passage can only be found in one copy of the Life of Queen Helen - the most recent one, from 1780 (The Library of the Serbian Patriarchate in Belgrade, Cod. 51). That circumstance, as well as the fact that the quoted passage contains words not used by Archbishop Daniel II, may lead us to a conclusion that it is actually an interpolation into the Life?s original text. The story of a girls school at Queen Helen court was taken from Zaharija Orfelin?s book The History of Peter the Great, printed in 1772, which copiously described Tsarina Catherine II?s merits in educating female and poor children in Russia. The information from Orfelin?s book was transposed and adapted to the style of Daniel II?s text, and the characteristics of the enlightened Russian Tsarina were projected onto the person of Serbian Queen Helen. That was done very skilfully, due to which this interpolation in The Life of Queen Helen has so far been undetected.

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Martínez Martínez, Faustino. "Umberto Eco (coord.). La Edad Media. I. Bárbaros, cristianos y musulmanes. Traducción: Omar Daniel Alva Barrera y Dennis Peña Torres. Revisión Técnica: Juan Carlos Rodríguez Aguilar. Sección Obras de Historia. México, Fondo de Cultura Económica, 2015. 864". De Medio Aevo 14 (4 de maio de 2020): 185–89. http://dx.doi.org/10.5209/dmae.67869.

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Reseña de la obra de Umberto Eco (coord.). La Edad Media. I. Bárbaros, cristianos y musulmanes. Traducción: Omar Daniel Alva Barrera y Dennis Peña Torres. Revisión Técnica: Juan Carlos Rodríguez Aguilar. Sección Obras de Historia. México, Fondo de Cultura Económica, 2015. 864 p. ISBN. 978-607-16-3447-4 (Rústica). 978-607-16-4250-9 (electrónico-epub). 978-607-16-4301-8 (electrónico-mobi) + II. Catedrales, caballeros y ciudades. Traducción: Jorge Enrique Popoca López y Omar Daniel Alva Barrera. Revisión Técnica: Juan Carlos Rodríguez Aguilar. Sección Obras de Historia. México, Fondo de Cultura Económica, 2018. 794 p. ISBN. 978-607-16-5835-7 (Obra Completa). 978-607-16-5836-4 (Tomo II) + III. Castillos, mercaderes y poetas. Traducción: José Andrés Ancona Quiroz. Sección Obras de Historia. México, Fondo de Cultura Económica, 2018. 993 p. ISBN. 978-607-16-5837-1 (Tomo III).+ IV. Exploraciones, comercio y utopías. Traducción de José Andrés Ancona Quiroz. Sección de Obras de Historia. México, Fondo de Cultura Económica, 2019. 829 p. ISBN. 978-607-16-58388 (Tomo IV).

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Melamed, Daniel R. "Bach und Palestrina - Einige praktische Probleme I". Bach-Jahrbuch 89 (12 de março de 2018): 221–24. http://dx.doi.org/10.13141/bjb.v20031767.

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Anknüpfend an den im BJ 2002 veröffentlichten Artikel von Barbara Wiermann zu J. S. Bachs Auseinandersetzung mit der altklassischen Vokalpolyphonie stellt Daniel R. Melamed einige Aspekte der dort vertretenen Darstellung der Funktion eines Stimmensatzes zu Palestrinas Missa Ecce sacerdos magnus in Bachs Notenbibliothek in Frage. Abschließend stellt er fest, dass der Stimmensatz als solcher keine Aufführung der Messe dokumentiere, sondern die Absicht dazu. Erwähnter Artikel: Barbara Wiermann: Bach und Palestrina. Neue Quellen aus Johann Sebastian Bachs Notenbibliothek. BJ 2002, S. 9-28 Weiterführende Artikel: Barbara Wiermann: Bach und Palestrina - Einige praktische Probleme II. BJ 2003, S. 225-228 Daniel R. Melamed: Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi Palestrina. BJ 2012, S. 73-94

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CT, Daniel-Ribeiro, Oliveira CAB, Silva MA, Cerqueira PP e Cerri GG. "Relíquias da Academia Nacional de Medicina – II". Anais da Academia Nacional de Medicina 192, Especial (2021): 19–25. http://dx.doi.org/10.52130/0001.3838.anm2021v.192n.especial.p.19-25.

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Conforme anunciamos em número anterior [191 (3) 2020] dos Anais da Academia Nacional de Medicina (ANM), os Diretores das Unidades integrantes do Centro da Memória Médica (CMM) da ANM (Arquivo - Cláudio Tadeu Daniel-Ribeiro, Biblioteca - Carlos Alberto Basílio de Oliveira e Museu - Giovanni Guido Cerri) decidiram eleger mensalmente uma Relíquia da ANM escolhida em rodízio entre aquelas do Arquivo Sergio d’Avila Aguinága, da Biblioteca Alfredo Nascimento e do Museu Inaldo de Lyra Neves-Manta. Assim, a partir do número 3 do volume 191 dos Anais, cada número (trimestral) dos Anais da ANM passou a conter um artigo com as fotos de três Relíquias do trimestre, uma relativa a cada Unidade do CMM, com um pequeno trecho descrevendo suas origens e importância.

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Daniel, Ladislav. "Flauto dolce in the Post-War Context of Art Synesthesia". Paedagogia Musica 5 (2023): 31–44. http://dx.doi.org/10.24132/zcu.musica.2023.05.31-44.

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The postwar situation changed the social atmosphere in the whole world. After World War I, the Dadaist movement and surrealism appeared, like after World War II, Arte povera, or Informel. Artists began to deal with new approaches to art. Interest now was taken in its various branches and among the people a desire for artistic creation increased. The period of general postwar euphoria brought new hope, a resolution to create a new society in the best sense of the word, and bring new ideas into education. In this context, Ladislav Daniel entered and introduced his concept of education. After Orff’s and Kodály’s model, Ladislav Daniel also endeavored to improve music education. Zoltán Kodály himself never wrote a complex method of music education but it should be based on his principles. These were adopted by teachers in many countries, including Ladislav Daniel. Ladislav Daniel‘s revolutionary challenge was writing the school for the soprano recorder and later for the alto recorder (flauto dolce). Another foundation of Daniel’s reform of music education was intonation training by method of tonal method of singing, developed from the work of Guido of Arezzo, a remarkable composer and theoretician of music of the Middle Ages.

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Yousif, Alex. "Abductive Reasoning and an Omnipotent God: A Response to Daniel Came". European Journal for Philosophy of Religion 9, n.º 4 (19 de dezembro de 2017): 239–44. http://dx.doi.org/10.24204/ejpr.v9i4.1827.

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Daniel Came (2017) boldly argues that given certain assumptions, no omnipotent being can even in principle be the best explanation for some contingent state of affairs S. In this paper, I argue that (i) even given Came’s assumptions, his argument rests crucially on a non sequitur, that (ii) he just assumes that the prior probability of God’s existence is very low, and that (iii) his conclusions entail propositions that are very probably false.

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WINKLER, AMANDA EUBANKS. "‘O ravishing delight’: the politics of pleasure in The Judgment of Paris". Cambridge Opera Journal 15, n.º 1 (março de 2003): 15–31. http://dx.doi.org/10.1017/s0954586703000156.

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London composers competed for a music prize in 1701, setting William Congreve's libretto on the judgment of Paris, a beauty contest among Juno, Pallas and Venus. Paris, contest judge, exiled prince and amorous shepherd, prefers Venus, placing love above Juno's promised empire and Pallas's martial success. This essay reveals the general political meanings of the judgment of Paris myth, shows how the tale had been used to critique Charles II and James II, examines the political beliefs of the sponsors and librettist, and demonstrates how music by John Eccles, Daniel Purcell and John Weldon supported the politics of Congreve's libretto.

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Blumenfeld, Jacob. "After Marx, the Deluge". Historical Materialism 26, n.º 1 (29 de setembro de 2018): 194–222. http://dx.doi.org/10.1163/1569206x-12341530.

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Abstract ‘After Marx’ or ‘According to Marx’. Thus translates the intentionally ambiguous title of ‘Nach Marx’, an international collection of twenty diverse essays in German on Marx and social philosophy today. ‘Nach Marx’ contains over five hundred pages of contributions from twelve prominent German philosophers and sociologists (Hauke Brunkhorst, Alex Demirović, Rainer Forst, Axel Honneth, Rahel Jaeggi, Daniel Loick, Andrea Maihofer, Oliver Marchart, Christoph Menke, Hartmut Rosa, Michael Quante, Titus Stahl), six American political philosophers, German idealists, and historians (Wendy Brown, Daniel Brudney, Raymond Geuss, Frederick Neuhouser, Terry Pinkard, Moishe Postone), along with a British Hegelian philosopher (Andrew Chitty) and a French political thinker (Étienne Balibar). Although the book is divided into six themed parts (I. Freedom and Community, II. Normativity and Critique, III. Truth and Ideology, IV. Right and Subjectivity, V. Critique of Capitalism and Class Struggle, VI. Political Praxis), the essays are mostly individual excurses in Marx scholarship.

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Vogels, Walter. "Les livres des Prophètes II. Ézékiel, Daniel, les douze petits prophètes. Commentaire pastoral". Studies in Religion/Sciences Religieuses 29, n.º 2 (junho de 2000): 257. http://dx.doi.org/10.1177/000842980002900239.

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Guilfoyle, James E. "The Religious Development of Daniel O’Connell, II: The Making of a Devotional Catholic". New Hibernia Review 2, n.º 4 (dezembro de 1998): 115–32. http://dx.doi.org/10.1353/nhr.1998.a926645.

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Acosta-Román, Mercedes, Charles Frank Saldaña-Chafloque, Juan Angel Guerra-Comun, Martha Isabel Calderon-Sullca, Ana Maria Crusatt-Vila e Rosa Hisela Vanesa Utus-Herrera. "La etnobotánica de plantas medicinales y su deterioro en una comunidad de la sierra del Perú". TAYACAJA 6, n.º 2 (28 de dezembro de 2023): 62–78. http://dx.doi.org/10.46908/tayacaja.v6i2.215.

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Objetivo: Identificar etnobotánicamente las plantas medicinales y su inclinación al deterioro de la Comunidad Andina de Daniel Hernández. Metodología: Estudio descriptivo, población de 438 familias y una muestra de 205 familias de la Comunidad Andina de Daniel Hernández, Huancavelica, Perú; se empleó la técnica de entrevista del tipo semiestructurada, posteriormente se efectuó la recolección de las plantas medicinales brindadas por los entrevistados; luego, se realizó las determinaciones taxonómicas, logrando de esta forma obtener información respecto a las enfermedades que son tratadas con plantas medicinales, según la OMS; en la determinación de especies medicinales con inclinación al deterioro, se clasificados según lo siguiente: Nivel I (nivel muy bajo) menor a 10; Nivel II (nivel bajo) 11 a 20; Nivel III (nivel medio) 21 a 30; Nivel IV (nivel alto) 31 a 40; y, Nivel V (nivel muy alto) mayor a 41. Resultados: Se reporta las plantas medicinales empleadas siendo 63 familias, 142 géneros y 144 especies; también, se reporta la diversidad de plantas medicinales con inclinación al deterioro siendo 53 familias, 93 géneros y 101 especies, catalogándose en el nivel V de especies en deterioro. Conclusiones: Una elevada diversidad de plantas medicinales halladas en la Comunidad Andina de Daniel Hernández, las cuales presentan un alto nivel con tendencia a la pérdida de población de especies de plantas medicinales.

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Wesselius, J. W. "Language and Style in Biblical Aramaic: Observations On the Unity of Daniel Ii-Vi". Vetus Testamentum 38, n.º 2 (1988): 194–209. http://dx.doi.org/10.1163/156853388x00373.

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Wiermann, Barbara. "Bach und Palestrina. Neue Quellen aus Johann Sebastian Bachs Notenbibliothek". Bach-Jahrbuch 88 (9 de março de 2018): 9–28. http://dx.doi.org/10.13141/bjb.v20021739.

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Johann Sebastian Bachs Interesse an der Musik Giovanni Pierluigi da Palestrinas war bisher nur durch einen Stimmensatz von Palestrinas <Missa sine nomine> aus Bachs Besitz belegt (D-B, Mus. ms. 16714). Ein kaum beachteter Stimmensatz aus den Beständen der Singakademie zu Berlin (Palestrina, 'Missa Ecce sacerdos magnus'; D-Bsak SA 424, geschrieben von Johann Christoph Altnickol und Bach) dokumentiert, dass Bach in den 1740er Jahren die Aufführungen mehrerer Palestrina-Messen andachte. Eine bisher unbekannte Partitur mit einzelnen Sätzen aus sechs Messen Palestrinas belegt, dass Bach sich nicht erst am Ende seines Lebens mit Palestrina auseinander setzte, sondern ihn bereits in seinen Weimarer Jahren studierte. (Autor, Quelle: Bibliographie des Musikschrifttums online) Vergleiche auch: Daniel R. Melamed: Bach und Palestrina - Einige praktische Probleme I. BJ 2003, S. 221-224 Barbara Wiermann: Bach und Palestrina - Einige praktische Probleme II. BJ 2003, S. 225-228 Daniel R. Melamed, Johann Sebastian Bach, Johann Gottfried Walther und die Musik von Giovanni Pierluigi Palestrina (BJ 2012, S. 73-94)

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RENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN’S ART". TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, n.º 1 (1 de janeiro de 2021): 301–22. http://dx.doi.org/10.7456/11101100/017.

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20th century; it is a period in which two world wars took place and a new world order in human history occurred in many areas of innovation, development and transformation. After the war, the meaning, content and boundaries of art and the artist have been discussed, expanded and gained a new dimension and acceleration with the deep changes in the social, economic, political and cultural fields with the crisis brought on by the war. This complex period also manifested itself in the traditional art scene in France. The French artist Daniel Buren (b. 1938) has witnessed this process; by adopting the innovations in art with his productions, he has demonstrated his space-oriented conceptual works dating back to the present day in a period in which daily life accelerates with the mechanization of art practice and conceptual art movements are in succession. In this article, in order to comprehend the point of the artist and his productions from the beginning until today; the cultural environment in France after the World War II, the developments in the art world, the changes in the social field and the artistic dimensions of these changes are mentioned. The development and practices of the French artist Daniel Buren's artistic practice, policy, artistic attitude and style for the place, architecture, workshop and museum in the period from the second half of the 1960s to the present day are examined with examples with certain sources. In this context, the views and concepts that the artist advocates with his original productions are included. Finally, in the research, the evaluations were made in line with the sources and information obtained about the art adventure and development of the artist, and the innovations, contributions and different perspectives he offered about the art are discussed.

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RENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN'S ART". TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, n.º 1 (1 de janeiro de 2021): 301–22. http://dx.doi.org/10.7456/11001100/017.

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20th century; it is a period in which two world wars took place and a new world order in human history occurred in many areas of innovation, development and transformation. After the war, the meaning, content and boundaries of art and the artist have been discussed, expanded and gained a new dimension and acceleration with the deep changes in the social, economic, political and cultural fields with the crisis brought on by the war. This complex period also manifested itself in the traditional art scene in France. The French artist Daniel Buren (b. 1938) has witnessed this process; by adopting the innovations in art with his productions, he has demonstrated his space-oriented conceptual works dating back to the present day in a period in which daily life accelerates with the mechanization of art practice and conceptual art movements are in succession. In this article, in order to comprehend the point of the artist and his productions from the beginning until today; the cultural environment in France after the World War II, the developments in the art world, the changes in the social field and the artistic dimensions of these changes are mentioned. The development and practices of the French artist Daniel Buren's artistic practice, policy, artistic attitude and style for the place, architecture, workshop and museum in the period from the second half of the 1960s to the present day are examined with examples with certain sources. In this context, the views and concepts that the artist advocates with his original productions are included. Finally, in the research, the evaluations were made in line with the sources and information obtained about the art adventure and development of the artist, and the innovations, contributions and different perspectives he offered about the art are discussed.

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RENKÇİ TAŞTAN, Tuğba. "SPACE AS A CONTEXT IN DANIEL BUREN’S ART". TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, n.º 1 (1 de janeiro de 2021): 301–22. http://dx.doi.org/10.7456/11101100/017.

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20th century; it is a period in which two world wars took place and a new world order in human history occurred in many areas of innovation, development and transformation. After the war, the meaning, content and boundaries of art and the artist have been discussed, expanded and gained a new dimension and acceleration with the deep changes in the social, economic, political and cultural fields with the crisis brought on by the war. This complex period also manifested itself in the traditional art scene in France. The French artist Daniel Buren (b. 1938) has witnessed this process; by adopting the innovations in art with his productions, he has demonstrated his space-oriented conceptual works dating back to the present day in a period in which daily life accelerates with the mechanization of art practice and conceptual art movements are in succession. In this article, in order to comprehend the point of the artist and his productions from the beginning until today; the cultural environment in France after the World War II, the developments in the art world, the changes in the social field and the artistic dimensions of these changes are mentioned. The development and practices of the French artist Daniel Buren's artistic practice, policy, artistic attitude and style for the place, architecture, workshop and museum in the period from the second half of the 1960s to the present day are examined with examples with certain sources. In this context, the views and concepts that the artist advocates with his original productions are included. Finally, in the research, the evaluations were made in line with the sources and information obtained about the art adventure and development of the artist, and the innovations, contributions and different perspectives he offered about the art are discussed.

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Curran, K. "Shakespeare and Daniel Revisited: Antony and Cleopatra II. v. 50 4 and The Tragedy of Philotas V. ii. 2013 15". Notes and Queries 54, n.º 3 (1 de setembro de 2007): 318–20. http://dx.doi.org/10.1093/notesj/gjm111.

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DiMauro, Claudio. "Fórum Social Mundial: Palestra de Celso Daniel na abertura da Reunião Regional Preparatória". CRÍTICA E SOCIEDADE 9, n.º 1 (18 de setembro de 2020): 82–88. http://dx.doi.org/10.14393/rcs-v9n1-2019-57359.

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O Fórum Social Mundial (FSM) foi, durante muito tempo, uma das maiores referências globais em termos de articulação da reflexão e da prática de movimentos sociais altermundistas. Em novembro de 2001, portanto meses antes de sua morte, o ex-prefeito de Santo André e importante quadro do Partido dos Trabalhadores, Celso Daniel, abriu a Reunião Regional Preparatória para o II FSM em Rio Claro (SP). Com transcrição de Cláudio Antônio Di Mauro (ex-prefeito de Rio Claro), a palestra reúne importante análise daquela conjuntura, bem como a identifica caminhos para análises e abordagens a respeito dos espaços públicos.

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Gabriele, Matthew. "The Last Carolingian Exegete: Pope Urban II, the Weight of Tradition, and Christian Reconquest". Church History 81, n.º 4 (dezembro de 2012): 796–814. http://dx.doi.org/10.1017/s0009640712001904.

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Pope Urban II (1088–99) was trained at Reims and Cluny before entering the orbit of the Gregorians around Rome. As such, Urban was first trained as an exegete. By considering how Urban used one particular verse (Daniel 2:21) and tracing that verse's intellectual lineage forward from the Fathers, through the Carolingians, we get a clearer picture not just of the vibrancy of eleventh-century intellectual life but also, ultimately, of Urban's understanding of the arc of sacred history. As a trained Carolingian exegete, Urban continued the work of his ninth-century predecessors, calling the Christian people(populus christianus)to mend their ways and strike back against the pagans, so that God would return His hand and allow the Christians to reconquer the Mediterranean world.

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Roque, Jean-Daniel. "Égalité de droit et inégalités de fait entre les différents cultes en France, II : Le statut social et fiscal des ministres". Études théologiques et religieuses 73, n.º 3 (1998): 403–31. http://dx.doi.org/10.3406/ether.1998.3520.

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La loi portant séparation des Églises et de l’État affirme la nécessité, pour les associations cultuelles, de se conformer aux règles d’organisation générale du culte dont elles assurent l’exercice, et, pour la République, l’obligation de garantir le libre exercice des cultes et de respecter l’ordre cultuel interne. Ces principes justifient-ils toutes les spécificités constatées en matière de régime fiscal et social des ministres du culte ? Après les avoir présentées, Jean-Daniel Roque se demande si, dans ces domaines également, ne pourrait pas être recherché plus d’équité.

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Thür, Gerhard. "The Petra Papyri II, hg. von Ludwig Koenen/Jorma Kaimio/Maarit Kaimio/ Robert W. Daniel". Zeitschrift der Savigny-Stiftung für Rechtsgeschichte: Romanistische Abteilung 133, n.º 1 (1 de setembro de 2016): 561–65. http://dx.doi.org/10.26498/zrgra-2016-0129.

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Escuret, Annie. "George Eliot, Daniel Deronda (I et II). Texte présenté, traduit et annoté par Alain Jumeau". Cahiers victoriens et édouardiens, n.º 72 Automne (4 de dezembro de 2010): 224–25. http://dx.doi.org/10.4000/cve.2763.

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Menezes, Roberto Bezerra de. "A forma atravessada na garganta: os metasonetos de Daniel Jonas e Paulo Henriques Britto". Scripta 24, n.º 52 (18 de dezembro de 2020): 91–118. http://dx.doi.org/10.5752/p.2358-3428.2020v24n52p91-118.

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O surgimento do soneto como forma literária remonta ao século XIII, período em que, ao sul da Itália, nomeadamente a região da Sicília, era larga a influência da lírica de origem provençal. De apelo matemático, a invenção do soneto é atribuída a Giacomo da Lentini, chefe da escola siciliana do Sacro Imperador Romano Frederico II. O presente texto tem como objetivo principal a justaposição de duas poéticas, a do português Daniel Jonas e a do brasileiro Paulo Henriques Britto, de modo a fazer ressaltar as distinções no tratamento metapoético dispensado ao soneto e a outras formas que dele derivam.

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Bahauddin, Shah Mohammad, e Mark Peter Rast. "Identifying Acoustic Wave Sources on the Sun. II. Improved Filter Techniques for Source Wavefield Seismology". Astrophysical Journal 955, n.º 1 (1 de setembro de 2023): 31. http://dx.doi.org/10.3847/1538-4357/aced46.

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Abstract In this paper, we refine a previously developed acoustic source filter, improving its reliability and extending its capabilities. We demonstrate how to fine-tune the filter to meet observational constraints and focus on specific wave-front speeds. This refinement enables discrimination of acoustic source depths and tracking of local source wave fronts, thereby facilitating ultralocal helioseismology. By utilizing the photospheric Doppler signal from a subsurface source in a MURaM simulation, we demonstrate that robust ultralocal three-dimensional helioseismic inversions for the granular flows and the local sound speed to depths of at least 80 km below the photosphere are possible. The capabilities of the National Science Foundation’s new Daniel K. Inouye Solar Telescope will enable such measurements of the real Sun.

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Ferreira Júnior, Nelson Eliezer. "Virilidade e identidade narrativa em Mãos de cavalo, de Daniel Galera". Acta Scientiarum. Language and Culture 42, n.º 2 (8 de julho de 2020): e50843. http://dx.doi.org/10.4025/actascilangcult.v42i2.50843.

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Esse artigo aborda o protagonista do romance Mãos de Cavalo (2006), de Daniel Galera, tomando como ponto de partida a perspectiva da identidade narrativa, elaborada por Paul Ricoeur (1991, 2010). Tal operação se faz necessária em virtude dos distintos planos temporais da narrativa, os quais apresentam a personagem com características diferentes na juventude e na fase adulta. Os traços em que se percebe maior descontinuidade entre os planos temporais dizem respeito às formas distintas com que o protagonista fantasia e experiencia sua masculinidade, o que requer a retomada de estudos sobre essa temática, tais como o de Baubérot (2013), Connell (2016) e Venayre (2013). Assim, foi possível identificar tanto a importância dos padrões de virilidade para ele como as implicações do fracasso em incorporar essas normas no seu cotidiano. Nesse sentido, as análises apontaram para: i) a centralidade de dois episódios no romance, nos quais a percepção ou a tentativa de superação da covardia provocam mudanças significativas no protagonista; ii) a teatralidade das expressões viris como respostas a padrões normativos de masculinidade; iii) a correlação entre o uso de anacronias e a presença constante da temática da identidade em Mãos de cavalo. Aponta-se, por fim, para a conveniência de estudos dessa natureza em outros romances de Daniel Galera.

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Cedeño-Holguin, Dolores Mirella, Franklin Antonio Vite-Solorzano, Aida Monserrate Macias-Alvia e Bolívar Cevallos-Jácome. "Intervención de enfermeria en el autocuidado de pacientes diabeticos tipo II durante el primer nivel de salud". Revista Arbitrada Interdisciplinaria de Ciencias de la Salud. Salud y Vida 4, n.º 7 (20 de janeiro de 2020): 4. http://dx.doi.org/10.35381/s.v.v4i7.559.

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El presente artículo tuvo como objetivo analizar la intervención de enfermería en el autocuidado de pacientes diabéticos tipo II durante el primer nivel de salud. La metodologia fue de tipo documental y descriptivo. La población la constituyeron 45 pacientes diabéticos que pertenecen al club de diabéticos del Centro de Salud “Daniel Acosta Rosales” tipo “B”. Para la obtención de la información se aplicaron encuestas y entrevistas. Los resultados permitieron concluir que la enfermería posee un rol determinante en el autocuidado de los pacientes diabéticos, al permitir prevenir, retrasar o disminuir la probabilidad de desarrollar complicaciones que generan tanto impacto en el ámbito social, psicológico y económico de las personas afectadas como a su entorno familiar.

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