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Bibliografias temáticas / Dance of expression / Livros

Livros sobre o tema "Dance of expression"

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Autor: Grafiati

Publicado: 31 de agosto de 2024

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1

Drewe, Sheryle Bergmann. Creative dance inspirations: Facilitating expression. Calgary, Alberta: Detselig Enterprises Ltd., 1998.

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2

Kim, Malborg. On expression and its artistic meaning in dance. Ann Arbor, Michigan: UMI Dissertation Service, 1989.

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3

Maletic, Vera. Body, space, expression: The development of Rudolf Laban's movement and dance concepts. Berlin: Mouton de Gruyter, 1987.

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4

Devi, Patiṇjārayil Rama. Comparative study of chaturvidha abhinayas between Kathakali and Kuchipudi yakshagana: Comprehensive analysis of four kinds of expressions in Kathakali and Kuchipudi dance drama traditions. Secunderabad, Andhra Pradesh, India: Padinjyarayil Publications, 2013.

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5

Roy, Marie. Je danse mon enfance: Guide d'activités d'expression corporelle et jeux en mouvement. Montréal: Chenelière / McGraw-Hill, 1998.

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6

Allen-Mitchell, Arlene. Dance soul, dance!: Inspirational expressions for women in business. Pembroke Pines, FL: Positive Perceptions, 2001.

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7

Hinkley, Coralie. Innovisions: Expressions of creativity in dance. Nedlands, W.A: University of Western Australia Press, 1990.

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8

Sweet, Jill D. Dances of the Tewa Pueblo Indians: Expressions of new life. 2^a ed. Santa Fe, N.M: School of American Research Press, 2004.

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9

Fritsch, Ursula. Tanz, Bewegungskultur, Gesellschaft: Verluste und Chancen symbolisch-expressiven Bewegens. Frankfurt: AFRA Verlag, 1988.

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10

Buko, Tereska Radha. Dances of universal peace: A multicultural expressive arts spiritual path. [Trumbull, CT]: T.R. Buko, 1993.

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11

Aboulkacem, El Khatir. Expressions musicales amazighes en mutation. Rabat: Editions Okad, 2020.

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12

J, Levy Fran, Fried Judith Pines e Leventhal Fern, eds. Dance and other expressive art therapies: When words are not enough. New York: Routledge, 1995.

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13

Primitive Expression and Dance Therapy. Routledge, 2014.

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14

Schott-Billmann, France. Primitive Expression and Dance Therapy. Routledge, 2014. http://dx.doi.org/10.4324/9781315752778.

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15

Joyce, Senorita. Indian Dance - Expression Without Speech. Notion Press, 2021.

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16

Allanbrook, Wye Jamison. Dance as expression in Mozart opera. 1985.

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17

Pierce, Roger, e Alexandra Pierce. Expressive Movement: Posture and Action in Daily Life, Sports, and the Performing Arts. Hachette Books, 2009.

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18

Pierce, Roger, e Alexandra Pierce. Expressive Movement: Posture and Action in Daily Life, Sports, and the Performing Arts. Da Capo, 2002.

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19

Danza: Investigación en Argentina. Buenos Aires: Balletin Dance Ediciones, 2011.

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20

Schott-Billmann, France. Primitive Expression and Dance Therapy: When Dancing Heals. Taylor & Francis Group, 2014.

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21

Primitive Expression and Dance Therapy: When dancing heals. Routledge, 2014.

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22

Primitive Expression and Dance Therapy: When Dancing Heals. Taylor & Francis Group, 2016.

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23

Schott-Billmann, France. Primitive Expression and Dance Therapy: When Dancing Heals. Taylor & Francis Group, 2014.

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24

Davy, Lee. Life; The Dance: Philosophies of Navigation, Understanding & Expression. Transcend Health, 2017.

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25

Rajakumar, Mohanalakshmi. Hip Hop Dance. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798400663536.

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This guide provides an overview of the history of hip hop culture and an exploration of its dance style, appropriate both for student research projects and general interest reading. Rapping. Breakdancing. MCing. DJing. Beatboxing. Graffiti art. These are just some of the most well-known artistic expressions spawned from hip hop culture, which has grown from being an isolated inner-city subculture in the 1970s to being a truly international and mainstream culture that has taken root in countries as diverse as Japan, France, Israel, Poland, Brazil, South Korea, and England. This insightful book provides not only an overview of hip hop's distinctive dance style and steps, but also a historic overview of hip hop's roots as an urban expression of being left out of the mainstream pop culture, clarifying the social context of hip hop culture before it became a widespread suburban phenomenon. Hip Hop Dance documents all the forms of street music that led to one of the most groundbreaking, expressive, and influential dance styles ever created.

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26

Hatano, Emi. Expression & Possibility Toward a Unified Theory of Modern Dance. H. P. Books, 1996.

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27

Mudras of Indian Dance: 52 Hand Gestures for Artistic Expression. Kingsley Publishers, Jessica, 2013.

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28

Carroll, Cain, e Revital Carroll. Mudras of Indian Dance: 52 Hand Gestures for Artistic Expression. Kingsley Publishers, Jessica, 2013.

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29

Durand, Aurelia. Dance for Joy Journal: A Journal for Expression and Transformation. Chronicle Books LLC, 2022.

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30

Okri, Ben. Matthew Brookes : Expression of Freedom: Through the World of Dance. Damiani, 2024.

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31

Drake-Boyt, Elizabeth. Latin Dance. ABC-CLIO, LLC, 2011. http://dx.doi.org/10.5040/9798400677007.

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This title in the American Dance Floor series provides an overview of the origins, development, and current status of Latin social dancing in the United States.Latin dance and music have had a widespread influence upon the development of other social dance and music styles in the United States. As a result, Latin dance styles are among the most important dance forms in America. Latin Dance addresses every major style of Latin dance, describing the basic steps that characterize it as well as its rhythmic pace and time signature, and examining its development from European, African, and Amerindian influences. The author explains the range of styles and expression to be found in Latin dances primarily within the context of couples social dancing, the popularity of salsa today, and the broader social meanings and implications of their multicultural origins from the 1600s to the present. The historic connection between exhibition Latin dance and American modern dance through vaudeville is explained as well.

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32

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1986.

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33

Dance portraits: A choreographic investigation of formal elements as parallel means of expression in painting and dance. 1987.

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34

Timesweep: A conceptual dance work based upon an examination of humanity and its relationship to its architectual expression. 1985.

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35

Timesweep: A conceptual dance work based upon an examination of humanity and its relationship to its architectural expression. 1985.

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36

Timesweep: A conceptual dance work based upon an examination of humanity and its relationship to its architectual expression. 1985.

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37

Sunardi, Christina. Maintaining Female Power through Male Style Dance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038952.003.0002.

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This chapter explores some of the ways female dancers, as well as the mostly male musicians who accompany them, are maintaining and making cultural space for the expression of women's magnetic female power through women's performance of male style dance. It first establishes that for centuries, women in Java have expressed and embodied a magnetic power that is connected to their femaleness and that they have done so in myriad ways, and moreover that a certain ambivalence in the Javanese imagination has surrounded these expressions of female power. The chapter argues that, by performing male style dance, female dancers and (mostly) male musicians negotiated boundaries of gender and sex visually and sonically, maintaining and making cultural space for women's expression of female power despite pressures from state and society to control and subdue it.

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38

Marlow, Eugene. Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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39

Body, space, expression: The development of Rudolf Laban's movement and dance concepts. Berlin: Mouton de Gruyter, 1987.

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40

Individuality and Expression: The Aesthetics of the New German Dance, 1908-1936. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2001.

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41

Marlow, Eugene. Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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42

Woods, Ashanti. Dance/Movement Therapy for Individuals with Physical and Intellectual Disabilities: Inspiring Expression. Independently Published, 2019.

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43

Marlow, Eugene. Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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44

Marlow, Eugene. Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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45

Body - Space - Expression: The Development of Rudolf Laban's Movement and Dance Concepts. De Gruyter, Inc., 2011.

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46

Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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47

Individuality and expression: The aesthetics of the new German dance, 1908-1936. New York: P. Lang, 1996.

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48

Jazz in China: From Dance Hall Music to Individual Freedom of Expression. University Press of Mississippi, 2018.

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49

Gennaro, Liza. Making Broadway Dance. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190631093.001.0001.

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Musical theater dance is an ever-changing and evolving dance form, egalitarian in its embrace of any and all dance genres. It is a living, transforming art developed by exceptional dance artists requiring dramaturgical understanding; character analysis; knowledge of history, art, design; and, most importantly, an extensive knowledge of dance, both intellectual and embodied. Its ghettoization within criticism and scholarship as a throw-away dance form, undeserving of analysis—derivative, cliché ridden, titillating and predictable, the ugly stepsister of both theater and dance—belies and ignores the historic role it has had in musicals as an expressive form equal to book, music, and lyric. The standard adage, “when you can’t speak anymore sing, when you can’t sing anymore dance,” expresses its importance in musical theater as the ultimate form of heightened emotional, visceral, and intellectual expression. Through in-depth analysis author Liza Gennaro examines Broadway choreography through the lens of dance studies, script analysis, movement research, and dramaturgical inquiry offering a close examination of a dance form that has heretofore received only the most superficial interrogation. This book reveals the choreographic systems of some of Broadway’s most influential dance-makers, including George Balanchine, Agnes de Mille, Jerome Robbins, Katherine Dunham, Bob Fosse, Donald McKayle, Savion Glover, Sergio Trujillo, Steven Hoggett, and Camille Brown. Making Broadway Dance is essential reading for theater and dance scholars, students, practitioners, and Broadway fans.

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50

Bleeker, Maaike. Lecture Performance as Contemporary Dance. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0015.

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The “lecture performance” is a key genre in the field of Konzepttanz. Prominently present in the early twenty-first-century scene of experimental dance, this genre is not limited to dance only, nor is it exclusively German. Lecture performances give expression to an understanding of dance as a form of knowledge production—knowledge not (or not only) about dance but also dance as a specific form of knowledge that raises questions about the nature of knowledge and about practices of doing research. This chapter situates this trend within a genealogy of bodily knowledge and its academic dissemination that had reached its first high point in the dance conventions during the Weimar years. By analyzing particular examples of lecture performances, it demonstrates the self-reflexive structures that emerge between scientific paper and corporeal act. It explains in which ways lecture performances redefine what it means to be a dancer, seeing it as an attitude rather than a profession.

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