Literatura científica selecionada sobre o tema "Dance of expression"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Índice
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Dance of expression".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Dance of expression"
Wang, Ziqiao. "Analysis of the Importance of Demeanor Training to the Study of Chinese Folk Dance—Taking Uighur Dance as an Example". Journal of Educational Theory and Management 2, n.º 3 (8 de outubro de 2018): 84. http://dx.doi.org/10.26549/jetm.v2i3.992.
Texto completo da fonteHawthorn, Ainsley. "Middle Eastern Dance and What We Call It". Dance Research 37, n.º 1 (maio de 2019): 1–17. http://dx.doi.org/10.3366/drs.2019.0250.
Texto completo da fonteMURADOVA, Terane. "APPLICATION OF AZERBAIJANI FOLK DANCE IN KHOREOGRAPHICAL COMPOSITION". IEDSR Association 6, n.º 12 (29 de março de 2021): 218–26. http://dx.doi.org/10.46872/pj.258.
Texto completo da fonteKariasa Putra, I. Komang, Tjokorda Udiana Nindhia Pemayun e Gede Yosef Tjokropramono. "Sanghyang Dedari Dance as a Painting Creation Idea". CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI 2, n.º 2 (24 de outubro de 2022): 87–91. http://dx.doi.org/10.59997/citakara.v2i2.1849.
Texto completo da fonteMurti, Karinsa Krisna, e Slamet Slamet. "FUNGSI TARI NADRAK PAGUYUBAN RUKUN SANTOSA DESA BRONGKOL KABUPATEN SEMARANG". Greget 20, n.º 2 (16 de março de 2022): 165–80. http://dx.doi.org/10.33153/grt.v20i2.4141.
Texto completo da fonteBerdnik, M. "The Impact of Historical Choreographic Origins on Forming Emotional Content in Latin American Ballroom Dance". Culture of Ukraine, n.º 80 (30 de junho de 2023): 76–81. http://dx.doi.org/10.31516/2410-5325.080.09.
Texto completo da fonteZhai, Xianfeng. "Dance Movement Recognition Based on Feature Expression and Attribute Mining". Complexity 2021 (30 de abril de 2021): 1–12. http://dx.doi.org/10.1155/2021/9935900.
Texto completo da fonteKalaimani, M., e AN Sigappi. "Posture Recognition in Bharathanatyam Images using 2D-CNN". Data and Metadata 2 (4 de dezembro de 2023): 136. http://dx.doi.org/10.56294/dm2023136.
Texto completo da fonteBerlianty, Teng, Yosia Hetharie e Putri Anggia. "Legal Protection of Bambu Gila Dance as a Traditional Cultural Expression". Yuridika 39, n.º 1 (30 de janeiro de 2024): 43–78. http://dx.doi.org/10.20473/ydk.v39i1.48389.
Texto completo da fonteNurharini, Atip, Ika Ratnaningrum, Putri Yanuarita Sutikno, Farid Ahmadi e Intan Permata Hapsari. "Dance Literacy As An Expression of Experience and Creativity in Dance Education". International Journal of Psychosocial Rehabilitation 23, n.º 4 (20 de dezembro de 2019): 994–1004. http://dx.doi.org/10.37200/ijpr/v23i4/pr190427.
Texto completo da fonteTeses / dissertações sobre o assunto "Dance of expression"
Crabtree, Rachel. "Identity: An Expression of Life Through Dance". Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/honors/509.
Texto completo da fonteBarros, Ricardo Ribeiro de Oliveira. "Dance as a discourse : the rhetorical expression of the passions in French baroque dance". Thesis, University of Hull, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550510.
Texto completo da fonteAlcofra, Gabriela Machado Freire Tournillon 1986. "O rosto na dança : um olhar sobre expressão e expressividade na dança contemporânea". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284989.
Texto completo da fonteDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-26T18:55:33Z (GMT). No. of bitstreams: 2 Alcofra_GabrielaMachadoFreireTournillon_M.pdf: 294618879 bytes, checksum: fae6acb0f30f5dfec9ffc00e22ec8eee (MD5) Alcofra_GabrielaMachadoFreireTournillon_M_Anexo.zip: 767065078 bytes, checksum: cc86a30656c51f5d02c32d09ec1a9d21 (MD5) Previous issue date: 2014
Resumo: Essa dissertação investiga a expressão do rosto na dança contemporânea, tendo como motivação inicial a observação de uma padronização da expressão do rosto em uma aparência neutralizada, sem tônus ou variação expressiva, em espetáculos variados apresentados no Rio de Janeiro em 2010. Divide-se em duas vertentes: na primeira faz uma contextualização histórica observando a relação entre expressão do rosto e expressividade do espetáculo de acordo com cada período histórico, indo desde o balé clássico até a dança contemporânea no Brasil, suas origens, heranças e influências; na segunda vertente faz relações entre o rosto como identidade do sujeito na sociedade e o rosto expresso na dança contemporânea, levantando associações entre o figurativo e o abstrato na dança e a experiência estética como ativador da presença cênica. A pesquisa é atravessada por laboratórios de criação em uma metodologia teórico-experimental, criando os espetáculos Movimento Sem Face e Dança sobre Nada e os vídeos Estudos para um Movimento sem Face
Abstract: This dissertation investigates the expression of the face in contemporary dance, having as initial motivation the observation of a standardization of the expression of the face in a neutralized appearance, without variation or expressive tone, in varied performances presented in Rio de Janeiro in 2010. It is divided into two parts: the first is a historical contextualization observing the relationship between facial expression and expressiveness of the show according to each historical period, ranging from classical ballet to contemporary dance in Brazil, its origins, influences and heritages; in the second strand makes relations between the face like the subject's identity in society and the face expressed in contemporary dance, raising associations between the figurative and the abstract in the dance and the aesthetic experience as activator of stage presence. The research is crossed by laboratories of creation in a theoretical-experimental methodology
Mestrado
Teatro, Dança e Performance
Mestra em Artes da Cena
Eno, Dianne E. "Mountain Dance: A Transdisciplinary Exploration of Environmental Dance as an Autopoietic Expression of Ecological Connectivity and Synthesis". Antioch University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1535143191801524.
Texto completo da fonteBishko, Leslie Marlene. "Qualities of motion : expression in animation and the influence of dance". The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1291143775.
Texto completo da fonteSerret, Mathilde. "Élaboration d'un dispositif de danse-thérapie à expression primitive et évaluation de ses effets auprès de patients atteints de la maladie de Parkinson". Thesis, Université Côte d'Azur (ComUE), 2018. http://www.theses.fr/2018AZUR2011.
Texto completo da fonteRecent studies have shown that dance may be an appropriate and effective strategy for improving motor and non-motor symptoms, as well as quality of life on individuals with Parkinson’s Disease (PD). Dance-Therapy through primitive expression (DTPE), as a mind-body therapy, may convey superior benefits, not only on physical areas but also on psychological and social ones. The main hypothesis is that Dance-Therapy will lead to greater gait and balance ability, an improved quality of life, will have psychological and social benefits and is an important component of a multidisciplinary approach to long-term management of PD.The first study, which lasted for two years, consisted of elaborating, observing and modifying the DTPE proposals in order to adapt them to the requirements of Parkinson's disease and to develop protocols of sessions in order to propose an innovative management of the disease.The second study, developed after a thorough literature review and which lasted seven months, made it possible to test the feasibility of such a study, to test a first main outcome (gait) and to evaluate the effects of the DTPE with the scales, which, after reviewing the studies on the subject, appeared to us to be the most relevant and well recognized in the medical community.The development of an original approach between Human and Social Sciences and Medicine can be used to feed the practices and care of patients by providing useful elements for the training of professionals and the organization of care. The thinking that has grounded the methodology of the studies developed in this thesis will contribute to fueling research and setting up new studies
Teixeira, Paula Caruso 1970. "O Santo que dança = uma vivência corporal a partir do eixo co-habitar com a fonte do Método Bailarino-Pesquisador-Intérprete (BPI)". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285026.
Texto completo da fonteDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-18T15:50:38Z (GMT). No. of bitstreams: 1 Teixeira_PaulaCaruso_M.pdf: 7176482 bytes, checksum: 389f0c10e77275f0d6b6f697c2b4a368 (MD5) Previous issue date: 2007
Resumo: Este trabalho tem por finalidade principal aprofundar o eixo co-habitar com a fonte do Método Bailarino-Pesquisador-Intérprete (BPI), a partir da pesquisa de campo da autora com os devotos da Dança de São Gonçalo do bairro rural Ponte Nova de Munhoz - MG e com os do bairro rural Fazenda Grande de Pouso Alegre - MG. O Método que será utilizado é o BPI, criado pela professora Graziela Rodrigues do Instituto de Artes (IA) da UNICAMP. Ele é um Método de pesquisa e de criação em Dança que possui três eixos fundamentais, que estão interligados: o inventário no corpo, o co-habitar com a fonte e a estruturação da personagem. O co-habitar com a fonte é o eixo no qual o núcleo das experiências do bailarino-pesquisador-intérprete realiza-se através da pesquisa de campo. O bailarino pesquisador-intérprete co-habita quando interage com o outro (o pesquisado) "até se sentir parte daquela paisagem investigada". O co-habitar ainda abrange análises práticas e teóricas do que se pesquisou (dos movimentos, dos sentidos e das paisagens-cenário, entre outros elementos), laboratórios e o aprofundamento do inventário no corpo do bailarino-pesquisador-intérprete. Durante um ano e meio, a autora co-habitou com os devotos no seu cotidiano (colheita da uva, feitura do vinho etc.) e no seu sagrado (Dança de São Gonçalo). A partir dos laboratórios do co-habitar, elaborou uma síntese prática, um 'roteiro de imagens, movimentos e sentidos', que foi apresentado aos investigados numa paisagem-cenário do co-habitar (no galpão onde se realiza a Dança de São Gonçalo em Pouso Alegre-MG). Após essas vivências, chegou a várias conclusões que confirmaram as características do eixo do co-habitar e do Método BPI. O co-habitar com a fonte potencializa a expressividade e a originalidade do bailarino pesquisador-intérprete iniciadas no eixo inventário no corpo (fase introdutória do BPI)
Abstract: This study is mainly aimed at going deeply into the co-inhabiting axis with the source of the BPI: Bailarino-Pesquisador-Intérprete (Dancer-Researcher-Interpreter) method, from the author's field research with Saint Gonçalo's Dance devotees from Ponte Nova de Munhoz - MG rural district and with the ones from Fazenda Grande de Pouso Alegre - MG. The method that will be used is BPI, created by professor Graziela Rodrigues from Instituto de Artes (IA) of Unicamp. It is a dance research and creation method that has three fundamental axis that are interconnected: the inventory in the body, co-inhabiting with the source and the character's structuring. Co-inhabiting with the source is the axis in which the dancer-researcher-interpreters experiences core is performed through the field research. The dancer-researcher-interpreter co-inhabits when he interacts with the other one (the researched) 'until he feels part of that investigated landscape'. Co-inhabiting still comprehends theoretical and practical analysis of what has been researched (about the movements, the senses and landscapes-scenery, among other elements), lab sessions and going deeply into inventory in the dancer-researcher-interpreter's body. For one year and a half, the author co-inhabited with the devotees in her everyday life (the grape harvest, making of the wine, etc) and in her sacred (Saint Gonçalo's Dance). As from the lab sessions, she prepared a practical summary, 'a guide of images, movements and senses', which was presented to the ones that were investigated in a landscape-scenery of co-inhabiting (at the shed where Saint Gonçalo's Dance is performed in Pouso Alegre - MG). After going through that, she drew several conclusions which have confirmed the characteristics of the co-inhabiting axis and the BPI method. Co-inhabiting with the source enhances the dancer-researcher-interpreter's expressiveness and originality which were started in the inventory in the body axis (BPI introductory stage)
Mestrado
Artes
Mestre em Artes
Caserta, Rogerio Alencar Negrão. "Expressividade e energia vital na dança flamenca". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284638.
Texto completo da fonteDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-10T18:34:27Z (GMT). No. of bitstreams: 1 Caserta_RogerioAlencarNegrao_M.pdf: 6392893 bytes, checksum: 93b1195f040c76bdb5e89f00ec4afbdf (MD5) Previous issue date: 2008
Resumo: Esta dissertação tem como objetivo relacionar os conteúdos da ¿Medicina Tradicional Chinesa¿ (M.T.C.), focada nas manobras de acupressão existentes no ¿Auto Tui-ná¿ escolhidas especialmente para a atuação de bailarinos flamencos, que potencializam o desbloqueio da ¿Energia Vital¿ (Qi), para a qualidade expressiva e poética dessa dança, além de prevenirem lesões corporais possíveis nesse estilo de dança
Abstract: The goal of this text is to associate with the contents of the ¿Traditional Chinese Medicine¿ (T.C.M), its focus being the acupressure movements from the ¿Self Tui-Na¿ that were especially chosen for Flamenco dancers' performances, so that it can potentialize the disobstruction of the ¿Vital Energy¿(Qi) and the expressive and poetic qualities of this dance, besides preventing injuries common to this dance style
Mestrado
Mestre em Artes
Snyder, Marie Carmen Alonzo. "Contemporary female choreographers of Asian descent : three case studies of an evolving cultural expression in American modern dance /". Access Digital Full Text version, 1995. http://pocketknowledge.tc.columbia.edu/home.php/bybib/1178958x.
Texto completo da fonteIncludes tables. Typescript; issued also on microfilm. Sponsor: Judith M. Burton. Dissertation Committee: Ann H. Dils. Includes bibliographical references (leaves 237-248).
Theis, Taylor. "Duality, Symbolism, and Time: A Convergent Practice in Butoh and Surrealist Expression". Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18390.
Texto completo da fonteLivros sobre o assunto "Dance of expression"
Drewe, Sheryle Bergmann. Creative dance inspirations: Facilitating expression. Calgary, Alberta: Detselig Enterprises Ltd., 1998.
Encontre o texto completo da fonteKim, Malborg. On expression and its artistic meaning in dance. Ann Arbor, Michigan: UMI Dissertation Service, 1989.
Encontre o texto completo da fonteMaletic, Vera. Body, space, expression: The development of Rudolf Laban's movement and dance concepts. Berlin: Mouton de Gruyter, 1987.
Encontre o texto completo da fonteDevi, Patiṇjārayil Rama. Comparative study of chaturvidha abhinayas between Kathakali and Kuchipudi yakshagana: Comprehensive analysis of four kinds of expressions in Kathakali and Kuchipudi dance drama traditions. Secunderabad, Andhra Pradesh, India: Padinjyarayil Publications, 2013.
Encontre o texto completo da fonteRoy, Marie. Je danse mon enfance: Guide d'activités d'expression corporelle et jeux en mouvement. Montréal: Chenelière / McGraw-Hill, 1998.
Encontre o texto completo da fonteAllen-Mitchell, Arlene. Dance soul, dance!: Inspirational expressions for women in business. Pembroke Pines, FL: Positive Perceptions, 2001.
Encontre o texto completo da fonteHinkley, Coralie. Innovisions: Expressions of creativity in dance. Nedlands, W.A: University of Western Australia Press, 1990.
Encontre o texto completo da fonteSweet, Jill D. Dances of the Tewa Pueblo Indians: Expressions of new life. 2a ed. Santa Fe, N.M: School of American Research Press, 2004.
Encontre o texto completo da fonteFritsch, Ursula. Tanz, Bewegungskultur, Gesellschaft: Verluste und Chancen symbolisch-expressiven Bewegens. Frankfurt: AFRA Verlag, 1988.
Encontre o texto completo da fonteBuko, Tereska Radha. Dances of universal peace: A multicultural expressive arts spiritual path. [Trumbull, CT]: T.R. Buko, 1993.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Dance of expression"
Leonhard, Clemens. "Religious Expression in Music and Dance". In A Companion to Religion in Late Antiquity, 611–34. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118968130.ch29.
Texto completo da fonteKatan, Einav. "The Dancing Body as a Means of Expression". In Embodied Philosophy in Dance, 179–85. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-60186-5_21.
Texto completo da fonteSwain, Angela, Juan Berríos e Matthew Kanwit. "Chapter 3. Exploring future-in-the-past variation in Seville and Caracas". In Innovative Approaches to Research in Hispanic Linguistics, 58–80. Amsterdam: John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/ihll.38.03swa.
Texto completo da fonteEngelhard, Einat Shuper, e Yana Sichel. "Diagnosis and Assessment of Sexual Abuse in Childhood Based on Bodily Expression". In Dance/Movement Therapy and Sexual Abuse, 17–32. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003309048-4.
Texto completo da fonteYeoh, Pei Ann. "Bridging Impairment and Disability with Music and Dance". In Musik und Klangkultur, 173–86. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839458914-012.
Texto completo da fonteöztürk, Alі. "The Power of Dance/Movement as a Means of Expression". In Phenomenology/Ontopoiesis Retrieving Geo-cosmic Horizons of Antiquity, 539–47. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1691-9_40.
Texto completo da fonteUhm, Taeyoung, Hanhoon Park, Mi-Hee Lee, Un-Mi Kim e Jong-Il Park. "Emotional Expression of Korean Dance Assisted by a Virtual Environment System". In IFIP Advances in Information and Communication Technology, 208–13. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15214-6_21.
Texto completo da fonteRaufman, Ravit. "A dancer who does not dance". In Idiomatic Expressions and Somatic Experience in Psychoanalysis, 85–98. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351117227-8.
Texto completo da fonteAdholiya, Ashish, e Apeksha Khopkar. "Visualizing Sentiments: Facial Expression Recognition in the World of Kathak Dance Using Deep Learning". In Advances in Data-Driven Computing and Intelligent Systems, 471–87. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-99-9531-8_38.
Texto completo da fonteKatan, Einav. "Understanding Expressions". In Embodied Philosophy in Dance, 187–97. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-60186-5_22.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Dance of expression"
Gantchevа, Giurka. "DYNAMICS IN THE DIFFICULTY IN RHYTHMIC GYMNASTICS COMPETITIVE ROUTINES". In INTERNATIONAL SCIENTIFIC CONGRESS “APPLIED SPORTS SCIENCES”. Scientific Publishing House NSA Press, 2022. http://dx.doi.org/10.37393/icass2022/72.
Texto completo da fonteRaharjo, Eko, Agus Cahyono, Muhammad Jazuli, Widodo Widodo e Onang Murtiyoso. "Dugderan Art Dance as an Expression of Semarang Society". In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.14.
Texto completo da fonteCahyono, Agus, Muhammad Jazuli, Widodo Widodo e Onang Murtiyoso. "Dugderan Art Dance as an Expression of Semarang Society". In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.68.
Texto completo da fonteWang, Ningning. "Aesthetic Expression of Folk Dance Works in Modern Beijing Area". In 2nd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccese-18.2018.160.
Texto completo da fonteUspuriene, Aiste Barbora, e Julija Svipaite. "THE EFFECT OF DANCE ON GIRLS' MOTOR ABILITIES". In International Scientific and Practical Conference. TSNS Interaktiv Plus, 2021. http://dx.doi.org/10.21661/r-554969.
Texto completo da fonteBlidar, Crina-Rozalia. "Traditions and customs in the country of Codru, Maramureş". In Conferinţă ştiinţifică naţională "Salvgardarea şi conservarea digitală a patrimoniului etnografic din Republica Moldova". Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841856.04.
Texto completo da fonteSuhaya, Alya Putri, Tati Narawati e Yuliawan Kasmahidayat. "The Value of Patriotism in Kawung Anten Dance as an Expression of Nationalism". In 3rd International Conference on Arts and Design Education (ICADE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210203.017.
Texto completo da fonteFesharaki, Omid, Jesús Cabello Pozo e Jesús Martí Martínez. "CORPORAL EXPRESSION AND DANCE TO MOTIVATE AND TEACH SCIENCES TO PRIMARY EDUCATION STUDENTS". In 16th annual International Conference of Education, Research and Innovation. IATED, 2023. http://dx.doi.org/10.21125/iceri.2023.1242.
Texto completo da fonteShikanai, Nao, Kozaburo Hachimura, Misako Sawada e Motonobu Ishii. "Kansei Information and Movement Characteristics Related to the Expression of Joy in Dance: An Investigation for Analyzing Rousing and Stimulating Dance Motions". In 2012 13th ACIS International Conference on Software Engineering, Artificial Intelligence, Networking and Parallel & Distributed Computing (SNPD). IEEE, 2012. http://dx.doi.org/10.1109/snpd.2012.97.
Texto completo da fonteDagnino, Francesca, Michela Ott, Francesca Pozzi e Erdal Yilmaz. "SERIOUS GAMES DESIGN: REFLECTIONS FROM AN EXPERIENCE IN THE FIELD OF INTANGIBLE CULTURAL HERITAGE EDUCATION". In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-099.
Texto completo da fonte