Bibliografias temáticas / Daddy kink

Índice

Artigos de revistas
Teses / dissertações
Livros
Capítulos de livros

Literatura científica selecionada sobre o tema "Daddy kink"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 1 de agosto de 2024

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Daddy kink".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Artigos de revistas sobre o assunto "Daddy kink"

Dituri, Josephine A., e Joseph Dituri. "My Daddy Wears a Different Kind of Suit to Work". Marine Technology Society Journal 47, n.º 6 (1 de novembro de 2013): 83. http://dx.doi.org/10.4031/mtsj.47.6.8.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Zhao, Yue. "Evolution of the Representation of Gendered Body in Sylvia Plath’s Poetry: A Study of “Pursuit” and “Daddy”". English Literature and Language Review, n.º 68 (19 de outubro de 2020): 153–56. http://dx.doi.org/10.32861/ellr.68.153.156.

Texto completo da fonte

Resumo:

There is an obvious tendency and ample evidence to show Sylvia Plath’s representation of the gendered body throughout her poetry. However, inadequate attention has been paid to the evolution of her such kind of representation. Taking one of her early poems “Pursuit” and a later one “Daddy” as examples, this essay aims to explicate this evolution of representation. In her early poetry, her representation of gendered body centers on Freudian interest as seen in “Pursuit,” but in her later poems this representation changes to her political consciousness as is the case in “Daddy.” Therefore, this evolution embodies both her change of poetic subject matter and her concern with gender politics under the influence of the social culture.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Shaw, Kurt. "My Heart Belongs to Daddy". Canadian-American Slavic Studies 50, n.º 4 (2016): 465–82. http://dx.doi.org/10.1163/22102396-05004002.

Texto completo da fonte

Resumo:

The article examines George Konrád’s 1989 novel from the point of view of three of the main protagonists: Jeremiah Kadron, a retired translator, his daughter Melinda, and János Dragomán, who left Hungary in the mid-1960s and who has recently returned to Budapest. When the ninety-year old Jeremiah suddenly announces that he is leaving for a trip around the world, he unexpectedly names Dragomán as his literary executor and, moreover, appears to deliberately undermine Melinda’s marriage by placing her and the lady-killer Dragomán in close quarters. While Jeremiah and Dragomán are in several respects very different from each other, a close reading of the text reveals a complex network of similarities between the two men in terms of their life histories, personal habits, political and philosophical attitudes, and even matters of dress. By comparing these shared traits, the article demonstrates how Jeremiah represents a kind of spiritual “father figure” to the younger Dragomán. Moreover, it argues that Jeremiah chooses Dragomán over other possible candidates not only because of the latter’s obvious intellectual prowess, but to a large extent precisely because of those common characteristics, insofar as they make him eminently suitable as a surrogate father/lover to watch over Jeremiah’s daughter in the old man’s absence. Finally, the article explores how Konrád’s pairing of the two men explains to some extent Melinda’s attraction to Dragomán.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Provoost, Veerle, Jodie Bernaerdt, Hanna Van Parys, Ann Buysse, Petra De Sutter e Guido Pennings. "‘No daddy’, ‘A kind of daddy’: words used by donor conceived children and (aspiring) parents to refer to the sperm donor". Culture, Health & Sexuality 20, n.º 4 (24 de julho de 2017): 381–96. http://dx.doi.org/10.1080/13691058.2017.1349180.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Herman, Herman, Danul Aristiawan e Ria Hendriani. "AN ANALISYS OF FEELING LOVE AND HATE IN SYLVIA PLATH’S POEM “DADDY”". Journal of Languages and Language Teaching 8, n.º 4 (25 de outubro de 2020): 442. http://dx.doi.org/10.33394/jollt.v8i4.2835.

Texto completo da fonte

Resumo:

Sylvia Plath's poem "Daddy" remains one of the most controversial modern poems ever written. The aim of this research was to find the expresses of the aouthor feeling in the poem. The method used in this research was qualitative method with narrative approach. It showed the contradictory feelings between love as well as great hatred and disappoints feelings to her beloved daddy who does not gave any affection to her as a biological daughter. The author begins with her present understanding of her father and the kind of man that he was. As Daddy progresses, the readers begins to realize that the author has not always hated her father. She has not always seen him as a brute, although she makes it clear that he always has been oppressive. The author did not know anything apart from her father’s mentality, and so she prays for his recovery and then mourns his death. She even wishes to join him in death. The love came from Plath seeing her father as God when she was a child and from an obsessive need on the Plath’s part to love and to be loved. Meanwhile, the hate came from an intense, deep-rooted fear she felt towards her father, who completely dominated her life, viewing her unresolved feelings for her father as the root of all her pain and suffering. Plath uses various images to describe how she viewed her father. The images she uses change throughout the poem, causing the attitudes she communicates about her father to be inconsistent.

Estilos ABNT, Harvard, Vancouver, APA, etc.

SINEV, ARTEM Y., e LA-ORSRI SANOAMUANG. "Hormonal induction of males as a method for studying tropical cladocerans: description of males of four chydorid species (Cladocera: Anomopoda: Chydoridae)". Zootaxa 2826, n.º 1 (20 de abril de 2011): 45. http://dx.doi.org/10.11646/zootaxa.2826.1.2.

Texto completo da fonte

Resumo:

Methyl farnesoate, a crustacean juvenile hormone, successfully induced male development in several littoral cladocerans from Thailand in short-term multispecies cultures. Male morphology is fully described in four species of Chydoridae— Oxyurella singalensis Daday, 1898, Leberis diaphanus (King, 1853), Leydigia cf. ciliata Gauthier, 1939, Disparalona cf. hamata (Birge, 1910). Males of the latter two taxa from Thailand differ from these from the other localities, suggesting the presence of sibling-species in the Indochina region.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Pociecha, Agnieszka, e Henri J. Dumont. "Life cycle of Boeckella poppei Mrazek and Branchinecta gaini Daday (King George Island, South Shetlands)". Polar Biology 31, n.º 2 (29 de setembro de 2007): 245–48. http://dx.doi.org/10.1007/s00300-007-0360-5.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Johnson, Sandra H. "Disciplinary Actions and Pain Relief: Analysis of the Pain Relief Act". Journal of Law, Medicine & Ethics 24, n.º 4 (1996): 319–27. http://dx.doi.org/10.1111/j.1748-720x.1996.tb01874.x.

Texto completo da fonte

Resumo:

The problem is pain. Patients and their families tell the story:He is your son. You love him. You want to help him in every way you can, but when he is in that kind of pain, you are helpless in a sense. Im his daddy. It was-what was I supposed to do for him? I felt, you know, helpless.It terrifies you. You want to run away from it. Pain is something you wish would kill you but does not. Agony results from the pain that does not have the decency to knock you out.[W]e had a good family, but how much can you watch? How much suffering can you watch from your child, your 7-year-old child, and still keep your mind?I am a forty-six-year-old registered nurse who specializes in oncology care and education. I am also a patient who suffers from chronic nonmalignant pain, and this malady has been the most frightening, the most humiliating, and the most difficult ordeal of my life .

Estilos ABNT, Harvard, Vancouver, APA, etc.

Saeed, Saba, Shahbaz Talib Sahi, Muhammad Atiq, Muhammad Shahid e Muhammad Arshad. "Exploration of Resistance and Susceptibility in Chilli Varieties/Advanced Lines against Fusarium Wilt Caused by Fusarium oxysporum f. sp. capsici (FOC)". International Journal of Phytopathology 11, n.º 1 (30 de abril de 2022): 59–64. http://dx.doi.org/10.33687/phytopath.011.01.4148.

Texto completo da fonte

Resumo:

Chilli (capsicum annum L.) is an important edible spice crop grown in tropical areas of world due to its richness of nutrients like carotinoides, fibers, mineral components, oils, proteins and vitamins. A number of biotic and abiotic factors are challenging devastatingly the successful production of chilli. Among all of these factors, Fusarium wilt caused by Fusarium oxysporum f.sp.capsici (Foc) is a potential risk of declining its yield every year. Among all management approaches, use of resistant varieties is the best option towards Foc. For this purpose in contemporary study twenty five varieties/advanced lines of chilli were evaluated against Fusarium wilt under natural field conditions in research area, Department of Plant Pathology, University of Agriculture Faisalabad for two years 2017-18 and 2018-19 under randomized complete block design (RCBD). Results exhibited that none of varieties/advanced line expressedimmune response against the disease. Only one variety (BPVLC 14-1) was resistant with 18.76% disease incidence. Uttal, fengaio, Glaxy-2, Big daddy, GHHP 01, PH-275, Super sky AB, HPO33 and Super king were found moderately resistant (MR) with 21-40% disease incidence. Four varieties/advanced lines Hot-701. Hot shot, Omega and Silkey Red showed moderately susceptible response (MS) with 41-50% and Four (Super hot, Patyala F1, Angel F1 and Green king) were susceptible (S) with 51-70% incidence of Fusarium wilt. Seven (Tejal, BSS-410, Big Red AB, SB 6864-HM, Glory F1, Revival and Amber F1) varieties / advanced lines exhibited highly susceptible (HS) response.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Fuentes-Reinés, Juan M., Pedro Eslava-Eljaiek e Lourdes M. A. Elmoor-Loureiro. "Cladocera (Crustacea, Branchiopoda) of a temporary shallow pond from northern Colombia". Revista Peruana de Biología 26, n.º 3 (29 de setembro de 2019): 351–66. http://dx.doi.org/10.15381/rpb.v26i3.16779.

Texto completo da fonte

Resumo:

Eighteen species of cladocerans are recorded from a temporary pond in northern Colombia; 12 of these records are new for La Guajira Department: Diaphanosoma brevireme Sars, 1901, D. dentatum Herbst, 1968, Sarsilotona serricauda (Sars, 1901), Moina micrura micrura Kurz, 1874, M. reticulata Daday, 1905, Grimaldina freyi Neretina and Kotov, 2017, Kurzia polyspina Hudec, 2000, Leydigia cf. striata Birabén, 1939, Ovalona cf. glabra (Sars, 1905), Chydorus nitidulus (Sars, 1901), Dunhevedia crassa King, 1853 and Pseudosida sp.; this latter taxon could be an yet undescribed species. The cladoceran fauna from the surveyed area is represented mostly by widespread species and commonly found in the Neotropical regions, but local morphological data are scarce in the regional literature. Brief diagnostic descriptions of the species recorded for the Colombian cladoceran fauna are provided together with illustrations of taxonomically significant appendages, morphological remarks, notes on the variability of some species, and their distribution.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Mais fontes

Teses / dissertações sobre o assunto "Daddy kink"

Kulle, Therese. "Dandyns återkomst? : En analys av maskulinitet i magasinet King och dess förhållande till dandyn". Thesis, Södertörn University College, School of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-2982.

Texto completo da fonte

Resumo:

Syfte med denna uppsats är att analysera den bild av maskulinitet som representeras i magasinet King, samt att förhålla den bilden mot maskulinitetidealen hos 1800-talets dandy. Uppsatsen bygger på teorier kring representation, R. W. Connells maskulinitetsteori samt teorier kring dandyn.Mitt material består av sju nummer av magasinet King. För att uppnå mitt syfte har jag utgått från en semiotisk metod och använt mig dels av Sean Nixons analys av ett antal olika reklambilder samt utarbetat en egen analysmodell för text.Jag har i min analys kommit fram till att maskuliniteten i King har en stark bas i Connells hegemoniska maskulinitet då karaktärsdrag kring yrkesmässig succé är starkt framträdande. Men det finns samtidigt en stor fokusering på stil och yttre egenskaper vilket är något som mannen i King har gemensamt med dandyn. Jag menar därför att det finns framåtskridande drag hos mannen i King.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Johnson, Denielle. "Two swans, a king, and a dandy| An examination of identity in three works of Yinka Shonibare, MBE". Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527010.

Texto completo da fonte

Resumo:

This thesis analyzes Yinka Shonibare's appropriation of narratives to address identity-as-construct and develops a theoretical framework for interpreting his art using theories alternative to postmodernism and identity politics. I begin the analysis by citing Roland Barthes and Michel Foucault whose ideas have influenced Shonibare. Then I apply postpositivist realism and conceptual narrativity to Shonibare's work. These theories are intriguing because they offer a more complex and therefore more accurate way of viewing identity, allowing for a multiplicity of signifiers to form an individual's identity, not just one signifier such as race. Thus they account for the differences that explain individual reactions to shared experience within a group. This acknowledgement of differences frees people from category-based expectations such as Shonibare's tutor wanting to limit him, a Yoruba artist, to creating African-themed art. This incident was the catalyst for Shonibare's practice. Use of the alternative theories allows me to accomplish my objectives.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Ogunbowale, Mopelolade Oreoluwa. ""In the Ghetto, Life no easy for we": The Construction and Negotiation of Identity in Ajegunle Raga". Thesis, 2012. http://hdl.handle.net/10214/3763.

Texto completo da fonte

Resumo:

This thesis is an investigation into the historical evolution of Ajegunle Raga, a reggae form developed within an urban ghetto in Lagos called Ajegunle and the construction and negotiation of identities therein. The research further argues that Ajegunle Raga is a home-grown oppositional music subculture that draws inspiration from diasporic musical subcultures like Reggae and Hip Hop but retains a genuine representation of Ajegunle in its tales of survival, poverty, marginalization and expressions of creativity within the ambience of the music.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Livros sobre o assunto "Daddy kink"

Kaplan, Rochelle Rubinstein. Daddy was king. Rosendale, N.Y.]: Women's Studio Workshop, 1991.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Brewster, Gurdon. No turning back: My summer with Daddy King. Maryknoll, N.Y: Orbis Books, 2007.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Silver, Murray M. Daddy King & me: Memories of the forgotten father of the civil rights movement. Savannah, GA: Continental Shelf Pub., 2009.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Brown, Jake. Ready to die: The story of Biggie Smalls, Notorious B.I.G., King of the world & New York City : fast money, Puff Daddy, faith and life after death : the unauthorized biography. Phoenix, AZ: Colosuss Books, 2004.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Sayle, J. P. App: Daddy Kink. Independently Published, 2019.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Dom Daddy: Master of Kink. Sam Marie, 2024.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Dom Daddy: Master of Kink. Sam Marie, 2024.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Perin, Quin, e Sharon Stogner. Lost and Found: A Gay Daddy Kink Romance. Independently Published, 2018.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Poolside Punishment: A Kinky Erotic Short Story. Independent, 2019.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Woman, Lonely. Daddy for Naughty Emily: A DD/LG Kink Erotica. Independently Published, 2017.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Mais fontes

Capítulos de livros sobre o assunto "Daddy kink"

"A DIFFERENT KIND OF SHOUT". In They Got Daddy, 44–51. Indiana University Press, 2023. http://dx.doi.org/10.2307/j.ctv30dxxrr.9.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

"4. Daddy Desirability". In Daddies of a Different Kind, 92–123. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479817054.003.0007.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

"1. Becoming a Daddy". In Daddies of a Different Kind, 19–32. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479817054.003.0004.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Shulman, Terry Chester. "Daddy Butch". In Film's First Family, 153–60. University Press of Kentucky, 2019. http://dx.doi.org/10.5810/kentucky/9780813178097.003.0019.

Texto completo da fonte

Resumo:

Helene leaves Mussie and comes home. Dolores grows closer to Dr. Vruwink, who her children call Daddy Butch. Before they can marry, he’ll have to divorce his wife Laura. With Jack’s support payments already in arrears, Dolores returns to work. David O. Selznick casts her in the plum role of Dearest in Little Lord Fauntleroy, which becomes a critical and financial success. With her money from the film, Dolores buys a house in the Windsor Square neighborhood of Los Angeles. She sails to Europe with the children to view the coronation of King George VI, but has to come home early when Helene’s recently diagnosed tuberculosis takes a turn for the worse. Helene rallies and gets a bit part in MGM’s Riff Raff, starring Jean Harlow. A grueling rain scene puts her out of commission for several months. In New York, she tries her hand at stage acting, with less than encouraging results. She and Mussie agree to divorce.

Estilos ABNT, Harvard, Vancouver, APA, etc.

"1. Who’s Your Daddy? S/M’s Founding Fathers". In Vicarious Kinks, 26–53. University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442668096-004.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

"2. What It Means to Be a Daddy". In Daddies of a Different Kind, 33–67. New York University Press, 2023. http://dx.doi.org/10.18574/nyu/9781479817054.003.0005.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Cline, David P. "To Be Both Prophet and Pastor". In From Reconciliation to Revolution. University of North Carolina Press, 2016. http://dx.doi.org/10.5149/northcarolina/9781469630434.003.0002.

Texto completo da fonte

Resumo:

This chapter focuses on the growth of SIM as it recruited more students for interracial ministry placements. Notable placements included students who interned with Martin Luther King, Jr. and his father Martin Luther “Daddy” King, Sr. James Forbes, a young black minister, spent his summer with a laregly white Baptist church in Chapel Hill, North Carolina; Forbes would later in his career become the minister of the famous Riverside Church in New York City.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Snodgrass, Chris. "The Beardsleyan Dandy: Icon of Grotesque Beauty". In Aubrey Beardsley, Dandy of the Grotesque, 204–42. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195090628.003.0005.

Texto completo da fonte

Resumo:

Abstract DANDYISM-the implicit doctrine of Oscar Wilde, James Abbott McNeill Whistler, and much of the Decadence-was the style of life Beardsley most admired, and of all his figures, the dandy most incarnates his paradoxical iconoclastic authoritarianism. Beardsley routinely employed the “madness” of the grotesque as a kind of tongue-in cheek visual repudiation of the smugly “sane” bourgeois world; and certainly his bizarre dandy figures, often depicted as grotesque themselves, reflect that rebuke. But they represent much more, embodying a wide spectrum of the vexing ironies of Beardsley’s art. Indeed, his dandies stand as a plethora of contradictions, combining and orchestrating both the grotesque disorientations of the cultural antihero and the recuperating elegance and control of Art. The dandy becomes for Beardsley not only an emblem for his own split sensibility but an icon for his evolving “dandiacal” artistic styles-styles that, like the dandy, effected a caricature of cultural meaning.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Meisel, Perry. "The Country And The City King Curtis And The Structure Of Black Urbanity". In The Cowboy and the Dandy, 17–36. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195118179.003.0002.

Texto completo da fonte

Resumo:

Abstract Let us turn to another site in the West, some seventy years after Wilde’s visit to Colorado. The time is September 1958; the place, a recording studio in Clovis, New Mexico. There is a cowboy and there is a dandy. One is Buddy Holly, singing a tune called “Reminiscing”; the other is “King” Curtis Ousley, tenor saxophonist from New York and inventor of yakety sax, joining Buddy for the recording session. A tight, foxy oompah tune written by Curtis (it was released under Holly’s name only posthumously, in August of 1962), “Reminiscing” requires an almost electric crispness from the horn, and Curtis discovers a yakety way to deliver it with a remarkable and surprising freshness, very different from the honkheavy repetitions of early rock and roll sax, and a style formalized by Curtis’s lead horn on the Coasters’ hit single “Yakety Yak” earlier in the same year. To say that Curtis dresses up Buddy’s sound (as he did the sound of so many artists, including that of Aretha Franklin, the Shirelles, and Wilson Pickett) is an apt and historically exact metaphor to use to describe both the tune and the larger genesis of Curtis’s horn.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Snodgrass, Chris. "Aubrey Beardsley, Emblem of the Victorian Decadence". In Aubrey Beardsley, Dandy of the Grotesque, 3–40. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195090628.003.0001.

Texto completo da fonte

Resumo:

Abstract AUBREY Beardsley’s work was first published ill the spring of 1893. He died ill March 1898 at the age of twenty-five. Despite the extreme brevity of his career, probably no other artist or writer prior to the electronic age achieved more notoriety or exercised a more pervasive influence on his era in such a short time. Contemporary critic D. S. MacColl wrote that “the wild-fire speed with which his reputation spread” outran every previous example of rapid fame (“AB” 17).1 Less than two years after Beardsley’s work first appeared, Max Beerbohm could proclaim that he belonged to the “Beardsley Period” (Works160), a designation Osbert Burdett would adopt as the title for his famous study of the age. A shaping force of the Art Nouveau movement, a profound influence on countless artists and designers, cited as the “real king” and “dominating artistic personality” of his time, “the one ‘genius’ of the ‘Eighteen-Nineties’” (S. Wilson, Beardsley5; Muddiman 6; Huneker 17), Beardsley was thought by numerous observers to have set the standard for the art of the period.2 Arthur Symons summarized the case: “No artist of our time, none certainly whose work has been in black and white, has reached a more universal ... fame; none has formed for himself, out of such alien elements, a more personal originality of manner; none has had so wide an influence on contemporary art” (“AB” 90-91).3 As Holbrook Jackson put it in his classic book The Eighteen Nineties,“The appearance of Aubrey Beardsley in 1893 was the most extraordinary event in English art since the appearance of William Blake” (91).

Estilos ABNT, Harvard, Vancouver, APA, etc.

Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!