Teses / dissertações sobre o tema "Curatoren"
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Larsson, Camilla. "Curatorns ordning : En diskursanalys av curatorns yrkesroll utifrån 15 curatorutbildningar". Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18473.
Texto completo da fonteSpiller, Elena <1989>. "La responsabilità penale del curatore fallimentare". Master's Degree Thesis, Università Ca' Foscari Venezia, 2015. http://hdl.handle.net/10579/6411.
Texto completo da fontePadoan, Anna <1992>. "Il programma di liquidazione del curatore fallimentare". Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8745.
Texto completo da fonteBertolin, Alessandro <1989>. "AZIONI DI RESPONSABILITA' DEL CURATORE AI SENSI DELL'ART. 146 L.F". Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5386.
Texto completo da fonteMeier, Dominicus M. "Der Curator im kanonischen Prozeßrecht /". Essen : Ludgerus-Verl, 1998. http://www.gbv.de/dms/spk/sbb/recht/toc/274215608.pdf.
Texto completo da fonteMarinaki, Irini. "Nicolas Calas : critic and curator". Thesis, Birkbeck (University of London), 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600386.
Texto completo da fonteBoscarato, Alex <1994>. "Trattamento fiscale delle operazioni poste in essere dal curatore nel fallimento". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15292.
Texto completo da fonteD'Ambros, Chiara. "I Curatori, tra Biografia, Formazione e Riconoscimento". Doctoral thesis, Università degli studi di Padova, 2009. http://hdl.handle.net/11577/3426470.
Texto completo da fonteIl tema della ricerca è la figura del “curatore” inteso come soggetto che opera pratiche di cura non convenzionali sulla base di doti personali e innate. Si è svolta un’indagine di tipo qualitativo su un campione di quaranta interviste in profondità e integrata in diversi casi da osservazioni etnografiche. Si è indagata la presenza nel contesto sociale di portatori di tali caratteristiche originarie rifacendosi tra l’altro al modello proposto da G.A.Gilli (1988), basato sull’analisi della struttura sociale delle polis greche, secondo cui in ogni società vi sarebbero dei soggetti “portatori di techne”, ossia di doti originarie presocietarie che trovano spesso difficoltà di inclusione societaria in quanto sono difficilmente inseribili nella struttura e controllabili. Si sono indagati i legami che questi soggetti hanno con la medicina popolare, con altri ambiti di cura quale ad esempio quello della cosiddetta medicina non convenzionale. Si sono riscontrare delle “costellazioni” di curatori che sono state mappate alla luce delle caratteristiche delle pratiche da loro utilizzate alcune più legate alla manipolazione, altre alla cura con le erbe e altre ancora all’energia, tema quest’ultimo che è stato oggetto di approfondimento. Per poter comprendere più a fondo la loro origine e come le loro doti si manifestano, vengano scoperte e sviluppate si sono esplorati i percorsi formativi intrapresi da questi soggetti; percorsi spesso sottoposti a critiche/perplessità/scetticismi e mancati riconoscimenti da parte del sistema dominante. Al tema del riconoscimento si è dato largo spazio. Si è osservato che è fondamentale l’autoriconoscimento affinché i curatori manifestino le proprie doti, mentre il riconoscimento esterno diventa rilevante in seconda battuta. Si sono esplorate varie forme di inclusione ed esclusione a cui questi soggetti sono sottoposti, e quindi come la loro pratica venga o meno considerata professionale, o in che senso, eventualmente, potrebbe esserlo. Si è anche analizzata come la questione del denaro è legata a questi soggetti che praticano cure “non convenzionali” data la non chiara esistenza di tariffari o parametri di remunerazione. Si sono esplorate, infine, le cosmogonie evocate dai soggetti intervistati, la cui rilevazione permette di meglio comprendere la loro spinta a fare ciò che fanno e il senso che essi attribuiscono a loro agire. Essi si riferiscono ad ambiti religiosi, spirituali o anche appartenenti a sistemi di senso che riconducono a parametri razionali, che aprono ad una interpretazione della realtà multidimensionale. Con la presente ricerca non si è inteso entrare nel merito dell’efficacia delle cure di questi curatori quanto mettere in evidenza la loro presenza nella società, come essi vivono il loro dono, la loro techne e quindi il loro mestiere.
Lonardi, Anna <1980>. "I curatores riparum et alvei Tiberis: uno studio storiografico, prosopografico ed epigrafico". Doctoral thesis, Università Ca' Foscari Venezia, 2009. http://hdl.handle.net/10579/382.
Texto completo da fonteMassini, Chiara <1980>. "Il mestiere del curatore. Teorie e pratiche dagli anni Novanta ad oggi". Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/3687.
Texto completo da fonteBlack, Sarah. "Mother as curator : performance, family and ethics". Thesis, Middlesex University, 2018. http://eprints.mdx.ac.uk/25913/.
Texto completo da fonteWilkinson, Judith. "Uncovering the legacy : Samuel Beckett : artist + curator". Thesis, Goldsmiths College (University of London), 2012. http://research.gold.ac.uk/7408/.
Texto completo da fonteDesclaux, Vanessa. "Curators : more or less subjects : spectatorship, passivity and fabulation". Thesis, Goldsmiths College (University of London), 2016. http://research.gold.ac.uk/19160/.
Texto completo da fonteFogal, Francesca <1993>. "Il curatore e l'Istituzione: sviluppo e contesto di una nuova visione della mostra d'arte contemporanea". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17145.
Texto completo da fonteOstling, Susan. "The Defining and Shaping of the Contemporary Art Curator". Thesis, Griffith University, 2013. http://hdl.handle.net/10072/368133.
Texto completo da fonteThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Steierhoffer, Eszter. "The rise of the curator and architecture on display". Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1815/.
Texto completo da fonteUrrutia, Barriga Camila. "Estética relacional : la acción curatorial como obra". Tesis, Universidad de Chile, 2014. http://repositorio.uchile.cl/handle/2250/139343.
Texto completo da fonteTesis no autorizada por su autora para ser publicada a texto completo en repositorio institucional.
Este documento revisa el texto Estética Relacional de Nicolas Bourriaud, considerado como una curaduría: una selección y exposición de obras, examinando, por una parte, las afirmaciones que propone esa selección para referirse al arte contemporáneo; y, por otra parte, la posibilidad de la acción curatorial para ser definida como obra. Este ejercicio es realizado por medio de la relación de los textos de Bourriaud: Estética Relacional, Formas de vida. El arte moderno y la invención de sí, y Postproducción; así como por medio del diálogo de esos textos con distintos autores que sirven como referencia y contrapunto para realizar este ejercicio. Desde esta relación de textos, se propone a la acción del dandy en convergencia con la acción
Beignon, Anaëlle. "Participatory Design Fiction Curator – Providing inspiration from Participatory Design fiction Research". Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23284.
Texto completo da fonteMcCartney, Laura Lee. "Unpacking Self in Clutter and Cloth: Curator as Artist/Researcher/Teacher". Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849713/.
Texto completo da fonteLederer, Robert Clarke. "Rise of the curator : archiving the self in contemporary American fiction". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/10667.
Texto completo da fonteChye, Carissa Ern Ai. "Curating the Curator: The (Self-)Construction of Frank O’Hara as Myth". Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/20459.
Texto completo da fonteScarpa, Elena <1987>. "Il curatore fallimentare ed il programma di liquidazione. Alla luce delle modifiche introdotte dalla riforma della Legge Fallimentare". Master's Degree Thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/2159.
Texto completo da fonteSacramento, Nuno. "Shadow curating : a critical portfolio". Thesis, University of Dundee, 2006. https://discovery.dundee.ac.uk/en/studentTheses/932929b8-ec03-4d73-8851-855281f17aff.
Texto completo da fonteEkman, Jan. "Gränser och passager : En analys av de curatoriska och konstnärliga subfälten". Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-15375.
Texto completo da fonteVG
Gaskill, K. "In search of the Social : toward an understanding of the Social Curator". Thesis, University of Huddersfield, 2010. http://eprints.hud.ac.uk/id/eprint/10902/.
Texto completo da fonteO'Neill, Rebecca. "The rise of the citizen curator : participation as curation on the web". Thesis, University of Hull, 2017. http://hydra.hull.ac.uk/resources/hull:16449.
Texto completo da fonteMarsden, Rachel E. M. "The transcultural curator : translating networked curatorial practices in the Chinese context since 1980". Thesis, Birmingham City University, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.743084.
Texto completo da fonteOprea, Corina. "The end of the curator : on curatorial acts as collective production of knowledge". Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/25605.
Texto completo da fonteHofmann, Andreas C. "Staat und Stadt in der Spätantike". Thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-132059.
Texto completo da fonteFeather, Jessica. "The formation of a modern taste in watercolour : critics, curators, and collectors c. 1890-1912". Thesis, University of Reading, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.722604.
Texto completo da fonteMoramarco, Domenico <1984>. "Da artista a curatore: la mostra Slip of the tongue curata da Danh Vo a Punta della Dogana-Fondazione François Pinault". Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/8731.
Texto completo da fonteAndersson, Stefan, e Daniel Cullberg. "Jag Twittrar för Er : Nytänkande och ambassadörskap i medielandskapet". Thesis, Karlstads universitet, Avdelningen för medie- och kommunikationsvetenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-28176.
Texto completo da fontePurpose: The projects purpose it to find out if the mediation has changed the work with Sweden as a brand. Issues: The main question this paper is based on is: How has the modern medialization changed VisitSweden's work with Sweden's brand? To answer the main question in a simpler way we will be using several sub queries as follows: What strategies does VisitSweden use to brand Sweden on Twitter? What are VisitSweden’s views on Social Medias? What does the image building look like on the Twitter channel @sweden when it comes to the brand Sweden? How has the use of curators democratized the work on the project Curators of Sweden? Theory: The theories in the essay are based on Nation branding, Public Diplomacy and Medialization with the weight on Public Diplomacy. Besides these theories the essay includes the theories of Public Relations and Public sphere that will be used to some extent. Method: The paper has investigated the Twitter channel @sweden's news flow through a quantitative and qualitative content analysis. It will also analyse the document Sverigebilden using a qualitative content analysis and document analysis, in the end, a qualitative interview with VisitSweden's Head of Social Media. Results: The survey reveals a nuanced way to which a Twitter channel can promote a country as a brand and how to utilise spokespersons to make it happen. VisitSweden shows how, through preparation and monitoring, all Public Relations can become good Public Relations. By being an early adopter of the medium, VisitSweden have been able to create interest through innovation and breaking new ground. It has since implemented a well controlled project that supports the brand through the use of core values that have been set in advance.
Ramnerö, David. "Semi-automatic Training Data Generation for Cell Segmentation Network Using an Intermediary Curator Net". Thesis, Uppsala universitet, Bildanalys och människa-datorinteraktion, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-332724.
Texto completo da fonteChubb, Shirley Jane. "Intervention, location and cultural positioning : working as a contemporary artist curator in British museums". Thesis, University of Brighton, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.479071.
Texto completo da fonteDodoo, Charles, e Charles Dodoo. "The Artist-run Gallery: Examining the Artist-Curator's Perspective in Curating Exhibitions in University and College Galleries". Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/624566.
Texto completo da fonteDay, Meredith. "The New York City Photo League : determining influence through depth interviews with scholars, historians and curators /". free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p1422920.
Texto completo da fonteGroff, Fábio de Carvalho. "Contribuição ao estudo da curadoria de bens na execução: o Curator Bonorum da Bonorum Venditio". Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/2/2131/tde-13122010-160122/.
Texto completo da fonteAmong the historical figures associated with bankruptcy, the curator bonorum is perhaps the most unknown, or the least studied. But this apparent indifference about the figure is not compatible with its importance, for there are several doctrinal texts that indicate the curator as the historical predecessor of the trustee in bankruptcy. In this paper, the trajectory of the curator bonorum and the influence that its actions had on the development of means of foreclosure are presented. It addresses, in this sense, the peculiar vision of the Roman about his estate, the importance of property funds, and the background of bankruptcy proceedings. It is also demonstrated that the bonorum venditio procedure, usually connected to the classical period of Roman law, was not exactly replaced by bonorum distractio, as this was, somehow, part of that. The paper also seeks to show that the performance of the curator, especially the one that was to prevent the ruin of the debtor, changed the course of bankruptcy proceedings and concurrent creditors, including how they are known nowadays. In an apparently unprecedented proposition a change of focus from the executive models will be shown, for which the fact that they no longer get the entire assets of the debtor, and happened to prefer a sale of just what was needed so the debt could be paid, is intrinsically linked to the work of the curator bonorum. The paper is divided in three parts: in the first the historical moment of the supposed origin of the curator bonorum and the beginnings of foreclosure are analyzed; in the second, the scope of acting and features of the curator. Finally in the third and final part, the evolution of the figure to the right under Justinian is studied. In Appendix, a simple contribution to modern law is presented.
Schuppert, Mirjami. "Archive play : on the role of the curator in mediating artistic interventions into photographic archives". Thesis, Ulster University, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.701057.
Texto completo da fontePegno, Marianna. "Narratives of Elsewhere and In-Between| Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums". Thesis, The University of Arizona, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10681309.
Texto completo da fonteThis dissertation explores narratives that emerge from a community-museum collaboration while working with refugees in relation to Trinh T. Minh-ha’s (2011) concept of the boundary event. Within this study the boundary event is explored as moments of overlap where identity, experiences, knowledge, and processes are continuously being negotiated; by embracing or leaning into these moments, community-museum programs can develop multivocal narratives—where no single voice is heard as distinctly clear or separate. These co-created museum narratives stand in contrast to educational and engagement strategies that aim to instill knowledge and elevate community with the museum as the expert. In this dissertation 16 participant voices– of 15 refugees and one museum educator– mingle, coalesce, and complicate museum narratives. These narratives are participant-created (data presentation) as well as researcher-constructed (analysis and interpretation). Using the methodological lens of narrative inquiry and decolonization I investigated data collected from over a two-year period (summer 2013-summer 2015) including: content and wall labels collected from two exhibitions, one marks the beginning of the study in 2013 and the second in 2015 concludes the study; gallery activities collected over the course of the two-year study; and educator field notes from the 28 individual sessions. Ultimately, I argue that multivocal narratives, and embracing moments defined as the boundary event, complicate traditional hierarchy and expected stories of refugees and new migrants illustrating how difference can positively disrupt linear, static, and authoritative institutional narratives.
Pegno, Marianna, e Marianna Pegno. "Narratives of Elsewhere and In-Between: Refugee Audiences, Edu-Curators, and the Boundary Event in Art Museums". Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626323.
Texto completo da fontePearson, Catherine. "Curators, Culture and Conflict : The Effects of the Second World War on Museums in Britain, 1926-1965". Thesis, University College London (University of London), 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.498462.
Texto completo da fonteNorton-Westbrook, Halona. "Between the 'collection museum' and the university : the rise of the connoisseur-scholar and the evolution of art museum curatorial practice 1900-1940". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/between-the-collection-museum-and-the-universitythe-rise-of-the-connoisseurscholar-and-the-evolution-of-art-museum-curatorial-practice-19001940(b1c01103-496f-44f6-a1a1-24c556c8a04c).html.
Texto completo da fonteWhitley, Zoe. "Against a sharp white background : dialogic and exhibitionary practices of Black contemporary artists and curators in art museums". Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/23580/.
Texto completo da fontePryde-Jarman, D. "Curating the artist-run space : exploring strategies for a critical curatorial practice". Thesis, Coventry University, 2013. http://curve.coventry.ac.uk/open/items/ec4c19c4-55de-475d-a95f-0a310c037ced/1.
Texto completo da fonteRobles, Sepúlveda Constanza. "La curatoría de Dore Ashton para el Museo de la Solidaridad Salvador Allende : política y abstracción entre 1971 y 1973". Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/142996.
Texto completo da fonteLa presente investigación explora la formación del Museo de la Solidaridad Salvador Allende (MSSA) durante el gobierno de la Unidad Popular (1970-1973), como una de las iniciativas que surgieron en la época para fomentar la cultura y el apoyo de otros países al pueblo de Chile y el socialismo del Presidente Salvador Allende Gossens (1908- 1973). Esto ocurre en un difícil momento político para Chile, en el cual los partidos opositores a Salvador Allende, con el respaldo de Estados Unidos, y particularmente de la CIA durante el gobierno de Richard Nixon (quien fue Presidente entre 1969-1974), buscan erradicar la presencia del socialismo en América Latina y sabotear la posibilidad de pensar un gobierno socialista democráticamente electo. En este contexto, y como veremos más adelante, el MSSA vive su primer periodo de gestación conocido como “Solidaridad” (1971- 1973), en que se obtienen las primeras obras que componen el museo.
SERRA, MAILY. "Studio dell’evoluzione del popolamento rurale nelle curatorie di Trexenta e Siurgus in età medievale e postmedievale: abbandoni e continuità di vita". Doctoral thesis, Università degli Studi di Cagliari, 2015. http://hdl.handle.net/11584/266827.
Texto completo da fonteMiller, Chasity Janet. "From the Seat of Authority: A Case Study in Exhibition Development". VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1034.
Texto completo da fonteWarholm, Sara Christine. "Critic, negotiator and gatekeeper. : An analasis of the role and influence of the curator within the contemporary art field". Thesis, Linköping University, Culture, Society and Media Production, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19423.
Texto completo da fonteThe study examines the role of the art-curator with the focus on how it have influencedand may influence the art-scene and the concept of art. The study is based onmaterial extracted from texts involving the art-debates around the role of the curator,published in media and in literature. The study looks at the subject throughthe perspective of authorship and risk-theories in social sciences, and with a crossdisciplinarypoint of view, which takes into consideration how the debate regardingthe art-curator relates to the contemporary media landscape and the overall field ofcultural production. The study shows examples on how the role of the curator havebeen and currently is debated and defined. Through examples it shows that thecurators role have been compared to other characters within and without the fieldof cultural production. The comparisons include, among other things, the role ofthe critic and the music-DJ, but also the role of the guard-keeper and the diplomat.The most problematic comparison is where it is compared to the contemporary conceptualartist. The study shows that the role of the curator is becoming graduallycloser to the role of other producers in the cultural and medial field. This alsomeans that art is increasingly considered to be a cultural and medial product, incontrast to the classical romantic perception of art.
Roma, Serrano Valentín. "Crosswords, problems and expectations of the curator of contemporary art exhibitions : a personal experience from the project Economy : Picasso". Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/384638/.
Texto completo da fonteHalfpapp, Andi. "Pars pro toto: Experimental exhibition design and curatorial paradigms". Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/87097/1/Andi_Halfpapp_Thesis.pdf.
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