Literatura científica selecionada sobre o tema "Culture surf"
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Artigos de revistas sobre o assunto "Culture surf"
Jaggard, Ed. "Americans, Malibus, Torpedo Buoys, and Australian Beach Culture". Journal of Sport History 41, n.º 2 (1 de julho de 2014): 269–86. http://dx.doi.org/10.5406/jsporthistory.41.2.269.
Texto completo da fonteOlive, Rebecca. "Reframing Surfing: Physical Culture in Online Spaces". Media International Australia 155, n.º 1 (maio de 2015): 99–107. http://dx.doi.org/10.1177/1329878x1515500112.
Texto completo da fonteDoering, Adam, e Clifton Evers. "Maintaining Masculinities in Japan’s Transnational Surfscapes: Space, Place, and Gender". Journal of Sport and Social Issues 43, n.º 5 (12 de agosto de 2019): 386–406. http://dx.doi.org/10.1177/0193723519867584.
Texto completo da fonteQuinn, Patrick, e Iain Borden. "Solid Surf". Journal of Contemporary Archaeology 10, n.º 1 (25 de outubro de 2023): 139–69. http://dx.doi.org/10.1558/jca.25151.
Texto completo da fonteCovolo, Robert S. "Toward a Theology of California Surf Culture". Cultural Encounters 10, n.º 2 (1 de dezembro de 2014): 27–45. http://dx.doi.org/10.11630/1550-4891.10.02.27.
Texto completo da fonteRörig, Leonardo Rubi, Milena Camargo Honorato, Ana Gabriela Itokazu, Carolina Ximenes de Macedo, Francisco Deschamps, João Vitor Heberle Lins, Marcelo Maraschin, Fernanda Ramlov, Pablo Diego Gressler e Jurandir Pereira Filho. "Ecophysiological and biochemical variation of the surf zone diatom asterionellopsis glacialis sensu lato from Santa Catarina, Southern Brazil". Brazilian Journal of Oceanography 65, n.º 4 (dezembro de 2017): 695–708. http://dx.doi.org/10.1590/s1679-87592017118206504.
Texto completo da fonteRoy, Georgina. "Women in Wetsuits: Revolting Bodies in Lesbian Surf Culture". Journal of Lesbian Studies 17, n.º 3-4 (julho de 2013): 329–43. http://dx.doi.org/10.1080/10894160.2013.731873.
Texto completo da fonteLefebvre, Sylvain, e Romain Roult. "Les nouveaux territoires du surf dans la ville". Téoros 28, n.º 2 (5 de maio de 2014): 55–62. http://dx.doi.org/10.7202/1024807ar.
Texto completo da fonteGovil, Tanvi, Manasi Paste, Dipayan Samanta, Aditi David, Kian Mau Goh, Xiangkai Li, David R. Salem e Rajesh K. Sani. "Metagenomics and Culture Dependent Insights into the Distribution of Firmicutes across Two Different Sample Types Located in the Black Hills Region of South Dakota, USA". Microorganisms 9, n.º 1 (6 de janeiro de 2021): 113. http://dx.doi.org/10.3390/microorganisms9010113.
Texto completo da fonteScheibel, Dean. "“Making waves” with burke: Surf Nazi culture and the rhetoric of localism". Western Journal of Communication 59, n.º 4 (dezembro de 1995): 253–69. http://dx.doi.org/10.1080/10570319509374522.
Texto completo da fonteTeses / dissertações sobre o assunto "Culture surf"
Cruzin-Polycarpe, Valérie. "L'épopée homérique du surf en France (ra)contée par Surf Session : une histoire des représentations médiatiques du surf de 1986 à nos jours". Electronic Thesis or Diss., Bourgogne Franche-Comté, 2024. http://www.theses.fr/2024UBFCC011.
Texto completo da fonteAlthough surfing officially made its debut in France in 1956 on the Basque coast, its culture was not put into narrative form and disseminated by the media until 1986, when the first French surfing magazine, Surf Session, was created. Fascinated in their youth by these men from across the Atlantic who played with the waves and brought with them a new, liberated lifestyle, two men decided to create a French surfing magazine in March 1986. Surfing was booming at the time: surfwear brands were establishing themselves along the Aquitaine coast, national and international competitions were multiplying, as were clubs, whose development the magazine supported.As a privileged vector of surfing culture, this medium is both an archive and a means of promoting a new, sometimes counter-cultural sport and its social activities. A semio-historical analysis of the statements and visibilities contained in the issues over a period of thirty-eight years brings to light a Homeric vision of the practice in the form of an epic, first Illiadesque, then Odyssean, summoning ancient symbols and myths to create new ones. It contributes to inscribing the sport in the collective psyche through representations which this work proposes to deconstrcut by questioning its
Corner, Sarah Britt. "An Ethnographic Exploration of Gender Experiences of a New Zealand Surf Culture". The University of Waikato, 2008. http://hdl.handle.net/10289/2332.
Texto completo da fonteGaze, Tim. "Surf, sun, and sound: The role of surf music in the development of Australian popular culture. An investigation of the iconic surf film, Morning of The Earth, as a medium". Thesis, Queensland University of Technology, 2020. https://eprints.qut.edu.au/196756/1/Tim_Gaze_Thesis.pdf.
Texto completo da fonteNARDINI, DARIO. "Surfers Paradise. Un’etnografia del surf sulla Gold Coast australiana". Doctoral thesis, Università degli Studi di Milano-Bicocca, 2019. http://hdl.handle.net/10281/241201.
Texto completo da fonteThis thesis is an ethnographic analysis of surfing and the surfing culture on Australia’s Gold Coast (Queensland, Australia). In such a touristic region, the mild climate, warm water and the quantity and quality of waves have attracted many surfers, that have created a real surfing legacy. Surfing here contributes to shape the landscape and has become an integral part of the cultural heritage and of a socially constructed idea of “a life in the Gold Coast style”. Therefore, in the process of definition of the local surfing culture, both local and more wide questions are involved. Firstly, the particular relation with the beach and the ocean Australian people have historically developed deeply influence the way surfers enjoy riding the waves. Secondly, an “imagined” sense of Australian-ness rooted on the colonial history of the country is reflected and reproduced in the local surfing environment. Finally, surfing actively participate to the co-construction of the gender categories and attributes (especially those linked to masculinity). In this thesis, surfing is conceived as an “ordinary passion” into which practitioners invest their time and resources in order to give a deeper meaning to their lives. As happens to the consumption practices which are based on a free individual choice, surfing reflects the “character” and values of those who show their commitment to it. In this way, it constitutes a cultural “frame” in which the surfers’ gestures make sense. The thesis is divided in 7 chapters. Chapter 1 is a critical review of the existent scientific literature on surfing. In Chapter 2, surfing is conceived as a hybrid bodily practice that cross the boundaries between “sport” and “game”, “sport” and “performance”, “sport” and “dance”, and so on. Chapter 3 is about the methodologies adopted for this research. Moreover, a broader reflection on reflectivity and the body in the ethnographic study of sporting activities is proposed. The socially and culturally ways through which in Australia and on the Gold Coast particular “modality of enjoyment” of the beach and the sea have been historically produced are investigated in Chapter 4 and 5, that also describe the way these modes of appreciation inform surfing culture on the Gold Coast. In Chapter 6, a view of the surfer as an athletic, contemporary version of the “romantic hero” is discussed. On the Gold Coast, this image also epitomizes some of the main features attached to the Australian “character” and identity. Chapter 7 describes how this reciprocal relationship between the surfers’ image and an idealized Australian identity has built a mainly manly and white sporting culture, organized around two ambivalent but coherent principles of social relations: on the one hand, the reciprocity between the surfer and the ocean that offers him so much “fun”; and, on the other hand, the competition among surfers to establish the priority on the line-up (that is, to establish who has the right to enjoy that reciprocity with the sea and who is instead excluded from it).
Sandtner, Jake Steven. "The voices of surf-writing / Taj: A man above the reef". Thesis, Griffith University, 2019. http://hdl.handle.net/10072/385905.
Texto completo da fonteThesis (Masters)
Master of Arts Research (MARes)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
Sayeux, Anne-Sophie. "Surfeurs, l'être au monde : analyse socio-anthropologique de la culture de surfeurs, entre accords et déviance". Rennes 2, 2005. http://www.theses.fr/2005REN20053.
Texto completo da fonteFor some, surf practice is part of their building process in the midst of the contemporary worlds. To surf, and especially to become a surfer, is acquired through a traditional transmission, far from federal norms. Being a surfer means a different way of life, which shows in the interaction with other surfers, the use of nature , the outlook on the body as well as in the male/female relations. This particular environment, with its stigmatising aspects, is singled out by the rest of society. Surf practice, which oscilates between game and sport, might be an answer to the contemporary social crisis through its non-respect of rules and values. And it is through these social gaps that the relation to the surfer's world has filtered : this surfing culture which is therefore considered as deviant by the rest of society
Comley, Cassie. "“Surfing? That’s a White Boy Sport”: An Intersectional Analysis of Mexican Americans’ Experiences with Southern California Surf Culture". Thesis, University of Oregon, 2019. http://hdl.handle.net/1794/24533.
Texto completo da fonteSayeux, A. S. "Surfeurs, l'être au monde. Analyse socio-anthropologique de la culture de surfeurs, entre accord et déviance". Phd thesis, Université Rennes 2, 2006. http://tel.archives-ouvertes.fr/tel-00872190.
Texto completo da fonteHagander, Sara. "Surf and turf, builder’s mug och Jaffa cakes : Översättningsstrategier vid svensk undertextning av kulturspecifika referenser i anglofona matlagningsprogram". Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131865.
Texto completo da fonteFood, language and culture are closely linked and cooking shows are peppered with culturally specific references. Culturally specific references are defined as “any reference to a cultural entity which, due to its distance from the target culture, is characterized by a sufficient degree of opacity for the target reader to constitute a problem” (Mailhac in Ranzato 2015:54) and can be things such as measurements (pints), brands (Tabasco), and dishes (surf and turf) to name a few. This study focuses on the translation of culture specific references in cooking shows. Since most of the cooking shows translated into Swedish are in English, the material for this study consists of 21 cooking shows in English and their Swedish translations. This study will look at the shows 3 good things, Save with Jamie, David Rocco’s Dolce Vita, Kitchen Hero and The Great British Bake off. By constructing a corpus and analyzing the culturally specific references, the norms regarding translation strategies for the translation of culturally specific references in cooking shows have been mapped out, and compared to the results of a well known study on primetime TV by Pedersen (2011). These were categorized in accordance with Pedersen’s taxonomy (2011:76). The results showed that the norms were very similar to those of primetime TV, with the exception of some domain-specific norms. Language influences how we see the world. Thus, the way culturally specific references are translated from one culture into another is important because it affects how cultures are viewed and interpreted, at least within the food community.
Storm, John. "On Surfing Films: An Aesthetic Study". Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1047.
Texto completo da fonteBachelors
Arts and Humanities
Humanities
Livros sobre o assunto "Culture surf"
Kampion, Drew. Stoked: A history of surf culture. Santa Monica, CA: General Pub. Group, 1997.
Encontre o texto completo da fonteChidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.
Encontre o texto completo da fonteChidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.
Encontre o texto completo da fonteChidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.
Encontre o texto completo da fonteShioda, Nagahide. Kokusai kankeiron: Henʾyō suru bunka to shakai. Tōkyō: Taga Shuppan, 2000.
Encontre o texto completo da fonteMinistère de la culture et du tourisme. Étude sur les impacts du secteur de la culture sur le développement social et économique du Burkina Faso. Burkina Faso]: Ministère de la culture et du tourisme, 2012.
Encontre o texto completo da fonteWallach, Jean-Claude. La culture, pour qui?: Essai sur les limites de la démocratisation culturelle. Toulouse: Attribut, 2006.
Encontre o texto completo da fonteLoiseau, Jacques. Naissance d'une culture: Essai sur la culture industrielle. Paris: Harmattan, 1996.
Encontre o texto completo da fonteAsin, Fernando Armas. Sur Chico/Lima: Espacio y patrimonio. Lima, Perú: Universidad San Martín de Porres, Escuela Profesional de Turismo y Hotelería, 2002., 2002.
Encontre o texto completo da fonteAuteur, Shi Weimin, ed. Aperçu sur la culture chinoise. Beijing: China international Press, 2001.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Culture surf"
McKenna, Mark. "Resistance and Incorporation in Californian Surf Culture". In Big Wednesday, 36–52. London: Routledge, 2024. http://dx.doi.org/10.4324/9780429058295-4.
Texto completo da fontePalmer, Kelly. "Sun, surf, sex, and the everyday". In The Routledge Handbook of Popular Culture and Tourism, 183–94. Abingdon, Oxon ; New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315559018-17.
Texto completo da fonteComley, Cassie. "Maneuvering Microaggressions and Contesting Cultural Beliefs: An Intersectional Examination of Mexican American Surfers' Experiences in Southern California Surf Culture". In Lifestyle Sports and Identities, 72–93. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429340505-5-7.
Texto completo da fonteBarjolin-Smith, Anne. "Florida: Society and Cultures". In Ethno-Aesthetics of Surf in Florida, 39–65. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7478-8_2.
Texto completo da fonteBarjolin-Smith, Anne. "Model Two: The Phases of Cultural Appropriation". In Ethno-Aesthetics of Surf in Florida, 193–219. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7478-8_7.
Texto completo da fonteDesmet, Ronny. "Whitehead comme philosophe de la culture". In Regards croisés sur Alfred North Whitehead, editado por Benoît Bourgine, David Ongombe e Michel Weber, 193–96. Berlin, Boston: DE GRUYTER, 2007. http://dx.doi.org/10.1515/9783110322385.193.
Texto completo da fonteBarjolin-Smith, Anne. "Model One: The Ultra-Marine Model of Cultural Hybridization". In Ethno-Aesthetics of Surf in Florida, 131–55. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-7478-8_5.
Texto completo da fonteForrester, John. "Shell, a Sure Target for Global Environmental Campaigning?" In Cultures of Environmentalism, 26–40. London: Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230514867_3.
Texto completo da fonteBlaineau, Alexandre. "Plutarque, un passeur de la culture équestre grecque". In Recherches sur les Rhétoriques Religieuses, 305–16. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.rrr-eb.5.121148.
Texto completo da fontePerrot, Sylvain. "Un passeur de culture musicale. Nicomaque de Gérasa". In Recherches sur les Rhétoriques Religieuses, 217–34. Turnhout, Belgium: Brepols Publishers, 2022. http://dx.doi.org/10.1484/m.rrr-eb.5.121143.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Culture surf"
Lupu, Mirabela Ioana, Alina Maier, Cristina Maria Canja, Vasile Padureanu e Geronimo Raducu Branescu. "ROMANIAN GASTRONOMIC HERITAGE: REDISCOVERING TRADITIONAL PRODUCTS". In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024, 87–94. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s05.16.
Texto completo da fonteUsta, Emine Ebru. "The Effect of Culture on Economic Development and Turkey-Russia Economic Relations". In International Conference on Eurasian Economies. Eurasian Economists Association, 2013. http://dx.doi.org/10.36880/c04.00647.
Texto completo da fonteKerlan, Alain. "Activité artistique - Activité scientifique. Des frontières réinterrogées sous le signe de l’esthétique". In Journées d'étude "Les multiples dimensions de l'Homme et de la connaissance : questions épistémologiques, éducatives et culturelles. MSH Paris-Saclay Éditions, Université Paris-Saclay, 2024. http://dx.doi.org/10.52983/pkfk6659.
Texto completo da fonteButterlin, Pascal. "Des tombeaux aux cités, genèse d’une culture de la sécurité le long du Moyen Euphrate dans le premier tiers du III e millénaire avant notre ère". In Le château de mon père – My home my castle. University of West Bohemia, Czech Republic, 2023. http://dx.doi.org/10.24132/zcu.2023.11672-1-27.
Texto completo da fonteMashukova, Olga, Olga Mashukova, Yuriy Tokarev, Yuriy Tokarev, Nadejda Kopytina e Nadejda Kopytina. "LUMINESCENCE OF THE BLACK SEA MICROSCOPIC FUNGI CULTURES". In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.31519/conferencearticle_5b1b946ac0fc74.55415483.
Texto completo da fonteMashukova, Olga, Olga Mashukova, Yuriy Tokarev, Yuriy Tokarev, Nadejda Kopytina e Nadejda Kopytina. "LUMINESCENCE OF THE BLACK SEA MICROSCOPIC FUNGI CULTURES". In Managing risks to coastal regions and communities in a changing world. Academus Publishing, 2017. http://dx.doi.org/10.21610/conferencearticle_58b431676d384.
Texto completo da fonteRivera Vidal, Amanda, e Carmen Gomez Maestro. "Heritage and community centre in Matta Sur, Chile". In HERITAGE2022 International Conference on Vernacular Heritage: Culture, People and Sustainability. Valencia: Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14527.
Texto completo da fonteDe Angelis, Rossana. "Lire, écrire, co-écrire, partager, référencer les écrits. Transitions linguistiques au sein de la culture numérique". In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8608.
Texto completo da fonteRakotonirina, Mampionona, Thierry Joffroy, Laurent Daudeville e Philippe Garnier. "Habitat parasinistre : objet interdisciplinaire entre territoire, culture et technique. Retour sur les interventions fondées sur les Cultures Constructives Locales (CCL) après le séisme du 12 janvier 2010 en Haïti". In Écocritique(s) et catastrophes naturelles : perspectives transdisciplinaires / Ecocriticism(s) and Natural Catastrophes: Transdisciplinary Perspectives. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7941.
Texto completo da fontePskhu, R. V., P. M. Barmina, E. Yu Lotova e Z. V. Murga. "BEAUTY IN COLOR: BLUE ON RAFFAELLO�S CANVASES". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs03.04.
Texto completo da fonteRelatórios de organizações sobre o assunto "Culture surf"
Samochowiec, Jakub, e Johannes Bauer. Dissemblables ensemble? La grande étude suisse sur la diversité. Gdi-verlag, Gottlieb Duttweiler Institute, setembro de 2024. http://dx.doi.org/10.59986/ozal2775.
Texto completo da fonteKerrigan, Susan, Phillip McIntyre e Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.
Texto completo da fonteSaladrigas Medina, H., D. Olivera Pérez e S. Paz Martín. Información y comunicación desde el Sur. Economía política, cultura y pensamiento crítico. Revista Latina de Comunicación Social, outubro de 2017. http://dx.doi.org/10.4185/cac130.
Texto completo da fontePiedras, Enesto, Marissa Manzanilla, Samuel Bautista e Santiago Donoso. Punto Creativo: Región Sur-Sureste y CDMX. Inter-American Development Bank, setembro de 2023. http://dx.doi.org/10.18235/0005098.
Texto completo da fonteCunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark David Ryan e Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Gold Coast. Queensland University of Technology, agosto de 2020. http://dx.doi.org/10.5204/rep.eprints.203691.
Texto completo da fonteGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, junho de 2005. http://dx.doi.org/10.57071/867rex.
Texto completo da fonteLuzardo, Alejandra, Martina Majlis, Nicolás Rebolledo, Valentina López, Zabel Revuelta e Martina Majlis Signorio. Mesas ejecutivas sur-sureste de industrias culturales y creativas: un espacio permanente de coordinación interinstitucional de las industrias culturales y creativas del sur-sureste de México. Editado por Nicolás Cornejo. Inter-American Development Bank, abril de 2024. http://dx.doi.org/10.18235/0012882.
Texto completo da fonteChavez, Luis Fernando, e Cimélio Bayer. Balanço de gases de efeito estufa (GEE) em Argissolo Vermelho (Acrisol) sob sistemas de cultura emplantio direto (PD). Corporación Colombiana de Investigación Agropecuaria - AGROSAVIA, 2016. http://dx.doi.org/10.21930/agrosavia.poster.2016.6.
Texto completo da fonteBattams, Nathan. Coup d’œil sur les hommes, le travail et les relations familiales au Canada. L’Institut Vanier de la famille, 2017. http://dx.doi.org/10.61959/yepu8674f.
Texto completo da fonteBattams, Nathan. Coup d’œil sur le vieillissement de la population et les relations intergénérationnelles au Canada. L’Institut Vanier de la famille, 2017. http://dx.doi.org/10.61959/ptdx6812f.
Texto completo da fonte