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Grgic, Ana. Early Cinema, Modernity and Visual Culture. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463728300.
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At the end of the nineteenth century, the Balkans were animated by cultural movements and socio-political turmoil with the onset of the collapse of the empires. Around the same period, the proliferation of print media and the arrival of moving images gradually transformed urban life, and played an important role in the creation of national and regional cultures. Based on archival research that explores previously overlooked footage and early press materials, Early Cinema, Modernity and Visual Culture: The Imaginary of the Balkans is the first study on early cinema in the region from a transnational and cross-cultural perspective. This book investigates how the unique geopolitical positioning of the Balkan space and the multicultural identity of its communities influenced and shaped visual culture and the development of early cinema until World War I. It highlights how early moving images and foreign film productions contributed to the construction of Balkanist and semi-colonial discourses. Building on approaches such as ‘new cinema history’, ‘vernacular modernity’ and ‘polycentric multiculturalism’ to counter Eurocentric modernity paradigms and to reframe hierarchical relations between centres and peripheries, this monograph adopts an alternative methodology for interstitial spaces. Using the notion of the haptic, it examines the relationship between the new medium and regional visual culture. By doing so, it establishes new connections between moving image artefacts and print media, early film practitioners and intellectuals, the socio-cultural context and cultural responses to the new visual medium in the Balkan region.
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Mistrorigo, Alessandro. Phonodia. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-236-9.
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This essay focuses on the ‘voice’ as it sounds in a specific type of recordings. This recordings always reproduce a poet performing a poem of his/her by reading it aloud. Nowadays this kind of recordings are quite common on Internet, while before the ’90 digital turn it was possible to find them only in specific collection of poetry books that came with a music cassette or a CD. These cultural objects, as other and more ancient analogic sources, were quite expensive to produce and acquire. However, all of them contain this same type of recoding which share the same characteristic: the author’s voice reading aloud a poem of his/her. By bearing in mind this specific cultural objet and its characteristics, this study aims to analyse the «intermedial relation» that occur between a poetic text and its recorded version with the author’s voice. This «intermedial relation» occurs especially when these two elements (text and voice) are juxtaposed and experienced simultaneously. In fact, some online archives dedicated to this type of recording present this configuration forcing the user to receive both text and voice in the same space and at the same time This specific configuration not just activates the intermedial relation, but also hybridises the status of both the reader, who become a «reader-listener», and the author, who become a «author-reader». By using an interdisciplinary approach that combines philosophy, psychology, anthropology, linguistics and cognitive sciences, the essay propose a method to «critically listening» some Spanish poets’ way of vocalising their poems. In addition, the book present Phonodia web archive built at the Ca’ Foscari University of Venice as a paradigmatic answer to editorial problems related to online multimedia archives dedicated to these specific recordings. An extent part of the book is dedicated to the twenty-eight interviews made to the Spanish contemporary poets who became part of Phonodia and agreed in discussing about their personal relation to ‘voice’ and how this element works in their creative practice.
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Heyam, Kit. The Reputation of Edward II, 1305-1697. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463729338.
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During his lifetime and the four centuries following his death, King Edward II (1307-1327) acquired a reputation for having engaged in sexual and romantic relationships with his male favourites, and having been murdered by penetration with a red-hot spit. This book provides the first account of how this reputation developed, providing new insights into the processes and priorities that shaped narratives of sexual transgression in medieval and early modern England. In doing so, it analyses the changing vocabulary of sexual transgression in English, Latin and French; the conditions that created space for sympathetic depictions of same-sex love; and the use of medieval history in early modern political polemic. It also focuses, in particular, on the cultural impact of Christopher Marlowe’s Edward II (c.1591-92). Through such close readings of poetry and drama, alongside chronicle accounts and political pamphlets, it demonstrates that Edward’s medieval and early modern afterlife was significantly shaped by the influence of literary texts and techniques. A ‘literary transformation’ of historiographical methodology is, it argues, an apposite response to the factors that shaped medieval and early modern narratives of the past.
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Pennisi, Rosa. Qindīl Umm Hāšim: La lampada di Umm Hāšim con l’autobiografia dell’autore. Venice: Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-598-8.
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Qindīl Umm Hāšim, ‘The Lamp of Umm Hāšim’, is the title of Yaḥyā Ḥaqqī’s collection of short stories, first published in 1944, that made the author famous. Its enormous success can be traced back to the novella of the same title that opens the collection. The novella, due to its themes and narrative form, perfectly synthesizes the nationalistic spirit and modern ideals that developed in the 1920s around the al-madrasa al-ḥadīṯa movement, ‘The Modern School’, and ranks among the classics of modern Arabic fiction. It is a formally and stylistically mature work that manages to communicate in a linear and concise manner – with a formally perfect style and language that is both symbolic and direct – the spiritual, psychological and cultural complexity of the multidimensional tensions that characterise modern Egyptian reality. In 1975, following numerous reprints, an integrated edition of the collection was published containing Yaḥyā Ḥaqqī’s autobiography, which constitutes a true original essay by the author. In his autobiography Ašǧān ʿuḍw muntasib (Concerns of an affiliated member), Ḥaqqī not only reports the most important events of his life, but also offers a literary manifesto in which he confides his ideological, stylistic and literary concerns to the reader. The autobiographical manifesto emphasises how through writing (and the short story, in particular), Ḥaqqī wants to ‘shake up the Egyptian people’ so that they become aware of the socio-cultural and identity-national values that art plays in the modern era. Both his autobiography and the novella The Lamp of Umm Hāšim complement each other in capturing all the details that make up the style, ideology, innovation and commitment of a modern Egyptian intellectual. The novella – concentrated in a modest narrative space, along with Ḥaqqī’s literary manifesto – indisputably finds its place among the Great Books of Arabic Literature.
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Karremann, Isabel, ed. Shakespeare / Space. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350283008.
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Shakespeare / Space explores new approaches to the enactment of ‘space’ in and through Shakespeare’s plays, as well as to the cognitive, material and virtual spaces in which they are enacted. With contributions from 14 leading experts in their fields, the collection forges innovative connections between spatial studies and cultural geography, cognitive studies, phenomenology and the history of the emotions, gender and race studies, rhetoric and language, translation studies, memory studies, theatre history and performance studies. Each chapter offers methodological reflections on intersections such as space/cognition, space/emotion, space/geopoetics, space/embodiment, space/language, space/virtual, whose critical purchase is demonstrated in close-readings of one or several plays. The essays assembled here testify to the importance of space for our understanding of Shakespeare’s creative and theatrical practice, and at the same time enlarge our understanding of space as a critical concept in the humanities. It will prove useful to students, scholars, teachers and theatre practitioners of Shakespeare and early modern studies.
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Wu, Ka-ming. Folk Cultural Production with Danwei Characteristics. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0005.
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This chapter examines folk storytelling performances staged in and by various government work units or state-owned enterprises for public relations purposes, with particular emphasis on how the production of folk cultural tradition became intertwined with danwei business promotion in Yan'an. Using the case of northern Shaanxi storytelling, the chapter considers how the practice of folk tradition is linked to work-unit messages and, sometimes, national ideology promotion. It discusses the ways in which folk cultural production today concerns complicated political, commercial, and social relations with work units. It shows how the production of folk tradition is increasingly adapted to danwei public relations events and campaigns, while, at the same time, danwei events also become the spaces wherein traditional folk art forms find new developments, audiences, and visibility in the age of urbanization and marketization.
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Coqueiro, Wilma dos Santos. De mulheres e casas: O espaço romanesco e patriarcal em Rachel de Queiroz. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-328-2.
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This books, oriented towards a social critic perspective, analyses two novels by Rachel de Queiroz – Dôra, Doralina e Memorial de Maria Moura – in which the relationship between the female protagonists within the space is loaded with a symbolic value – land and house – which reveals and interprets women paradoxical evolution in patriarchal society rooted vigorously in the rural Brazil, mainly in the northeast of part of the country. In a first moment, it aimed to draw considerations in relation to the function of space in the novel both in the point of view of relevant analysis of Literary Theory as well as analysis yielded from Sociology and Cultural Anthropology. In a second moment, it aimed to characterize the rural patriarchal society in Brazil during the first half of XIX and XX century, showing land and house’s symbolical importance in this society as well as women’s relationship with those spaces. In a third moment, the novel Memorial de Maria Moura, in which the XIX century patriarchal society is reported, the relationship between the female protagonist and the spaces encompassing the land and house. And, last of all, it aimed to compare the aforementioned novel with Dôra, Doralina, in which the action unfolds in the same space, cearense and rural, one century later, in the first half of XX century, in order to verify a possible women evolution and their relationship in relation to those spaces. Rachel de Queiroz, in her novels here in analyzed, discusses the problematic of female protagonists confronting a patriarchal world, showing the female evolution, in this type of society, was slow, gradual and contradictory, seeming at many times even impossible to occur.
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Wharton, David, ed. A Cultural History Of Color in Antiquity. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781474206198.
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Volume 1 A Cultural History of Color in Antiquity covers the period 3000 BCE to 500 CE. Although the smooth, white marbles of Classical sculpture and architecture lull us into thinking that the color world of the ancient Greeks and Romans was restrained and monochromatic, nothing could be further from the truth. Classical archaeologists are rapidly uncovering and restoring the vivid, polychrome nature of the ancient built environment. At the same time, new understandings of ancient color cognition and language have unlocked insights into the ways – often unfamiliar and strange to us – that ancient peoples thought and spoke about color. Color shapes an individual’s experience of the world and also how society gives particular spaces, objects, and moments meaning. The 6 volume set of the Cultural History of Color examines how color has been created, traded, used, and interpreted over the last 5000 years. The themes covered in each volume are color philosophy and science; color technology and trade; power and identity; religion and ritual; body and clothing; language and psychology; literature and the performing arts; art; architecture and interiors; and artefacts. Volume 1 in the Cultural History of Color set. General Editors: Carole P. Biggam and Kirsten Wolf
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Blacklock, Mark. The Emergence of the Fourth Dimension. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755487.001.0001.
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The idea of the fourth dimension of space has been of sustained interest to nineteenth-century and Modernist studies since the publication of Linda Dalrymple Henderson’s The Fourth Dimension and Non-Euclidean Geometry in Modern Art (1983). An idea from mathematics that was appropriated by occultist thought, it emerged in the fin de siècle as a staple of genre fiction and grew to become an informing idea for a number of important Modernist writers and artists. Describing the post-Euclidean intellectual landscape of the late nineteenth century, The Emergence of the Fourth Dimension works with the concepts derived from the mathematical possibilities of n-dimensional geometry—co-presence, bi-location, and interpenetration; the experiences of two consciousnesses sharing the same space, one consciousness being in two spaces, and objects and consciousness pervading each other—to examine how a crucially transformative idea in the cultural history of space was thought and to consider the forms in which such thought was anchored. It identifies a corpus of higher-dimensional fictions by Conrad and Ford, H.G. Wells, Henry James, H.P. Lovecraft, and others and reads these closely to understand how fin de siècle and early twentieth-century literature shaped and were in turn shaped by the reconfiguration of imaginative space occasioned by the n-dimensional turn. In so doing it traces the intellectual history of higher-dimensional thought into diverse terrains, describing spiritualist experiments and how an extended abstract space functioned as an analogue for global space in occult groupings such as the Theosophical Society.
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Amico, Stephen. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038273.003.0001.
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This book explores manifestations of same-sex love and attraction in the popular music landscape of contemporary Russia by focusing on performers, songs, spectacles, and audiences that in many ways served as embodied and audible instances of both homosexuality and homoeroticism. Drawing on a combination of theory and ethnography, the book highlights the corporeality of the homosexual self in post-Soviet, Russian space. It argues that Russian homosexuality in the first decade of the twenty-first century must be understood as bound up with embodiment—a term indicating a mode of experience of one's self, located culturally, spatially, temporally, and in relation to others, as a sentient, material, corporeal being. The book also shows that, in addition to sexual liaisons, the act of socializing with other gay men, either in private or public spaces, as well as in the growing area of cyberspace, is important to Russian gay men. This introduction explains the book's methodology and scope of study and provides an overview of the chapters it contains.
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Barnhurst, Kevin G. News Traded Place for Digital Space. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040184.003.0012.
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This chapter discusses how the cultural transformation that occurred by the early twenty-first century led to a new regime that tends to put less value on concrete place than on something more abstract, space. Several thinkers identified a change in spatial conceptions. The shifts parallel those a century earlier, and both periods of change linked to an emerging mode of production. The new regime contrasts with the old because place is a product of someone's firsthand experience, but space is the product of secondhand information. Walter Lippmann called space “a good clue” for detecting stereotypes, those oversimplified rubrics so handy for picturing inaccessible places. Space also makes less meaningful the place-based distinctions between authentic and inauthentic experience. Because the mind receives physical seeing and seeing pictures in much the same way, the armchair traveler will recognize the sights when arriving as a tourist or may choose not to travel at all. Recent changes in technology allow a “locational indifference” in the manufacture of things, so that economic activity can happen anywhere.
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Rappaport, Erika, Mary Harlow, James Davis, Tim Reinke-Williams, Ilja Van Damme, Erika Rappaport, Vicki Howard e Ray Laurence, eds. A Cultural History of Shopping in the Age of Revolution And Empire. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781350293298.
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Shopping emerged as a special pleasure and problem during the period between the revolutionary upheavals of the late 18th century and the opening salvoes of the Great War. New shops, new products, new class and gender ideologies, new standards of comfort and hygiene, and rising living standards for some meant that people, especially women, spent more time shopping and engaging in consumer-oriented activities beyond the walls of the shop. At the same time, social commentators, local and national authorities, economists, and many husbands became concerned about the ‘dangers’ of shopping, believing that the department store was emancipating women and destroying society in the process. This volume explores shopping in the 19th century as a varied and embedded social, political, economic, and cultural activity. It draws out the continuities with earlier periods as well as examining how the department store came to be seem as both symbol and generator of profound economic, social, and cultural change. A Cultural History of Shopping in the Age of Revolution and Empire presents an overview of the period with themes addressing practices and processes; spaces and places; shoppers and identities; luxury and everyday; home and family; visual and literary representations; reputation, trust and credit; and governance, regulation and the state.
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Huggins, Mike, Paul Christesen, Noel Fallows, Alessandro Arcangeli, Rebekka von Mallinckrodt, Mike Huggins, Steven Riess e Charles Stocking, eds. A Cultural History of Sport in the Age of Industry. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350183032.
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A Cultural History of Sport in the Age of Industry covers the period 1800 to 1920. Over this period, sport become increasingly global, some sports were radically altered, sports clubs proliferated, and new team games - such as baseball, basketball, and the various forms of football - were created, codified, commercialized, and professionalized. Yet this was also an age of cultural and political tensions, when issues around the role of women, social class, ethnicity and race, imperial relationships, nation-building, and amateur and professional approaches were all shaping sport. At the same time, increasing urbanization, population, real wages, and leisure time drove demand for sport ever higher, and the institutionalization and regulation of sport accelerated. The 6 volume set of the Cultural History of Sport presents the first comprehensive history from classical antiquity to today, covering all forms and aspects of sport and its ever-changing social, cultural, political, and economic context and impact. The themes covered in each volume are the purpose of sport; sporting time and sporting space; products, training, and technology; rules and order; conflict and accommodation; inclusion, exclusion, and segregation; minds, bodies, and identities; representation.
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Wall, Cynthia. Bunyan and the Early Novel. Editado por Michael Davies e W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.35.
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The Pilgrim’s Progress (1678; 1684) is not a novel, but it comes from the same cultural swirl that produced the early novel. This chapter highlights both Bunyan’s influence on the early novel, and a seventeenth-century English culture that influenced Bunyan alongside the early novelists. The proliferation of things, the realized spaces, the vivid characters, their emblematic names, their pungent dialogues, and the metatextualities of marginalia, interpolated narratives, and self-reflexivity, all find descendants—direct, collateral, or cultural—in the deliberate repetitions of Daniel Defoe, the detailed descriptions of Eliza Haywood, the interrupting narrators of Henry Fielding, and the rhetorical patterns of every other literary genre (newspapers, histories, poems, drama) digested by the early novel.
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Tan, Sooi Beng. Community Musical Theatre and Interethnic Peace-Building in Malaysia. Editado por Brydie-Leigh Bartleet e Lee Higgins. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190219505.013.33.
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Community musical theatre projects have played important roles in engaging young people of diverse ethnicities in multicultural and religious Malaysia to cross borders, deconstruct stereotypes, appreciate differences, and build interethnic peace. This essay provides insights into the strategies and dialogic approaches employed in two such community musical theatre projects that promote peace-building in Penang. The emphasis is on the making of musical theatre through participatory research, collaboration, ensemble work, and group discussions about alternative history, social relationships and cultural change. The projects also stress partnerships with the multiethnic stakeholders, communities, traditional artists, university students, and school teachers who are involved in the projects. Equally important is the creation of a safe space for intercultural dialogue, skill training, research, and assessments to take place; this a working space that allows for free and open participation, communication, play, and creative expressions for all participants.
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Sunardi, Christina. Maintaining the Representation of Female Power through Beskalan Putri. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038952.003.0005.
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This chapter examines some of the ways in which artists have maintained cultural space for the representation of female power through Beskalan Putri as they have adapted, taught, remembered, learned, performed, and talked about this dance. It focuses on representations of female power through Beskalan Putri because, building on the senses of history explored in the previous chapter, this dance and the femaleness performers associated with it were critical to their senses of Malangan tradition. This analysis thus further illustrates the selection of tradition and the construction of gender as mutually constitutive cultural processes. Considering artists' concerns with preservation as well as the impact of social, political, and cultural climates on the ways artists represented female power through this dance, this chapter argues that artists represented female power strategically—that is, in a “safe” way in times following trauma.
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Wigston Smith, Chloe, e Beth Fowkes Tobin, eds. Small Things in the Eighteenth Century. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108993296.
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Offering an intimate history of how small things were used, handled, and worn, this collection shows how objects such as mugs and handkerchiefs were entangled with quotidian practices and rituals of bodily care. Small things, from tiny books to ceramic trinkets and toothpick cases, could delight and entertain, generating tactile pleasures for users while at the same time signalling the limits of the body's adeptness or the hand's dexterity. Simultaneously, the volume explores the striking mobility of small things: how fans, coins, rings, and pottery could, for instance, carry political, philosophical, and cultural concepts into circumscribed spaces. From the decorative and playful to the useful and performative, such small things as tea caddies, wampum beads, and drawings of ants negotiated larger political, cultural, and scientific shifts as they transported aesthetic and cultural practices across borders, via nationalist imagery, gift exchange, and the movement of global goods.
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Apaydin, Veysel. Narrating Heritage. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350334670.
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Narrating Heritage critically examines the links among heritage, rights and social justice. This book brings important original ethnographic research and unique case studies together in a coherent and cohesive way to examine patterns and differences of approaches to heritage. It exposes discourses of the uses and abuses of heritage, and provides narratives of persistence, demonstrating the importance of heritage in securing human rights and social justice. Drawing on over ten years of research and ethnographic fieldwork based on six complex case studies from Turkey and comparing them with case studies from across the world, the book explores a variety of social, political, cultural and economic heritage discourses, making explicit the relationship between cultural and natural heritage. This book expands on these discourses by examining the role of violence in heritage, expanding on the concepts of both direct and slow violence. It situates heritage discourse within the sphere of human rights and lays out redistribution, recognition and representation as dimensions of social justice in a heritage context. The case studies in this volume explore multiple themes, from the links between cultural performance and the construction of collective identity and sense of belonging, to the roles of education, learning about other cultures and nationalist use of education. They also discuss the relationship between construction of heritage, space, and access and exclusion, as well as the impact of authoritarianism and heavy neoliberal policies on heritage making. Narrating Heritage critically examines the links between heritage, rights and social justice. This book brings unique case studies through strong and original ethnographic research in a coherent and cohesive way to examine patterns and differences of approaches to heritage, to expose discourses of uses and abuses of heritage and narratives of persistence, and the importance of heritage for human rights and social justice. Drawing on over 10 years of research and ethnographic fieldwork based on six complex case studies from Turkey and comparing them with case studies from across the world, the book explores social, political, cultural and economic discourses of heritage. This book exposes these discourses through examining a non-violent and two forms of violent approaches, that is direct violence and slow violence. This book contextualises human rights and the redistribution, recognition and representation dimensions of social justice in the heritage context. The book does this through looking at the links between cultural performance and construction of collective identity and sense of belonging; the roles of education, learning about other cultures and nationalist use of education; the relationship between construction of heritage, space, and access and exclusion; the impact of authoritarianism and heavy neoliberal policies on heritage making as well as the destruction of heritage through conflicts and megadam construction projects; and grassroot heritage making and cultural resistance of communities, which create safe spaces and natural landscapes where cultural activities are performed to make heritage. Ultimately, this book demonstrates a clear relationship between cultural and natural heritage as the latter is used as a resource for heritage making.
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George, Alain. Paradise or Empire? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498931.003.0002.
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This essay revolves around a paradox of Umayyad art: the tendency for the same decorative schemes to yield apparently contradictory, yet internally coherent interpretations, mostly to do with paradise or empire. Through a discussion of the Dome of the Rock, the Great Mosque of Damascus, and two key Umayyad Qurʾan manuscripts, it investigates whether this ambiguity should in fact be understood as a consciously crafted polysemy. This reflection is set within a broader cultural context that involves, first of all, the inherent ambiguity of the Qurʾan as a text and related literary values; second, an ideology of the early caliphate in which the sacral and political dimensions of rulership were seen as inextricably linked; and third, a worldview in which physical space, especially sacred space, was perceived as being conjoined with the spiritual realm.
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Redmon, Allen H., ed. Next Generation Adaptation. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832603.001.0001.
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Next Generation Adaptation: Spectatorship and Process explores the ways in which cross-cultural adaptations often stage a collusion between competing cultural capital. The collusion conceals and reveals commonalities and differences between these cultural traditions before giving way to the differences that can distinguish one textual expression from another, just as it ultimately distinguishes one set of readers from another. An adaptation of any sort, but especially those that cross accepted stereotypes, or geographic or political boundaries, provide spectators space to negotiate attitudes and ideas that might otherwise lay latent in the text. Spectators are left to parse through each, often with special attention to the differences that exist between two expressions. Each new set of readers, each generation, distinguishes itself from an earlier set of readers, even as they exist along the same family tree. Given enough time, some new shared organizing strategy emerges until a new encounter or new expression of a text restarts the adaptational process every adaptation can trigger. Taken together, the chapters in Next Generation Adaptation each argue that the texts they consider foreground the kinds of space that exists between texts, between political commitments, between ethical obligations that every filmic text can open when the text is experienced as an adaptation. The chapters esteem the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another.
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Kirichenko, Alexander. Greek Literature and the Ideal. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192866707.001.0001.
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Abstract The contention of this book is that the development of Greek literature was motivated by the need to endow political geography with a sense of purposeful structure. It views Greek literature as a crucial factor in the cultural production of space and Greek geography as a crucial factor in the production of literary meaning. Its focus is on the idealizing images that Greek literature created of three spatial patterns of power distribution—a decentralized network of aristocratically governed communities (archaic Greece), a democratic city controlling an empire (classical Athens), and a microcosm of Greek culture located on foreign soil, ruled by quasi-divine royals, and populated by immigrants (Ptolemaic Alexandria). The book draws connections between the formation of these idealizing images and the emergence of such literary modes of meaning-making as the authoritative communication of the truth, the dialogic encouragement to search for the truth on one’s own, and the abandonment of transcendental goals for the sake of cultural memory and/or aesthetic pleasure. Its readings of such canonical Greek authors as Homer, Hesiod, the tragedians, Thucydides, Plato, Callimachus, and Theocritus show that the pragmatics of Greek literature (the sum total of the ideological, cognitive, and emotional effects that it seeks to produce) is, in essence, always a pragmatics of space—i.e. that there is a strong correlation between the historically conditioned patterns of political geography and the changing mechanisms whereby Greek literature enabled its recipients to make sense of their world.
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Jones, D. Marvin. Fear of a Hip-Hop Planet. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798400650222.
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Is Gangsta Rap just black noise? Or does it play the same role for urban youth that CNN plays in mainstream America? This provocative set of essays tells us how Gangsta Rap is a creative "report" about an urban crisis, our new American dilemma, and why we need to listen. Increasingly, police, politicians, and late-night talk show hosts portray today's inner cities as violent, crime-ridden war zones. The same moral panic that once focused on blacks in general has now been refocused on urban spaces and the black men who live there, especially those wearing saggy pants and hoodies. The media always spotlights the crime and violence, but rarely gives airtime to the conditions that produced these problems. The dominant narrative holds that the cause of the violence is the pathology of ghetto culture. Hip-hop music is at the center of this conversation. When 16-year-old Chicago youth Derrion Albert was brutally killed by gang members, many blamed rap music. Thus hip-hop music has been demonized not merely as black noise but as a root cause of crime and violence. Fear of a Hip-Hop Planet: America's New Dilemma explores—and demystifies—the politics in which the gulf between the inner city and suburbia have come to signify not only a socio-economic dividing line, but a new socio-cultural divide as well.
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Donahue, Jennifer. Taking Flight. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828637.001.0001.
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Caribbean women have long utilized the medium of fiction to break the pervasive silence surrounding abuse and exploitation. Contemporary works by authors such as Tiphanie Yanique and Nicole Dennis-Benn illustrate the deep-rooted consequences of trauma based on gender, sexuality, and race, and trace the steps that women take to find safer ground from oppression. Taking Flight takes a closer look at the immigrant experience in contemporary Caribbean women’s writing and considers the effects of restrictive social mores. In the texts examined in Taking Flight, culturally sanctioned violence impacts the ability of female characters to be at home in their bodies or in the spaces they inhabit. The works draw attention to the historic racialization and sexualization of Black women’s bodies and continue the legacy of narrating Black women’s long-standing contestation of systems of oppression. Arguing that there is a clear link between trauma, shame, and migration, with trauma serving as a precursor to the protagonists’ emigration, the work focuses on how female bodies are policed, how moral, racial, and sexual codes are linked, and how the enforcement of social norms can function as a form of trauma. Taking Flight positions flight as a powerful counter to disempowerment and considers how flight, whether through dissociation or migration, operates as a form of resistance.
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Sappol, Michael. Queer Anatomies. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350400900.
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In centuries past, sexual body parts and same-sex desire were unmentionables debarred from polite conversation and printed discourse. Yet one scientific discipline–anatomy–had license to represent and narrate the intimate details of the human body–anus and genitals included. Figured within the frame of an anatomical plate, presentations of dissected bodies and body parts were often soberly technical. But just as often monstrous, provocative, flirtatious, theatrical, beautiful, and even sensual. beautiful, and even sensual Queer Anatomies explores overlooked examples of erotic expression within 18th and 19th-century anatomical imagery. It uncovers the subtle eroticism of certain anatomical illustrations, and the queerness of the men who made, used, and collected them. As a foundational subject for physicians, surgeons, and artists in 18th- and 19th-century Europe, anatomy was a privileged, male-dominated domain. Artistic and medical competence depended on a deep knowledge of anatomy and offered cultural legitimacy, healing authority, and aesthetic discernment to those who practiced it. The anatomical image could serve as a virtual queer space, a private or shared closet, or a men’s club. Serious anatomical subjects were charged with erotic, often homoerotic, undertones. Taking in brilliant works by Gautier Dagoty, William Cheselden, and Joseph Maclise, and many others, Queer Anatomies assembles a lost archive of queer expression–113 illustrations, in full-colour reproduction–that range from images of nudes, dissected bodies, penises, vaginas, rectums, hands, faces, and skin, to scenes of male viewers gazing upon works of art governed by anatomical principles. Yet the men who produced and savored illustrated anatomies were reticent, closeted. Diving into these textual and representational spaces via essayistic reflection, Queer Anatomies decodes their words and images, even their silences. With a range of close readings and comparison of key images, this book unearths the connections between medical history, connoisseurship, queer studies, and art history and the understudied relationship between anatomy and desire.
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Phelan, Helen. Singing the Rite to Belong. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190672225.001.0001.
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Why do so many people feel part of something bigger than themselves when they sing with others? How does listening to people sing, especially in certain ritual contexts, give us this same feeling? With this book, singer and scholar Helen Phelan draws on over two decades of musical and educational research to explore the agency of singing in fostering experiences of belonging through ritual performance. Set against the backdrop of “the new Ireland” of the late twentieth and early twenty-first centuries, it charts Ireland’s growing multiculturalism, changing patterns of migration, the diminishing influence of Catholicism, and synergies between local and global forms of cultural expression in its investigation of rights and rites of belonging. Richly autobiographical and autoethnographic, it examines a range of religious, educational, civic, and community-based rituals, including religious rituals of new migrant communities in “borrowed” rituals spaces; baptismal rituals in the context of the Irish citizenship referendum; rituals that mythologize the core values of an educational institution; a ritual laboratory for students of singing; and community-based festivals and performances. These close to the ground narratives peel back the physiological, emotional, and cultural layers of singing to investigate how it functions as a potential agent of belonging. Each chapter engages theoretically with one of five core characteristic of singing (resonance, somatics, performance, temporality, and tacitness) anchored in ethnographic descriptions of performed rituals. In doing so, it builds a persuasive theory of ritually framed singing as a potent tool in the creation of inclusive communities of belonging.
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Wolff, Ernst. Martin Versfeld. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461664143.
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Martin Versfeld (1909–1995) is one of South Africa’s greatest philosophers, appreciated by academics and activists, poets and the broader public. His masterful prose spans the tension between disquiet and joy. Detractor of the violent trends of modernity, a critic of apartheid from the first hour, he was among the first philosophers of ecology. At the same time he celebrated the generosity of the world and advocated an ethics of simplicity, drawing on mediaeval theology and Eastern wisdom. His philosophy offered food for thought in dark times of the 20th century, as it still does for us in the 21st century. This first book-length study on Versfeld is an invitation to think with him on justice and exploitation, cultural difference and human nature, religion and the environment, time and connectedness.
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Domoney-Lyttle, Zanne. The Bible and Comics. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9780567687982.
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This interdisciplinary volume seeks to trace the diverse ways in which stories of biblical women have been reimagined in and as comic books. Feminist biblical scholarship has previously addressed the tradition that relegates female biblical characters to secondary roles, merely enabling the male characters to attain their own goals. Using examples from both secular and religious comic Bibles, and comic Bibles aimed at children and older audiences, Zanne Domoney-Lyttle now fully considers contemporary remediations of biblical narratives to the same degree. Remediating ancient, biblical text into modern, graphical comic books affects the reception of the text in several ways. This book aims to investigate how the production, format and function of comic Bibles encourages the depiction of biblical characters from a contemporary perspective, while also showing some fidelity to the text. By presenting a focused analysis on women in the Bible, wider issues concerning popular-cultural retellings of the Bible in general begin to surface, including matters concerning reception history, the space between art and literature inhabited by biblical comics, and issues of translation and interpretations within contemporary remediations
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Saranakumar, Dr AR, Megha Ojha, Dr Malkar Vinod e Dr D. Baskaran. Digital Innovation, Transformation and Disruption of Higher Education. SVDES BOOK SERIES, Delhi, 2022. http://dx.doi.org/10.52458/9789391842468.2022.eb.
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The theme of this book “Digital Innovation, Transformation and Disruption of Higher Education" was chosen due to its relevance in the global digitalized world. Digital transformation is the process of using digital technologies to create new — or modify existing — business processes, culture, and customer experiences to meet changing business and market requirements. This reimagining of business in the digital age is digital transformation. Digital transformation is the integration of digital technology into all areas of a business, fundamentally changing how you operate and deliver value to customers. It's also a cultural change that requires organizations to continually challenge the status quo, experiment, and get comfortable with failure. Technology has the potential to revolutionize the traditional teaching and learning process. It can eliminate the barriers to education imposed by space and time and dramatically expand access to lifelong learning. Students no longer have to meet in the same place at the same time to learn together from an instructor. Digital transformation in higher education refers to an organizational change realized by means of digital technologies and business models with the aim to improve an institution's operational performance. The book encompasses chapters with research-based perspectives in the area of digital innovations & related fields. The book can be read as a compendium of readings of digitization of higher education institutions, business and industry. We editors offer heartfelt thanks to all contributors for their valuable research incorporated in this edited book as a chapter.
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Barrett, Caitlín Eilís. Domesticating Empire. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190641351.001.0001.
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This book is the first contextually oriented monograph on Egyptian imagery from Roman households. The author uses case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: domestic gardens. Through paintings and mosaics depicting the Nile, canals that turned the garden itself into a model “Nile,” and statuary depicting Egyptian gods, animals, and individuals, many gardens in Pompeii confronted ancient visitors with images of (a Roman vision of) Egypt. Simultaneously far away and familiar, these imagined landscapes transformed domestic space into a microcosm of empire. In contrast to older interpretations that connect Roman “Aegyptiaca” to the worship of Egyptian gods or the problematic concept of “Egyptomania,” a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of “foreign” and “familiar,” “self” and “other.” Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as cosmopolitan, sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and “Romanizing” once-foreign images and objects. That which was once alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be “Roman.” Through participatory multimedia assemblages evoking landscapes both local and international, the houses examined in this book made the breadth of empire compatible with the familiarity of home.
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Rosenberg, Michael, e Aslı Erim-Özdoğan. The Neolithic in Southeastern Anatolia. Editado por Gregory McMahon e Sharon Steadman. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780195376142.013.0006.
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This article presents data on Neolithic sites in southeastern Anatolia, where, as elsewhere in southwestern Asia, the changes attendant on the Neolithic, while revolutionary in their consequences for the evolution of human cultural and social systems, were gradual. In the Early Aceramic we see the development of sedentary communities based on important economic changes, but ones that still retain major elements of the earlier hunter-gatherer, egalitarian social system. However, those elements are now buttressed with institutions (e.g., general-purpose public buildings, feasting) that permit the now somewhat larger communities to remain intact on a long-term basis and to act as a whole. In the Mature Aceramic (MA), we see some of those same institutions (public buildings and spaces) evolving to (of necessity) more strongly promote group identity at the community level in the still-larger communities that characterize the MA. Beginning in the MA III and continuing through the early part of the Pottery Neolithic, we see the gradual disintegration of the Aceramic Neolithic lifeway and its replacement by one that is quite different, wherein kinship appears to play a larger, more formal role. These social changes are intertwined with important economic changes (the development of the full southwestern Asia domesticate complex) and technological changes (the widespread adoption of ceramic technology), but the specifics of how they are related remains an open question.
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Marginean, Alexandra. Language and Symbols in Contemporary Fiction. Editura Universitara, 2020. http://dx.doi.org/10.5682/9786062812263.
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The method of analysis is, as usual in what I write, a mélange. I have resorted to identity studies, cultural studies, visual studies, iconology, space and city studies, interculturalism, as well as gender or minority studies. Also, psychology or sociology cannot be missing from an interest that is, primarily, in human identity and culture. This blended approach is the one I consider the most suitable, because I have always been of the opinion that the logic of the tools is, and/or should be, dictated by the elements that are present in the object of the study. It is those that point to certain kits, not the other way around. I have never established for my extensive researches one kit or another as a definite instrument set in stone when I have looked at a cultural product, as I feel that I would be implicitly bent towards partiality of interpretation, to a limited viewing angle. I believe it is important to allow the cultural object to speak, to have its own voice as it were, and only then see what avenues of analysis it opens and favors – I use here the verb “favors”, as the search for the ingredients of a work of art is also a question of ration, not only presence, i.e. we identify what is preponderant, where the scales tip more, towards what recurrent aspects. For the sake of the faithfulness and open mindedness owed to the object of my glance, I find it difficult to limit myself to only one theoretical approach, especially in a world in which boundaries have been, are, and will be questioned to an incredibly high degree. And I refer here chiefly to cultural boundaries, but not only to these.
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Modenessi, Alfredo Michel. ‘Victim of Improvisation’ in Latin America. Editado por James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.27.
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The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de Campos and Silviano Santiago’s elaborations on ‘transcreation’, ‘cultural anthropophagy’, and ‘in-betweenness’. To outline significant common factors among Shakespeare performances in Latin America’s twenty Spanish-speaking nations, the chapter discusses two examples in depth: the first, a simple but powerful Mexican adaptation called Mendoza (2011); the second, an Italian documentary of a Cuban performance called Shakespeare in Avana: Altri Romeo, Altre Giuliette (2010). These analyses suggest the strengths of other Latin American acts of performance based on the complex phenomenon called Shakespeare.
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Melidoro, Domenico. Dealing with Diversity. Editado por Aakash Singh Rathore. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190121136.001.0001.
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The diversity of cultures, religions, and moral values and the ways in which liberalism deals with this plurality is the topic at the centre of this book. The author illustrates, in a critical and original way, the recent international debate on liberalism and diversity. In doing that, he discusses some controversial issues such as multiculturalism and minority rights, immigration, religious pluralism, children education, and the place of religion in society as well. After an analysis of some recent liberal theories, the book works out a solution to the problem of ensuring a peaceful and stable coexistence of different groups within the same institutional setting. It is a solution that is liberal in its general orientation, since it has a liberal allegiance to equality and individual rights. However, the proposed solution tries to recognize the due space to community loyalties, religious belongings, and cultural traditions. In addition to this, the author proposes a new theory of political obligation, namely of how a plural society can persist, notwithstanding deep cultural and religious pluralism. In this book, the analytical rigour typical of the philosophical tradition, is not separated from attention to social reality and its problems. In fact, particularly interesting is the way in which the book tests its theoretical achievements with the issue of religious pluralism in India. The outcome is that peaceful coexistence and respect for religious freedoms is possible even in a fragmented society such as India.
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Salet, Willem, Camila D'Ottaviano, Stan Majoor e Daniel Bossuyt, eds. The Self-Build Experience. Policy Press, 2020. http://dx.doi.org/10.1332/policypress/9781447348429.001.0001.
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Comparing self-build experiences in city-regions over three continents, this book spans gigantic local differences. In order to make sense of comparison, a strict selection of paradigm is made to focus the analysis in all cases on the same relationships. The paradigm combines critical economic theory (coined by David Harvey) and cultural institutional analysis (inspired by Henri Lefebvre) in order to focus on the struggle between material and immaterial forces underlying the local performances. The analysis focuses both on the micro level performances and at the trans scalar social and political conditions to these practices. The commissioning role of residents vis-à-vis the role of the leading social movements focus on the social normalisation of moral ownership of the poor residents. The challenge is to sustain this active institutionalisation also in future processes of professionalization as the relationships on the lower segments of housing markets appear to be vulnerable for commercial economic exploitation.
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Pokrivčák, Anton, Silvia Pokrivčáková e Louise Kocianová. Basics of Literary Studies. University of Trnava, 2023. http://dx.doi.org/10.31262/basic-of-literary-studies/1/2023.
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The present audiobook is an additional audial study material accompanying to the electronic textbook Basics of Literary Studies (ISBN 978-80-568-0577-0). The audiobook is adapted for learners with specific learning needs but the format can be appreciated by the students who prefer audial style of learning or multimodal learning based on both reading and listening. Both study materials serve as guides for students beginning their study of Anglophone literatures. They offer a concise and accessible discussion of central issues in the contemporary study of literary texts, including definitions of key terms such as literature and literary scholarship, periods of literary history, theoretical approaches to the study of literary texts, an overview of critical approaches, characteristics of language typical for literature, classification of literary kinds and genres, etc. Despite their similarities with other study guides, the present textbook is unique at least in one aspect: it integrates the knowledge coming from the international context of the study of Anglophone literatures with a specific cultural and geographical context of Slovakia (and Czech Republic), which establishes a space for constructive comparation and mutual beneficiation. The current text is an edited and extended version of the previous textbooks Focus on Literature (2003) and Understanding Literature (2006) by the same authors.
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Sandoval, Denise M., Anthony J. Ratcliff, Tracy Lachica Buenavista e James R. Marín, eds. "White" Washing American Education. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216955023.
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Recent attacks on Ethnic Studies, revisionist actions in curriculum content, and anti-immigrant policies are creating a new culture war in America. This important work lays out the current debates—both in K–12 and higher education—to uncover the dangers and to offer solutions. In 2010, HB 2281—a law that bans ethnic studies in Arizona—was passed; in the same year, Texas whitewashed curriculum and textbook changes at the K–12 level. Since then, the nation has seen a rise in the legal and political war on Ethnic Studies, revisionist actions in curriculum content, and anti-immigrant policies, creating a new culture war in America."White" Washing American Educationdemonstrates the value and necessity of Ethnic Studies in the 21st century by sharing the voices of those in the trenches—educators, students, community activists, and cultural workers—who are effectively using multidisciplinary approaches to education. This two-volume set of contributed essays provides readers with a historical context to the current struggles and attacks on Ethnic Studies by examining the various cultural and political "wars" that are making an impact on American educational systems, and how students, faculty, and communities are impacted as a result. It investigates specific cases of educational whitewashing and challenges to that whitewashing, such as Tom Horne's attack along with the State Board of Education against the Mexican American studies in the Tucson School District, the experiences of professors of color teaching Ethnic Studies in primarily white universities across the United States, and the role that student activists play in the movements for Ethnic Studies in their high schools, universities, and communities. Readers will come away with an understanding of the history of Ethnic Studies in the United States, the challenges and barriers that Ethnic Studies scholars and practitioners currently face, and the ways to advocate for the development of Ethnic Studies within formal and community-based spaces.
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Sandoval, Denise M., Anthony J. Ratcliff, Tracy Lachica Buenavista e James R. Marín, eds. "White" Washing American Education. ABC-CLIO, LLC, 2016. http://dx.doi.org/10.5040/9798216955009.
Texto completo da fonteResumo:
Recent attacks on Ethnic Studies, revisionist actions in curriculum content, and anti-immigrant policies are creating a new culture war in America. This important work lays out the current debates—both in K–12 and higher education—to uncover the dangers and to offer solutions. In 2010, HB 2281—a law that bans ethnic studies in Arizona—was passed; in the same year, Texas whitewashed curriculum and textbook changes at the K–12 level. Since then, the nation has seen a rise in the legal and political war on Ethnic Studies, revisionist actions in curriculum content, and anti-immigrant policies, creating a new culture war in America."White" Washing American Educationdemonstrates the value and necessity of Ethnic Studies in the 21st century by sharing the voices of those in the trenches—educators, students, community activists, and cultural workers—who are effectively using multidisciplinary approaches to education. This two-volume set of contributed essays provides readers with a historical context to the current struggles and attacks on Ethnic Studies by examining the various cultural and political "wars" that are making an impact on American educational systems, and how students, faculty, and communities are impacted as a result. It investigates specific cases of educational whitewashing and challenges to that whitewashing, such as Tom Horne's attack along with the State Board of Education against the Mexican American studies in the Tucson School District, the experiences of professors of color teaching Ethnic Studies in primarily white universities across the United States, and the role that student activists play in the movements for Ethnic Studies in their high schools, universities, and communities. Readers will come away with an understanding of the history of Ethnic Studies in the United States, the challenges and barriers that Ethnic Studies scholars and practitioners currently face, and the ways to advocate for the development of Ethnic Studies within formal and community-based spaces.
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Pokrivčák, Anton, Silvia Pokrivčáková e Louise Kocianová. Basics of Literary Studies. University of Trnava, 2024. http://dx.doi.org/10.31262/basics-of-literary-studies/1/2023.
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The present audiobook is an additional audial study material accompanying to logo Crossrefthe electronic textbook Basics of Literary Studies (ISBN 978‑80‑568‑0577‑0). otvárané v novom okne (obvykle ide o externý odkaz) The audiobook is adapted for learners with specific learning needs, but the format can be appreciated by the students who prefer audial style of learning or multimodal learning based on both reading and listening. Both study materials serve as guides for students beginning their study of Anglophone literatures. They offer a concise and accessible discussion of central issues in the contemporary study of literary texts, including definitions of key terms such as literature and literary scholarship, periods of literary history, theoretical approaches to the study of literary texts, an overview of critical approaches, characteristics of language typical for literature, classification of literary kinds and genres, etc. Despite their similarities with other study guides, the present textbook is unique at least in one aspect: it integrates the knowledge coming from the international context of the study of Anglophone literatures with a specific cultural and geographical context of Slovakia (and Czech Republic), which establishes a space for constructive comparation and mutual beneficiation. The current text is an edited and extended version of the previous textbooks Focus on Literature (2003) and Understanding Literature (2006) by the same authors.
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Allen, Nicholas, Nick Groom e Jos Smith. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198795155.003.0001.
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In 1967, Benoît Mandelbrot suggested a mathematical conundrum that involved answering the seemingly straightforward question, ‘How long is the coast of Britain?’1 The answer is surprisingly elusive and dependent on the scale at which one is looking. Increasing the scale unearths greater detail, time and time again, and so the answer grows the closer one looks. The problem is that any measure, at however small a scale, is forced to simplify complex ambiguities that might otherwise reveal further intricacies of their own. This was an entry-point to Mandlebrot’s writings on fractal geometry, but it also chimes with the very ecology and geomorphology of that coast itself, characteristically intricate, ambiguous, and changeable. Large-scale, ocean-facing landforms—such as capes and bays, estuaries, dunefields, and reefs—are well known to have, nestled within them, smaller and often dynamically mobile features such as longshore bars and troughs, berms and beach cusps, not to mention difficult-to-measure caves, inlets, tributaries, and salt marshes. Looking closer still are to be found the ripples, rills, and swash marks of a more minute scale; even within these are to be found the bioturbation structures of intertidal organisms: forms within forms, scales within scales, and worlds within worlds. In the way that it draws the attention down into such minute details as these, while at the same time drawing it up towards an expanse that suggests a space almost planetary in scale, the coast is a highly distinctive geographical environment. And yet it has all too often been overlooked, as if its peripheral relationship to the land has reinforced its peripheral treatment culturally....
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Lippert, Amy DeFalco. Consuming Identities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.001.0001.
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Along with the rapid expansion of the market economy and industrial production methods, innovations including photography, lithography, and steam printing created a pictorial revolution in the nineteenth century. Consuming Identities: Visual Culture in Nineteenth-Century San Francisco explores the significance of that revolution in one of its vanguard cities: San Francisco, the revolving door of the gold rush and the hub of Pacific migration and trade. The proliferation of visual prints, ephemera, spectacles, and technologies transformed public values and perceptions, and its legacy was as significant as the print revolution that preceded it. In their correspondence, diaries, portraits, and reminiscences, thousands of migrants to the city by the Bay demonstrated that visual media constituted a central means by which to navigate the bewildering host of changes taking hold around them in the second half of the nineteenth century. Images themselves were inextricably associated with these world-changing forces; they were commodities, but they also possessed special cultural qualities that gave them new meaning and significance. Visual media transcended traditional boundaries of language and culture that had divided groups within the same urban space. From the 1848 conquest of California and the gold discovery to the disastrous earthquake and fire of 1906, San Francisco anticipated broader national transformations in the commodification, implementation, and popularity of images. For the city’s inhabitants and visitors, an array of imagery came to mediate, intersect with, and even constitute social interaction in a world where virtual reality was becoming normative.
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Palmer, Landon. Rock Star/Movie Star. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888404.001.0001.
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When midcentury Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock ’n’ roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. This book examines how casting rock stars for film provided a tool for bridging new relationships across media industries and practices. Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock’s emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. Examining stars from Elvis Presley to Madonna, this book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new—ideal media laborers whose power lies in the fact that they are rarely recognized as such.
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Haacke, Paul. The Vertical Imagination and the Crisis of Transatlantic Modernism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198851448.001.0001.
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From the invention of skyscrapers and airplanes to the development of the nuclear bomb, ideas about the modern increasingly revolved around vertiginous images of elevation and decline and new technologies of mobility and terror from above. In The Vertical Imagination and the Crisis of Transatlantic Modernism, Paul Haacke examines this turn by focusing on discourses of aspiration, catastrophe, and power in major works of European and American literature as well as film, architecture, and intellectual and cultural history. This wide-ranging and pointed study begins with canonical fiction by Franz Kafka, Virginia Woolf, James Joyce, and John Dos Passos, as well as poetry by Guillaume Apollinaire, Hart Crane, and Aimé Césaire, before moving to critical reflections on the rise of New York City by architects and writers from Le Corbusier to Simone de Beauvoir, the films of Alfred Hitchcock and theories of cinematic space and time, and postwar novels by Kurt Vonnegut, Thomas Pynchon, and Leslie Marmon Silko, among many other examples. In tracing the rise and fall of modernist discourse over the course of the long twentieth century, this book shows how visions of vertical ascension turned from established ideas about nature, the body, and religion to growing anxieties about aesthetic distinction, technological advancement, and American capitalism and empire. It argues that spectacles of height and flight became symbols and icons of ambition as well as indexes of power, and thus that the vertical transformation of modernity was both material and imagined, taking place at the same time through the rapidly expanding built environment and shifting ideological constructions of “high” and “low.”
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Cervin, Georgia. Degrees of Difficulty. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043772.001.0001.
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This book chronicles the history of Women’s Artistic Gymnastics against the backdrop of the Cold War. Accepted into the Olympic program in 1952 because it was considered uniquely appropriate for women, the sport has always been defined by the performance of femininity. Eastern bloc governments harnessed the nonthreatening nature of gymnasts to advance their political ambitions through citizen diplomacy. Yet at the same time, they were accused of flouting the amateur rule. But this was not the only rule being broken. Some also cheated by score fixing and later, age falsification. The sport became notorious for its young athletes. Their youth contributed to a power imbalance with their coaches, creating the conditions for abuse. Gymnastics was once at the forefront of women’s sport. But can a sport facing these issues, designed to promote a narrow view of gender, really be feminist? In exploring these topics, this book shows how gymnastics became a part of the cultural battlefield for Cold War supremacy. But gymnastics was not only a space for challenge. It also provided moments of international collaboration: between the international gymnastics federation and the International Olympic Committee, between gymnasts, coaches, officials, fans, and even politicians. This book argues that these global interactions charged the transformation of the sport throughout the twentieth century. It offers new insights into how sport transmits and perpetuates social ideals and the role sports, and their governing bodies, play in international relations. And with this knowledge, it suggests how women’s gymnastics might once again become the empowering, feminist experience it once was.
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McMullen, James, ed. Murasaki Shikibu's The Tale of Genji. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190654979.001.0001.
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Abstract The Tale of Genji, written by a Murasaki Shikibu, a female courtier commonly celebrated as a genius, is the greatest work of Japanese literature and has fascinated readers for more than a millennium. It depicts a court life of great sophistication over four generations, concentrating on the ascendancy of a gifted son of an emperor and his relationships with numerous women. Its psychological depth and brilliant narrative technique have astounded critics and general readers alike. Outside Japan, however, little attention has been paid to the philosophical assumptions underpinning this compelling masterpiece. The present volume contains eight essays by scholars of classical Japanese literature, which explore the assumptions and beliefs concerning human experience and its literary presentation that inform the narrative. An introduction sets the historical scene. Successive chapters analyze aspects of the work that are fundamental to its understanding of its own world and, at the same time, resonate with preoccupations of the twenty-first century reading public. The first group of three essays addresses the nature of political power and its relationship with mythology, the concept of time and space and the influence of China, and the construction of moral personhood that enables men to engage in multiple love affairs. Three essays describe the important cultural practices of poetry, calligraphy, and garden- making. Two concluding essays explore the concept of gender that facilitated the creation of the work by a female author in a society which disprivileged women and the pervasive influence of Buddhism on both the work itself and how it has been understood in Japan.
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Riley, Kathleen. Imagining Ithaca. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198852971.001.0001.
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‘Though home is a name, a word, it is a strong one’, said Charles Dickens, ‘stronger than magician ever spoke, or spirit answered to, in strongest conjuration.’ The ancient Greek word nostos, meaning homecoming or return, has a commensurate power and mystique. Irish philosopher-poet John Moriarty described it as ‘a teeming word … a haunted word … a word to conjure with’. The most celebrated and culturally enduring nostos is that of Homer’s Odysseus who spent ten years returning home after the fall of Troy. His journey back involved many obstacles, temptations, and fantastical adventures and even a katabasis, a rare descent by the living into the realm of the dead. All the while he was sustained and propelled by his memories of Ithaca (‘His native home deep imag’d in his soul’, as Pope’s translation has it). From Virgil’s Aeneid to James Joyce’s Ulysses, from MGM’s The Wizard of Oz to the Coen Brothers’ O Brother, Where Art Thou?, and from Derek Walcott’s Omeros to Margaret Atwood’s Penelopiad, the Odyssean paradigm of nostos and nostalgia has been continually summoned and reimagined by writers and filmmakers. At the same time, ‘Ithaca’ has proved to be an evocative and versatile abstraction. It is as much about possibility as it is about the past; it is a vision of Arcadia or a haunting, an object of longing, a repository of memory, ‘a sleep and a forgetting’. In essence it is about seeking what is absent. Imagining Ithaca explores the idea of nostos, and its attendant pain (algos), in an excitingly eclectic range of sources: from Rebecca West’s The Return of the Soldier and Remarque’s All Quiet on the Western Front, through the exilic memoirs of Nabokov and the time-travelling fantasies of Woody Allen, to Seamus Heaney’s Virgilian descent into the London Underground and Michael Portillo’s Telemachan railway journey to Salamanca. This kaleidoscopic exploration spans the end of the Great War, when the world at large was experiencing the complexities of homecoming, to the era of Brexit and COVID-19 which has put the notion of nostalgia firmly under the microscope.
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Tércio, Daniel, ed. TEPe 2022 - Encontro Internacional sobre a Cidade, o Corpo e o Som. INET-md, Faculdade de Motricidade Humana, Universidade de Lisboa, 2022. http://dx.doi.org/10.53072/ilic8040.
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Os contextos pandémico e pós-pandémico vêm impondo às cidades outras dinâmicas, outros sons, outros ecos, outros percursos, outros visitantes humanos e não humanos. Durante o confinamento, o encerramento de espaços teatrais e expositivos – bem como, durante o desconfinamento, as limitações para a sua utilização - têm tido consequências penosas nas programações artísticas e efeitos dramáticos nos quotidianos dos seus agentes (artistas, técnicos, programadores, curadores, etc.). Ao mesmo tempo, a desaceleração da vida da cidade (do trânsito, do ritmo nas ruas, do frenesim produtivo e de consumo, etc.) veio contribuir beneficamente para uma diminuição das emissões de CO2. Neste quadro, a cidade - mais concretamente as suas zonas públicas a céu aberto – surgem mais nitidamente como espaços de circulação e de interferência (ou de suspensão de interferência) entre pessoas. O que aprendemos com a experiência de confinamento e desconfinamento? Em primeiro lugar, que a cidade tem uma densidade flutuante, na medida em que as concentrações populacionais se esvaem quando nos encerramos em casa. Em segundo lugar, que o encontro com o outro (uma das prerrogativas da cidade) pode acontecer em outras escalas que não apenas a dimensão cultural. Em terceiro lugar, que o medo pode ser um sentimento público capaz de fazer implodir as próprias cidades, se não for transformado numa força para a vida. Como é que, neste processo, os artistas se organizam e se constituem como agentes na cidade? Como é que a cidade passou a ser representada? Que cidade é aquela que desejamos? Este congresso surge assim da necessidade de intensificar o diálogo entre a cidade e a arte, em particular as artes performativas. Este encontro efoi o culminar de dois anos de investigação consistente e consolidada no âmbito do projecto TEPe (Technologically Expanded Performance). Ao longo destes dois anos, desenvolvemos atividades com a comunidade com o intuito de promover um diálogo intercultural e transdisciplinar, e proporcionar o encontro com vivências urbanas variadas. Através das diferentes propostas de percursos pela cidade, mapeámos acontecimentos, hoje invisíveis, mas ainda assim presentes: desde “memórias soterradas” a “caminhadas sensoriais”, passando por registos íntimos de confinamento. O encontro visou partilhar as experiências realizadas com a contribuição de duas equipas: a portuguesa, em Lisboa, e a brasileira, em Fortaleza. Para além de apresentarmos as conclusões das pesquisas realizadas, lançamos esta chamada para apresentações, especialmente destinada a artistas e estudiosos de performance art, historiadores das cidades, antropólogos, urbanistas, geógrafos, estudiosos da escuta e do som e a todxs aquelxs a quem interessa pensar (e projectar) a vida na cidade. -------------------------------------------------------------------------------------------------------------- The pandemic and post-pandemic contexts have imposed on cities other dynamics, other sounds, other echoes, other routes, other human and non-human visitors. During the lockdown, the closure of theatrical and exhibition spaces - as well as, during lockdown unlocking, the limitations for their use - have had painful consequences in artistic programming and dramatic effects in the daily lives of its agents (artists, technicians, programmers, curators, etc.). At the same time, the slowing down of city life (traffic, the pace of the streets, the frenzy of production and consumption, etc.) has made a beneficial contribution to a reduction in CO2 emissions. In this context, the city - and more specifically its open-air public areas - emerge more clearly as spaces for circulation and interference (or suspension of interference) between people. What have we learned from the experience of national lockdown and unlocking? Firstly, that the city has a fluctuating density, insofar as population concentrations fade when we shut ourselves indoors. Secondly, the encounter with the other (one of the prerogatives of the city) can take place on other scales than the cultural dimension alone. Thirdly, fear can be a public sentiment capable of imploding cities themselves if it is not transformed into a force for life. How, in this process, are artists organised and constituted as agents in the city? How did the city come to be represented? What kind of city do we want? This congress thus arises from the need to intensify the dialogue between the city and art, particularly the performing arts. This international meeting is the culmination of two years of consistent and consolidated research within the TEPe (Technologically Expanded Performance) project. Throughout these two years, we have developed activities with the community to promote intercultural and transdisciplinary dialogue and provide an encounter with varied urban experiences. Through the different proposals of walks through the city, we have mapped events, today invisible, but still present: from "buried memories" to "sensorial walks", passing through intimate records of confinement. The meeting aims to share the experiences carried out with the contribution of two teams: the Portuguese, in Lisbon, and the Brazilian, in Fortaleza. Besides presenting the conclusions of the researches carried out, we launch this call for presentations, especially addressed to artists and scholars of performance art, historians of cities, anthropologists, urban planners, geographers, scholars of listening and sound and to all those who are interested in thinking (and projecting) life in the city.
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Esteban Salvador, María Luisa, Gonca Güngör Göksu, Tiziana Di Cimbrini e Emilia Fernandes. Multidisciplinary perspectives on equality and diversity in sports 2022. Universidad de Zaragoza, 2022. http://dx.doi.org/10.26754/uz.978-84-18321-44-3.
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Albeit some exceptions, athletes, practitioners, decision and policymakers, and sports spectators are predominantly men. In this sense, gender segregation and discrimination are present in multiple aspects of sports, and are socially normalised and accepted through a discourse that essentialises the embodied sexual differences between genders. This gender discourse legitimises the exclusion of women in some sports modalities considered masculine and traped them to those considered as predominantly feminine and feminized It traps female bodies in socio-cultural constructions as less able to exercise and engage in sport or as the second and weaker version of the ideal masculine body. Sports and its management continue to be a field where men and masculinity strongly prevail. The International Congress on Multidisciplinary Perspectives on Equality and Diversity in Sport (ICMPEDS) aimed to investigate the complexities of the following questions: What does gender openness mean in the context of sport in the 21st century? What persists as gender closure in the same context? What are the gender cultures that signify sport continuing to be defined by regimes that resort to dominant masculinity embodied in a strong and male athletic body? Which factors are assessed as the driving forces of these gender cultures that reveal male dominance in the sports field? However, there are significant signs that the context of sport may be changing. The European Union and some national governments have efforted to promote gender equality and diversity by fostering the adoption of gender equality codes/policies in various modalities, and international and local sports organizations. These new policies aim to increase female participation and recognition in sports, their access to leadership positions and involvement in the decision-making in sport structures. Additionally, the number of women practising non-competitive sports and as sports spectators have started growing. This improvement leads to new representations of sports and challenges the roles of women in such a context. Different body constructions and the emergence of alternative embodied femininities and masculinities are also challenging how athletes of both genders experience their bodies and sports practice. Nevertheless, the research on the impacts of these changes/challenges in sports is scarce. This book focuses on mapping gender relations in sports and its management by considering the different modalities, contexts, institutional policies, organizational structures and actors. It treats sports and its management as one avenue where gender segregation and inequality occur, but it also adopts such a space that presents an opportunity for change and a widely applicable topic whose traits and culture are reflected in organizations and work more broadly.