Bibliografias temáticas / Cultural capital

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Literatura científica selecionada sobre o tema "Cultural capital"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 10 de março de 2023

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Artigos de revistas sobre o assunto "Cultural capital"

Moreno Pestaña, José Luis, e Carlos Bruquetas Callejo. "Sobre el capital erótico como capital cultural". Revista Internacional de Sociología 74, n.º 1 (4 de fevereiro de 2016): e024. http://dx.doi.org/10.3989/ris.2016.74.1.024.

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Luiz, Gilberto Venâncio, Karla Maria Damiano Teixeira, Neuza Maria Da Silva e Francismara Fernandes Guerra. "CAPITAL CULTURAL E CONSUMO DE BENS CULTURAIS EM FAMÍLIAS NUCLEARES". Revista Economia & Gestão 18, n.º 51 (13 de março de 2019): 62–76. http://dx.doi.org/10.5752/p.1984-6606.2018v18n51p62-76.

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O objetivo deste trabalho foi verificar a relação entre variáveis sociodemográficas e o capital cultural das famílias nucleares brasileiras com as despesas relacionadas ao consumo de bens e serviços culturais. A base de dados utilizada foi a Pesquisa de Orçamentos Familiares – período de 2008/2009, realizada pelo Instituto Brasileiro de Geografia e Estatística (IBGE), sendo a amostra de 27.479 domicílios selecionados com base na estrutura familiar nuclear com presença de filhos em idade escolar. Para análise dos dados, utilizaram-se análise de regressão múltipla e coeficiente de correlação. Os resultados evidenciaram relação positiva entre a renda per capita familiar, o número de pessoas na família, o capital cultural e a idade do cônjuge com os gastos com bens e serviços culturais. De acordo com o modelo proposto, a renda per capita e o capital cultural foram as principais variáveis explicativas dos gastos com bens e serviços culturais das famílias.

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Vargas, Fábio Moreira. "O capital cultural em Bourdieu e a cultura capital em Freud:". CSOnline - REVISTA ELETRÔNICA DE CIÊNCIAS SOCIAIS, n.º 29 (9 de julho de 2019): 22. http://dx.doi.org/10.34019/1981-2140.2019.17544.

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Bourdieu elabora (2003), por meio de uma sofisticada análise sociológica, uma crítica feroz ao modelo escolar tradicional. Através da naturalização de uma situação essencialmente histórica e contingente, o percurso educativo, no interior das escolas, transforma-se num legitimador de estruturas sociais opressoras e desiguais. Através da noção de Capital Cultural, pode revelar as raízes das problemáticas noções de “fracasso” e “sucesso” escolar. No interior dessa argumentação, o presente trabalho procura articular, sob viés psicanalítico, a exibição da construção silenciosa da subjetividade humana através do contexto intersubjetivo da cultura. Para tal, será focalizada a noção de Super-eu que Freud demonstra ser o herdeiro de uma introjeção da exterioridade configurando-se como polo de opressão interior. Procura-se, assim, articular às análises de Bourdieu sobre o capital cultural as formulações freudianas sobre a cultura capital e aprofundar, desse modo, algumas constatações de Bourdieu através da psicanálise de Freud.

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Lindell, Johan, e Martin Danielsson. "Moulding Cultural Capital into Cosmopolitan Capital". Nordicom Review 38, n.º 2 (8 de dezembro de 2017): 51–64. http://dx.doi.org/10.1515/nor-2017-0408.

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Abstract Various media allow people to build transnational networks, learn about the world and meet people from other cultures. In other words, media may allow one to cultivate cosmopolitan capital, defined here as a distinct form of embodied cultural capital. However, far from everyone is identifying this potential. Analyses of a national survey and in-depth interviews, conducted in Sweden, disclose a tendency among those in possession of cultural capital to recognise and exploit cosmopolitan capital in their media practices. Those who are dispossessed of cultural capital are significantly less liable to approach media in this way. Relying on various media practices in order to reshape one’s cultural capital exemplifies what Bourdieu called a reconversion strategy. As social fields undergo globalisation, media offer opportunities for the privileged to remain privileged – to change in order to conserve.

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Kelly, Shirley. "Cultural Capital Costs". Books Ireland, n.º 276 (2005): 111. http://dx.doi.org/10.2307/20632791.

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Chhatwal, Kate. "Creating cultural capital". SecEd 2015, n.º 18 (18 de junho de 2015): 13. http://dx.doi.org/10.12968/sece.2015.18.13.

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Shim, Janet K. "Cultural Health Capital". Journal of Health and Social Behavior 51, n.º 1 (março de 2010): 1–15. http://dx.doi.org/10.1177/0022146509361185.

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Prieur, Annick, Lennart Rosenlund e Jakob Skjott-Larsen. "Cultural capital today". Poetics 36, n.º 1 (fevereiro de 2008): 45–71. http://dx.doi.org/10.1016/j.poetic.2008.02.008.

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Sullivan, Alice. "Cultural Capital, Cultural Knowledge and Ability". Sociological Research Online 12, n.º 6 (janeiro de 2008): 91–104. http://dx.doi.org/10.5153/sro.1596.

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Bourdieu's theory of cultural reproduction has been interpreted in various ways, and several authors have criticised an overly narrow interpretation of cultural capital as simply consisting of ‘beaux arts’ participation. For researchers, this raises the challenge of developing a broader interpretation of cultural capital which is still specific enough to be operationalised. This paper discusses the ways in which parents may transmit educational advantage to their children through cultural rather than economic means, and the forms of knowledge and skill which may be considered as ‘cultural capital’. An operationalisation of cultural knowledge is discussed, and empirical evidence is presented on differences in levels of cultural knowledge between the children of graduates and non-graduates.

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Bennett, Tony, e Mike Savage. "Introduction: cultural capital and cultural policy". Cultural Trends 13, n.º 2 (junho de 2004): 7–14. http://dx.doi.org/10.1080/0954896042000267116.

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Teses / dissertações sobre o assunto "Cultural capital"

Bolano, Cesar Ricardo Siqueira. "Capital, Estado, industria cultural". [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285404.

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Orientador: João Manuel Cardoso de Mello
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia
Made available in DSpace on 2018-07-18T07:09:12Z (GMT). No. of bitstreams: 1 Bolano_CesarRicardoSiqueira_D.pdf: 12377235 bytes, checksum: 1c81fb727f76acdae77c7b5540f5126f (MD5) Previous issue date: 1993
Resumo: Não informado
Abstract: Not informed.
Doutorado
Doutor em Economia

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Hults, Christopher S. "Shakespeare's Cultural Capital Conversion". BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7736.

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Shakespeare's vast cultural capital does not often translate easily to financial capital.Whether those who invest in Shakespeare seek financial, educational, or cultural gain, anunderstanding of capital conversion as it relates to Shakespeare industries can inform decisionsand clarify goals. After clarifying and delineating what we have and know of Shakespeare before1616 and what has been created by culture regarding him after 1616, we label the latterShakesaltation, then seek the key to converting his cultural capital to financial capital. ApplyingPierre Bourdieu's states of cultural capital to the Shakespeare industry illustrates why manyinvestments fail, few succeed, and why: cultural capital must be in its institutionalized state inorder to be convertible to profit. Juxtaposing three case studies of Shakespeare industries (Film,Cultural Destination Tourism, and the Bard Branding practice in various industries), analyzedusing Bourdieu, confirms that Shakesaltation — the ideals and myths that have been createdaround Shakespeare beyond his death — are the key to profiting from Shakespeare.

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Pilão, Valéria. "As diferentes formas de inserção da cultura no processo de acumulação de capital : a particularidade brasileira /". Marília, 2017. http://hdl.handle.net/11449/148689.

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Orientador: Fátima Cabral
Banca: Francisco Corsi
Banca: Marcos Tadeu Del Roio
Banca: Cleiton Daniel Alvaredo Paixão
Banca: Maria Orlanda Pinassi
Resumo: Nas últimas décadas ocorreu uma singular aproximação entre as produções culturais e o mercado. Na imediaticidade do cotidiano observa-se a utilização da cultura como forma de valorizar a imagem da cidade, como uma modalidade de marketing para grandes corporações bem como uma forma de investimento especulativo. A partir dessas manifestações aparentes, mas não se limitando a elas, buscar-se-á a explicação do processo de cooptação da cultura pelo mercado, elucidando a particularidade brasileira e vinculando-a ao movimento de mundialização do capital. A presente tese tem como objetivo, portanto, explicitar e apreender como e por que, entre os anos de 2003 a 2013, houve um movimento de intensificação da mercantilização da cultura. Para tal apreensão, partindo da imediaticidade do real, realiza-se a análise das empresas fomentadoras de cultura que se beneficiam da Lei nº 8.313/91 que trata do incentivo à cultura, popularmente conhecida como Lei Rouanet. A hipótese apresentada é a de que a cultura se insere de diferentes formas no movimento de reprodução do capital: como um serviço, agregando valor à marca e à cidade e, assim, contribuindo para processos especulativos e criadores de renda; e como uma mercadoria que permite a realização de outras mercadorias que contêm um alto grau de tecnologia, como os aparelhos eletroeletrônicos e informacionais. Cabe ao Estado brasileiro, por meio da ampliação da lei de incentivo, realizar o papel de mediador entre as produções culturais e o merc... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: In the last few decades there has been a unique approach between cultural productions and the market. In the immediacy of daily life, there can be noticed the use of culture as a means of enhancing the image of the city, as a method of marketing for large corporations, as well as a form of speculative investment. From these apparent manifestations, yet not limited to them, this research will seek to explain the process of co-optation of culture by the market, elucidating Brazilian's peculiarity and linking it to the movement of capital globalization. Therefore, this thesis aims to clarify and understand how and why, between the years of 2003 and 2013, there has been a movement of intensification of cultural commodification. For such understanding, starting from the immediacy of the real, there will be carried out an analysis of the companies that promote culture and are benefited by Law 8,313/91 - popularly known as Lei Rouanet -, a Federal Law for cultural incentive. The hypothesis presented here is that culture is inserted in different ways in the movement of capital reproduction: as a service, adding value to the brand and to the city, thus contributing to processes of speculation and income creation; and as a commodity that enables the achievement of other goods with high technology, such as electronic and informational appliances. It is up to Brazilian State, through the expansion of the incentive law, to play the role of mediator between cultural productions and the market, contributing institutionally to the process of production and reproduction of capital both in national, international, and speculative sectors. One can notice at the end of the research that the movement of capital expansion over culture takes place at a time when there is a financial preponderance in the economy and that the ... (Complete abstract electronic access below)
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Connolly, Mark. "Capital and culture : an investigation into New Labour cultural policy and the European Capital of Culture 2008". Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55756/.

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This thesis is an investigation into the relationship between culture in New Labour policy and within the competition for the European Capital of Culture 2008. The study interrogates a policy paradigm which it identifies as a 'creative city/urban planning' approach to urban regeneration. It locates this approach within a wider New Labour 'Third Way' politics, in that it attempts to reconcile economic instrumentalism with a rhetorical commitment to a politics of the social. Based on elite interviews and documentary analysis, this thesis argues that this approach to urban regeneration draws on a misappropriation of the work of cultural theorist Raymond Williams. It demonstrates how this misappropriation results in an unbounded anthropological definition, whereby culture colonises all areas of economic and social life. Within this template, culture becomes a surrogate economic and social policy. This is illustrated in the case-study of Liverpool's bidding for, winning of and plans for Capital of Culture 2008. This analysis shows how culture without parameters is usurped within both a neo-liberal economic agenda, and a policy template which recasts social inequality as a personal cultural deficit. Within Liverpool's urban strategy, culture is conceived as a social and economic panacea. However, when culture comes to mean everything, it invariably means nothing. This thesis attempts to put Raymond Williams' 'vague and baggy monster' back in its theoretical cage.

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Grimes, Janice. "Cultural capital, ethnicity and early education". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282941.

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Raupp, Monique. "The influence of cultural and social capitals on immigrant entrepreneurship : a cross-cultural study". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2017. http://hdl.handle.net/10183/174704.

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This research proposes understanding the influences that cultural and social capitals exert on the immigrant entrepreneurship process of individuals who decided to move to a nation that is economically and culturally different from their home countries. Immigration is an increasingly phenomenon that affects several countries around the world, some of them having their economies heavily related to this group of people. When trying to find a job placement in the new market, most immigrants face difficulties such as language barriers, taste discrimination and lack of recognition of their accumulated capitals. A common option to reduce such challenges is pursuing entrepreneurship, which is usually related to fields that possess less influence of the aforementioned barriers, and that do not require much specific knowledge. Nevertheless, immigrant entrepreneurship has important differences when being compared to other types of entrepreneurship, and this fact is usually due to cultural and social aspects. In this context, it is inquired: “how does both the cultural and social capitals linked to the entrepreneur's country of origin relate to his/her opportunities to undertake and sustain an enterprise of the culinary field in a culturally and economically distinct country?”. In order to address this inquiry, four immigrant restaurant owners were interviewed. Two of them immigrated to England, coming from Latin American underdeveloped countries, while the other two immigrated to Brazil, coming from European developed nations. The semistructured interview script had 16 questions formulated according to Pierre Bourdieu’s concepts of cultural and social capitals, aiming at qualitatively understanding in what consisted these two types of capitals of each entrepreneur, as well as understanding how they related to each moment of their individual entrepreneurial journeys. The interviews were conducted in person in both cities of London and Florianópolis, during the first semester of 2016. The results show that all of the immigrant entrepreneurs faced some type of cultural shock and discrimination during their entrepreneurship processes, which is most evident in the Latin entrepreneurs. Regarding the influence of their cultural capitals, family influences, accumulated knowledge and professional experiences greatly influenced their entrepreneurship process, and the entrepreneurs who possessed the higher amount of accumulated and recognized cultural capital faced far less difficulties as immigrant entrepreneurs. When talking about their social capitals, the entrepreneurs mostly relied on their social connections with people born in their home countries or in nations more culturally similar to their own. These relations, however, were of different natures between the Latin and European immigrants. The social capital that mostly influenced the Latin entrepreneurs consisted on their families and Latin immigrant friends, who faced similar obstacles as they did. On the other hand, the social capital the European entrepreneurs relied during their entrepreneurial processes were friends born in their home countries, who are also renowned professionals in the culinary field and that were able to share valuable knowledge with them. This study contributes to the entrepreneurship field by addressing the emerging immigrant entrepreneurship topic, which is still being consolidated and has important gaps such as this one to be fulfilled.

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Money, Annemarie. "Consumption in the home : cultural capital, family gift cultures and place". Thesis, University of Salford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402112.

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Pressley, Ashley. "Cultural capital, social capital and communities of practice in social marketing". Thesis, Cardiff University, 2015. http://orca.cf.ac.uk/69685/.

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The overall goal of this thesis is to examine three divergent literature streams, cultural capital, social capital and communities of practice (CoPs), in the context of social marketing theory. The thesis explores the means through which social and cultural capital are exchanged between two groups using social marketing techniques within a CoP framework and considers anti-social behaviour, experiential marketing and relationship marketing literatures. Four theoretical propositions are examined using mixed method and longitudinal action research approaches within a practical road safety intervention. The goal of the ‘live’ intervention sought to encourage the adoption of advanced driving practices in a group of young male drivers. Behaviour change was measured pre- and post- intervention using In Vehicle Data Recorders (IVDRs), questionnaire surveys and measured driver assessments. Supplementary qualitative insights were generated using observations, one-to-one interviews and focus groups. An understanding of advanced driving practices was achieved through extensive participation in advanced driver training by the researcher. The results of the investigation identified two groups of road users each exhibiting distinct tastes and preferences within a framework of concepts derived from the work of French sociologist Pierre Bourdieu. The evidence suggests that following intervention, and including the socialisation of these groups, a positive shift occurred in the adoption of advanced driving practices. Contribution is made to social marketing theory through the application of Bourdieu’s cultural capital ‘taste zones’ applied to a social marketing context. Social marketing is then portrayed as playing a ‘bridging’ function between two groups. This approach portrays the role of social marketing as a facilitator of positive ‘customer–customer’ interactions as opposed to a more traditional ‘customer–change-agent’ orientation. Furthermore, the CoP concept is suggested as a viable mechanism through which this modified orientation can be achieved. Key words: social marketing, cultural capital, social capital, communities of practice, road safety, advanced driving.

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Sullivan, Alice. "Cultural capital, rational choice and educational inequalities". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322823.

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Jiang, Yifan. "Multi-cultural social networking and social capital". Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/multicultural-social-networking-and-social-capital(cd11a4ec-b019-486a-81b2-c68e5cb1c478).html.

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Social Networking Sites allow users to manage their homepages to present themselves, and to interact with friends through networked connections. Some of these sites attract people from different cultural backgrounds (e.g. Facebook), providing an opportunity for online multi-cultural social networking to occur. This project aimed to contribute to cross-cultural Computer-Mediated Communication (CMC) research, by investigating this kind of multi-cultural social networking. It focussed upon: 1) the role of cultural differences on users’ perception of self-presentation of others; 2) the relationship between cross-cultural social capital and cross-cultural social networking on social networking sites; and 3) unveiling factors affecting users’ decisions regarding social networking interactions. The researcher firstly investigated whether cultural differences in online self-presentation through communication styles affect audiences’ perception, and whether audiences from different cultural backgrounds have different ways of perceiving others’ online self-presentation. Secondly, whether cross-cultural social capital was associated with the intensity of cross-cultural social networking, and through which ways users can obtain the benefits of social capital through social networking interactions. Lastly, explored the factors influencing users’ decisions on whether and/or how much effort to place upon each type of social networking.British and Chinese social networking users were chosen as research participants to represent two different cultural groups. By systematically comparing the difference between them, the results suggest: 1) Cultural differences in online self-presentation do influence people’s perception of others, though it is not the only factor that affects this perception. British and Chinese audiences tend to focus on different cues when perceiving online self-presentations. 2) Cross-cultural social capital was positively associated with cross-cultural social networking. Further interview analysis revealed all kinds of social networking interactions (i.e. observing, communicating, grouping) could help users obtain the benefits of bridging social capital (e.g. acquiring new information and diffusing reciprocity); however only communicating and grouping with strong relationships brought different aspects of the benefit of bonding social capital to British and Chinese users. For instance, communicating and grouping helped Chinese users receive substantive support and access to limited resources; whereas grouping with strong relationships helped British users mobilize solidarity. 3) Three main factors may influence users’ decisions regarding multi-cultural social networking interactions: (a) relationship strength - although both British and Chinese users tend to communicate mostly with strong relationships, they have differences in observing and grouping with different relationships. British users tend to observe mostly strong relationships and group with all relationships, whereas Chinese users tend to group mostly with strong relationships and observe all relationships; (b) perceived benefit of social capital - only bridging social capital benefit affected British users’ decision, whereas both bridging and bonding social capital benefits motivated Chinese users; and (c) users’ cultural background.

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Mais fontes

Livros sobre o assunto "Cultural capital"

Fukuhara, Yoshiharu. Cultural capital management. [Japan]: Shiseido, 2000.

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Shellard, Dominic, e Siobhan Keenan, eds. Shakespeare’s Cultural Capital. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1.

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Balibrea, Mari Paz. The Global Cultural Capital. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-53596-2.

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Escudero, Wilfredo Kapsoli. Capital cultural y educación. Lima: Editorial San Marcos, 2005.

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David, Palumbo-Liu, e Gumbrecht Hans Ulrich, eds. Streams of cultural capital: Transnational cultural studies. Stanford, Calif: Stanford University Press, 1997.

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Kong, Siu-hang. Cultural Capital and Parental Involvement. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-9032-8.

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Mokhzani, Azizah, ed. Kuala Lumpur: Corporate capital, cultural cornucopia. Kuala Lumpur, Malaysia: Arus Intelek, 2004.

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Tan, Cheng Yong. Family Cultural Capital and Student Achievement. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4491-0.

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Pakistan Heritage Preservation & Promotion Society e Matiari (Pakistan), eds. Matiari: The cultural capital of Sindh. Matiari, Sindh: District Govt., Matiari, 2011.

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1963-, Göktürk Deniz, Soysal Levent e Türeli Ipek, eds. Orienting Istanbul: Cultural capital of Europe? New York: Routledge, 2010.

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Capítulos de livros sobre o assunto "Cultural capital"

Phillips, Rhonda. "Cultural Capital". In Encyclopedia of Quality of Life and Well-Being Research, 1373–74. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_638.

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Warde, Alan. "Reassessing Cultural Capital". In Consumption, 127–53. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55682-0_7.

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Teghe, Daniel. "Community Cultural Capital". In The Routledge Handbook of Community Development, 241–52. New York, NY : Routledge, 2018.: Routledge, 2017. http://dx.doi.org/10.4324/9781315674100-17.

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McCall Magan, Kerry. "Emerging Cultural Capital". In Palgrave Studies in Cultural Participation, 105–18. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-18755-1_6.

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Keenan, Siobhan, e Dominic Shellard. "Introduction". In Shakespeare’s Cultural Capital, 1–12. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_1.

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Keenan, Siobhan. "Shakespeare and the Market in His Own Day". In Shakespeare’s Cultural Capital, 13–31. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_2.

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Egan, Gabriel. "Shakespeare and the Impact of Editing". In Shakespeare’s Cultural Capital, 32–56. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_3.

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Cartmell, Deborah. "Marketing Shakespeare Films: From Tragedy to Biopic". In Shakespeare’s Cultural Capital, 57–76. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_4.

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Blackwell, Anna. "Shakespearean Actors, Memes, Social Media and the Circulation of Shakespearean ‘Value’". In Shakespeare’s Cultural Capital, 77–98. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_5.

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Holderness, Graham, e Bryan Loughrey. "Ales, Beers, Shakespeares". In Shakespeare’s Cultural Capital, 99–125. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1007/978-1-137-58316-1_6.

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Trabalhos de conferências sobre o assunto "Cultural capital"

Haines, Julia Katherine. "Accelerating cultural capital". In the 5th ACM international conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2631488.2631489.

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Yongjian Xu, Yongjian, e Liqun Liqun Xu. "Cultural Capital Theory and College Students' Cultural Competitiveness". In 2015 International Conference on Mechanical Science and Engineering. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/mse-15.2016.13.

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Guo, Xiaolin, e Hongfan Mou. "A Research on Tourists’ Cultural Capital". In 2021 5th International Seminar on Education, Management and Social Sciences (ISEMSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210806.176.

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Xu, Yongjian, e Liqun Xu. "Enlightenment of Bourdieu Cultural Capital Theory". In 2nd International Conference on Arts, Design and Contemporary Education. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.91.

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Garvanova, Magdalena. "THE CULTURAL CAPITAL OF BULGARIAN ENTREPRENEURSHIP". In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocial2018/3.2/s11.058.

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Xie, Juan, e Chao Min. "Can embodied Cultural Capital affect citation impact?" In iConference 2019. iSchools, 2019. http://dx.doi.org/10.21900/iconf.2019.103367.

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Aneke Rattu, Jultje. "Empowering Cultural Human Capital towards Industry 4.0". In The International Conference of Vocational Higher Education (ICVHE) “Empowering Human Capital Towards Sustainable 4.0 Industry”. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0010706800002967.

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Romanchukov, Sergey. "Cultural Activity In The Context Of Cultural Capital And Innovative Modernization Processes". In WELLSO 2017 - IV International Scientific Symposium Lifelong wellbeing in the World. Cognitive-Crcs, 2018. http://dx.doi.org/10.15405/epsbs.2018.04.42.

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Uğur, Tuğçe, e Mehmet Sedat Uğur. "Analysing the Effects of Cultural Differences to International Trade in Manufactured Goods: A Literature Survey". In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01038.

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Linder Theory which is a considerable theory about international manufactured goods trade suggests that international trade in manufactured goods will be more intense between countries with similar per capita income levels than between countries with dissimilar per capita income levels. But in practice, cultural differences between countries may also restrain the density of trade. This literature survey will aim to explain the relationship between income level and culture which may be different for one to another group. G. Hofstede who is an influential cultural anthropologist suggests five different cultural dimension to explain cultural differences between countries. Later, Hofstede calculates the values of different countries in these dimensions. So, in this study, initially, international trade in manufactured goods between similar per capital income levels will be examined. This will be done by comparing per capital income levels of selected countries. OECD data in trade and TÜİK's data (for Turkey) will be used in comparison. Later Hofstede's data will be used. In conclusion, the survey will try to explain how large are the effects of cultural differences between countries with similar income levels in international trade in manufactured goods. Previous studies generally find statistically significant results, but the main framework of these studies suggests controversial results. The study has aimed to commit a literature survey and in this study, comparisons of trade flow between countries are also controversial.

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Shang, Ke. "Capital Structure and Arbitrage". In 2021 3rd International Conference on Economic Management and Cultural Industry (ICEMCI 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.211209.069.

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Relatórios de organizações sobre o assunto "Cultural capital"

Lazutina, A. L., O. S. Kraynova e O. A. Sukhanova. Cultural capital: contradictions of genesis and implementation. Ljournal, 2017. http://dx.doi.org/10.18411/kray-2017-artc-00043.

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Gomez, Juan Carlos, Sergio Alejandro Hinojosa e Anne-Laure Mascle-Allemand. Despertando el capital cultural: Mejorando el rendimiento fiscal de los activos arqueológicos, históricos y culturales. Inter-American Development Bank, dezembro de 2018. http://dx.doi.org/10.18235/0001453.

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Blau, Francine, e Lawrence Kahn. Substitution Between Individual and Cultural Capital: Pre-Migration Labor Supply, Culture and US Labor Market Outcomes Among Immigrant Women. Cambridge, MA: National Bureau of Economic Research, agosto de 2011. http://dx.doi.org/10.3386/w17275.

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Hearn, Greg, Mark Ryan, Marion McCutcheon e Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Fremantle. Queensland University of Technology, novembro de 2021. http://dx.doi.org/10.5204/rep.eprints.216570.

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Fremantle is a small port city of only 29,000 people (36,000 if East Fremantle is included) that has vibrant and diversified creative industries and is geographically close to WA’s capital city Perth. Fremantle has a kind of New Orleans cultural DNA, where live music is cheap and affordable. Fremantle has a unique socio‐ cultural fabric that has contributed to the city’s large arts community and its reputation as an energetic creative city.

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Ryan, Mark David, Greg Hearn, Marion McCutcheon, Stuart Cunningham e Katherine Kirkwood. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Busselton. Queensland University of Technology, janeiro de 2021. http://dx.doi.org/10.5204/rep.eprints.207597.

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Located a two-and-a-half hour drive south of Perth, Busselton is one of the largest and fastest growing regional centres in WA, a lifestyle services hub and the gateway to the internationally renowned wine region and popular tourist destination of Margaret River. Promoted by the City of Busselton council as the ‘Events Capital of WA’, Busselton has a strong festival and events economy that fuels local creative and arts production, supported by demographic shifts and population growth that is resulting in more creatives living and working in the city.

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Jung, Su-Jin. Social Capital and Cultural Identity for U.S. Korean Immigrant Families: Mothers' and Children's Perceptions of Korean Language Retention. Portland State University Library, janeiro de 2000. http://dx.doi.org/10.15760/etd.2919.

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Mascle-Allemand, Anne-Laure, Sergio Hinojosa e Juan Luis Gómez Reino. Desenterrando tesoros: Mejorando el rendimiento fiscal del capital histórico y cultural: Aplicación al Barrio La Floresta en Quito. Inter-American Development Bank, março de 2020. http://dx.doi.org/10.18235/0002229.

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Hood, Sula, Brittany Campbell e Katie Baker. Culturally Informed Community Engagement: Implications for Inclusive Science and Health Equity. RTI Press, janeiro de 2022. http://dx.doi.org/10.3768/rtipress.2023.op.0083.2301.

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Public health efforts seeking to reduce disparities and promote equity must be inclusive to reach their full potential. Interventions, programs, and initiatives designed to promote health equity among Communities of Color must be culturally informed. Communities and the cultural values and practices that shape them are closely intertwined, creating opportunities for a more intentional approach to community engagement. Yosso’s framework of Community Cultural Wealth (CCW) emphasizes six forms of capital that People and Communities of Color use to thrive and succeed: social, navigational, linguistic, familial, resistant, and aspirational. We anchor our approach—culturally informed community engagement—in the core tenets of CCW. This paper discusses CCW and its applicability and utility for facilitating culturally informed community engagement in health research. In our approach, asset-based frameworks intersect with community engagement, CCW, and principles of health equity. We discuss how applying CCW to conducting community-engaged research promotes health equity, inclusive science, and authentic relationships with community partners. Lastly, we provide applied examples of community-engaged interventions that leverage cultural assets in Communities of Color to reduce disparities and promote health equity.

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Brianne, Selman, Brian Fauteux e Andrew deWaard. A User-Centric Case for Rights Reversions and Other Mitigations: The Cultural Capital Project Submission to ISED Consultation on Term Extension. University of Winnipeg Library, março de 2021. http://dx.doi.org/10.36939/ir.202103091613.

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Term extension is unlikely to benefit any but the largest of rightsholders, and indeed, in general independent creators typically do not benefit greatly from the promised financial exploitation promised by copyrights. This has been made even more evident by the COVID pandemic - while copyrighted works are consumed more than ever, independent creators have sunk further into poverty. We propose mitigation strategies for term extension that would help the people who are creating Canada’s cultural landscape, as well as additional actions that would alleviate additional current copyright losses.

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Cunningham, Stuart, Marion McCutcheon, Mark Ryan, Susan Kerrigan, Phillip McIntyre e Greg Hearn. ‘Creative Hotspots’ in the regions: Key thematic insights and findings from across Australia. Queensland University of Technology, 2022. http://dx.doi.org/10.5204/rep.eprints.227753.

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Description The Creative Hotspots project, or as it was officially titled Australian Cultural and Creative Activity: A Population and Hotspot Analysis, was an expansive, four-year project funded by an Australian Research Council Linkage grant (LP160101724). This comprehensive national study investigated the contemporary dynamics of cultural and creative activity in largely regional and non-capital cities and towns across Australia before the outbreak of COVID-19 in March 2020. In total, the project conducted fieldwork in 17 creative and cultural hotspots across five states: Queensland, New South Wales, Victoria, Western Australia, and South Australia, examining what makes each hotspot “hot”, identifying the dynamics that underpinned their high concentrations of creative and cultural employment and activity. This White Paper outlines the project's findings and outcomes.

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