Literatura científica selecionada sobre o tema "Crucifixion in art"
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Artigos de revistas sobre o assunto "Crucifixion in art"
Jeffrey, David Lyle. "Meditation and Atonement in the Art of Marc Chagall". Religion and the Arts 16, n.º 3 (2012): 211–30. http://dx.doi.org/10.1163/156852912x635205.
Texto completo da fontePanteleev, Aleksey D. "Crucifixion in the Ancient Art of the Roman Period". Actual Problems of Theory and History of Art 11 (2021): 124–33. http://dx.doi.org/10.18688/aa2111-01-11.
Texto completo da fontede Chaves, Lila. "An Investigation on a Coptic Embroidered Panel from the 13th Century “Crucifixion with the Twelve Apostles” (Benaki Museum, Athens)". Heritage 4, n.º 4 (13 de novembro de 2021): 4335–43. http://dx.doi.org/10.3390/heritage4040239.
Texto completo da fonteCoatsworth, Elizabeth. "The ‘robed Christ’ in pre-Conquest sculptures of the Crucifixion". Anglo-Saxon England 29 (janeiro de 2000): 153–76. http://dx.doi.org/10.1017/s0263675100002441.
Texto completo da fonteFowler, Cynthia. "Herman Trunk’s Cubist Crucifix: A Case Study". Religion and the Arts 15, n.º 5 (2011): 628–47. http://dx.doi.org/10.1163/156852911x596264.
Texto completo da fonteLedovskih, Natalya P., e Olga G. Belomoeva. "Existential analysis philosophy of art creation". Aspirantskiy Vestnik Povolzhiya 19, n.º 7-8 (7 de abril de 2020): 50–53. http://dx.doi.org/10.17816/2072-2354.2019.19.7-8.50-53.
Texto completo da fonteTarakanova, Ekaterina I. "WOODEN “CRUCIFIXION” BY FILIPPO BRUNELLESCHI AND MASACCIO’S FRESCO “TRINITY”". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, n.º 1 (2022): 124–33. http://dx.doi.org/10.28995/2686-7249-2022-1-124-133.
Texto completo da fonteMisler, Nicoletta, e John E. Bowlt. "Catherine’s Icon: Pavel Filonov and the Orthodox World". Religions 12, n.º 7 (6 de julho de 2021): 502. http://dx.doi.org/10.3390/rel12070502.
Texto completo da fonteBigaj-Zwonek, Beata. "Religious Motifs in Polish Contemporary Art Using the Crucifixion: An Outline of the Problem". Perspektywy Kultury 28, n.º 1 (1 de março de 2020): 149–66. http://dx.doi.org/10.35765/pk.2020.2801.12.
Texto completo da fonteGonzález, Cristina Cruz. "Crucifixion piety in New Mexico: On the origins and art of St. Librada". Res: Anthropology and aesthetics 65-66 (março de 2015): 89–104. http://dx.doi.org/10.1086/691028.
Texto completo da fonteTeses / dissertações sobre o assunto "Crucifixion in art"
Harley, Felicity. "Images of the crucifixion in late antiquity : the testimony of engraved gems". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phh285.pdf.
Texto completo da fonteHorvath, Jennifer. "Resistance, Resurrection, Liberation: Beyond the Existing Readings of Marc Chagall's Crucifixion Paintings". University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1427980680.
Texto completo da fonteAnderson, Keith Edward. "An investigation of the theological questions raised by twentieth-century works of art which make use of the iconography of the crucifixion". Thesis, Oxford Brookes University, 2014. https://radar.brookes.ac.uk/radar/items/8e78f44e-8d37-4f6a-a078-75318d1b3a4a/1.
Texto completo da fonteThoury, Corinne de. "Le couteau et la croix, émergence du paradoxe : esthétique et poi͏̈étique du sacrifice dans l'art à travers les figures d'Isaac et du Christ". Paris 3, 2001. http://www.theses.fr/2001PA030163.
Texto completo da fonteThe two great biblical sacrifices give rise to a number of inconsistencies, which are difficulties to define an interpretation. Isaac, son of the Holy Promise, risks death by a test sent by God himself ; Christ, becomes flesh, dies subjected to a punishment reserved for criminals and slaves by the state. From an artistic point of view, Crucifixion and Isaac on the altar display a polymorphy, illustration of the complexity of the faces linked to the sacrifice and raise the question of the different ways to picture the body. This question penetrates the theological debate of the first centuries of our era and the answer was the proclamation of the Incarnation dogma, founded on a paradox. .
Rehlinger, Geneviève. "Jésus le Christ dans l'oeuvre de Marc Chagall : le motif du crucifié". Metz, 2006. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/2006/Schmitt_Rehlinger.Genevieve.LMZ0607_1_2.pdf.
Texto completo da fonteTo determine the place of Jesus the Christ in the works of Chagall, we rely on a corpus of 365 artistic works with the motif of Christ crucified and different literary documents (such as letters, biography and poems). Among other things we refer to the different fields of the history of Art, Judaism (Shoah), and Christianity as well as the biblical exegesis. The first part specifies the critical and interpretative readings being influenced by the cultural and religious belonging of their author. The second part explores the different influences received by the artist from the cultural, artistic, ethnic, religious and historical point of view. It particularly focuses on the divergences between the Christian and Jewish communities concerning Jesus Christ. The third part puts forward the remarkable place of the motif of Christ crucified takes in an artist born of Judaism. It asks the question of the use of a Christian motif by a Jew. The fourth part introduces the place of the motif in the artist works, a place which is unknown, under-evaluated, and contested. A study of the topics and associated motives under the categories of “grotesque”, “report” and “deport” introduces the viewer to the path of a painter who discovers, appropriates and transcends a motif in Christian art. Consequently, the careful retrospective reading of the motif emphasizes the polysemic and pluri-religious side of the design which definitively makes a visionary of Chagall
Walker, Ashely Wilemon. "The Thirteenth-Century Fresco Decoration of Santa Maria Ad Cryptas in Fossa, Italy". Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/52.
Texto completo da fonteSmith, Tamytha Cameron. "Personal Passions and Carthusian Influences Evident in Rogier Van Der Weyden's Crucified Christ between the Virgin and Saint John and Diptych of the Crucifixion". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5245/.
Texto completo da fonteYang, Chuan-Tsing. "The Crucifixion". Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501140/.
Texto completo da fonteOgden, Jenna Noelle. "The Leprous Christ and the Christ-like Leper: The Leprous Body as an Intermediary to the Body of Christ in Late Medieval Art and Society". Cleveland State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=csu1305075738.
Texto completo da fonteBalicka-Witakowska, Ewa. "La crucifixion sans crucifié dans l'art éthiopien : recherches sur la survie de l'iconographie chrétienne de l'Antiquité tardive /". Warszawa ; Wiesbaden : ZAŚ PAN, 1997. http://catalogue.bnf.fr/ark:/12148/cb39219741v.
Texto completo da fonteLivros sobre o assunto "Crucifixion in art"
Julia, Hasting, ed. Crucifixion. London: Phaidon, 2000.
Encontre o texto completo da fonteBoespflug, François. Crucifixion: La crucifixion dans l'art, un sujet planétaire. Montrouge: Bayard Édition, 2019.
Encontre o texto completo da fonteRéunion des musées nationaux (France), Musée national de la Renaissance (France) e Union latine, eds. Le triptyque aztèque de la crucifixion. Paris: Réunion des musées nationaux, 2004.
Encontre o texto completo da fonteBrindisi, Remo. La passione. Roma: Edicigno, 1990.
Encontre o texto completo da fonteBergmann, Ulrike. Neue Forschungen zur gefassten Skulptur des Mittelalters: Die gotischen Crucifixi dolorosi. München: Siegl, 2001.
Encontre o texto completo da fonteLara, Angel Aroca. El Crucificado en la imaginería andaluza del siglo XVII. Córdoba: Publicaciones del Monte de Piedad y Caja de Ahorros de Córdoba, 1987.
Encontre o texto completo da fonteCastro, Sandra. Art of the cross: A Philippine tradition. Makati City, Philippines: Ayala Museum, 2002.
Encontre o texto completo da fonteLorentz, Philippe. La Crucifixion du Parlement de Paris. Paris: Réunion des musées nationaux, 2004.
Encontre o texto completo da fonteMenichelli, Antonio Santantoni. Passio: Un volto dolente da contemplare. Ponte S. Giovanni (Perugia): Quattroemme, 2004.
Encontre o texto completo da fontePinault, François. Adel Abdessemed, Décor. Paris]: Barral, 2012.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Crucifixion in art"
Binski, Paul. "The crucifixion and the censorship of art around 1300". In The Medieval World, 418–36. Second edition. | Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: The Routledge worlds: Routledge, 2018. http://dx.doi.org/10.4324/9781315102511-25.
Texto completo da fonteNeil, Josephine. "Chapter 12The Reception of Divine Grace in Hendrick ter Brugghen’s Crucifixion with the Virgin and Saint John". In Sacred Images and Normativity: Contested Forms in Early Modern Art, 224–41. Turnhout, Belgium: Brepols Publishers, 2021. http://dx.doi.org/10.1484/m.sacrima-eb.5.122589.
Texto completo da fonteWenkel, David H. "The Act of Beating the Fool". In Jesus' Crucifixion Beatings and the Book of Proverbs, 89–103. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48270-5_7.
Texto completo da fonte"Ekphrasis of the Crucifixion". In Michael Psellos on Literature and Art, traduzido por Charles Barber e Elizabeth A. Fisher, 290–99. University of Notre Dame Press, 2017. http://dx.doi.org/10.2307/j.ctvpj7gd5.27.
Texto completo da fonteViladesau, Richard. "The Cross in Modern Visual Art". In The Wisdom and Power of the Cross, 180–256. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197516522.003.0004.
Texto completo da fonte"Tintoretto’s Crucifixion and Cassinese Spirituality". In Nuns and Reform Art in Early Modern Venice, 160–80. Routledge, 2017. http://dx.doi.org/10.4324/9781315090429-9.
Texto completo da fonteBurnham, Rika. "12 Radiant Dialogue: Discovering Piero’s Crucifixion in The Frick Collection". In Time and Presence in Art, 235–42. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110722079-013.
Texto completo da fonte"Madonna’s crucifixion and the woman’s body in feminist theology". In Doing Gender in Media, Art and Culture, 129–45. Routledge, 2009. http://dx.doi.org/10.4324/9780203876800-17.
Texto completo da fonte"Iconoclasm: Crucifixion as Self-Annihilation in Late Works (1804 – 27)". In The Visionary Art of William Blake. I.B. Tauris, 2018. http://dx.doi.org/10.5040/9781350989375.ch-005.
Texto completo da fonteHornik, Heidi J. "Eschatology in Fine Art". In The Oxford Handbook of Eschatology, 629–54. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780195170498.003.38.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Crucifixion in art"
ХУХАРЕВ, В. В. "Stone Cross from Podborovie Village in Tver Region: a Preprint". In Тверь, тверская земля и сопредельные территории в эпоху средневековья. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2018.978-5-9906508-3-1.203-207.
Texto completo da fonte