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Teses / dissertações sobre o assunto "Criticism, textualgoethe, johann wolfgang von , 1749-1832"
Roos, Dorette Maria. "The Faust legend and its musical manifestations : a historical overview". Thesis, Stellenbosch : Stellenbosch University, 2010. http://hdl.handle.net/10019.1/5156.
Texto completo da fonteENGLISH ABSTRACT: This thesis explores the Faust legend and its musical manifestations since the 19th century. The objective is to provide a thorough background to the legend, before drawing up an account of compositions inspired by the Faust legend. Firstly, the origin of the legend is investigated, followed by a brief summary of the most important literary works on the subject of Faust. This is followed by a comprehensive outline of the story as told by Johann Wolfgang von Goethe, and then the most significant compositions inspired by the legend are discussed. A short section containing comparisons of the compositions and the conclusions of the study appears at the end. The legend tells the story of Faust, a scholar, philosopher and alchemist in search of divine knowledge, power and pleasure. Faust encounters the devil and makes a pact with him in which he agrees to surrender his immortal soul, if the devil can satisfy Faust’s thirst for knowledge and grant him the experience of true happiness. The Faust legend is a very popular theme among composers and artists. One of the reasons for the success of the Faust legend is its universal appeal. This has led to various composers using the material as the basis for their works. Goethe’s version of the legend has proven to be the most popular source for composers. To produce a composition that attempts to capture the drama in its entirety, including its psychological and spiritual elements, is not feasible. Works centred on a smaller section, scene or character from Goethe’s Faust were often more successful than the larger operatic compositions. Like all great universal ideas, the Faust legend lends itself to an abundance of interpretations. Similarities between works are rare. Each composer who made use of the Faust legend interpreted it subjectively, which has produced many unique and varied compositions.
AFRIKAANSE OPSOMMING: In hierdie studie word die Faust legende, soos wat dit in verskeie musikale komposisies van die 19de eeu uitgebeeld is, ondersoek. Die doel van die studie is om ‘n lys van werke wat deur die Faustlegende geïnspireer is, saam te stel. Die tesis ondersoek die oorsprong van die legende en gee ‘n kort opsomming van die mees prominente litirêre werke met die Faustlegende as onderwerp. Daarna volg ‘n uiteensetting van die storielyn soos vertel deur Johann Wolfgang von Goethe. ‘n Lys, bestaande uit gesaghebbende Faust komposisies, word ingesluit en laastens volg vergelykings en gevolgtrekkings uit die studie. Die legende vertel die verhaal van Faust, die professor, filosoof en alchemis op soek na kennis, mag en plesier. Faust tree in gesprek met die duiwel en gaan met hom ‘n ooreenkoms aan om sy siel prys te gee in ruil vir kennis en ware geluk. Die Faust legende is sekerlik een van die mees gewilde literêre onderwerpe vir gebruik deur komponiste en kunstenaars. Die universaliteit van die legende dra by tot die gewildheid daarvan en om gebruik te word as onderwerp in toonsettings. Goethe se weergawe word meestal ingespan as bron van inspirasie. Om die volle omvang van die drama, met al sy sielkundige en geestelike elemente in ‘n komposisie vas te vang, is feitlik onmoontlik. Soos die meeste groot universele werke, word Faust op verskillende maniere geïnterpreteer. Gevolglik is daar min ooreenkomste tussen die verskillende toonsettings. Elke komponis se interpretasie van die legende is uniek.
Wellige, Rainer. "Elemente der illuminatischen Ideologie in einigen vorklassischen Werken von Goethe und Schiller". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=21277.
Texto completo da fonteLee, Charlotte Louise. "Self-consciousness in the works of the very late Goethe". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610832.
Texto completo da fonteZacharewicz, Fernanda. "O fim escrito no início: contribuições de Fausto de Goethe à Psicanalise". Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21249.
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The aim of this thesis was to research the contributions of Faust by Goethe to the Psychoanalysis. For that we left from the hypotesis of which the repetition is a psychoanalytic concept marking the end of analysis. To comprove that, after a brief incursion by Goethe’s biography and the location of the book in the german’s literature history, it was necessary to get deep into our comprehension on the entry of the subject in the language, on the lack from there and differentiate of the lack relative to the castration. Next we lean over on the wish perspective from Aristotle in De Anima and Nicomachean Ethics from there to understand the construction of this concept in the Psychoanalysis. Beginnig with the text Project for a scientific psychology by Freud we follow up to arriving in Lacan and his comprehension of das Ding. That said, it was possible to base the structure of the subject of langage while lacking and to understand the paradox exposed in the pact between Faust and Mephistopheles. The phantasy was the next point to be study. Therefore, we came back to the firsts Freud’s clinical reports and we follow the construction of this notion. We returned to the concept of unheimlich to understand the anguish that wraps the bascule inherent to the fantasmatic veil. We follow with Lacan in his seminar about anguish untill his seminar about the logic of phantasy. Than, we analysed two moments of Goethe’s text – the relationship of Faust with Gretchen and, in a second moment, his relationship with Helen. We realized how in the litterary text the bias through wich the phantasy can be seen leaves space to the real appears. From the advent of the real in the relationship with Helena comes up to Faust the possibility of a new know-how different from what had been done so far. This contingency opens the possibility to think the repetition as the advento f the new, as Lacan works since 1964. With that in our horizon, we follow the constrution of this concept from Freud in two moments: in 1914 and in 1920. Next, we turno to the lacanian text and divide then in two parts: before and after 1964. We realized then that the written texts or seminars given up to 1964 were directed to the freudian notion of compulsion to repetition. Even so, it is possible to observe in this period some seeds of his future position. The considerations explained here led us to consider the end of faust as the relaization of repetition as a contingency, a bon heur to wich teh subject under analysis can choose by the of his course
O objetivo dessa tese foi pesquisar as contribuições de Fausto de Goethe à Psicanálise. Para isso, partimos da hipótese de que a repetição é o conceito psicanalítico que marca o fim análise. Para comprová-la, após uma breve incursão sobre a biografia de Goethe e a localização da obra na história da literatura alemã, foi necessário aprofundar nosso entendimento sobre a entrada do sujeito na linguagem, sobre a falta daí advinda e diferenciá-la da falta relativa à castração. A seguir nos debruçamos sobre a perspectiva de desejo desde Aristóteles em De Anima e Ética a Nicômaco para desse aí compreender a construção desse conceito na Psicanálise. Iniciando com o texto Projeto para uma psicologia científica, de Freud e seguimos até Lacan e sua exposição sobre das Ding. Dito isso, foi possível alicerçar a estrutura do sujeito de linguagem enquanto faltante e compreender o paradoxo exposto no pacto entre Fausto e Mefistófeles. A fantasia foi o ponto seguinte a ser estudado. Assim, retornamos aos primeiros relatos clínicos freudianos e acompanhamos a construção dessa noção. Revisitamos o conceito de unheimlich para compreender a angústia que envolve a báscula inerente ao véu fantasmático. Seguimos com Lacan em seu seminário sobre a angústia e o acompanhamos até seu seminário sobre a lógica da fantasia. Com isso, analisamos dois momentos do texto goethiano – a relação de Fausto com Margarida e, em um segundo tempo, sua relação com Helena. Percebemos como no texto literário o viés pelo qual a fantasia pode ser vista abre espaço para que o real apareça. Do advento do real na relação com Helena surge a Fausto a possibilidade de um fazer novo distinto do que havia feito até então. Essa contingência possibilita pensar a repetição como o advento do novo, conforme Lacan trabalha a partir de 1964. Com isso em vista, retomamos a construção desse conceito desde Freud em dois momentos: em 1914 e em 1920. Em seguida, nos dirigimos aos textos lacanianos e os dividimos em duas partes: antes e após 1964. Percebemos então que os textos escritos ou seminários proferidos até 1964 estavam voltados à noção freudiana de compulsão à repetição. Mesmo assim, é possível observar nesse período algumas sementes de sua futura posição. As considerações aqui explicitadas nos levaram a considerar o final de Fausto como a realização da repetição enquanto contingência, bon-heur ao qual o sujeito em análise pode optar ao final de seu percurso
Nicholls, Angus 1972. "The mantic art : an examination of the notion of the daemonic in the writings of Plato, Goethe and Goethe's contemporaries". Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9148.
Texto completo da fonteFontanella, Marco Antonio Rassolin. "Vestigios de Espinosa na produção literaria de Goethe". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270058.
Texto completo da fonteTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Doutorado
Historia e Historiografia Literaria
Doutor em Teoria e História Literária
Batista, Miguel. "Bildung and initiation : interpreting German and American narrative traditions". Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14616.
Texto completo da fonteHahn, Andre M. "The morphology of Goethe's botanical work". Thesis, 2012. http://hdl.handle.net/1957/29221.
Texto completo da fonteGraduation date: 2012
Starrs, David Bruno. "Yours faithfully; Werther for the English language stage". 2003. http://repository.unimelb.edu.au/10187/1721.
Texto completo da fonteRehbinder, Nina Maroussia Graefin. "Dimensionen der Moderne im Faust II : Goethes kritische darstellung Gesellschaftlicher Entwicklungen des frühen 19. Jahrhunderts im Fünften Akt". Diss., 2012. http://hdl.handle.net/10500/11962.
Texto completo da fonteThis thesis explores the trends of socio-political developments during the period of historical changes in Germany around 1830 that can be deduced from Act V of Goethe´s Faust II. Profound political, technical, economic and cultural changes at the beginning of the nineteenth century had an impact on Goethe as a contemporary and appear in his late literary work. Thus specific constants and developments of his time are also presented in and can be deduced from one of the great literary works of the aged poet, Faust II. This paper shows that the final act of Faust II Goethe reveals profound changes in human mentality that took place at the beginning of the nineteenth century and partly even before: Secularization and ruthless rationality with a tendency to acceleration, de-humanization and unscrupulous submission of human beings and nature. The world that originated from Faust´s pact with the devil in Faust II anticipates the reality surrounding us nowadays, a reality characterized by a flood of data, electronic media and the hectic pace of everyday life, - a fact vouching for the play´s striking modernity.
Classics & World Languages
M.A. (German)
Livros sobre o assunto "Criticism, textualgoethe, johann wolfgang von , 1749-1832"
Jessing, Benedikt. Johann Wolfgang Goethe. Stuttgart: J.B. Metzler, 1995.
Encontre o texto completo da fonteMüllers, Josefine. Liebe und Erlösung im Werk Johann Wolfgang von Goethes. Frankfurt am Main: P. Lang, 2008.
Encontre o texto completo da fonteFarrelly, Daniel J. Goethe in East Germany, 1949-1989: Toward a history of Goethe reception in the GDR. Columbia, S.C: Camden House, 1998.
Encontre o texto completo da fonteSwales, Martin. Reading Goethe: A critical introduction to the literary work. Rochester, NY: Camden House, 2002.
Encontre o texto completo da fonteGraham, Ilse. Goethe: Schauen und Glauben. Berlin: Walter de Gruyter, 1988.
Encontre o texto completo da fonteRüdiger, Horst. Goethe und Europa: Essays und Aufsätze 1944-1983. Berlin: Walter de Gruyter, 1990.
Encontre o texto completo da fonteSchalit, Mechthild Greven. Pädagogische Provinzen: Johann Michael von Loens Der redliche Mann am Hofe und Johann Wolfgang Von Goethes Wilhelm Meisters Wanderjahre. Göttingen: V&R Unipress, 2012.
Encontre o texto completo da fonteGoethe, Johann Wolfgang von. Wilhelm Meister's theatrical calling. Columbia, SC, USA: Camden House, 1995.
Encontre o texto completo da fonteGoethe's Wilhelm Meister's apprenticeship: A reader's commentary. Rochester, NY: Camden House, 2002.
Encontre o texto completo da fonteSchanze, Helmut. Goethes Dramatik: Theater der Erinnerung. Tübingen: M. Niemeyer, 1989.
Encontre o texto completo da fonte