Bibliografias temáticas / Criticism and interpretationkafka, franz , 1883-1924

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Literatura científica selecionada sobre o tema "Criticism and interpretationkafka, franz , 1883-1924"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 30 de julho de 2024

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Artigos de revistas sobre o assunto "Criticism and interpretationkafka, franz , 1883-1924"

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Kızıler Emer, Funda, and Ertuğrul Demir. "A thematological comparison between the texts “Sult” by Knut Hamsun and “Der Hungerkünstler” by Franz Kafka and the film “The Hunger Games” by Gary Ross." Journal of Human Sciences 20, no. 1 (2023): 65–79. http://dx.doi.org/10.14687/jhs.v20i1.6347.

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In this study, a thematological comparison is made between Knut Hamsun's (1859-1952) “Sult” (1890) and Franz Kafka's (1883-1924) “Der Hungerkünstler” (1922) and the film “The Hunger Games” (2012) directed by Gary Ross (1956-). In this study, which theoretically falls within the scope of comparatistics (comparative literary studies), two cult texts by two distinguished authors from Norwegian and Austrian literature and a famous feature film are analysed comparatively on the axis of a common theme. Knut Hamsun, the Nobel Prize-winning Norwegian writer Knut Hamsun gained worldwide fame with his n
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Teses / dissertações sobre o assunto "Criticism and interpretationkafka, franz , 1883-1924"

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McDonald, Timothy E. G. "The space of Kafka /." Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69777.

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The following study investigates the fictional works of an early twentieth century Czechoslovakian writer named Franz Kafka. "The space of Kafka" is explored primarily through the "identity" of his characteristic monster figures and the temporally disjunctive narratives through which they travel. Monstrosity is qualified here as a principal mode of translation through which Kafka engaged the very terms of "identity" which an "individual" faces in the appearance of any "work". The intimations of a monstrous self are probed through Kafka's work in relation to human experience, intentionality, al
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Deschamps, Bernard 1957. "Schreiben als Form des Gebets : l'écriture en tant que forme de la prière dans l'œuvre de Franz Kafka." Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=115633.

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Franz Kafka (1883-1924) wrote this little phrase one day in a notebook: Writing as a form of prayer. This dissertation will examine his highly personal and Judaic conception of the act of writing in order to demonstrate that it constitutes in fact the cornerstone of Kafka's activity as a writer and that it can be traced in a significant number of his literary works as their regulating instance.<br>In order to do so, we will first examine the social, political and economic conditions prevailing in Central Europe at the turn of the 20th century, in order to ascertain its tremendous impact on the
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Oyakawa, Eduardo. "A luz brilha nas trevas: um estudo sobre o Deus Absconditus na literatura de Franz Kafka (1912-1924)." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20948.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-02T12:31:21Z No. of bitstreams: 1 Eduardo Oyakawa.pdf: 3146353 bytes, checksum: 0051abe6693a8423b12c8c6711bbec0c (MD5)<br>Made available in DSpace on 2018-04-02T12:31:21Z (GMT). No. of bitstreams: 1 Eduardo Oyakawa.pdf: 3146353 bytes, checksum: 0051abe6693a8423b12c8c6711bbec0c (MD5) Previous issue date: 2018-02-28<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This study is dedicated to the knowledge of writer Franz Kafka’s literature, under the egis of the religious mystic interpretation. In order to
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Deschamps, Bernard. "Das Nichts der Offenbarung : Sprache und Schrift in der Kafka-Deutung Gershom Scholems und Walter Benjamins = The nothingness of revelation : language and text in the Kafka interpretations of Gershom Scholem and Walter Benjamin." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30158.

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Le present essai propose en premier lieu une analyse de la theorie linguistique de Walter Benjamin telle qu'enoncee dans son essai de 1916, Uber Sprache uberhaupt und uber die Sprache des Menschen. Dans un meme temps, il propose aussi une analyse de la theorie linguistique de la Kabbale telle qu'elaboree par Gershom Scholem tout au long de sa vie, dans un nombre non negligeable de publications, theorie dont il chercha a faire la synthese dans son essai de 1970, Der Name Gottes und die Sprachtheorie der Kabbala.<br>Cet essai se propose ensuite de demontrer comment Scholem et Benjamin ont trouve
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Wright, Andrew James. "Dialecticism and 'negativity' in Melville, Kafka and Blanchot : a literature and language of conflict." Thesis, The University of Sydney, 2009. https://hdl.handle.net/2123/28213.

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This thesis approaches literature and language as processes of conflict. Conflict is defined according to the philosophy of ‘negativity’ and an applied understanding of Hegelian dialecticism. Conflict, in simple terms, is a process in which language simultaneously asserts and negates. The literary text, or object, is lisible both structurally and thematically in terms of conflict. The key texts examined in this thesis are Herman Melville’s Moby-Dick (1851); Franz Kafka’s The Castle (1926); and Maurice Blanchot’s Thomas the Obscure (1950) and Awaiting Oblivion (1962). Several features eme
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Vrba, Marya. "The literary dream in German Central Europe, 1900-1925 : a selective study of the writings of Kafka, Kubin, Meyrink, Musil and Schnitzler." Thesis, Swansea University, 2011. https://cronfa.swan.ac.uk/Record/cronfa42396.

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This thesis examines the literary dream in selected works by Kafka, Kubin, Meyrink, Musil and Schnitzler, with a particular focus on the redefinition of subjectivity through dreamlife. The introductory chapter contextualises these case studies in the broader field of oneirocriticism, emphasising the dream's ancient role as fixtional template and its specific significance in the destabilised environment of German Central Europe during the early twentieth century. Alfred Kubin's Die andere Seite (1909), which uses the 'other side' as metaphor for both oneiric and artistic experience, reveals the
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Stander, Aletta Sophia. "Taal wat stamel, stotter en struikel : Marlene van Niekerk se "Die sneeuslaper" (2010) as mineurletterkunde." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20061.

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Thesis (MA)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: The focus of this study will be on the unique way in which language is used in Marlene van Niekerk‟s collection of short stories, Die sneeuslaper (2010). When reading Die sneeuslaper it is impossible not noticing the number of Dutch words, as well as words and phrases from other foreign languages, as Bargoens, Rotwelsch, German, French, Italian, Hebrew, Greek and Maltese. Some of the characters‟ speech, as well as so called sound poems (or nonsense verses) are characterised by a number of newly invented words. However, the meani
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楊海一. "卡夫卡和魯迅比較研究 = A comparative study on Kafka and Luxun". Thesis, University of Macau, 2005. http://umaclib3.umac.mo/record=b1636183.

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Prikladnicki, Fábio. "Reinscrevendo a responsabilidade : figurações da alteridade entre o humano e o animal." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/131624.

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Informada pelos pressupostos da área interdisciplinar conhecida como estudos animais, esta tese propõe uma leitura a contrapelo das figuras animais na literatura, na qual elas não são entendidas apenas como metáforas de certos aspectos da vida humana, mas como presenças textuais com um estatuto de personagens e, nessa condição, são interrogadas em sua alteridade. A questão central em pauta é: o que a metáfora diz sobre os animais e sobre a relação entre os animais e os seres humanos e o que significa des-figurar a metáfora e explorar a possibilidade de re-significar, a partir da textualidade f
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Livros sobre o assunto "Criticism and interpretationkafka, franz , 1883-1924"

1

Kafka, Franz. The metamorphosis: Translation, backgrounds and contexts, criticism. W.W. Norton, 1996.

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2

1939-, Rolleston James, ed. A companion to the works of Franz Kafka. Camden House, 2006.

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3

Speirs, Ronald. Franz Kafka. St. Martin's Press, 1997.

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4

1930-, Bloom Harold, ed. Franz Kafka's "The metamorphosis". Chelsea House Publishers, 1988.

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5

1950-, Dodd Bill, ed. Kafka: The metamorphosis, The trial, and The castle. Longman, 1995.

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6

1943-, Udoff Alan, ed. Kafka and the contemporary critical performance: Centenary readings. Indiana University Press, 1987.

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7

de, Back Cor, and Bokhove Niels 1946-, eds. Niederländische Autoren über Franz Kafka, 1922-1942. Rodopi, 1993.

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8

1928-, Lazar Moshe, and Gottesman Ronald, eds. The Dove and the mole: Kafka's journey into darkness and creativity. Undena Publications, 1987.

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9

Kafka, Franz. Kafka's selected stories: New translations, backgrounds and contexts, criticism. W.W. Norton & Co., 2006.

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10

Praha, Goethe-Institut, ed. Franz Kafka: Wirkung und Wirkungsverhinderung. Böhlau Verlag, 2014.

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