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Artigos de revistas sobre o assunto "Country life – russia – drama"
1
Pettifer, James. "Dimitri Obolensky after the Cold War: Reflections on Saint Vladimir and Orthodoxy". Vestnik of Saint Petersburg University. History 65, n.º 4 (2020): 1231–44. http://dx.doi.org/10.21638/11701/spbu02.2020.413.
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The article is devoted to Sir Dmitri Dmitrievich Obolensky, Professor of Russian and Balkan history at Oxford University, who is known for his study of the “Byzantine Commonwealth” and its influence on the Eastern European Slavic peoples: Bulgarians, Serbs and Russians. As a well-known British scholarly historian and philologist and the son of a noble emigrant from Russian Empire, Prince Dimitri Alexandrovich Obolensky, Obolensky tried to remain in close intellectual contact with the Russian science throughout the entire period of the Cold War and until his death in 2001. Obolensky, as a very religious person, was interested not only in the processes of transformation of the Russian society after the end of the Cold War, but also in the Russian spiritual revival that took place in the country after the collapse of the Soviet Union. The article analyzes the changes in the academic and journalistic works by Obolensky in the context of both global processes — perestroika, the end of the Cold War, the collapse of the Soviet Union, democratization, the growing influence of the Orthodox Church in Russia — and local issues — family drama, a decline in study of both Russian language and history in universities in Great Britain and in Europe. The personality of Dmitri Obolensky, his spiritual and his intellectual heritage as well as the results of his philosophical studies and forecasts for the development of the Russian society expressed during the last decade of his life are of undoubted interest to the Russian reader.
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Pastushkova, N. A. "Russians in Spain. Book 2. The 20th century. The Beginning". Voprosy literatury, n.º 5 (9 de novembro de 2019): 292–95. http://dx.doi.org/10.31425/0042-8795-2019-5-292-295.
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Second in the anthology, the volume offers a rich collection of materials, including descriptions of 1900s–1930s Spain by Russian travellers. Artists, musicians, journalists and people of the theatre, all of them share their expectations, recollections and impressions from visits to this Southern country. A poeticized image clashes with reality, which often stands in stark contrast to the idyllic picture. Spain beckons, mesmerizes, and reveals its luxurious self. The country is wrought with controversy: the archaic lifestyle in the provinces and the dizzying pace of life in big cities; its amiable, but very apathetic people; its glorious past and almost desperate present. Russians travel to Spain to experience its natural beauty and splendid cultural heritage. Many of them revelled in visiting the Prado Museum. Numerous performers would come to Spain to tour, spreading knowledge of Russian music, ballet and drama among local audiences.
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Assouly, Julie. "Spiraling down the Smelting Pot: Economic Determinism and the Working-Class Hero in The Deer Hunter (Cimino, 1978) and Out of the Furnace (Cooper, 2013)". Pennsylvania Magazine of History and Biography 147, n.º 3 (outubro de 2023): 127–48. http://dx.doi.org/10.1353/pmh.2023.a920380.
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Abstract: Coming thirty-five years after The Deer Hunter, Out of the Furnace , a largely overlooked drama directed by Scott Cooper, seems to revisit Michael Cimino's Vietnam War classic: both focus on working-class Pennsylvania communities against the backdrop of industrial landscapes and decay, war trauma, and even deer hunting. Yet the resemblance between the two films should not overshadow their differences. Cooper's film acknowledges the material limitations of working-class life, which were partly dismissed in The Deer Hunter 's representation of a humble yet convivial Russian American community of steel workers, three of whom set out to fight for their country in Vietnam. Conversely, in Out of the Furnace , two brothers grow apart as one accepts his unsatisfactory working-class position and the other serves in Iraq, hoping to make enough money to escape the mill. This article proposes a parallel between the two films' treatment of working-class masculinity and class determinism in the Rust Belt region at two different yet comparable periods in American history.
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Wu, Xuejing, e Irina V. Monisova. "Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception". RUDN Journal of Studies in Literature and Journalism 27, n.º 1 (1 de abril de 2022): 55–67. http://dx.doi.org/10.22363/2312-9220-2022-27-1-55-67.
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The article discusses the issue of reception of Russian drama of the 20th century in China on the basis of the theatrical and critical reception of A. Arbuzovs play Old-Fashioned Comedy , which was repeatedly staged in theaters of the country at different cultural and historical stages and in recent years has again been in demand among theatrical figures and audiences. An analysis of the performances of a well-known text, reviews and readers' reactions to it make it possible not only to trace changes in the perception of the play in a foreign cultural space, but also to examine the social processes that cause such changes, as well as to touch upon the theatrical life itself and stage experiments in China. The conclusion is made that the universal human content of the playwright's plays, the timeless values that are affirmed in his work, and the inherent scenicity, the organic nature of the dramatic language help to successfully adapt the authors works not only to the modern Russian theater, but also for the foreign language ones. An example of a successful dialogue of cultures in the theatrical and dramatic sphere is the stage history of the play Old-Fashioned Comedy in China.
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Wu, Xuejing, e Irina V. Monisova. "Play by A. Arbuzov Old-fashioned comedy in China: Theater and Critical Reception". RUDN Journal of Studies in Literature and Journalism 27, n.º 1 (1 de abril de 2022): 55–67. http://dx.doi.org/10.22363/2312-9220-2022-27-1-55-67.
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The article discusses the issue of reception of Russian drama of the 20th century in China on the basis of the theatrical and critical reception of A. Arbuzovs play Old-Fashioned Comedy , which was repeatedly staged in theaters of the country at different cultural and historical stages and in recent years has again been in demand among theatrical figures and audiences. An analysis of the performances of a well-known text, reviews and readers' reactions to it make it possible not only to trace changes in the perception of the play in a foreign cultural space, but also to examine the social processes that cause such changes, as well as to touch upon the theatrical life itself and stage experiments in China. The conclusion is made that the universal human content of the playwright's plays, the timeless values that are affirmed in his work, and the inherent scenicity, the organic nature of the dramatic language help to successfully adapt the authors works not only to the modern Russian theater, but also for the foreign language ones. An example of a successful dialogue of cultures in the theatrical and dramatic sphere is the stage history of the play Old-Fashioned Comedy in China.
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Khamisha T., Timizhev, e Bozieva Naima B. "Interpretation of ideological time markers through literary images of the kabardian prose writer M. Gubzhev". Kavkazologiya 2022, n.º 3 (30 de setembro de 2022): 391–403. http://dx.doi.org/10.31143/2542-212x-2022-3-391-403.
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The article is devoted to the study of the ideologically and thematically interconnected novels of the Kabardian writer M. Gubzhev (1913-1997) “The Clever Paves His Milky Way” and “The Two-Legged Wolf” in their national and genre-style specificity. For the first time, as the author’s indi-vidual skill is studied, his contribution to the development of the genre of the Kabardian novel is determined. The content and compositional features of the novels dedicated to the dramatic peri-ods of the life of the Circassians in the entire country are determined. The scientific novelty of the proposed work consists in restoring the picture of the development of Kabardian literature, in cor-relating its most significant facts with the changing historical and cultural context and in particu-lar in identifying the original features of the studied novels by M. Gubzhev. Today's themes of war and revolution are relevant. New accents appeared in the works of famous prose writers of the older generation. Indicative are the novels of M. Gubzhev, which are a highly artistic work of modern national literature. They raise the theme of the recent past, but the works show a novel approach, a view from the standpoint of today. The difficult time of collectivization, the post-war revival - the heroes of M. Gubzhev’s novels withstood all these tests with honor. Revealing in the novels the harsh drama of the path traversed by the heroes, the author embodies the historical ex-perience of their native people in their destinies. The imagery, poetry of the language, colorful descriptions of the life and traditions of the Kabardians attract attention. The practical signifi-cance of the article is determined because the materials of this study can be used in the develop-ment of lecture courses on the history of Kabardian-Circassian literature, in preparing textbooks on literature, as well as in the writing of fundamental scientific research on individual representa-tives, specific periods and artistic phenomena of the literatures of peoples in South Russia.
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Likhomanov, Igor. "N.A. Berdyaev’s Chiliastic “Mirage” and Eurasianism". Ideas and Ideals 14, n.º 1-2 (25 de março de 2022): 408–27. http://dx.doi.org/10.17212/2075-0862-2022-14.1.2-408-427.
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The article is devoted to the problem of N. A. Berdyaev’s ambiguous and contradictory attitude to Eurasianism - the ultra-right political trend of Russian emigration in the 1920s and 1930s. The author sees the reasons for Berdyaev’s rapprochement with the Eurasians in the collapse of the religious and mystical ideal that captured the philosopher’s imagination during the First World War. Under the influence of religious excitement that seized part of the Russian intelligentsia in the pre-war period, he believed in the nearness of the end of history and the onset of the millennial Kingdom of God on earth. According to Berdyaev, Russia was called upon to fulfill its historical mission in this final act of the world drama. This role (the “Russian Idea”) was to unite the East and the West in a global religious and cultural synthesis. The revolution of 1917 destroyed Berdyaev’s eschatological ideal and forced him to radically reconsider his view. From a Christian anarchist, he turns into a statesman, a defender of conservative values and social hierarchy. During this period, his social philosophy is very close to the ideology of fascism. But fascism was a pan-European phenomenon and in each country had its own original versions. The Eurasian movement was one of the varieties of Russian fascism. Berdyaev’s political sympathies brought him closer to this movement and became the main reason for long-term cooperation with its leaders. However, the commitment to the values of individual freedom and Christian personalism as the basis of his worldview did not allow Berdyaev to go far in his passion for right-wing conservative ideas. In the late 1920s, he sharply criticized the totalitarian features of the Eurasian ideology. After the National Socialists came to power in Germany, Berdyaev gets the opportunity to compare European far-right regimes and creates a general theory of totalitarianism. In this theory, he uses Eurasian concepts and terminology. Thus, Eurasianism becomes a model for him, on the basis of which he develops his theory of totalitarianism. After the end of the Second World War, the philosopher got deeply disappointed. After the end of the Second World War, the disappointment of the philosopher was due to the failure of his hopes for a softening of the political regime in the USSR. He was again seized by gloomy forebodings of an unsuccessful end to human history. And although the hope for a favorable outcome of the struggle between good and evil did not leave Berdyaev until the end of his life, a sense of realism weakened those hopes and faith in the feasibility of the “Russian Idea”.
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Xuejing, Wu. "A. Arbuzov's play "My Poor Marat" on the modern Chinese stage: the problem of reception". Litera, n.º 1 (janeiro de 2023): 35–44. http://dx.doi.org/10.25136/2409-8698.2023.1.37554.
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The author examines in detail the reception of Arbuzov's play "My Poor Marat" on the Chinese stage since 2000, analyzes the opinions of critics and audience reactions, as well as other types of responses to this dramatic text in modern Chinese culture. The problem of perception of the Russian dramaturgy of the twentieth century in China is raised on the material of the modern Chinese artistic and critical reception of Alexey Arbuzov's play "My Poor Marat" (1964). The work of Alexey Arbuzov, one of the most sought-after Soviet playwrights on the world stage, is the main subject of research. The play of this playwright "My Poor Marat" has been repeatedly staged in Chinese theaters, and in 2021 it again proved to be in demand by theatrical figures and the audience, which indicates the relevance of this study. The scientific novelty of the research consists in the fact that the work has studied the most popular performances of "My Poor Marat" in China since 2000, as well as an art exhibition based on the play. The practical significance of the results obtained is that their analysis reflects the dynamics of the development of Chinese society, changes in mentality, dominant themes of the time, dialogue with other cultures and various aesthetic systems, the specifics of theatrical life and the theatrical market in the country. The conclusion is made that the stage reception of Russian drama in China is closely connected with the socio-political aspect of the country's life and national mentality, affects the official ideology and individual consciousness, reflects the dialogue of foreign cultural factors and traditional forms of national culture.
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Kibardin, Artem Aleksandrovich. "Theatrical performance "The Third International" (Petrograd. 1919)". Культура и искусство, n.º 4 (abril de 2022): 94–102. http://dx.doi.org/10.7256/2454-0625.2022.4.37835.
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The theatrical performances that appeared in the country after the revolution of 1917 with an audience of tens of thousands of spectators were a landmark phenomenon of social and artistic life. The art of mass spectacles burst into the streets and squares, subordinating the historical architectural ensembles of Petrograd to an artistic design. These searches began in the Theater and Drama Workshop of the Red Army, which existed in Petrograd from 1919 to 1920. The article is devoted to the second theatrical performance of the Workshop – "The Third International" (1919). The subject of this article is the reconstruction of the revolutionary theatrical performance "The Third International". The purpose of the study is to establish the director's method of creating a performance and to establish the origins of the activation of the viewer as a method of directing theatrical performances. The methodology of the research is of a historical and theoretical nature and is based on the classical methods of the Leningrad (Gvozdev) school of theater studies, the formal school of literary studies, the method of historical reconstruction of the performance developed by the German philologist and theater historian Max Herman.  A detailed reconstruction of the theatrical performance of the "Third International" of the Theater and Drama Workshop is given for the first time on the pages of a scientific publication. In the same view, N. G. Vinogradov-Mammoth for the first time introduces the activation of the viewer as a directorial technique. The results and conclusions of the study can be used in courses of lectures and seminars in the following disciplines: "History of the Russian theater of the XX century", "History of theatrical performances and holidays", "Theory of directing", "Directing of theatrical performances and holidays", "Fundamentals of dramaturgy of theatrical performances and holidays", "Screenwriting" and "Screenwriting composition", "Scenography of a mass holiday" and "Stage technique", "Methodology of studying mass performances".
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Veksler, Asya F. "Nadezhda Bromley and Boris Sushkevich: Actors, Directors, Vakhtangov Followers (Materials for a Creative Biography)". Observatory of Culture 17, n.º 5 (12 de novembro de 2020): 526–37. http://dx.doi.org/10.25281/2072-3156-2020-17-5-526-537.
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Boris Sushkevich and Nadezhda Bromley (Sushkevich-Bromley) are remarkable theatrical figures, actors and directors whose lot was connected with the bright and dramatic periods of our country’s theatrical life from the beginning to the middle of the 20th century. They devoted a part of their professional life to the 1st Studio of the Moscow Art Theatre (from 1919 — Moscow Art Academic Theatre), which later became a separate theater (Moscow Art Academic Theatre II, 1924—1936). Since the middle of the 1930s, they worked in leading Leningrad theaters — the Leningrad State Academic Drama Theater (Alexandrinsky Theatre) and the New Theater (1933—1953, now the Saint Petersburg Lensoviet Theatre). This article introduces little-studied archival sources of biographical nature related to the work of these outstanding cultural figures.Nadezhda Nikolayevna Bromley was a heiress of the Bromley — Sherwood creative dynasties, which had made a significant contribution to Russian culture. She joined the troupe of the Moscow Art Theater in 1908, performed on the stage of the 1st Studio (1918—1924), was one of the leading actresses of the Moscow Art Academic Theatre II after its separation, participated in its Directing Department being in charge of the literary part. Generously gifted by nature, N. Bromley wrote poems, short stories, novels; her fictional works “From the Notes of the Last God” (1927) and “Gargantua’s Descendant” (1930) earned critical acclaim. Two plays by N. Bromley were staged in the Moscow Art Academic Theatre II. One of them — the full of hyperbole and grotesque “Archangel Michael” — was passionately accepted by E.B. Vakhtangov and A.V. Lunacharsky, though never shown to a wide audience. At the Leningrad State Academic Drama Theater and the New Theater, N. Bromley not only successfully played, but also staged performances based on the works by A.P. Chekhov, A. Tolstoy, M. Gorky, F. Schiller, and W. Shakespeare.Boris Mikhailovich Sushkevich, brought up by the Theater School of the Moscow Art Academic Theatre and in the Vakhtangov tradition of the playing grotesque, is one of the most interesting and original theater directors of his time. His directorial work in the play “The Cricket on the Hearth” based on a Christmas fairy tale by Charles Dickens became the hallmark of the 1st Studio (and later of the Moscow Art Academic Theatre II as well). This play remained in the theatre’s repertoire until January 1936. B. Sushkevich was a recognized theatre teacher — with his help, the Leningrad Theater Institute (now the Russian State Institute of Performing Arts) was established in 1939. Together with N. Bromley, he managed to fill the New Theater with bright creative content and make it a favorite of the Leningrad audience.This research expands the understanding of a number of yet unexplored aspects of the history of theater in our country and recreates the event context of the era.
Livros sobre o assunto "Country life – russia – drama"
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Pavlovich, Chekhov Anton. Uncle Vanya: Scenes from country life. London: Methuen, 1998.
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Pavlovich, Chekhov Anton. Uncle Vanya: Scenes from country life. London: Sovereign, 2012.
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Pavlovich, Chekhov Anton. Uncle Vanya: Scenes from country life in four acts. London: Methuen, 1987.
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Pavlovich, Chekhov Anton. Uncle Vanya: Scenes from country life. London: Samuel French, 2001.
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Pavlovich, Chekhov Anton. Uncle Vanya: Scenes from country life in four acts. London: Methuen, 1987.
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Pavlovich, Chekhov Anton. Uncle Vanya. Studio City, CA: Players Press, 1996.
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Pavlovich, Chekhov Anton. Uncle Vanya. London: Nick Hern Books, 1992.
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Pavlovich, Chekhov Anton. Uncle Vanya. San Diego, CA: ICON Classics, 2005.
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Pavlovich, Chekhov Anton. Uncle Vanya. Mineola, N.Y: Dover Publications, 1998.
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Pavlovich, Chekhov Anton. Uncle Vanya. New York: S. French, 1988.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Country life – russia – drama"
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Shumilina, Vera, e Ksenia Tupakova. "UNEMPLOYMENT IN RUSSIA". In Socio-economic and legal problems of modern society, 45–55. au: AUS PUBLISHERS, 2022. http://dx.doi.org/10.26526/chapter_61e7f12a82b3e5.55589276.
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In this article I will consider one of the critical problems in Russia - unemployment, which acts as a complex and controversial macroeconomic phenomenon of economic life. It exerts significant socio-economic pressure on society and affects political life in the country. That is why this problem is urgent and requires consideration
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Brown, Nils, e David Lindén. "Assessing Social Impacts in Current and Future Electricity Production in the European Union". In The Future European Energy System, 257–73. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-60914-6_14.
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AbstractIn this chapter social impacts of European electricity production are compared between the current situation and the REFLEX scenarios for 2050 from a life cycle perspective using the SOCA tool. The analyses indicate that for a limited number of social impact categories the SOCA add-on tool can identify geographic locations where improvement in social performance may non-negligibly improve the social impacts for future energy systems. Results show that gas supply from Russia is a major cause of social impact for all future scenarios in the subcategory “fair salary” due to the fact that the minimum wage is below the living wage in the country. The specific process for electricity generation in Europe contributes to social impacts in the same category to a lesser extent.
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Koshino, Go. "Как закалялась сталь в Восточной Азии". In Biblioteca di Studi Slavistici, 203–10. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.18.
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How the Steel Was Tempered in East Asia. Nikolai Ostrovsky’s novel How Steel Was Tempered (1932-34) tells the story of a young Ukrainian man named Pavel Korchagin who sacrifices his life and body to forge a steel-like spirit amid revolution, civil war, and postwar socialist construction. Although his physical injuries, which left him paralyzed and even blind, looks somehow grotesque, but his heroic self-sacrifice also had the power to inspire young readers. Regarded as an exemplary work of Soviet socialist realism, it was translated into many languages and read avidly at one time by left-wing readers in the West as well as in the Communist countries in the East. It was particularly influential in China, where it is so popular that even today it is invariably named as one of the favorite books of university students. This is in contrast to post-Soviet Russia today, in which the novel has lost the privileged position it once enjoyed and is no longer widely read. In China under the socialist regime, Ostrovsky’s novel was published in large numbers as suitable reading for young people and incorporated into school education. However, their active introduction in the public sphere alone does not explain their popularity. Chinese readers seem to have become deeply emotionally involved in the protagonist’s unsuccessful love affair with Tonya, a young girl whose bourgeois gestures and characterization must have been considered negative. As a result, the Soviet ideological novel has brought an unexpected meaning of European-style romantic love for Chinese readers. This presentation will trace the reception of Ostrovsky’s novel and the changes in the heroine Tonya’s image by comparing five adaptations: two Soviet films in 1942 and 1957, a Chinese lianhuanhua (serial picture book) in 1972, a Japanese manga in 1975, and a Chinese TV drama in 1999.
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Michlin-Shapir, Vera. "Seeking Stability in a Fluid Russia". In Fluid Russia, 41–64. Cornell University Press, 2021. http://dx.doi.org/10.7591/cornell/9781501760549.003.0003.
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This chapter explains how the government's disregard for the new late modern trends shaped Russian citizenship that doomed its policies to fail. Russian President Vladimir Putin was set to normalize citizenship policies in line with his restricted law aimed to stabilize citizenship legislation in 2002. As part of Putin's attempt to create normal citizenship, the fields of citizenship and migration have undergone a process of conceptual securitization wherein civilian spheres of life are required to be controlled and protected by the state. This chapter explores the difficulties of millions of former Soviet citizens becoming a foreigner in their own country.
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Stoner, Kathryn E. "Russian Society as Power Resource or Constraint?" In Russia Resurrected, 155–80. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190860714.003.0005.
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This chapter examines the growth of Russian human capital since the collapse of the Soviet Union in order to understand whether the health and demography of the population can support the country’s foreign policies under Vladimir Putin. It examines trends of stubbornly low, although improving, life expectancy, and fertility, high male mortality, emigration and immigration trends, and overall population growth in the post-communist period. The chapter also looks at the effects of high Russian social inequality and wealth concentration. In order to understand whether Russian social trends are supportive of increasing the global reach of the country under Putin’s leadership, the chapter also looks at post-secondary educational reforms in Russia, and the degree to which the Russian labor force is prepared to support increased economic growth in Russia.
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Asmarov, Igor. "New Trends in Cultural Life in the Post-Soviet Period". In Political, Economic, and Social Factors Affecting the Development of Russian Statehood, 124–39. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-5225-9985-2.ch008.
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Modern Russian culture is very different from Soviet culture, but they have many similarities, too. In essence, this is the same country, only without national margins and the former allied national republics. But within the country, multinationality remains since Russia is a federal state with many peoples of diverse cultures. Russian culture is the culture of a multinational country. Modern Russian culture has lost the features of ideological and party (communist) dependence, but retains the influence of the state, like any other culture of any country in the world. True, the influence of the state on the culture in each country goes to a greater or lesser extent. In Russia, this state influence on culture is very large up to the present day, and it has a pronounced dualistic character. On one hand, Russian culture is provided with financial assistance “from above”, and on the other hand, some kind of framework is created that cannot be crossed, almost as it was in Soviet times, when the state order in the cultural sphere dominated.
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Shchukin, Vasily G. "“Democratic estate”as the cultural nest of the Early Modern Period. Case of Poland". In Russian Estate in the World Context, 288–97. А.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2020. http://dx.doi.org/10.22455/978-5-9208-0623-9-288-297.
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The article describes the phenomenon of the so-called “democratic estate”, which took on the function of a cultural nest. Democracy, in accordance with Russian tradition, dating back to the discourse of the intelligentsia of the XIX century, is identified with the plebeian, motley origin of the inhabitants of the estate. This problem is considered on the basis of the art culture of Krakow at the end of the XIX and beginning of the XX centuries. In the era of modernism, in the wake of the neo-romantic enthusiasm for the problems of the national spirit and the “organic” life of the common people, in western Galicia, which is one of the provinces of Austria-Hungary, such forms of homestead life appeared that could be called exceptional, unique against the background of other manifestations of the democratization of the estate. Cracow artists and then poets and playwrights, discovering the beauty of the village of Małe Bronowice, located near Cracow, and captivated by folk costumes and the beauty of village girls, married them one by one and moved to village huts, but at the same time transformed the latter into real cultural nests. One of these weddings — the poet Lucian Rydel and the daughter of the village headman Jadwiga Mikołajczyk — inspired the outstanding artist and playwright Stanislav Wyspiańsky to create the most famous national drama of the modernist era — the play “The Wedding” (1901). This work, among other things, depicts the tragedy of mutual misunderstanding of the people and the intelligentsia, which impedes the national revival and, ultimately, the restoration of the country’s independence. The author of the article seeks to prove that the “democratic estate” served not only the necessary simplification of the educated stratum of society, but also the introduction of a high, essentially metropolitan culture into the life and consciousness of the lower strata.
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"Public Life". In Recollections Of A Provincial Past, editado por Elizabeth Garrels e Asa Zatz, 167–85. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195113709.003.0016.
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Abstract In the sixteenth year of my life I entered prison and left it with political ideas, the opposite of Silvio Pellico, whose imprisonments taught him the morality of resignation and self-abasement.’ From the first time the book My Imprisonments fell into my hands, I was filled with horror at the doctrine of moral degradation that the prisoner went forth to preach in the world and that was so acceptable to those kings who felt threatened by the energy of the people. The human species would be consider ably advanced by now if what man required in order to understand the interests of his country were eight years of spiritual exercises in the dungeons of Spielberg, the Bastille, and Santos Lugares!2 Woe to this world, if the czar of Russia, the emperor of Austria, or Rosas could teach morality to mankind! Silvio Pellico’s book is the death of the soul, the morality of the dungeon, the slow poison of the spirit’s degradation. He and his book have passed on, thank goodness, and the world gone for ward, despite the maimed, the paralyzed, and the valetudinarian that political struggles have left behind.
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Samodelova, Elena A. "The Image of China in the Life and Work of Sergey Esenin". In Sergey Esenin, His Contemporaries and Successors: Сollective Мonograph to the Аnniversary of N.I. Shubnikova-Guseva, 212–25. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0718-2-212-225.
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Knowledge about China entered the Esenin’s life from school textbooks, stories of friends who visited this state. The image of China and references to it (about the Great Wall of China) and its inhabitants are found in the poems “Pugachev” and “The Country of Scoundrels,” in the autobiography and the statement of the poet. The author of the article puts forward a hypothesis about the Mountainous Country, whose high mountains on the borderlands of Russia and China were considered sacred and leading to a paradise country, and they could become the prototype of the mountains in Esenin’s “Inonia.” The article deals with main “Chinese metaphors” in Esenin’s writings, except for the principal image — Litza-Khun (Chinese) — the “Soviet detective,” to whom a separate work will be devoted.
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Yeats, William Butler. "Certain Noble Plays of Japan (1917)". In Modern Theories of Drama, 126–31. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198711407.003.0017.
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Abstract I am writing with my imagination stirred by a visit to the studio of Mr. Dulac, the distinguished illustrator of the Arabian Nights. I saw there the mask and the head-dress to be worn in a play of mine by the player who will speak the part of Cuchulain,1 and who, wearing this noble, half-Greek, half-Asiatic face, will appear perhaps like an image seen in a reverie by some Orphic worshipper. I hope to have attained the distance from life which can make credible strange events, elaborate words. I have written a little play that can be played in a room for so little money that forty or fifty readers of poetry can pay the price. There will be no scenery, for three musicians, whose seeming sunburned faces will, I hope, suggest that they have wandered from village to village in some country of our dreams, can describe place and weather, and at moments action and accompany it all by drum and gong or flute and dulcimer. Instead of players working themselves into a violence of passion indecorous in our sitting-room, the music, the beauty of form and voice all come to climax in a pantomimic dance.
Trabalhos de conferências sobre o assunto "Country life – russia – drama"
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Ganina, T. N., e S. G. Serikov. "THE CURRENT STATE OF THE DIGITAL ECONOMY OF RUSSIA AND CHINA". In CONTEMPORARY ECONOMIC PROBLEMS OF RUSSIA AND CHINA. Amur State University, 2021. http://dx.doi.org/10.22250/medprh.12.
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The driving force behind the development of the economy in the era of digitalization is the digital economy, which plays an integral role in the process of industrialization of countries. Russia and China, the largest countries that develop the digital economy, therefore the introduction of modern digital technologies in various spheres of life and production is the main task for each country.
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Крохичева, Галина, Galina Krohicheva, Валерия Саркисьян e Valeriya Sarkis'yan. "THE PROBLEM OF LEGALIZATION OF PROCEEDS OF CRIME IN RUSSIA". In Modern problems of an economic safety, accounting and the right in the Russian Federation. AUS PUBLISHERS, 2018. http://dx.doi.org/10.26526/conferencearticle_5c5061820a71a4.71363272.
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Ensuring economic security is the independence of the country and the condition for the life of society. That is why economic security is a top national priority. In modern Russia, there are both external and internal threats to the country's economic security. Internal threats pose a great danger; it is their presence that makes the state more vulnerable to external factors. Corruption in our country acts as a form of manifestation of internal threats. This powerful negative factor violates the safety of economic and national security. Corruption occurs in the industry where the criminal has various privileges and powers. At the same time, this crime causes greater economic harm to a citizen, society and the state than any other criminal offense.
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Крохичева, Галина, Galina Krohicheva, Дмитрий Брязгунов e Dmitri Bryzgunov. "CORRUPTION AS A THREAT TO THE ECONOMIC SECURITY OF RUSSIA". In Modern problems of an economic safety, accounting and the right in the Russian Federation. AUS PUBLISHERS, 2018. http://dx.doi.org/10.26526/conferencearticle_5c5061883c8834.78140168.
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. Ensuring economic security is the independence of the country and the condition for the life of society. That is why economic security is a top national priority. In modern Russia, there are both external and internal threats to the country's economic security. Internal threats pose a great danger; it is their presence that makes the state more vulnerable to external factors. Corruption in our country acts as a form of manifestation of internal threats. This powerful negative factor violates the safety of economic and national security. Corruption occurs in the industry where the criminal has various privileges and powers. At the same time, this crime causes greater economic harm to a citizen, society and the state than any other criminal offense.
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Tagil'ceva, E. V., A. N. Sultanova e T. YU Sycheva. "Features of students' stress resistance in conditions of foreign migration in depending on the level of cultural awareness". In SCIENCE OF RUSSIA: GOALS AND OBJECTIVES. L-Journal, 2020. http://dx.doi.org/10.18411/sr-10-12-2020-10.
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Globalization and intercultural clashes have become an integral part of the life of the modern world. In 2013, every 33 people in the world were migrants. (Alexander S. English et al., 2015) Migrants, arriving in a new country of residence, do not always adapt quickly, experiencing stress. The stress associated with acculturation in the transition to a new culture arises from the inability to establish communication with local residents. The culture is dynamic, constantly changing from generation to generation, adapting to changes in the world and technology. Moreover, culture, as Zeng understands, is specific to each person and therefore ethnicity or race is more important (Tseng & Streltzer, 2001).
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Dyatlov, Viktor I. "“Is a bazaar in Russia more than a bazaar?”: an unnoticed everyday life and an important indicator of social change". In Торговля, купечество и таможенное дело в России в XVI–XX веках. ИПЦ НГУ, 2023. http://dx.doi.org/10.31518/tktdr-35-2023-35.
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The phenomenon of a bazaar, a permanent platform and the institute of trade exchange of direct producers and buyers, is almost eternal and universal. It is obvious, however, that each society generates its own bazaar model, where along with the invariant there are special qualities and characteristics. The Russian bazaar of the 20th – early 21st century qualitatively differs from such axiomatic types as “Oriental bazaar” or “European market”. With the constant change from calm to emergency situations in the country, it plays an important function of the mechanism of survival and self-organization of society in the conditions of the catastrophic collapse of the highly organized system of wholesale, retail, credit, logistics of a quiet time when the bazaar was an important but modest part of this system. Another important characteristic that requires special analysis is the universality and at the same time the unnoticeability of the bazaar, it’s extremely inconsequential presence both in the area of public attention and in scientific discourse.
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Talibli, Rahima. "Legal mechanism for development and implementation of the state youth policy of Azerbaijan". In Development of legal systems in Russia and foreign countries: problems of theory and practice. ru: Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02061-6-251-258.
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The article is devoted to the generalized development of the legal mechanism and analysis of various directions of the state youth policy of the Republic of Azerbaijan. Analyzed the progress of the implementation of the relevant regulatory legal acts and programs. The ever-growing role of youth in the social and political life of the country is assessed. The state youth policy established by the National Leader Heydar Aliyev and successfully continued by President Ilham Aliyev is considered. It is concluded that youth policy is at the heart of the reform of human resources. Much attention in the state youth policy is paid to the identification, support and development of talented youth.
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Zaryshnіuk, Sofiіa, e Stanislav Andreichuk. "State regulation of the transition of servicemen from military service to civilian life: current state and prospects". In Sociology – Social Work and Social Welfare: Regulation of Social Problems. Видавець ФОП Марченко Т.В., 2023. http://dx.doi.org/10.23939/sosrsw2023.220.
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Background: Keywords: military aggression, veteran, reintegration, socialization, social protection Today, the war started by Russia back in 2014 continues. As a result, tens of thousands of our compatriots took up arms and stood up to defend the independence and sovereignty of their homeland. At the same time, this war raised another urgent issue, namely the issue of reintegration and socialization of servicemen into peaceful life. After the victory, many people will return to their communities, and the state, first of all, at the legislative and administrative levels, must create all the conditions for them. During this period, we will proceed to the recovery of the country and sustainable development. Therefore, it is important to provide people with tools for their own development so that they integrate into families and the economy of the community, and receive a civilian specialty.
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Öngel, Volkan, Erkut Altındağ e Gökten Öngel. "The Effect of Health Expenditure per Capita over Health Indicators: Comparative Analysis of MINT and BRIC Countries". In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01172.
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Major positive effect on health indicators of a country is seen to arise from the increase in their income within historical perspective. But according to many studies in the literature the impact of such changes vary depending on the country's overall level of development. In terms of the positive changes over the health indicators of a country can be said to affect the developmental processes in the same way especially in developing countries. In this context, our study highlights the recent and emerging economies of two groups of countries; BRIC (Brazil, Russia, India, and China) and MINT (Mexico, Indonesia, Nigeria, Turkey). The relationship between health expenditure per capita and life expectancy at birth time and mortality rates of children under age 1 are analyzed retrospectively.
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Tsvetkova, Valentina A., Yakov L. Shrayberg e Ivan I. Rodionov. "Information Infrastructure of Russia at the Present Stage: Experience and Development Trends". In The status and prospects for international state network of scientific and technical information : Proceedings of the international scientific and practical conference. Russian National Public Library for Science and Technology, 2024. http://dx.doi.org/10.33186/978-5-85638-272-2-2024-48-56.
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The purpose of this study is to show the main stages of the formation of the stages of the formation of Russia’s information service infrastructure, the current vectors of its development. The authors discuss the background and stages of the life cycle of the State System of Scientific and Technical Information (GSNTI) of the USSR, later of the Russian Federation. The authors argue that GSNTI has been gradually eroding since the beginning of the 21st century due to the loss of unified management and unified principles. The need for and priority of the national information system in modern Russia, its own information resources, and the competence to focus on foreign information resources have become more acute in the context of the sanctions announced against Russia. The authors specify the problems of Russia's information infrastructure, e.g. departmental disunity, lack of the single methodological center and involvement in the international information space. However, the country has retained a significant part of its own information resources that, however, cannot be developed efficiently without due government support. The authors substantiate the need for the state program of information infrastructure development in Russia, based on the experience of the State System of Sci-tech Information, which is seen as the first step toward the maintenance and development of the country’s information infrastructure.
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Mikhailovskaia, S. V., e T. А. Vivchar. "Implementation of the national project on the formation of a comfortable urban environment in St. Petersburg". In REGIONAL ECONOMY AND TERRITORIAL DEVELOPMENT. INSTITUTE OF PROBLEMS OF REGIONAL ECONOMICS OF THE RUSSIAN ACADEMY OF SCIENCES, 2022. http://dx.doi.org/10.52897/978-5-7310-5861-2-2022-16-1-135-146.
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The national project "Housing and Urban Environment" occupies a special place among the national projects implemented in Russia, as it affects every resident of the country and directly affects the quality of life of the population. The article provides an analysis of the implementation of measures for the improve-ment of St. Petersburg in 2019-2021, carried out within the framework of the project "Housing and urban environment". For a more successful development of the urban environment of St. Petersburg, a number of proposals and recommendations have been formulated.
Relatórios de organizações sobre o assunto "Country life – russia – drama"
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Drapak, Mykhailo. ECMI Minorities Blog. Indigenous Peoples and National Minorities in the Temporarily Occupied Territories of Ukraine. European Centre for Minority Issues, maio de 2022. http://dx.doi.org/10.53779/mnup4223.
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On February 24, 2022, Russia launched an offensive against Ukraine simultaneously in the north, east and south of the country. Thus, Russian troops expanded their temporary occupation of Ukrainian territories, which began in 2014. Millions of Ukrainian citizens, including indigenous peoples and national minorities, found themselves in the temporarily occupied territories. Residents of those regions are suffering a lack of food, utilities and medical care, and live under the pressure of the Russian troops, namely are deprived of the right to express their opposition to the invasion by detaining, intimidating, torturing and executing. Under such conditions, the usual policy of diversity management is reduced to the struggle for the life of every citizen. This blog piece is dedicated to the current situation in the temporarily occupied regions of Ukraine inhabited by the communities of indigenous peoples and national minorities.