Literatura científica selecionada sobre o tema "Cortázar, Julio (1914-1984) – Critique génétique"
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Teses / dissertações sobre o assunto "Cortázar, Julio (1914-1984) – Critique génétique"
Claude, Manon. "Regards croisés : Rayuela et la Beat Generation : du lecteur à l’écrivain : approche transtextuelle du roman cortazarien". Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUL037.
Texto completo da fonteThe aim of this work is to reveal the links between Julio Cortázar's novel Rayuela and the Beat Generation and thus to put into perspective the literature of a continent as a whole. Taking into account text genetics, letters and interviews of Cortázar, as well as his book collection, leads one to study the reader and writer that he was. Thanks to a global analysis of these sources, we were able to trace the various steps of the writing process of Rayuela and detailed the phenomenon of literary reappropriation undertaken by Cortázar. We noticed that Rayuela shared corresponding themes and literary forms with several other works from the Beat Generation. One may therefore ask the following question: did the Beat Generation lay the ground for the reception of the cortazarian novel? To answer this question, we focused first on the poetics of these writers and on the expectations that they generate; we then focused on the editorial role the city of Paris played, with regards to the popularization of these works. Finally, we provide concrete data on the reception of the texts in our study in Argentina, the USA and France by relying on specialist and non-specialist readers from either side of the Atlantic. In other words, putting the American continent into perspective showed the existence of bridges between North and South, not only through transtextuality but also thanks to a network of editors and readers willing to create a dialogue between texts from different countries
Terramorsi, Bernard. "Rites, jeux et passages ou Le Démon de l'écriture : étude du fantastique dans les nouvelles de Julio Cortázar". Aix-Marseille 1, 1986. http://www.theses.fr/1986AIX10044.
Texto completo da fonteCuadra-Rojas, Alvaro Rodolfo. "Pour lire le fantastique : Huit histoire fantastiques de Julio Cortázar". Paris 4, 1996. http://www.theses.fr/1996PA040044.
Texto completo da fonteThis study argues against interpretations of fantastic literature as mere imagination and seeks to define it as distinct kind of language. This study is confined to the effects of the text - that we call crisis - ; and the means of its operation. Characteristic of the fantastic literature is the double bind; that is to say, to receive two messages at the same time. In fantastic literature, the reader cannot interpret the text. The fantastic, then, pushes towards an area of uncertainty. The fantastic texts in Cortazar's short stories show that there is a discursive strategy based on speech acts
Deshoulières, Valérie-Angélique. "La vérité métaphorique : Claudel, Musil, Cortázar : trois rêves de logiciens". Paris 4, 1990. http://www.theses.fr/1990PA040127.
Texto completo da fonteThis study is primarly a "praise of difference",the concept of similarity is described from both a linguistic and religious point of vue,and evertually defined as a creative act inseparable from tensions. .
Héricault-Mullaly, Laurence. "Julio Cortázar et Manuel Antin : littérature et cinéma argentins des années 60 : la problématique de l'adaptation". Paris 4, 2006. http://www.theses.fr/2005PA040107.
Texto completo da fonteThis work proposes an analysis of three feature films directed by Manuel Antin between 1961 and 1964, adapted from four of Julio Cortázar’s fantastic short stories. The analysis is based on the regrouping of various methodologies dealing with the study of the adaptation of a literary work to cinema. After a study of the cultural context of the production of these films and the approach to the specificity of Cortazarian writing, the thesis defines both the pact between the writer and director for each of the three films as well as the context in which the films were welcomed by the critics and the public. This study will allow us to identify the ethical and aesthetic tensions underlining the passage from a form of literary expression to a cinematographic expression. The analysis will concentrate on the progressive materialisation of two systems of thought that share a fascination for the ineffable
Escande, Isabelle. "Migrations politiques et création littéraire dans la seconde moitié du XXe siècle : Allemagne, Espagne, Argentine". Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040261.
Texto completo da fonteSince Ancient Times, thinkers and writers have in large numbers been struck by political exile. In return, this situation has influenced their work and literature as a whole. In the second half of the 20th Century, this literary tradition has been deeply transformed by the surge of totalitarian regimes, and the struggle with democracies which these regimes have provoked. This new political context has induced a large increase of writers in exile, but also important structural transformations, forcing the exiles to modify their own images, the themes of their work and their communication strategies, and also the nature of their writings. The comparative study of the works of Jorge Semprún, Christa Wolf, Julio Cortázar and Alicia Dujovne Ortiz allows us to discover common aesthetic changes between these politically committed writers, who have flown respectively from Spain, Germany, and Argentina, and to note the birth of a new form of writing
Steinmetz, Thomas. "Fictions de la connaissance, connaissance de la fiction : aspects du Néofantastique de J.-L. Borges à David Lynch". Paris 7, 2008. http://www.theses.fr/2008PA070046.
Texto completo da fonte. This study is about fantasy’s major transformation in the XXth century. In the course of XIXth century. A main form of fantasy fiction developped. Which aim was to give rise to fear in the lector's mind, by confronting supernatural events to a representation of reality. In the XXth century, new types of fantasy fiction appear, and since the end of the 1930s, themes and narrative techniques were largely renewed. Latin-american "neofantasy fiction is a striking example of this renewal. This transformation is characterized by the intellectualization of the genre ; the supernatural part of the story tends to be internalized, many tales relate an adventure of the mind. In this case, fantasy fiction is not about strange or impossible events: it is about aconception of realitv
Gilmet, Virginie. ""Boom" du roman - "boom" de la révolution : littérature et politique en Amérique Latine". Poitiers, 2006. http://www.theses.fr/2006POIT5029.
Texto completo da fonteDurand, Carine. "Le motif de le tapis : Quatre créations romanesques latino-américaines (Grande Sertão : Veredas, Paradiso, Pedro Páramo, Rayuela)". Aix-Marseille 1, 2010. http://www.theses.fr/2010AIX10124.
Texto completo da fonteThis work is about latin-american novelistic. Pedro Páramo (Juan Rulfo), Rayuela (Julio Cortázar), Paradiso (José Lezama Lima) and Grande Sertão : Veredas (João Guimarães Rosa) were epoch-making publications, They created myths with four specific figures - the cacique, the exile, the "creole" and the "jagunço" - and described four characteristic cultures (Jalisco, Río de la Plata, Caribbean and Sertão). Their original esthetical ways offer a complex poetic of figure and image which transform the novel gender. Moreover, a poluphonic and sensation writing lead up to collective unconscious territories