Bibliografias temáticas / Copyright Tribunal

Literatura científica selecionada sobre o tema "Copyright Tribunal"

Autor: Grafiati

Publicado: 25 de julho de 2024

Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos

Selecione um tipo de fonte:

Índice

Artigos de revistas
Teses / dissertações
Livros
Capítulos de livros
Trabalhos de conferências

Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Copyright Tribunal".

Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.

Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.

Artigos de revistas sobre o assunto "Copyright Tribunal"

Piesiewicz, Piotr F. "Przestępstwo naruszenia autorskich praw osobistych z art. 115 ust. 3 Ustawy z dnia 4 lutego 1994 r. o prawie autorskim i prawach pokrewnych w świetle zasady określoności". Studia Prawa Publicznego, n.º 2(22) (15 de junho de 2019): 29–48. http://dx.doi.org/10.14746/spp.2018.2.22.2.

Texto completo da fonte

Resumo:

The Act of February 4, 1994 on Copyright and Related Rights, which regulates issues related to the protection of copyrights, belongs to the private law system (its provi- sions protect the private interest). However, the Act includes both administrative and criminal law provisions aimed at protecting the public interest. The literature rightly points out that the systemic division into public and private law is becoming increasingly less pronounced, due to the permeation of legal domains belonging to both systems. An example of such interpenetration are the provisions of copyright law. This statement is significant for the considerations made in this article due to the statutory method of penalising certain behaviour contained in the provisions of the Copyright and Related Rights Act. Criminal law provisions, systemically related to public law and protecting the public interest, contain references to the provisions of the Copyright and Related Rights Act regulating the scope of copyright protection, i.e. private law norms. In the context of the requirements that should be met by criminal law, such a reference raises doubts, which are particularly highlighted in Art. 115 para. 3 of the Copyright and Related Rights Act. This issue is impor- tant because the Constitutional Tribunal in its judgment of 17 February 2015, Ref. K 15/13 recognised this provision as constitutional. Therefore, he concluded that the principle of the specificity of a criminal act does not preclude the legislator from using terms that are imprecise or vague if their designations can be determined. At the same time, the Constitutional Tribunal has not presented any arguments indicating that in this case the determination of the designates of Art. 115 para. 3 of the Copyright and Related Rights Act does not cause any difficulties. The author of this article attempts to determine the extent of criminal liability in the event of a violation of author’s moral rights (Article 115 section 3 of the Copyright and Related Rights Act), at the same time indicating the difficulties that are associated with the unambiguous determination of behaviour which Art. 115 para. 3 of the Copyright and Related Rights Act penalises.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Webster, Mandy. "Copyright Resources". Legal Information Management 3, n.º 1 (2003): 32–33. http://dx.doi.org/10.1017/s1472669600001663.

Texto completo da fonte

Resumo:

This site contains information on copyright, designs, patents and trademarks. The legal decisions page includes selected decisions issued by the Patent Office since the beginning of 1998 and links through to the Patents Court website, European Patent Office website and Copyright Tribunal. News and press releases on aspects of intellectual property and the Trade Mark, Patent and Design Journal notices can also be viewed here with all pages including a note of when they were last updated. A page with information on patent and trademark searches and a search facility for the whole site is available. A list of forms can be accessed and viewed along with guidance notes and fees information. Progress on implementation of the EU Copyright Directive is brief but helpful. The glossary of terms covers very few terms and some pages would benefit from hyperlinks being added such as the information about international treaties. URL: http://www.patent.gov.uk/copy/index.htm

Estilos ABNT, Harvard, Vancouver, APA, etc.

Bellido, Jose. "Copyright, Ghosts, Information". Pólemos 17, n.º 2 (1 de setembro de 2023): 233–49. http://dx.doi.org/10.1515/pol-2023-2019.

Texto completo da fonte

Resumo:

Abstract In 1985, Marianne Mele Hall, the chairman of the Copyright Royalty Tribunal, resigned after a controversy surrounding her role in writing Lawrence Hafstad’s book, Foundations of Sand (1982), which included several racist passages. Although at first she claimed to have been the co-author, when the scandal broke she tried to avoid the political controversy by describing her role as a ghost writer or an editor. While the effort was to no avail and she had to resign, it nevertheless prompted an interesting epistolary conversation between the information scientist, Eugene Garfield, and the sociologist of science, Robert K. Merton, about the differences between the two terms. This essay looks at that correspondence and situates it alongside the emergence of the information industry affecting copyright.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Puzyreva, Yuliya V. "International Criminal Tribunal for Yugoslavia. “20 years of success?”". Moscow Journal of International Law 2, n.º 2 (30 de junho de 2014): 21–36. http://dx.doi.org/10.24833/0869-0049-2014-2-21-36.

Texto completo da fonte

Resumo:

The article provides a comprehensive analysis of the various legal positions copyright opinions on topical issues of the establishment and functioning of the International Tribunal for the Former Yugoslavia (ICTY). This article is based on a review of the results of two decades of the ICTY, refl ected on the offi cial website of the Tribunal, with the focus on the problematic points of his work.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Grzywacz, Anna. "Realizacja konstytucyjnej zasady nullum crimen sine lege certa w świetle art. 115 ust. 3 u stawy o prawie autorskim i prawach pokrewnych". Studenckie Prace Prawnicze, Administratywistyczne i Ekonomiczne 25 (24 de setembro de 2018): 125–39. http://dx.doi.org/10.19195/1733-5779.25.8.

Texto completo da fonte

Resumo:

Realization of a nullum crimen sine lege certa principle in light of Article 115 Paragraph 3 of a Polish Copyright ActThe aim of the article is to analyze the content of Article 115 Paragraph 3 of the Polish Copyright Act and to examine the constitutionality of the provision based on the nullum crimen sine lege certa principle expressed in Article 42 of the Constitution. The basis for the allegation of the unconstitutionality of the provision is the Article’s use of the phrase: “Who […] otherwise violates”, which is, in the opinion of the doctrine, imprecise and contrary to the principle of legal certainty in matters of criminal law. Basing on the quoted regulations and the practice the author tries to answer a question whether the content of Article 115 Paragraph 3 of the Polish Copyright Act is constitutional and subjects the issue of using such clauses to the polemics. The article presents arguments for the rightness of such regulation as well as opposing views and the final conclusion based on the judgment of February 17, 2015, in which the Constitutional Tribunal adjudicated on the conformity of the regulation with the Constitution. Despite the approving position of the Constitutional Tribunal the issue of the constitutionality of the provision is still controversial and causes problems in the classification of acts as prohibited under the Copyright Act. Nevertheless, the use of complementary clauses in particular containing the phrase: “Who […] otherwise violates” seems to be unavoidable due to the dynamic development of technology and law. The principle of legal certainty can be implemented using a pro-constitutional interpretation in order to maximize the alignment of legal norms with the objectives and values expressed in the Constitution. This paper will also examine the secondary issue of criminal law protection of intellectual property rights with an emphasis on copyright law.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Barrett, Jonathan. "Time to Look Again? Copyright and Freedom of Panorama". Victoria University of Wellington Law Review 48, n.º 2 (2 de outubro de 2017): 261. http://dx.doi.org/10.26686/vuwlr.v48i2.4740.

Texto completo da fonte

Resumo:

Copyright grants exclusive rights to authors of qualifying works. However, the Copyright Act 1994 permits reproduction, communication and commercial exploitation of certain artistic works which are on permanent public display. This exclusion from copyright, which is widely referred to as "freedom of panorama", is distinguishable from other permitted uses which tend to be narrow in scope and commonly manifest an element of fair dealing. Like other corresponding provisions of British heritage copyright legislation, New Zealand's freedom of panorama exclusion is significantly wider than comparable permitted uses in other jurisdictions. This article examines freedom of panorama in New Zealand. Note is taken of the Waitangi Tribunal report Wai 262, which considered among other issues the protection of Māori cultural treasures within the intellectual property law system. As points of comparison, selected overseas approaches to freedom of panorama are outlined. This article questions whether the current exclusion strikes an appropriate balance between competing rights and interests.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Sokołowska, Dorota. "Roszczenie o zapłatę wielokrotności stosownego wynagrodzenia w prawie autorskim – głos w obronie status quo na dzień przed wyrokiem Trybunału Konstytucyjnego". Studia Iuridica 72 (17 de abril de 2018): 349–73. http://dx.doi.org/10.5604/01.3001.0011.7630.

Texto completo da fonte

Resumo:

The article contains the response to the criticism of the solution regulated under article 79 section 1 point 3 letter b of the Copyright and Related Rights Act made before the Constitutional Tribunal rendered its judgment of 23 June 2015 repealing he above-mentioned legal provision. The genesis of article 79 section 1 point 3 letter b leads to the conclusion that it constituted an autonomous institution of the Polish copyright law. In particular, the claim for payment of a triple amount of the respective remuneration, where the copyright infringement is culpable, was not of a penal nature, neither was it contradictory to the Polish model of liability for damages, moreover at the same time, it was in accordance with the provisions of the Directive 2004/48/EC of the European Parliament and of the Council of 29 April 2004 on the enforcement of intellectual property rights.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Antonino de la Cámara, Mar. "Cultura (derecho de acceso a la) = Culture (the Right to access to)". EUNOMÍA. Revista en Cultura de la Legalidad, n.º 16 (29 de março de 2019): 264. http://dx.doi.org/10.20318/eunomia.2019.4705.

Texto completo da fonte

Resumo:

Resumen: El doble objetivo de esta voz es: a) concretar el contenido jurídico del derecho de acceso a la cultura, para lo que se procederá a b) analizar la jurisprudencia más paradigmática del Tribunal Europeo de Derechos Humanos en relación con la protección de expresiones culturales. No se trata, pues, de una aproximación teórica a lo que sea cultura, sino de precisar, en la medida de lo posible, el alcance de un derecho poco estudiado dentro del marco geográfico europeo.Palabras clave: Derecho de Acceso a la Cultura, Derecho a la Cultura, Derecho a la Libertad de Expresión, Libertad de creación artística, Tribunal Europeo de Derechos Humanos, Copyright Abstract: This voice has been written with a double objective, namely a) to concretize the legal content of the right of access to culture, so we will proceed b) to analyze some of the most paradigmatic case-law of the European Court of Human Rights in relation to the protection of the culture. Therefore, it is not a theoretical approach to what is culture, but to specify the scope of a right so unstudied within the European geographical framework.Keywords: Right of Access to Culture, Right to Culture, Right to Freedom of Expression, Right to artistic freedom, European Court of Human Rights, Copyright.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Osorio Umaña, Felipe. "Entre el derecho de autor y el copyright: Análisis del efecto expansivo de la jurisprudencia del Tribunal de Justicia de la Unión Europea en el copyright británico". Revista Chilena de Derecho y Tecnología 10, n.º 2 (31 de dezembro de 2021): 175. http://dx.doi.org/10.5354/0719-2584.2021.58611.

Texto completo da fonte

Resumo:

Este trabajo analiza cómo la armonización europea del derecho de autor ha expandido al copyright británico. El artículo comienza explicando de qué manera se puede entender la expresión expansión. En segundo lugar, se analizará cómo la sentencia Infopaq International A/S con Danske Dagblades Forening ha generado un proceso de expansión de los conceptos fundamentales del copyright británico. Luego de esto, se analizará cómo han cambiado las interpretaciones jurisprudenciales del derecho británico sobre los conceptos de originalidad, objeto de protección e infracción de derechos. Este cambio de interpretación, se concluye, ha tenido un efecto expansivo que afecta las libertades de los usuarios y favorece las pretensiones de propiedad de autores y de quienes ostentan derechos patrimoniales sobre las obras.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Hungwe, Brian. "Shifting digital media ecologies and how copyright law should adjust and adapt to journalism". South African Intellectual Property Law Journal 11, n.º 1 (2023): 16–41. http://dx.doi.org/10.47348/saipl/v11/a2.

Texto completo da fonte

Resumo:

Digital Age misappropriation and plagiarism of published online news content by some South African media proprietors are negatively affecting professionalism and integrity in journalism. Such infringements invariably lead to great tension, harmful competition patterns and dwindling revenues. Frequently, digital news misappropriation creates factual distortions, impairing the democratic functions of journalism and healthy national discourse motivated by legitimate public interest considerations. A 2019 Reuters Institute Digital News Report revealed that, globally, South Africans spend the greatest number of hours browsing online, with 36% of the population enjoying sharing news content, while 40% enjoy commenting on news via social media or news websites. While the Digital Age has generated many forms of active players in journalism, this paper is limited to digital infringement conflicts and contestations between accountable and established media proprietors or competitors. This qualitative contribution proposes that media proprietors collectively seek an alternative dispute resolution approach to copyright infringements through a comprehensive ‘Media Arbitration Copyright Infringements Code’ with incorporated ‘Hot News Misappropriation Doctrine’ provisions to regulate the conduct of the media and to address proliferating digital infringements. The Media Code should also guide the proposed ‘Media Copyright Tribunal’ operating within a commercial arbitration framework in dispute adjudication and resolution. This paper argues that the Media Code with the Misappropriation Doctrine is a more viable approach for addressing media copyright disputes because it largely protects facts contained in published news content. Furthermore, a Media Code that is drafted addressing media copyright digital infractions using the ethical benchmarks set by the ‘Press Code of Ethics and Conduct for South African Print and Online Media’ editorial guidelines interpreted through a flexible informal commercial arbitration framework that expedites dispute resolution is desirable. This paper is largely concerned with the court’s findings in Moneyweb (Pty) Limited v Media 4 Limited and Another, and the fact that it took about three years for the dispute to be resolved. Moreover, this paper argues that the current Copyright Act 98 of 1978 is less effective in dealing with the ethical quandary faced by journalism in the Digital Age.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Mais fontes

Teses / dissertações sobre o assunto "Copyright Tribunal"

Rejanovinschi, Talledo Moisés. "The «Andean judge» in intellectual property issues: application to the Peruvian case". Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/116321.

Texto completo da fonte

Resumo:

This paper emphasizes the role of Andean Tribunal of Justice, however disagrees with criteria used to recognize administrative entities such as «national judge» or «Andean judge». If we apply the Tribunal criteria, several administrators of justice in Intellectual Property will be exempt of collaborating with Andean integration.
El presente documento enfatiza el rol del Tribunal de Justicia de la Comunidad Andina pero discrepa de los criterios establecidos para reconocer a las entidades administrativas como «juez nacional» o «juez andino». Si se sigue el criterio del Tribunal, diversos administradores de justicia en propiedad intelectual se considerarán exonerados de colaborar con la integración andina.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010". Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.

Texto completo da fonte

Resumo:

While much has been written on the Australian film and television industry, little has been presented by actual producers, filmmakers and technicians of their time and experiences within that same industry. Similarly, with historical documentaries, it has been academics rather than filmmakers who have led the debate. This thesis addresses this shortcoming and bridges the gap between practitioner experience and intellectual discussion, synthesising the debate and providing an important contribution from a filmmaker-academic, in its own way unique and insightful. The thesis is presented in two voices. First, my voice, the voice of memoir and recollected experience of my screen adventures over 38 years within the Australian industry, mainly producing historical documentaries for the ABC and the SBS. This is represented in italics. The second half and the alternate chapters provide the industry framework in which I worked with particular emphasis on documentaries and how this evolved and developed over a 40-year period, from 1970 to 2010. Within these two voices are three layers against which this history is reviewed and presented. Forming the base of the pyramid is the broad Australian film industry made up of feature films, documentary, television drama, animation and other types and styles of production. Above this is the genre documentary within this broad industry, and making up the small top tip of the pyramid, the sub-genre of historical documentary. These form the vertical structure within which industry issues are discussed. Threading through it are the duel determinants of production: ‘the market’ and ‘funding’. Underpinning the industry is the involvement of government, both state and federal, forming the three dimensional matrix for the thesis. For over 100 years the Australian film industry has depended on government support through subsidy, funding mechanisms, development assistance, broadcast policy and legislative provisions. This thesis aims to weave together these industry layers, binding them with the determinants of the market and funding, and immersing them beneath layers of government legislation and policy to present a new view of the Australian film industry.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Ekstrand, Johan, e Jennifer Landström. "Den inre digitala marknadens framtid : Medlemsstaternas dilemma med implementeringen av upphovsrättsdirektivet: fokus på svensk respektive fransk rätt". Thesis, Linköpings universitet, Filosofiska fakulteten, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-169309.

Texto completo da fonte

Resumo:

Upphovsrättsdirektivet, Digital Single Market-direktivet, befinner sig idag i en implementeringsprocess i EU-länderna. Implementeringen syftar till att harmonisera upphovsrätten mellan medlemsstaterna och att upprätthålla en väl fungerande inre marknad. Direktivet medför ett antal dilemman vid harmoniseringen av medlemsländernas lagstiftningar. Somliga länder är positiva till direktivet, medan andra anmärker en ordalydelse som är otydlig, abstrakt och svår att konkretisera. Frankrike var första land inom unionen att lägga fram ett lagförslag baserat på direktivet. Samtliga medlemsländer, däribland Sverige, har fortfarande tid på sig att införliva direktivet i sin lagstiftning. Syftet med uppsatsen är att utreda DSM-direktivets artikel 17 och dess implementering i fransk rätt med utgångspunkt i Frankrikes framställda lagförslag. Vidare är ändamålet att göra en konkret jämförelse mellan förevarande upphovsrättsliga normer i Sverige respektive Frankrike, för att således kunna analysera det franska lagförslagets lämplighet i svensk rättsordning. Lämpligheten ska försöka bedömas utifrån kulturella värderingar bakom nationell lagstiftning och upphovsrättspolitik. För att besvara frågeställningen huruvida det franska lagförslaget på implementering av DSM-direktivets artikel 17 kan vara en förebild för den svenska lagstiftaren, har framställningen disponerats enligt följande: vi har (1) utrett svensk upphovsrätt, (2) redogjort för DSM-direktivet och härrörande kritik, (3) uppgivit Regeringskansliets resonemang och frågeställningar gällande direktivets genomförande i svensk rätt, (4) utrett fransk upphovsrätt samt (5) översatt och tolkat förevarande lagförslag med tillhörande kritik. Utöver rättskällor, har framställningen till övervägande del grund i debattartiklar, tidskrifter samt inlägg online för att klargöra den aktuella problematiken rörande DSM-direktivet. Slutsatsen är att svensk respektive fransk upphovsrätt visserligen framstår som snarlika i stort sett. Däremot kan det franska lagförslaget på implementering av direktivet enbart framstå som en förebild i viss mån. Av artikel 17:s tre huvudområden kan vägledning av det franska lagförslaget endast ges gällande införandet av en klagomåls- och avhjälpningsmekanism.

Det här är den slutgiltiga examensuppsatsen, en nedskuren version av en mer omfattande och djupgående version. För intressenter finns den första versionen tillgänglig via kontakt med författarna.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Livros sobre o assunto "Copyright Tribunal"

Council, Australian Copyright, ed. 2006 copyright amendments. Strawberry Hills, NSW: Australian Copyright Council, 2007.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Library of Congress. Copyright Office. An up-to-date copy of the copyright regulations--Copyright Office and Royalty Tribunal rules. Rockville, MD: Rules Service Co., 1992.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Jack, Black, e Intellectual Property Institute, eds. The decisions of the UK Performing Right and Copyright Tribunal. London: Butterworths, 1997.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

United, States Congress House Committee on the Judiciary Subcommittee on Courts Civil Liberties and the Administration of Justice. CRT reform and compulsory licenses: Hearings before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, Ninety-ninth Congress, first session on H.R. 2752 and H.R. 2784... June 19, July 11, September 18, and October 3, 1985. Washington: U.S. G.P.O., 1986.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Civil Liberties, and the Administration of Justice. CRT reform and compulsory licenses: Hearings before the Subcommittee on Courts, Civil Liberties, and the Administration of Justice of the Committee on the Judiciary, House of Representatives, Ninety-ninth Congress, first session on H.R. 2752 and H.R. 2784... June 19, July 11, September 18, and October 3, 1985. Washington: U.S. G.P.O., 1986.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

United States. Congress. Senate. Committee on the Judiciary. Copyright Royalty Tribunal Reform and Miscellaneous Pay Act of 1990: Report (to accompany S. 1272 and H.R. 3046). [Washington, D.C.?: U.S. G.P.O., 1990.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Deposit, Library of Congress Advisory Committee on Copyright Registration and. ACCORD: Report of the co-chairs. [Washington, D.C.]: The Library, 1993.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Robert, Wedgeworth, e Ringer Barbara Alice 1925-, eds. ACCORD: Report of the co-chairs. [Washington, D.C.]: The Library, 1993.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Robert, Wedgeworth, e Ringer Barbara Alice 1925-, eds. ACCORD: Report of the co-chairs. [Washington, D.C.]: The Library, 1993.

Encontre o texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Mais fontes

Capítulos de livros sobre o assunto "Copyright Tribunal"

"Copyright". In The Elgar Companion to the International Criminal Tribunal for Rwanda, editado por Anne-Marie de Brouwer e Alette Smeulers. Edward Elgar Publishing, 2016. http://dx.doi.org/10.4337/9781784711702.00002.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Rosati, Eleonora. "Article 21—Alternative Dispute Resolution Procedure". In Copyright in the Digital Single Market, 393–99. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198858591.003.0022.

Texto completo da fonte

Resumo:

This chapter deals with the alternative dispute resolution procedure outlined in Article 21 of the copyright order in Europe, Directive 2019/790. It examines disputes concerning the transparency obligation and the contract adjustment mechanism that may be applied for a voluntary, alternative dispute resolution procedure. It also refers to Member States that are required to ensure that representative organisations of authors and performers may initiate dispute resolution procedures at the specific request of one or more authors or performers. The chapter explains why authors and performers are often reluctant to enforce their rights against their contractual partners before a court or tribunal. It looks at the task of Member States to provide for an alternative dispute resolution procedure that addresses claims by authors and performers, or by their representatives on their behalf, related to obligations of transparency and the contract adjustment mechanism.

Estilos ABNT, Harvard, Vancouver, APA, etc.

Kravchuk, Natalia. "A PROJECT OF USA COPYRIGHT SMALL CLAIMS TRIBUNAL: PERSPECTIVES AND PITFALLS. (REVIEW)". In LAW IN FUTURE: INTELLECTUAL PROPERTY, INNOVATION, INTERNET, 180–85. INION RAN, 2019. http://dx.doi.org/10.31249/pravbud/2019.00.19.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

"Copyright". In Research Handbook on International Courts and Tribunals, editado por William A. Schabas e Shannonbrooke Murphy. Edward Elgar Publishing, 2017. http://dx.doi.org/10.4337/9781781005026.00002.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Trabalhos de conferências sobre o assunto "Copyright Tribunal"

Manap, Nazura Abdul. "Copyright Tribunal in Malaysia. The New Paradigm". In The 2nd International Conference of Law, Government and Social Justice (ICOLGAS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201209.356.

Texto completo da fonte

Estilos ABNT, Harvard, Vancouver, APA, etc.

Carvalho, Rossana Gleucy de Ávila Chagas e., e Márcio Matias. "Direito de privacidade no Brasil: tendências". In II Workshop de Informação, Dados e Tecnologia - WIDAT. Faculdade de Ciências e Engenharia (UNESP), 2018. http://dx.doi.org/10.22477/ii.widat.124.

Texto completo da fonte

Resumo:

A proposta deste artigo é constatar as tendências que uma decisão do Supremo Tribunal Federal pode promover e a nova Lei Geral de Proteção de Dados Pessoais, em relação à privacidade de dados pessoais na doutrina e jurisprudência brasileiras. Para tanto foi feita uma pesquisa qualitativa nos argumentos doutrinários e jurisprudenciais utilizados pela Ministra Cármem Lúcia, relatora, na análise do mérito da Ação Direta de Inconstitucionalidade no 4.815/DF, ajuizada em 5 de julho de 2012, pela Associação Nacional dos Editores de Livros – ANEL, e considerações sobre a efetividade da Lei Geral de Proteção de Dados Pessoais. Os resultados encontrados na pesquisa apontam para a desvalorização do direito à privacidade, intimidade e identidade em relação a outros princípios e direitos tais como: a liberdade de expressão, pensamento e opinião; direito de informação; princípio da transparência na gestão pública dentre outros. A conclusão a que se chegou é a de que o panoptismo idealizado por Bentham e destacado por Foucault não está, nos dias atuais, ligado apenas a atividades estatais. Há ainda interesses corporativos ou comerciais e pessoais que vêm enfraquecendo o direito constitucional à privacidade. Artigo apresentado no II Workshop de Informação, Dados e Tecnologia, realizado nos dias 27 a 29 de novembro de 2018, na cidade de João Pessoa (PB), nas dependências da Universidade Federal da Paraíba (UFPB). Disponível originalmente em: https://dadosabertos.info/enhanced_publications/idt/. Acesso em: 25 set. 2023. Detentor do Copyright VI Workshop de Informação, Dados e Tecnologia - WIDaT 2023

Estilos ABNT, Harvard, Vancouver, APA, etc.

Oferecemos descontos em todos os planos premium para autores cujas obras estão incluídas em seleções literárias temáticas. Contate-nos para obter um código promocional único!