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Nawroski, Alcione. "Emerging Polish Culture in Brazil". Revista Memorare 6, n.º 1 (16 de julho de 2019): 75. http://dx.doi.org/10.19177/memorare.v6e1201975-87.
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The article is part of a research study of Polish culture in Brazil in the scenario of immigration between the years 1869 and 1939. The research focuses on the concept of the structure of Raymond Williams characterized by residual, dominant and emerging to analyse the different moments of a transformation of the culture that Polish immigrants developed in Brazil. Thus, we present the formation of an emerging with roots from the late nineteenth and early twentieth centuries, and which shows few similarities with contemporary Poland, and much more with a rural Poland from a 100 years ago.
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Stawecka-Kotuła, Agnieszka. "Disruptive strangeness or domesticated exoticism? Some challenges of cultural translation in the Polish rendition of Fury by Salman Rushdie". Crossroads A Journal of English Studies, n.º 34(3) (2021): 46–58. http://dx.doi.org/10.15290/cr.2021.34.3.04.
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The unfolding hybridisation of cultures calls for a culture-oriented approach to translation that could respond to the needs and expectations of contemporary readership. The present paper is devoted to the concept of the cultural turn in translation studies and its practical implications on actual translations of contemporary literary works. To illustrate the complexities of translating cultural elements, the Polish translation of Fury reflecting the usual Rushdian blend of voices, plots, multi-cultural hybrid and culture references is used. The paper seeks to exemplify and discuss choices made by the translator striving to acquaint the target text reader with the complex universe of the novel to the similar extent as experienced by the source text reader. The principal strategy adopted by the Polish translator might be labelled as domesticated exoticism.
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Kramer, Eli. "Polish Philosophy of Culture Today: A Promising Route for Contemporary Philosophy". Eidos. A Journal for Philosophy of Culture 4, n.º 4 (31 de março de 2021): 205–21. http://dx.doi.org/10.14394/eidos.jpc.2020.0048.
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Ramme, Jennifer. "Framing Solidarity. Feminist Patriots Opposing the Far Right in Contemporary Poland". Open Cultural Studies 3, n.º 1 (1 de janeiro de 2019): 469–84. http://dx.doi.org/10.1515/culture-2019-0040.
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Abstract Due to the attempts to restrict the abortion law in Poland in 2016, we could observe a new broad-based feminist movement emerge. This successful movement became known worldwide through the Black Protests and the massive Polish Women’s Strike that took place in October 2016. While this new movement is impressive in its scope and can be described as one of the most successful opposition movements to the ethno-nationalist right wing and fundamentalist Catholicism, it also deploys a patriotic rhetoric and makes use of national symbols and categories of belonging. Feminism and nationalism in Poland are usually described as in opposition, although that relationship is much more complex and changing. Over decades, a general shift towards right-wing nationalism in Poland has occurred, which, in various ways, has also affected feminist actors and (counter)discourses. It seems that patriotism is used to combat nationalism, which has proved to be a successful strategy. Taking the example of feminist mobilizations and movements in Poland, this paper discusses the (im)possible link between patriotism, nationalism and feminism in order to ask what it means for feminist politics and female solidarity when belonging is framed in different ways.
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Hučková, Jadwiga. "Jarmo Jääskeläinen – „imigrant z polską duszą”". Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 20, n.º 29 (15 de março de 2017): 47–58. http://dx.doi.org/10.14746/i.2017.29.3.
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Polish topics occupy an important place in the work of the Finnish filmmaker Jarmo Jääskeläinen. Since the 70s he made his films outside censorship, and his penetrating gaze on the Polish reality allowed glimpse its dimensions closely invisible or ignored. While maintaining fidelity to the facts, he talks about the most important problems, stages the phenomena of contemporary Polish history, society, culture.
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Nowak, Maria Alicja. "Physical Culture Patterns in the Lifestyle of the Polish Society". Polish Journal of Sport and Tourism 20, n.º 1 (1 de março de 2013): 3–7. http://dx.doi.org/10.2478/pjst-2013-0001.
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Abstract Society's lifestyles, influenced by the evolving preferences of values of subsequent generations, are subject to gradual changes. This variation in lifestyles requires a reflection on the patterns of physical culture and values amongst the youth, adults and the elderly. Patterns of physical culture shaped in the European tradition are also present in the contemporary lifestyles of all generations. People's choices concerning physical culture depend on the type and level of their physical activity, attitudes towards of the body, age, gender and education. In the classic physical types distinguished by Polish sociologists we can identify positive traits conducive to human development, traits inducing controversial attitude, and clearly negative ones that are health-threatening. In conclusion the paper puts forward a question about the direction of the development of physical culture patterns in future and the level of recognition of particular values by different generations. Some of the contemporary lifestyles arouse concerns of educators.
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Mitan-Gawryszewska, Zofia. "Comparative Studies of Contemporary Polish and Lithuanian Literature – Problems and Prospects". Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, n.º 25 (4 de março de 2020): 202–11. http://dx.doi.org/10.37384/aplkp.2020.25.202.
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The aim of my article is to present the Polish perspective on the state of the art of comparative studies of contemporary Polish and Lithuanian literature. In my article, I discuss difficulties that contribute to the niche status of the field as well as phenomena that positively influence its development. First, I touch upon issues of hermeticity of the Lithuanian language and complicated relations between Poland and Lithuania. Then, I focus on the availability of Lithuanian literature in Poland and mention publications concerning it, written in Polish. I also emphasize the significance of translation endeavors. Next, I enumerate centers that conduct comparative studies of Polish and Lithuanian literature and introduce scholars-comparatists and their publications. I also present the accomplishments of some figures whose activity was significant for building Polish-Lithuanian dialogue on the level of literature and literary studies. I enumerate initiatives that provide new possibilities for the development of this field of studies and describe institutions which promote Lithuanian culture in Poland. In the end, I present possible directions for comparative studies of contemporary Polish and Lithuanian writings.
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Woźniewska-Działak, Magdalena. ""Gusła nasze moc straciły" Czy kultura współczesna stawia "Dziadom" ważkie pytania ?" Colloquia Litteraria 17, n.º 2 (19 de novembro de 2014): 57. http://dx.doi.org/10.21697/cl.2014.2.04.
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‘Gusła nasze moc straciły’. Does contemporary culture ask Dziady serious questions?Review of a theatre spectacle: Adam Mickiewicz, Dziady, parts I, II and IV and the poem Upiór, directed by Michał Zadara, Teatr Polski in Wrocław, premiere on 14th February 2014.The review article discusses Dziady, część I, II i IV and the poem Upiór directed by Michał Zadara. The spectacle is part of a bigger project realised at Teatr Polski in Wrocław in 2014–2016. The article attempts to reconstruct the director’s idea of a stage version of Mickiewicz’s drama, which is regarded in Polish culture as a symbolic work constituting Polish identity. Furthermore, the author asks a number of questions about the condition of the contemporary culture that seems to be a culture of exhaustion, and also about this culture’s dispositions and capabilities employed when reinterpreting the romantic masterpiece.
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Kopczyński, Krzysztof. "Religious and quasi-religious attitudes in four Polish documentaries from 2008–2019". Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 30, n.º 39 (15 de dezembro de 2021): 139–55. http://dx.doi.org/10.14746/i.2021.39.07.
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The paper aims to present different ways of showing religious and quasi-religious attitudes in contemporary Polish documentaries. The discussion is based on four feature-length films: Kites by Beata Dzianowicz (2008), Communion by Anna Zamecka (2016), Who Will Write Our History by Roberta Grossman (2018), and Tell No One by Tomasz Sekielski (2019). The author evaluates the methodological usefulness of reflection in the documentary of the “religious film” category used in Polish research and the concept of “transcendent(al) style” taken from Paul Schrader’s book. Occasionally touching upon the question of the relationship with audiences, the author also mentions the paradigm of Polish Romanticism present in contemporary culture.
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Людмила, Обух. "TRACES OF WORKS OF STANISLAW MONIUSZKO IN CONTEMPORARY CULTURAL PROJECTS IN UKRAINE". УКРАЇНСЬКА КУЛЬТУРА : МИНУЛЕ, СУЧАСНЕ, ШЛЯХИ РОЗВИТКУ (НАПРЯМ: КУЛЬТУРОЛОГІЯ) 35 (6 de fevereiro de 2021): 57–62. http://dx.doi.org/10.35619/ucpmk.v35i0.362.
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The article attempts to investigate the use of Stanislav Moniuszko’s multifaceted creative. Composer heritage can be clearly considered today in the light of strategic management in culture. a number of strategic projects on the occasion of official celebrations in Ukraine of such anniversaries as the 100 th anniversary of Poland’s independence or the 200 th anniversary of the birth of Polish music classic Stanislaw Moniuszko, organized with the assistance of Polish embassies and consulates and Polish organizations in Ukraine. This uniqueness of projects is the basis for the cultural policy between the Republic of Poland (RP) and Ukraine and the strategies of its development.
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Brocki, Marcin. "Semiotics of culture and New Polish Ethnology". Sign Systems Studies 31, n.º 1 (31 de dezembro de 2003): 271–79. http://dx.doi.org/10.12697/sss.2003.31.1.12.
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The paper deals with the contemporary state of semiotic ethnology in Poland (connected with New Polish Ethnology group), its internal and external influences, its specifics, subjects and its reaction to the other theoretical propositions. The “neotribe” of New Polish Ethnology was established by few younger scholars, ethnologists in the early 1980s, in an opposition to the dominant stream of positivistic ethnology. Today they have become classics of Polish anthropology, masters that have educated a new generation of their students, and lead some anthropological institutes. The most inspiring set of theories that influenced the group and its heirs was taken from Soviet semiotics of culture (Lotman, Uspensky, Toporov, Ivanov), and French structural-semiotics (Levi-Strauss, Barthes), but there are some individual differences also. On that basis they have developed a specific scope, aim and methods of interpretation with as its key terms myth and mythical thinking. They have explained many cultural events (relation we-others, body image, commercials, and anthropology itself) within the framework of mythical thinking, making it the most productive and attractive frame of interpretation within Polish humanities and social sciences. In the 1990s they had to face critical ethnography, deconstruction and postmodern anthropology and they did it with perfect flexibility that even strengthened their project, because the potential of reflexivity and self-consciousness lied within semiotics from its beginning.
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Ziolkowska, Magdalena. "Anthroponymy as an element identifying national minority: the characteristics of Polish Old Believers’ names". Eesti ja soome-ugri keeleteaduse ajakiri. Journal of Estonian and Finno-Ugric Linguistics 2, n.º 1 (17 de junho de 2011): 383–98. http://dx.doi.org/10.12697/jeful.2011.2.1.25.
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The paper focuses on Polish Old Believers’ anthroponymy as the element identifying the group. The Old Believers are one of the ethnic, religious and national minorities in Poland.They came here shortly after the schism in Russian Orthodox Church. They settled down in North-Eastern Poland in the second half of the 18th century. Their descendants live there till now. After coming to Poland, Russian immigrants were living in hermetic, homogenous communities. This protected their religion and culture from strong exterior influence. After the Second World War the community became more open to external world. Nowadays, after a number of civilizing and geopolitical transformations, the isolation practically disappeared making the Old Believers’ culture defenceless against influence of dominant Polish culture. Together with all that changes the Old Believers’ anthroponymy has been transformed. Contemporary Polish Old Believers’ anthroponymy consists of Russian and Polish (in Masuria region – Russian, Polish and German) elements, as a result of bilingualism (and multi-lingualism on Masuria).
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Bobrowicz, Ryszard, e Mattias Nowak. "Divided by the Rainbow: Culture War and Diffusion of Paleoconservative Values in Contemporary Poland". Religions 12, n.º 3 (5 de março de 2021): 170. http://dx.doi.org/10.3390/rel12030170.
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Over the last decade, representations of the rainbow were repeatedly disputed in Poland, revealing the country’s ongoing socio-political changes and its drift away from the generally liberal and secular values of the European mainstream. These cases show a political growth and an increasing social diffusion of Polish ‘national paleoconservatism.’ The aim of this article is to (1) discuss the intellectual roots of this distinct form of conservatism built upon the confrontational notions of national identity, patriotism, and Catholicism; (2) propose a novel concept in the studies of Polish politics (‘national paleoconservatism’); and (3) present the social diffusion of such conservatism based on conflicts over representations of the rainbow. By combining the historical and intellectual background with the contemporary case studies, the authors aim to facilitate a deeper understanding of the vitality of national conservative ideas among internationally unknown conservative intellectuals, who participate in a discursive ‘culture war’ against their liberal, progressive and secular opponents in present-day Poland. The ideological conflicts revolve around the meaning of Polish national identity, the essential character of the country’s culture, and the position of Poland within the framework of European integration.
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Kobus, Justyna. "Nazwy ptaków dziko żyjących w dawnych i współczesnych materiałach dialektologicznych z Wielkopolski". Poradnik Językowy, n.º 7/2023(806) (19 de setembro de 2023): 17–30. http://dx.doi.org/10.33896/porj.2023.7.2.
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The dialectological record of wild bird names is scant. This article presents the Greater Polish material covering wild bird names obtained as part of the field research carried out in the Pobiedzisko commune (Poznań poviat) and completed in 2022. Contemporary names are juxtaposed with the dialectal material collected by Adam Tomaszewski (the 1930s) and the material found in Atlas języka i kultury ludowej Wielkopolski (Atlas of Greater Poland’s regional language and folk culture) (the 1970s and the 1980s) for the same area. The overview of the old and contemporary material allows conclusions on the functioning of dialectal and general Polish names of wild birds gathered by three generations of Poznań dialectologists and indication of the research needs as regards recording names from the thematic field NATURE (not only bird names).
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Siemiński, Marek, Katarzyna Andruszkiewicz e Tiago Pinho. "Application of the 6D Hofstede Model in an Analysis of the Polish and Portuguese Business Culture". Olsztyn Economic Journal 17, n.º 1 (30 de setembro de 2022): 59–69. http://dx.doi.org/10.31648/oej.8651.
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Business management in a culturally diverse environment, that is acting in different business cultures, is one of the major challenges facing managers nowadays. Cultural differences among societies have been known to exist for ages, but a holistic view of their impact on the business culture in particular countries, development of cultural typologies and studies into the nature of interactions between the business and organisational culture date back to the 1980s. The acceleration of social, technological and demographic changes, a more rapid process of globalisation as well as some disturbances, such as the COVID-19 pandemic, the war in Ukraine or the intensifying rivalry between China and the United States of America, increase organisational uncertainty. Such changes require a new cultural sensitivity as well as new, modified systems of values. The objective of this study has been to determine and compare the Polish and Portuguese business cultures. To this end, the contemporary Polish and Portuguese business cultures have been analysed according to the 6D Hofstede model.
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Massaka, Iwona. "„Nie tyle reportaż, ile wyznanie miłości” – o tendencji do idealizowania kultury gruzińskiej we współczesnym polskim reportażu podróżniczym". Acta Polono-Ruthenica 4, n.º XXIV (30 de dezembro de 2019): 141–54. http://dx.doi.org/10.31648/apr.4879.
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“Not so much reportage as confession of love” – about the tendency to idealize Georgian culture in contemporary Polish travel reportage After 2008, Georgian culture has become the subject of many Polish travel reportages. It is idealized, resulting from the need to reproduce the myth of PolishGeorgian friendship. This myth arose from Russophobia existing in Poland and Georgia. Two of the three narratives studied are strongly Russophobic. The analysis of the content of the reports was carried out in reference to the model of cultural differences by G. Hofstede.
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Stanevičiūtė, Rūta. "Lithuanian and Polish musical networking during the Cold War: Political curtains and cultural confrontations". New Sound, n.º 54-2 (2019): 44–67. http://dx.doi.org/10.5937/newso1954044s.
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Poland and Lithuania at the end of the Cold War serve as a case study for the theorization of music and politics. In this article, a little-studied field of two neighbouring countries' cultures has been chosen: oppositional musical networking, that in addition resulted in politically and socially engaged collaboration between Polish and Lithuanian musicians since late 1970s. Basing on the concept of a transformative contact (Padraic Kenney 2004), the author reflects on the factors which predetermined the intercommunication of informal communities in mentioned countries in the years of ideological and political constraints and the ways in which such relationships contributed to the cultural and political transformation of societies. Through the interactions of the milieus of the Polish and Lithuanian contemporary music, the participation of the norms and representations of one culture in the field of the other culture is discussed. The author shows that the paradoxical constraints on the informal relations between Lithuanian and Polish musicians were strongly affected by the political relations between the USSR and the Polish People's Republic, especially in the wake of the intensification of political resistance to the imposed Communist regime in Poland.
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Kujawa, Ludwika, e Anna Różańska. "Classics of Polish Design. Józef Chierowski's "Armchair 366" from 1962as an icon of design from the Polish People's Republic". Annals of WULS, Forestry and Wood Technology 120 (28 de dezembro de 2022): 14–26. http://dx.doi.org/10.5604/01.3001.0016.2137.
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Classics of Polish Design. Józef Chierowski's "Armchair 366" from 1962 as an icon of design from thePolish People's Republic presents a classic of Polish furniture design from the post-war “modernity” period. Weanalysed the style, structure, and functionality of this armchair, evaluating it in comparison to other Polish andforeign modern furniture designs for small apartments. The paper aims to provide a substantial analysis of thereasons for the armchair's exceptional popularity in contemporary pop culture, contributing to the series "Classicsof Polish Design" that presents the results of research on Polish furniture and the icons of Polish design, carriedout within the framework of dissertations in the Department of Wood Technology in the Warsaw University ofLife Sciences (SGGW).
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Krakowiak, Małgorzata. "Suma czy różnica, czyli kto jest polskim patriotą? Rozważania wokół kulturowych mitów współczesności". Prace Literackie 58 (28 de abril de 2020): 89–100. http://dx.doi.org/10.19195/0079-4767.58.9.
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The first part of the question in the title refers to two slogans that are simultaneously two axiological triads; these triads (God–Honour–Home Country and Freedom–Equality–Brotherhood) were previously the subject of my investigations. It looks like they constitute the basic components of Polish contemporary imagination, containing an important symbol for Polish imagination and phenomena, symptomatic of emotions and ethics. One should note the meaning of these values’ separation. The article shows the initial contest of both slogans as well their importance and trans-formed contemporary meaning. Using as an example the selected texts of literature, both critical and journalistic, the paradox of Polish patriotism has been presented, where “everybody” identifies with and at the same time excludes “those different than me.” Attention was paid to the domination of the sacrifice model of patriotism in Polish culture, in opposition to other models: critical and “minimalistic” ones.
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Paczoska, Ewa. "Polish 19th century in the mirror of 21st century literature –meanders of neighbourhood". Tekstualia 1, n.º 76 (22 de março de 2024): 85–94. http://dx.doi.org/10.5604/01.3001.0054.4475.
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The article discusses various aspects of the presence of the 19th century in recent Polish literature.It shows the transformation of various aspects of the legacy of that century, related toromanticism and modernism. The 19th century, important as the foundation of Polish culture duringthe partitions, turned into a toxic legacy in modern times. Contemporary Polish writers re-imaginethat century to discover stories that were excluded from the mainstream national narrative. The textsunder discussion show that the 19th century is a „neighbour” surprisingly close to our present day.
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Naróg, Aleksandra. "Witold Gombrowicz we współczesnej Argentynie: ślady, artefakty, afekty". Wielogłos, n.º 1 (59) (março de 2024): 87–108. http://dx.doi.org/10.4467/2084395xwi.24.005.19473.
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The article describes the transcultural aspects and affective ways of perceiving the work of Witold Gombrowicz in contemporary Argentina. Source documents (such as the residence card documenting the writer’s arrival to Argentina) as well as pop- -cultural images of the writer in Argentinian culture, visual field, and urban space are investigated. According to Wolfgang Welsch, Gombrowicz’s transculturality is founded on placing himself between Polish and Argentinian cultures, based on “artifacts of memory.”
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Bocheński, Tomasz. "Black humour in Polish fiction after 1989". Tekstualia 4, n.º 39 (1 de setembro de 2014): 31–42. http://dx.doi.org/10.5604/01.3001.0013.4486.
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The article examines the differences between black humour in the work of André Breton and the reinterpretation of this category in contemporary Polish literature. For Breton, the aesthetic of black humour was a blasphemous gesture against the mediocrity of culture and society, against a sentimental approach to life and death. By contrast, recent conteptualizations of black humour are often linked with the carnivalesque and ironic aspects of culture, which are interpreted as a sign of forgetting about the nonsense of existence and death. The literary works by authors like Manuela Gretkowska, Krzysztof Varga and Ignacy Karpowicz only confi rm these observations. The article is also concerned with the writings by Zbigniew Kruszyński, Wiesław Myśliwski and Magdalena Tulli, whose uses of black humour signify resistance against trivialization of eschatological issues.
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Koryś, Piotr, e Maciej Tymniński. "The unwanted legacy. In search of historical roots of corruption in Poland". Sociologija 58, n.º 2 (2016): 203–19. http://dx.doi.org/10.2298/soc1602203k.
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The paper deals with different interpretations of roots of contemporary Polish corruption. The authors discuss two competing theories developed by Polish scholars. The first one links the sources of corruption with both the culture of corruption developed in the peasant society and the inefficiency of the political institutions of the Polish-Lithuanian Commonwealth. The second one connects them mostly with institutional changes that happened during the Communist period. Recent data and the path of evolution of corruptive behavior after Communism suggest that the latter interpretation is more plausible.
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Gębal, Przemysław, e Monika Nawracka. "Nauczanie języka polskiego jako drugiego w świetle założeń dydaktyki konstruktywistycznej. Autorski model glottopedagogiczny". EDUKACJA 2019, n.º 3 (30 de setembro de 2019): 54–67. http://dx.doi.org/10.24131/3724.190305.
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Teaching Polish as a second language in light of constructivist didactics. An original glottopedagogical model. The text presents constructivism, inclusion and inclusive learning, positive education, interculturalism and transculturalism as key concepts for contemporary Polish glottodidactics. In the conclusion of this discussion, we present P. E. Gębal’s original glottopedagogical model of teaching Polish as a second language, which integrates all these paradigms. The above-mentioned concepts as well as the pedagogical and didactic activities in the presented model are aimed at developing the language and cultural skills of all members of the school community. The Polish language and Polish culture are presented as the means of the integration and inclusion of students with the experience of migration to the Polish educational system and to life in Poland.
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Banach, Małgorzata. "Od podejścia komunikacyjnego do podejścia ukierunkowanego na działanie. Uwagi na marginesie Dydaktyki i metodyki nauczania języka polskiego jako obcego i drugiego". Poradnik Językowy, n.º 4/2022(793) (20 de abril de 2022): 21–38. http://dx.doi.org/10.33896/porj.2022.4.2.
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Part one of this paper is a brief description of the contemporary changes in the teaching of foreign languages related to the CEFR and CEFR/CV publication and the birth of the action-oriented approach and infl uence of the European language policy on teaching Polish to foreigners in the 21st c. Part two discusses the genesis and concept of a textbook promoting the action-oriented approach, i.e. Dydaktyka i metodyka nauczania języka polskiego jako obcego i drugiego (Didactics and methodology of teaching Polish as a foreign and second language) (Warszawa 2020) by P. Gębal and W. Miodunka. This part synthetically describes the main topics covered in the book, such as: the place of didactics and methodology of teaching Polish as a foreign and second language within Polish glottodidactics, traditions and contemporary problems of such teaching, Polish language didactics across the world, its promotion and language policy, teaching of Polish as a second language and the latest directions in foreign language didactics, methodology of developing linguistic competences and language activities, teaching of Polish culture, the use of new technologies in teaching Polish, planning of the course and classes, and language assessment. Part three of the paper presents the comments inspired by the reading of P. Gębal and W. Miodunka’s publication.
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Dawlewicz, Mirosław. "The impact of extra-linguistic factors on the contemporary situation of the Polish language in Lithuania". Język a Kultura 28 (5 de maio de 2021): 125–36. http://dx.doi.org/10.19195/1232-9657.28.10.
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Researchers of the Polish social environment claim that the development of the Polish language outside of Poland depends on such extra-linguistic factors as: 1) political status of the polonocentric community, 2) the origin of the community in relation to the processes of indigenisation and migration (emigration), 3) intentions towards the culture of the inhabited country, 4) social status and social mobility, 5) legal standards related to the communicative community, 6) the degree of community cohesion, 7) generational differences, 8) history of formation and development. Taking into consideration the above-mentioned statements, one can affirm that the Polish minority in Lithuania has autochthonic traits, and is distinguished by the degree of spatial concentration and preservation of the autonomous character of the culture. The behaviour of the identity and language are influenced by such institutions as school, church, and various socio-cultural institutions, which integrate Poles as a national minority. Among these objective factors, school is the most important institution, because it allows preserving written language. Written language is becoming a tool for cultural development and allows further preservation of multilingualism.
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Hopfinger, Maryla. "O Stefanie Żółkiewskim". Kultura i Społeczeństwo 59, n.º 3 (11 de agosto de 2015): 139–63. http://dx.doi.org/10.35757/kis.2015.59.3.7.
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The author writes about Professor Stefan Żółkiewski’s theoretical concepts and three decades of scholarship, beginning with the 1960s and including lectures at the University of Warsaw’s Department of Polish Philology, directing work in the Department of Social Sciences of the Polish Academy of Sciences, initiating interdisciplinary studies of contemporary culture, editing journal ‘Kultura i Społeczeństwo’, and popularizing semiotics. The author writes about Professor Żółkiewski’s connection with the Institute of Literary Research, of which he was the founder and first director, and about the establishment of the Workshop on Research into Literary Culture and the creation of a new discipline—knowledge of literary culture. The author remembers Professor Żółkiewski as her mentor and friend.
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Almes, Iwan. "«Latinitas polonice»: książka polska w monasterach bazyliańskich eparchii lwowskiej XVIII wieku". Z Badań nad Książką i Księgozbiorami Historycznymi 11 (29 de dezembro de 2017): 59–70. http://dx.doi.org/10.33077/uw.25448730.zbkh.2017.28.
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This article studies the significance of the Polish books in the Basilian monasteries of the Lviv eparchy in the 18th century. During this century the number of the Polish, as well as Latin books were growing. A significant number of Polish books can be analyzed not only as latinisation or polonisation of Basilian monasteries, monks communities of the Eastern-Christian rite on the Ukrainian lands, but as „westernisation” as well. It means absorption of the contemporary Western (Latin) culture by the Polish mediation as the „latinitas polonice”. And it is verified in the most of Basilian monastery libraries of the Lviv eparchy of the 18th century.
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Belyakov, Dmitry A., Iuliia V. Chernova e Anastasia Yu Vedeneeva. "The Specifics of the Perception of Russian Culture in Contemporary Foreign LiteratureCULTURE IN CONTEMPORARY FOREIGN LITERATURE". Cuadernos de Rusística Española 19 (29 de dezembro de 2023): 141–53. http://dx.doi.org/10.30827/cre.v19.27874.
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The present article delves into the nuances of how Russian culture is portrayed in contemporary foreign literature. The primary goal of this research is to discern the distinctive features of the representation of Russian culture in three novels: Pawel Huelle's "Castorp" (2004), Hans Pleschinski's "Königsallee" (2013), and William Boyd's "Restless" (2006). The core focus of this study is intertwined with the enduring fascination of literary scholars with the concept of imagology and the scrutiny of how the "Other" or the "Foreign" is depicted within national literary contexts. The analysis of these Polish and German novels reveals that the image of Russia is largely influenced by the prominent German writer Thomas Mann, who serves as a bridge to understanding Russian culture. In William Boyd's case, Russian culture is closely associated with the works of A.P. Chekhov, whose influence significantly shapes the poetics of the British author's novels. The conducted analysis demonstrates that the portrayal of Russia in these novels relies on certain literary clichés and stereotypes that are ingrained in Western public consciousness. However, it is noteworthy that among contemporary writers who incorporate Russia into their works, Huelle, Pleschinski, and Boyd tend to adopt a more balanced perspective, refraining from aligning themselves with the more extreme views of its critics.
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Zięba, Andrzej A. "Inauguracja prac Ośrodka Badań nad Kulturą Ormiańską w Polsce przy Polskiej Akademii Umiejętności w Krakowie". Lehahayer 6 (31 de dezembro de 2019): 355–63. http://dx.doi.org/10.12797/lh.06.2019.06.12.
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Inauguration of the Research Centre for Armenian Culture in Poland as a part of the Polish Academy of Arts and Sciences in Krakow
The inauguration of the Research Centre for Armenian Culture took place on January 21, 2019 at the Collegium Maius of the Jagiellonian University in Krakow.The Centre was founded on the basis of old and contemporary achievements of Kraków armenologists and armenists. They were accompanied by the constant interest of Polish Armenians – from Kraków, Warsaw, Gdańsk, Lower and Upper Silesia. Such support was invaluable in the efforts to create the Centre, because it demonstrated not only the scientific but also the social need for research in this field. In this atmosphere, in recent years, important initiatives for Polish armenology were born – the magazine Lehahayer, devoted to the history of Polish Armenians, financially supported by the Lanckoroński Foundation, the Jagiellonian University and the Gumiński Foundation (this year, the 6th edition will be released), and a series of archival sources, Historical Monuments of Polish Armenians, implemented under the care of the Foundation for Culture and Heritage of Polish Armenians thanks to a grant from the National Humanities Development Program. In organizational terms, however, these activities were semi-private or, so to speak, partisan. They were institutionalized when the Centre was founded.
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Dąbrowska, Danuta. "Jakiej tradycji Polacy potrzebują? Rekonstrukcje, celebracje, protestacje, zadymy". Załącznik Kulturoznawczy, n.º 2 (2015): 146–62. http://dx.doi.org/10.21697/zk.2015.2.08.
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The article takes the issues of contemporary understanding of cultural tradition and ways of cultivating culture after the 1989 breakthrough. Two basic thesis were accepted, with reference to Jerzy Jedlicki’s book entitled Jakiej cywilizacji Polacy potrzebują. Firstly, two tendencies clash in Polish culture – the conservative and the modernizing one, both present for a long time, but crystallized mainly in the nineteenth century. Secondly, the basic circle of tradition referred to in modern Poland remains the Romantic tradition, properly converted and adapted to the reality of modern Poland. It manifests itself both in the official celebrations of national anniversaries, as well as social protests scenarios and all kinds of historical reconstructions. Romantic cultural codes, symbols, gestures and rituals are used on these occasions. The modernization trends in Polish culture come to the fore especially after the Polish accession to the European Union, but their promotion often encounters various forms of resistance, since they are seen as a threat to Polish identity, understood as founded on patriotic and religious values.
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Abłażewicz-Górnicka, Urszula, e Karolina Radłowska. "CREATIVE ETHNICITY: MUSIC AS AN ELEMENT OF ETHNICITY AMONG POLISH TATARS". Creativity Studies 14, n.º 2 (21 de outubro de 2021): 405–18. http://dx.doi.org/10.3846/cs.2021.12320.
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The aim of this article is to analyse the role of ethnic music in the life of the Tatar minority in Poland as an example of creative ethnicity. On the one hand, modern Tatar musical practices construct an interesting example of “invented tradition” because the studied group does not have “musical memory”, while on the other hand, these activities are aimed at the group’s future. Music can fulfill different social functions. In the case of ethnic groups, three of these functions seem to be particularly relevant: integrational, political (ideological) and identity. Desk research reveals the formal and informal musical practices undertaken by Polish Tatars. The values and musical assets associated with Tatar culture reflect the minority’s identity. The main statement of the article is that music is an important element that contributes to constructing the contemporary group’s identity. Tatar music is becoming an essential element of Tatar culture, enhancing a sense of the group’s distinctiveness. The contemporary Tatar music groups construct a significant Tatar showcase to the audience outside of the Tatar ethnic group, as well as form an important identity element of the Tatar community and a manifestation of creative ethnicity. It is also possible to find correlations between their repertoire and contemporary group transformations, including those related to its identity.
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Osłowska, Iwona. "THE ARCHITECTURE OF CONTEMPORARY POLISH LIBRARIES SELECTED PROJECTS". Przegląd Biblioteczny 89, Special (29 de julho de 2022): 32–87. http://dx.doi.org/10.36702/pb.886.
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Purpose of the article - Technologies, materials and current trends are the elements that influence design and architectural language. They shape the face of objects created in accordance with new perceptions of the functionality of architecture, including contemporary libraries, which, while remaining part of the culture industry, must have an appropriately designed and arranged space. Multifunctionality is now a unique feature of architecture, which allows libraries to implement a variety of projects. The final shape depends on the architect's comprehensive view of a given space, and projects commissioned in the 21st century are the best example of this. The objects described herein are not exclusively new constructions, but also those that have been modernized or adapted. The competition designs, which express the architects' visionary imaginings of the future, are also important for getting to know the perceptions of modern libraries. Delving into their architectural form and design will allow us to understand them and set the direction in which their design should go. Research methods - Architectural literature, technical and design documents, photos, competition designs, and the content of websites of individual institutions contributed to the source materials, which were the basis for describing their history. The analysis of the above made it possible to indicate the changes that have occurred since the beginning of the 21st century in the field of design.Results and conclusions - Contemporary libraries, being carriers of material and non-material values, are an area of strong influence on the user, who is invited to explore on many levels. Their modern architecture further deepens these feelings. An architect who wants to create an excellent library, regardless of whether it will be a university library or a facility dedicated to local communities, must plan it so that users experience positive emotions while inside. Only then will the library be not only a place of practical development, but also a place for dialogue and the exchange of experiences. It is also worth remembering that libraries, being part of the municipal infrastructure, turn good cities into great ones, creating the reality of its surroundings. The library space is a constantly developing fabric, a network of connections, which, if properly designed, can have a positive impact on the lives of the inhabitants.
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Miura, Kenji. "Adaptacja fonetyczna i grafemiczna nazwisk i imion polskich we współczesnym języku japońskim". Poradnik Językowy, n.º 2/2021(781) (27 de fevereiro de 2021): 76–86. http://dx.doi.org/10.33896/porj.2021.2.6.
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While summarising the observations about the phonetic and graphemic adaptations of Polish last and first names in the Japanese language, one can notice that the source form and the target form of such an adaptation differ from each other to a large extent. The main cause of this situation is the discrepancy between the phonological systems of both languages. In simple terms, many Polish consonants do not have equivalents in Japanese and must be rendered using substitute equivalents. Another issue here is the principal foreignness of Polish last names to an average Japanese language user. They are long, do not resemble any patterns of more universal last or first names, since words of this kind are always connected with their native language, culture, and tradition. Keywords: translation – phonetic adaptation – graphemic adaptation – last name – first name – Polish language – Japanese language
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Kołodziej, Anna. "Problematyka patriotyzmu w wychowaniu harcerskim w Związku Harcerstwa Rzeczypospolitej (ZHR)". Biuletyn Historii Wychowania, n.º 30 (8 de fevereiro de 2019): 133–48. http://dx.doi.org/10.14746/bhw.2013.30.9.
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The historical education of youth has played an important role in patriotic education. The results of academic research into the patriotism of Polish youth shows the growing need of patriotic education in the context of situating patriotism as an independent category, an element of the axiological system, the awareness of Polish youth. The analysis of contemporary Polish reality indicates new challenges in patriotic education. With the ZHR we are dealing with a specific vision of our history, as well as a specific version of present times and a specific cultural code. Scouting is considered an organization that has become an inherent part of Polish tradition and culture, and the ideal of being raised in the scouting tradition has been stablished in the consciousness of a number of generations of Poles. It is a consequence of our national culture and tradition. Scouting has been used as a tool for developing an independent attitude amongst patriotic youths. It also became an essential part of the struggle for independence. Scouting as a system of education has been subject to change and ongoing development in changing socio-political and economic conditions. This process has continued in the contemporary, postmodern and post-industrial society. Patriotic education in scouting is an element of scouting methodology based on Scouting Law and the Scouting Oath.
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Waysband, Edward. "Vladislav Khodasevich's "on Your New, Joyous Path" (1914–1915): The Russian Literary Empire Interferes in Polish-Jewish Relations". Slavic and East European Journal 59, n.º 2 (2015): 246–69. http://dx.doi.org/10.30851/59.2.005.
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This paper contextualizes Khodasevich’s unfinished poem “On Your New, Joyous Path” (1914–1915) as his poetic response to his precarious Russian-Polish-Jewish self-awareness as well as to contemporary Polish-Jewish tensions. I argue that for both predicaments, Khodasevich proposes an identical solution: the redemptive assimilation into Russian imperial, supranational culture. This vision crystallized during World War I. At that time, the key dichotomy underlying Khodasevich’s imperial project – between the national and the imperial – took the form of opposition between Polish particularism and the universalism of Russian culture. Yet an attempt to realize this vision in the poem discussed underscores its inner ambiguity, since it reinforces clear-cut imperial narratives of Russia as the epitome of humanitarian values while leaving the logic of imperial power struggle untouched. Conflicting Jewish and Polish identities and the historical circumstances of the Polish-Jewish tensions are considered as a context for the poem’s vision of Russian messianic superiority. In conclusion, I discuss the reception of Khodasevich’s assimilatory project by his target audience.
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Horyń, Ewa, Marceli Olma e Mirosław Michalik. "Medyczne oraz lingwistyczne konteksty rozważań nad leksemem język i jego potencjałem frazeologicznym". ANNALES UNIVERSITATIS PAEDAGOGICAE CRACOVIENSIS. STUDIA LINGUISTICA, n.º 18 (30 de dezembro de 2023): 107–24. http://dx.doi.org/10.24917/20831765.18.8.
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The object of description in the following paper is the lexeme język. Linguistic analysis has been broadened by medical context, in which the author presents the content regarding the tongue as the first part of the digestive system, as a sense of taste, and finally, as vocal apparatus. For this purpose, the most important issues connected with the structure, physiology and pathology of the tongue have been presented. The second part of the discussion has been dedicated to the place of the noun język, along with its synonyms and derived forms in old and contemporary general Polish language, as well as dialects. The final part contains remarks on the functioning of the word język in Polish phraseology. This lexeme, as a polysemantic unit, happens to be the component of numerous petrified word combinations, whose meaning reflects the variety of references and contexts preserved in old and contemporary Polish culture.
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Gaál, Gabriella. "The city as memory in contemporary Polish women's literature". Tudásmenedzsment 24, n.º 4. különszám (7 de novembro de 2023): 128–37. http://dx.doi.org/10.15170/tm.2023.24.k4.10.
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The research is based on the hypothesis that geographical spaces reflect the imprint of social, political, historical and cultural life. Spatial representations of settlements are the projections of social crisis and historical periods. The city has its own vocabulary and language, reflected in its buildings and spaces. These 'speaking' cities are open in space and time, and become theatres of self-writing, as the spaces of the city try to find forms of expression to see unspoken traumas, that is, theories of the city are also theories of the subject.
The main question of the investigation is: what are the specific possibilities and challenges for Polish contemporary women's literature to mobilise social memory and to create possibilities for confronting the traumatic past? Using examples from Olga Tokarczuk's novels Dom dzienny, dom nocny (Day House, Night House) and Joanna Bator's Piaskowa Góra (Sand Hill), I will present the relationship between memory and coming to terms with the past in the historical context of East-Central Europe in Poland. In particular, I will focus on the ways of reflecting on historical events of the Second World War and the regime change of 1989.
A further aim of the research is to explore how Polish women's literature after 1989 attempts to come to terms with the great social traumas of the twentieth century. In the following, I intend to examine the fictional representation of the culture of memory of the 1989/90 regime change in the body of contemporary Hungarian and Polish women's literature in order to find a common intersection of Central and Eastern European literatures.
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Lisiecki, Marcin. "Kronika polska Galla Anonima w kontekście kształtowania się polskiej świadomości narodowej". Sprawy Narodowościowe, n.º 42 (16 de junho de 2015): 131–42. http://dx.doi.org/10.11649/sn.2013.008.
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Gallus Anonymus’ gesta principium polonorum in the context of the formation of Polish national consciousnessThis paper is an attempt at a reconstruction of sources of Polish national consciousness, with its political and cultural components. It should be emphasized that cultural determinants are most important for consolidating national identity. In the Polish case, one of the most interesting and also most often reproduced Polish cultural motifs is the legend of Piast and Popiel. For reasons outlined above, this article will attempt to analyze legends of the first ruler in Poland and references to them in the contemporary Polish culture. For clarity of analysis, the essay is divided into two parts. The first is connected with the myth of richness and the fertile, as well as powerful Poland. The significance of this part is for the processes of creating Polish national identity around utopian visions, and also their presence in the literature. Furthermore, this myth is related with belief that the ruler must be just for his people. The second part includes the analysis of the presence of this myth in popular culture, on the example of children’s literature and in the social space.
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Fyłypec, Olga. "Stereotypical Features of the “Model” Pole and the “Model” Ukrainian in the Sphere of Values of Contemporary Youth in Poland". Annales Universitatis Mariae Curie-Sklodowska, sectio N – Educatio Nova 6 (22 de setembro de 2021): 425–45. http://dx.doi.org/10.17951/en.2021.6.425-445.
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The article describes an attempt to reconstruct the contemporary youth stereotype of the “model” Pole and the “model” Ukrainian which is based on experimental data. The surveys were conducted among students of the following universities: the University of Wroclaw, the University of Silesia, the University of Rzeszow and the University of Lodz. Aspects in the light of which Polish student youth perceive themselves and Ukrainians have been disclosed: communication-mental, political, cultural, everyday life, physical and geographical. The results of the study show the values, which in the axiosphere of contemporary Polish youth, are common to both nationalities: tolerance, honor, courage, honesty, helpfulness, resourcefulness, patriotism, pride of origin, diligence, hospitality, family, education, etc. Differences in the perception of Poles and Ukrainians refer to the cultural and political dimensions. For example, Polish students want to see Ukrainian students as people who are more familiar with Polish culture and a Pole as a more conscious citizen of his own country. Therefore, the study indicates differences in perceptions due to the geographical location of the heterostereotype of native speakers.
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Sahaj, Tomasz. "TRAVEL NARRATIVES IN CONTEMPORARY POLISH LITERATURE. ETHICAL, CULTURAL AND SOCIAL ASPECTS". Folia Turistica 49 (31 de dezembro de 2018): 288–311. http://dx.doi.org/10.5604/01.3001.0013.0832.
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Purpose. The presentation of results and analyses regarding on the journeys of ethical, cultural and social provenance in narratives available in contemporary Polish literature illustrated by chosen examples. Method. To prepare the presentation, qualitative methods were used together with the analysis technique of the content/plot of novels of autobiographies of contemporary Polish prose writers and travelers. The author analysed representative texts of such highly-regarded figures as philosophers by profession – Marek Kamiński, Joanna Bator, Krzysztof Środa – and wellknown writers: Andrzej Stasiuk, Krzysztof Varga, Ziemowit Szczerek and others. Findings. Research showed the authors’ great interest in history, culture, ethical and social issues during their numerous peregrinations all over Poland, Southern Europe and Central and Eastern Europe. The narration of the chosen author-travelers contains numerous reflections of existential-philosophical and cultural-social nature, focusing on sociological analysis. The interpretative framework in the works of the discussed authors fluctuates around local, global and glocal problems. Research and conclusions limitations. The study concerned only the works of Polish authors and concentrated on their journeys all over Poland, Southern and Central and Eastern Europe; borderlands, peripheral and cross-border areas. The phenomenon of the journeys of the analysed authors lies in the fact that their experiences are subjective, and their expeditions are undertaken to a considerable degree in mental space, a depicted world; they are unique imaginary adventures. Practical implications. Reading the works discussed in the article expands knowledge on culture, history and the society of countries where the authors undertake their ethically responsible travels. Their books can successfully become an element of literary/cultural tourism. Originality. In literature on the subject works concerning individual authors discussed in the article are dispersed. The advantage of the presented text is the depiction and analysis of the creative output of the examined authors in one place, including the characteristics of their journeys: spiritual, culinary, pilgrimage, cognitive and escape. Type of paper. The article is a review and a scientific, reflective essay.
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Krzyminiewska, Grażyna. "The economic culture of the polish countryside in the process of 9. changes – an outline of the issues". Ekonomika 85 (14 de setembro de 2020): 81–89. http://dx.doi.org/10.15388/ekon.2009.0.5126.
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The paper The Economic culture of the Polish countryside in the Process of Changes – an outline of issues sets up a thesis that the transformation process has a multidimensional character and that its final effect is decided by an interaction between the organizational-institutional and mental-cultural level. Drawing attention to the cultural aspect increases the accuracy of the formulated diagnoses, explanations and prognoses. The author’s arguments are based on three elements. Firstly, she indicates the theoretical aspects of understanding the economic culture – the ways of defining and operation; secondly, she discusses the essential components of the traditional economic culture of the countryside, indicating the impact that the traditional value system has on contemporary economic attitudes and mentality. Thirdly, she points out how the changes connected with the transformation process exert an influence on modification of the crucial elements of this culture, adapting it to the requirements of contemporary world.
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Jaworska, Sara. "Pisanie szeptem? O najnowszej polskiej poezji lesbijskiej". Czas Kultury XXXIX, n.º 4 (21 de dezembro de 2023): 147–56. http://dx.doi.org/10.61269/ceyo2563.
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This article is an attempt to reconstruct the history of Polish lesbian poetry since the 1990s. The author analyzes the work of poets who introduced themes of female non-heteronormativity into Polish poetry at the turn of the millennium. The poems of Ewa Sonnenberg, Inga Iwasiów and Izabela Filipiak (Morska), being examples of different ways of writing about the lesbian experience, became a contribution to the reflection on queer representation in culture and literature in recent years. In the context of the interdisciplinarity of lesbian poetry, the article tries to outline its presence in independent literary life, citing examples of films, zines and slam poetry. It also points out recent books of poetry and female authors who have become representatives of recent Polish lesbian poetry. Keywords: poetry, Polish poetry, contemporary Polish poetry, lesbian poetry, queer literature, queer, non-heteronormativity, feminism, female non-heteronormativity
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Makuchowska, Marzena. "Remembrance of Jews in contemporary catholic homilies". Stylistyka 28 (10 de janeiro de 2020): 265–87. http://dx.doi.org/10.25167/stylistyka28.2019.17.
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The paper discusses the problem of transferring the memory of Jews through Polish contemporary Catholic homilies. In the biblical pericopies read throughout the liturgical year during Catholic mass, generally Jews play a negative role – as persecutors and killers of Jesus. According to the provisions of the Second Vatican Council, anti-Jewish content cannot be proclaimed in the Catholic Church, and the Bible, which according to the doctrine must remain unchanged, should be adequately commented on in homilies. The paper – on the example of about 40 homilies – shows, however, that priests who preach homilies do not use modern exegetic knowledge, but replicate stereotypes deeply rooted in culture, thus reproducing the centuries-oldmyth of the Jews as killers of God.
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Kolankowska, Małgorzata. "Three travellers or how to “translate” Holland to Polish readers: An approach to the image of the Netherlands in Polish travel books". Neerlandica Wratislaviensia 32 (3 de setembro de 2021): 89–101. http://dx.doi.org/10.19195/0860-0716.32.6.
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Ryszard Kapuściński believed that a journalist was a translator from one culture to another. Therefore, the idea of the paper is to analyse the way contemporary Polish travellers write about the Netherlands. The analysis will focus on the stances adopted by them in relation to the country and the way they determine their perspectives. The authors of the analysed books use keywords as metaphors that permit them to translate complex characteristics of the Dutch. The paper concentrates mainly on three aspects: titles, landscape and mentality.
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Krzyżanowski, Łukasz. "Obrazki z PRL: portret epoki we współczesnym kinie". Kultura i Społeczeństwo 54, n.º 4 (22 de dezembro de 2010): 185–95. http://dx.doi.org/10.35757/kis.2010.54.4.10.
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The article identifies main themes in the representations of PRL (People’s Republic of Poland) in contemporary Polish cinema. The study is based on a qualitative analysis of seven movies from 2009 and the first half of 2010. The paper deals with a link between popular culture and social memory of communism in Poland.
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Sucharski, Tadeusz. "THE METAPHYSICAL QUEST OF ANDRZEJ STASIUK". Russkaya literatura 3 (2021): 25–26. http://dx.doi.org/10.31860/0131-6095-2021-3-25-26.
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The foreword to the essay by the contemporary Polish writer Andrzej Stasiuk describes the main milestones of his career, examines the special features of the poetics of his works, outlines his attitude to the Russian culture and the place of his essay on Dostoevsky in the context of the author’s metaphysical quest.
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Gibas, Kamil. "Bioethical strategies in the context of bioart". Panoptikum, n.º 21 (18 de dezembro de 2019): 10–27. http://dx.doi.org/10.26881/pan.2019.21.01.
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The paper discusses topics such as bioart, in the perspective of a cultural phenomenon, present in contemporary Polish and world art. The space of contemporary art, which as a material of expression uses specialist knowledge in the field of bioengineering and tissue culture along with living material, has been a challenge for artists and analysts of art, culture, science and ethics for years. The activity of Eduardo Kac is recalled as well as the Polish bioartist, Karolina Żyniewicz. In her projects, the artist collaborates with scientists, building an interdisciplinary platform for the exchange of knowledge and experiences. These deliberations are supplemented with literature on bioethics: positions, opinions and other regulatory documents (The Committee for Bioethics PAS, the Council of Europe, CIOMS, UNESCO) in the context of non-medical and artistic activities.
The paper is an attempt to find answers to questions about the way in which new bioethical regulations should be updated and formulated. What bioethical strategies should be taken in this historical moment of our time, where an artwork is both artistic and also strictly scientific?
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Wiśniewski, Tomasz, e Katarzyna Kręglewska. "From Waiting for Godot to Andrzej Stasiuk". Samuel Beckett Today / Aujourd’hui 31, n.º 2 (24 de outubro de 2019): 263–77. http://dx.doi.org/10.1163/18757405-03102006.
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Abstract Beckett’s importance for Polish culture was established by the first production of Waiting for Godot in 1957. Since then, his significance has evolved in aesthetic, social and political terms. This may be illustrated by a model that focuses on: 1) the post-war sense of frustrated expectations (Waiting for Godot); 2) the approaching fall of the Iron Curtain (Catastrophe); and 3) a contemporary search for a new geo-political identity (“neither”). Direct and indirect parallels between Beckett and Polish artists are discussed (Jerzy Kreczmar, Antoni Libera, and Andrzej Stasiuk).
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Yevtushenko, N. "ORGANIZATION OF POSTGRADUATE EDUCATION OF POLISH TEACHERS". Pedagogical Process: Theory and Practice, n.º 2 (2017): 30–35. http://dx.doi.org/10.28925/2078-1687.2017.2.3035.
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The emergence and development of socio-cultural animation are closely related to the state of modern society and contemporary culture. Animation has become a response to their deficiencies and deficiencies, for the needs that our post-industrial society cannot satisfy. The development of civilization, which led to industrialization and urbanization, meant that the social structure underwent a radical transformation. Traditional forms of community life and the types of lasting relationships related to them have disappeared, and their place was replaced by individualistic culture focused on the individual and its self-fulfillment. The way we live has become increasingly dependent on the one hand on the state, with its ubiquitous institutions, and on the other hand on market mechanisms, increasingly aggressively entering all possible areas of social life. Many outstanding humanistic psychologists, such as Maslow, Perls, Rogers and Fromm, demanded action to transform the human individual. It was postulated to strive to develop in the individual such qualities as: openness, flexibility, the ability to make conscious choices, intrsteer, creativity, skepticism towards positively understood science and technology, striving for authenticity, treating life as internal changes, autonomy, caring for others, ecological sensitivity, independence, ability to self-organize into self-sufficient institutions, spiritual development. The theme of animation requires an interdisciplinary approach, as it concerns many areas of human life. Seen from a social perspective, it is associated with such phenomena as: enriching social and cultural life forms, inspiring people to creative life and creative activities, reviving local communities and various groups and environments, discovering the unrealized potentials of both individuals and groups. On the other hand, from the pedagogical perspective, you can see a range of methods in animation that can help you deal with contemporary educational and educational challenges. The publications have rich thematic literature that goes beyond Central Europe. The topic raised was not fully exhausted; this text is one of the components of the monograph being created, which will describe the overall profile of the animator and leisure time animation.