Bibliografias temáticas / Confinement (fiction)

Literatura científica selecionada sobre o tema "Confinement (fiction)"

Autor: Grafiati

Publicado: 26 de julho de 2024

Última modificação: 26 de julho de 2024

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Artigos de revistas sobre o assunto "Confinement (fiction)"

Paris, Yago. "Escaping Confinement". Interactive Film and Media Journal 2, n.º 1 (30 de janeiro de 2022): 32–47. http://dx.doi.org/10.32920/ifmj.v2i1.1512.

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One of the most representative aspects of fiction films that address the COVID-19 pandemic is the insistent appearance of electronic devices (laptops, tablets, smartphones) to allow virtual communication between the main characters of the story. I claim that, in those films, the use of these devices and the images they produce is different from those that appeared in pre-pandemic cinema, and, as such, conveys different meanings to the filmed images. In order to explore these ideas, I will first study the ontology of phone footage imagery, to establish the main traits of this type of image. Afterwards, I will signal the differences between pre-pandemic and pandemic phone footage imagery, in order to understand the key formal traits that imply different meanings for each case. Finally, by analyzing some of the most relevant commercial films about the COVID-19 pandemic that have been produced so far (Songbird (2020), Locked Down (2021), Safer at Home (2021), Host (2020), and Ctrl+Alt+Trick/treat (2020)), I will intend to prove that in these fictions phone footage (as opposed to other electronic-device footage) addresses the desire to gain certain freedom in a scenario of confinement.

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Noad, Benjamin E. "Gothic Truths in the Asylum". Gothic Studies 21, n.º 2 (novembro de 2019): 176–90. http://dx.doi.org/10.3366/gothic.2019.0021.

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This article suggests that Victorian Gothic prose fictions privilege the voices of madness, where, operating in the historical lunatic asylum, truth is encrypted. It begins by expanding upon the relevant background contexts of the nineteenth century, with focus upon the medicalisation of madness, and goes on to offer fresh critical interpretations of false confinement in two pinnacles of nineteenth-century Gothic fiction: the penny dreadful, The String of Pearls (1846–7), and Bram Stoker's Dracula (1897). The article argues that Gothic writing simultaneously registers and articulates the silence of a madness that has been perceived to threaten rational speech; Gothic subverts the view of the mental asylum as guarantor of truth by demonstrating that this functional site is, by contrast, the generator of falsehoods.

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Jandrok, Thierry. "Les Visages de la pandémie". Études sur la mort 158, n.º 2 (18 de julho de 2023): 225–42. http://dx.doi.org/10.3917/eslm.158.0225.

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Ce documentaire fiction retrace l’histoire d’une famille lors du confinement pendant la crise de la Covid. Il évoque la façon dont les morts ont pu être traités pendant cette période. Entre le silence des cités et l’indifférence des agents qui traitent avec les morts, nous assistons à une subtile plongée dans l’horreur. Histoire d’une famille ordinaire ou hommage discret à toutes les familles qui ne purent assister une dernière fois leurs défunts, ce docu-fiction rappelle les souffrances intimes que traversèrent des milliers de personnes. Il pose également des questions éthiques à propos de possibles pratiques mortuaires en période de pandémie.

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Morawiec, Arkadiusz. "After Bereza. Polish literature towards the Confinement Centre in Bereza Kartuska. 1939–2018". Acta Universitatis Lodziensis. Folia Litteraria Polonica 55, n.º 4 (31 de dezembro de 2019): 273–309. http://dx.doi.org/10.18778/1505-9057.55.14.

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The article concerns the inclusion in the broadly understood Polish literature of the theme and motif of the Confinement Centre in Bereza Kartuska (1934–1939). I discussed in it the formation of the image of the concentration camp since it ceased its operation (in 1939), mainly defined by ideology and politics, including the politics of memory. I particularly focussed on works of literature regarding the Confinement Centre created after the Centre ceased its operations. Those include both recollections, mainly by communists (e.g. by Michał Mirski and Jan Wójcik), and works of fiction, including the short story Jestem by Leon Pasternak, the play Bereziacy by Karol Obidniak and Roman Sykała, and novels: Wzbierająca fala by Czesław K. Domagała, Król by Szczepan Twardoch, and Szakale by Robert Żółtek.

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Gregoriou, Christiana. "Monika Fludernik: Metaphors of Confinement: the Prison in Fact, Fiction and Fantasy". Journal of Literary Semantics 50, n.º 1 (1 de abril de 2021): 83–87. http://dx.doi.org/10.1515/jls-2021-2031.

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Quirk, Jack. "Book Review: Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy". Law, Culture and the Humanities 16, n.º 3 (30 de setembro de 2020): 501–3. http://dx.doi.org/10.1177/1743872120937590.

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Toker, Leona. "Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy by Monika Fludernik". Partial Answers: Journal of Literature and the History of Ideas 19, n.º 1 (2021): 192–96. http://dx.doi.org/10.1353/pan.2021.0010.

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Logan, Peter Melville. "Imitations of Insanity and Victorian Medical Aesthetics". Articles, n.º 49 (9 de abril de 2008): 0. http://dx.doi.org/10.7202/017855ar.

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Abstract The pre-eminent figure in mid-Victorian psychological medicine, Dr. John Conolly had his reputation damaged in the 1850s by scandals linking him to cases of wrongful confinement, including one that figures in Charles Reade’s novel, Hard Cash. This essay looks at two major works Conolly published during the scandals and argues that they are responses to the charges against him. Both works focus on representations of insanity in art, rather than actual patients. “The Physiognomy of Insanity” (1858-59) is a series of essays on photographic portraits of asylum patients, and his essays prove to be more fictional than factual. A Study of Hamlet (1863) looks at the ambiguity of madness in Shakespeare’s portrayal of Hamlet, but it explains how Conolly understood the relationship between fact and fiction in cases of insanity. In both works, Conolly defends himself as an aesthete and defines his diagnostic method as a deliberate and necessary form of impressionism.

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Rodriguez-Cunill, Inmaculada, Joseph Cabeza-Lainez e Maria del Mar Lopez-Cabrales. "Art and the City Fiction in Japanese American Internment Camps: Sequels for Resiliency". Arts 12, n.º 5 (11 de setembro de 2023): 195. http://dx.doi.org/10.3390/arts12050195.

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This article delves into the creation a fictional city solely for the development of Japanese American internment camps and the way in which sustainable arts and crafts played a significant role in ensuring survival in such a hostile environment. To this aim, we searched the literature and reviewed archives, primarily from the American West Coast. We demonstrate that beyond adaptation to the circumstances, the visual representation of the new city’s settlement, founding, and daily activities, instead of adding to the typical panoptic or sombre prison imagery, remains inscribed in the images selected by the inmates, and that the use of such images precisely fostered the inmates’ resiliency. This leads us to deduce that such ’city fiction’ was necessary in this case for survival and endurance, and that its artistic representation was primarily incorporated into the State’s ideological apparatus. On the other hand, occasional fissures subtly seethed with the violence exerted in the camps. In this way, we conclude that the artistic activity itself justified the city fiction, among other situations, revealing the conditions of systemic violence and oppression faced by the internees. Within this framework, we deem that the artworks hereby generated constitute a paramount historical document for resiliency’s sake. The arguments contained herein are still relevant, because everywhere around the world, situations of exclusion and confinement of displaced immigrants, or simply those considered misfits, are repeated time and time again. Nor have we alleviated the issue in any way today, since we disregard the lessons learned from the past.

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Popa, Eugen Octav. "The Method and the Madness". Romanian Journal of Communication and Public Relations 23, n.º 1 (1 de abril de 2021): 85. http://dx.doi.org/10.21018/rjcpr.2021.1.320.

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I highly recommend Hanganu-Bresch and Berkenkotter’s work to anyone who is interested in the vicissitudes of early psychiatric diagnosis, confinement and treatment. The book is well written and well documented. The reader benefits form the authors’ admirable knowledge on the evolution of psychiatry in the 19th century, the social co-creation of the institution of asylum and the many genres of discourse (from admission reports to science fiction) that have shaped these developments. While the book offers but a snapshot of a more extended historical process, I believe there is a lot to learn from such a snapshot.

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Teses / dissertações sobre o assunto "Confinement (fiction)"

Beltran, Lahoz Pilar. "The fiction of reality : confinement and displacement : an introduction to research". Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/345550/.

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This PHD project has been based on 100% studio practice; the original title for the research programme was Between Reality and Fiction and aimed at exploring the construction of reality and truth in our society, a society strictly controlled by the mass media. Whilst developing the first project within this body of research - Isolation (an attempt to contrast a real life experience of a visit to a prison with existing institutional information obtained through second and third hand sources - readings, media, films ...), a range of other more pertinent concepts arose, causing a shift from those initial ideas to ones incorporating control, displacement and space, understanding this, not only as a physical entity, but also as a socio-political construction. Based on the different projects that form the basis of my research, I explored the concept of control and how that is exercised on individuals in free/democratic societies- from spatial control (access/no access), economical, cultural (oneself/others), medical/technological, or media control (the creation of public opinion). This research attempts to question/reflect public awareness of these control measures, in order to assess their limitations, whilst investigating any existing gaps in the system which could potentially subvert it. What has been particularly relevant has been the exploration of issues relating to space, understood not only as a physical entity, but also as a socio-political construction, how space is organised, divided and controlled in an era of globalisation, and whether, or why access to certain ‘spaces’ is either severely restricted or completely denied. Work developed during the PhD has consisted of: Practical studio research (mainly installations, video and photography), site specific visits/trips relevant to particular themes within the project (HMP Winchester, Strait of Gibraltar, Canary Islands, container depots, airports ...); related readings; compilation of explicit news reportage; and the construction of an extensive archive that includes all printed and digital matter tracking the entire research process and its methodology. Personal experience has also been a main factor, influencing the development of specific research: temporary/precarious housing, part-time jobs, or in general, the situation of living abroad with all that that implies in the way of physical and cultural displacement.

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Munaro, Béatrice. "Destruction et métamorphoses du corps dans l'enfermement. Représentation de la déshumanisation chez Primo Levi, Georges Perec et Samuel Beckett". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA046.

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Cette thèse de littérature comparée a pour objectif de mettre en rapport des œuvres habitées par l’Histoire, et d’interroger les représentations littéraires du corps face à l’épreuve extrême de l’enfermement. Le but de cette recherche, qui se déploie en trois temps, est de questionner la nature humaine à travers le prisme de l’écriture face à l’expérience bouleversante des camps de concentration et d’extermination nazis pendant la Seconde Guerre mondiale, en mettant en parallèle des œuvres tant de témoignage que de fiction, qui puisent leurs ressources chacune dans le réel et le fictionnel, dans un jeu de vases communicants.Plus précisément, dans le cadre de la première partie, nous nous concentrons sur la manière dont l’expérience-limite de l’être se manifeste dans ces récits : la confusion identitaire et la déshumanisation y bousculent la représentation du corps, le mettent en doute. Ce doute s’inscrit dans le langage même : comment raconter ce qui paraît inimaginable ? Dans cette deuxième partie, nous mettons l’accent sur l’aspect indicible de l’évènement, et réfléchissons aux contournements, aux déplacements que peut offrir la littérature pour dire ce qui semble, au premier abord, inénarrable. Les images et symboles créent de nouvelles formes littéraires. Ces analyses nous permettent de développer enfin la thématique de ce que nous appelons l’écriture organique, qui se compose et s’articule autour de la corporéité. Langage et corps se superposent dans une dynamique architecturale. Écrire laisse une trace. L’écriture engendre. La littérature serait alors le terrain fécond d’une renaissance, de l’écriture d’un homme nouveau, à jamais métamorphosé par l’expérience concentrationnaire
This thesis of comparative literature aims to relate pieces inhabited by history and to question literary representations of the body in the face of the extreme hardship of confinement. The aim of this research, which unfolds in three parts, is to question human nature through the prism of writing when confronted with the traumatic experience of concentration camps and Nazi exterminations in the Second World War, by paralleling pieces, factual and fictional, which draw their ressources from both reality and fiction like interconnecting vessels. More specifically, as part of the first section we concentrate on the way the limit-experience of being manifests itself in these accounts. The confusion of identity and the dehumanization disrupt the representation of the body, thus impeaching it.This doubt fits into the language itself : how does one tell the unimaginable ? In the second section we focus on the inexpressible aspect of the event and reflect on the diversions, the displacements that literature can offer to say what, at first, seems indescribable. Imagery and symbolism create new forms of literature.This analysis allows us to develop the theme that we call organic writing, which is composed of and articulates itself through corporeity. Language and body superpose themselves in an architectural dynamic. Writing leaves a trace. Writing gives rise to new forms. Literature would therefore be the fertile soil of revival, the writing of a new human being, forever metamorphosed by the concentration camp experience

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Auphan, Thomas. "Analyse de modèles pour ITER ; Traitement des conditions aux limites de systèmes modélisant le plasma de bord dans un tokamak". Phd thesis, Aix-Marseille Université, 2014. http://tel.archives-ouvertes.fr/tel-00977893.

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Cette thèse concerne l'étude des interactions entre le plasma et la paroi d'un réacteur à fusion nucléaire de type tokamak. L'objectif est de proposer des méthodes de résolution des systèmes d'équations issus de modèles de plasma de bord. Nous nous sommes intéressés au traitement de deux difficultés qui apparaissent lors de la résolution numérique de ces modèles. La première difficulté est liée à la forme complexe de la paroi du tokamak. Pour cela, il a été choisi d'utiliser des méthodes de pénalisation volumique. Des tests numériques de plusieurs méthodes de pénalisation ont été réalisés sur un problème hyperbolique non linéaire avec un domaine 1D. Une de ces méthodes a été étendue à un système hyperbolique quasilinéaire avec bord non caractéristique et conditions aux limites maximales strictement dissipatives sur un domaine multidimensionnel : il est alors démontré que cette méthode de pénalisation ne génère pas de couche limite. La deuxième difficulté provient de la forte anisotropie du plasma, entre la direction parallèle aux lignes de champ magnétique et la direction radiale. Pour le potentiel électrique, cela se traduit par une résistivité parallèle très faible. Afin d'éviter les difficultés liées au fait que le problème devient mal posé quand la résistivité parallèle tend vers 0, nous avons utilisé des méthodes de type asymptotic-preserving (AP). Pour les problèmes non linéaires modélisant le potentiel électrique avec un domaine 1D et 2D, nous avons fait l'analyse théorique ainsi que des tests numériques pour deux méthodes AP. Des tests numériques sur le cas 1D ont permis une étude préliminaire du couplage entre les méthodes de pénalisation volumique et AP.

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"Love and confinement in Jean Rhys's fiction". 1997. http://library.cuhk.edu.hk/record=b5889197.

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by Clara Cheng Mung Lai.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1997.
Includes bibliographical references (leaves 172-182).
Abstract --- p.i
Acknowledgements --- p.v
Abbreviations --- p.vii
Introduction A Voyage Out: To Love --- p.1
Chapter Chapter One --- From Home to Hotel: The Desire for Romantic Love in Postures --- p.12
Chapter Chapter Two --- "From Hotel to Hotel: The Obsession with Material Objects in Good Morning, Midnight" --- p.57
Chapter Chapter Three --- From Island to Attic: The Pursuit of Self- realization in Wide Sargasso Sea --- p.103
Conclusion A Voyage Back: To Confinement --- p.151
Notes --- p.166
Works Cited --- p.169
Bibliography --- p.172

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Livros sobre o assunto "Confinement (fiction)"

McMahon, Katharine. Confinement. London: Flamingo, 1998.

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Brown, Carrie. Confinement. Chapel Hill, N.C: Algonquin Books of Chapel Hill, 2004.

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Brown, Carrie. Confinement. New York: Berkley Books, 2005.

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McMahon, Katharine. Confinement. Long Preston: Magna, 2011.

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Protective confinement. Toronto: Harlequin, 2007.

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Crone, Moira. A period of confinement. New York: Putnam, 1986.

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Crone, Moira. A period of confinement. New York: Perennial Library, 1987.

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Faith, Karlene. Unruly women: The politics of confinement and resistance. New York: Seven Stories Press, 2011.

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Kordela, Aglaia Kiarina, e Dimitris Vardoulakis. Freedom and confinement in modernity: Kafka's cages. New York: Palgrave Macmillan, 2011.

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Leigh, Danny. The monsters of Gramercy Park: A novel. New York: Bloomsbury, 2005.

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Capítulos de livros sobre o assunto "Confinement (fiction)"

Kratochvil, Alexander. "Trauma Narration as Adventure Fiction: Ivan Bahrianyj’s Novel The Hunters and the Hunted". In Narratives of Annihilation, Confinement, and Survival, editado por Anja Tippner e Anna Artwińska, 252–69. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110631135-014.

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Stubbs, Ben. "Writing, isolation, and war". In Creative and Non-fiction Writing during Isolation and Confinement, 88–109. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-6.

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Stubbs, Ben. "Illness". In Creative and Non-fiction Writing during Isolation and Confinement, 28–45. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-3.

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Stubbs, Ben. "Incarceration". In Creative and Non-fiction Writing during Isolation and Confinement, 46–63. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-4.

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Stubbs, Ben. "Castaways". In Creative and Non-fiction Writing during Isolation and Confinement, 64–87. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-5.

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Stubbs, Ben. "Travel writing". In Creative and Non-fiction Writing during Isolation and Confinement, 6–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-2.

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Stubbs, Ben. "Introduction". In Creative and Non-fiction Writing during Isolation and Confinement, 1–5. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-1.

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Stubbs, Ben. "Writing and COVID-19". In Creative and Non-fiction Writing during Isolation and Confinement, 110–29. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003243267-7.

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Kermode, Frank. "Solitary Confinement". In The Sense of an Ending, 155–80. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195136128.003.0006.

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Abstract In this lecture, which is my last, I shall try to touch upon most of the themes proposed in the earlier ones, though I do not hope to provide in it the marvellous clue that would make all the rest useful and systematic. I could only do that if I were the master described in the poem, that ‘more severe, More harassing master’I have his programme but not his powers. ‘Life / As it is, in the intricate evasions of as’ is what I am talking about, as best I can; and I am glad that it was in my most recent talk that I discussed Sartre, who knew that fictions, though prone to absurdity, are necessary to life, and that they grow very intricate because we know so desolately that as and is are not really one. None of our fictions is a supreme fiction.

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Fludernik, Monika. "Poeta in Vinculis I". In Metaphors of Confinement, 109–70. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840909.003.0002.

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Chapter 2 contrasts the writings of Thomas More and John Bunyan. The chapter foregrounds these authors’ strategies of imaginative and psychological coping, considering how their texts reflect the traumatic experience of incarceration in the imaginative re-enactment of their fiction. The chapter introduces a number of prison tropes besides the WORLD AS PRISON/PRISON AS WORLD metaphor, most prominently in Bunyan the SIN AS PRISON trope. A major focus of the chapter concerns the difficult relationship between fact, fiction, and allegory in the work of the two authors and their contemporaries. A final section of the chapter links Bunyan’s poetry to the tradition of late medieval and early modern prison verse.

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