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Livros sobre o tema "Conception hybride"

Autor: Grafiati

Publicado: 23 de novembro de 2024

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1

Sawyer, Robert J. Hybrids. New York: Tor, 2003.

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2

Hybrid Play. Taylor & Francis Group, 2020.

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3

Power hybrid circuit design and manufacture. New York: M. Dekker, 1996.

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4

College, Seneca, Humber College, Kenjgewin Teg, et Nipissing University e Trent University. Conception et élaboration d’expériences d’apprentissage en ligne et hybrides de haute qualité et centrées sur l’étudiant. eCampusOntario Open Authoring Platform, 2022.

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5

Amoroso, Nadia. Representing Landscapes: Hybrid. Taylor & Francis Group, 2016.

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6

Amoroso, Nadia. Representing Landscapes: Hybrid. Taylor & Francis Group, 2016.

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7

Amoroso, Nadia. Representing Landscapes: Hybrid. Taylor & Francis Group, 2016.

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8

Representing Landscapes: Hybrid. Routledge, 2016.

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9

Hybrid Play: Crossing Boundaries in Game Design, Player Identities and Play Spaces. Taylor & Francis Group, 2022.

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10

Adriana de Souza e Silva e Ragan Glover-Rijkse. Hybrid Play: Crossing Boundaries in Game Design, Players Identities and Play Spaces. Taylor & Francis Group, 2020.

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11

Adriana de Souza e Silva e Ragan Glover-Rijkse. Hybrid Play: Crossing Boundaries in Game Design, Players Identities and Play Spaces. Taylor & Francis Group, 2020.

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12

Lackpour, Cameron. Developing Essbase Applications: Hybrid Techniques and Practices. Auerbach Publishers, Incorporated, 2015.

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13

Developing Essbase applications: Hybrid techniques and practices. Boca Raton: CRC Press,Taylor & Francis, 2016.

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14

Smith, Holly M. Hybrid and Austere Responses to the Problem of Error. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199560080.003.0008.

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Chapter 8 explores the Austere and Hybrid Responses to the problem of error. The two types of response are described in both ideal and non-ideal versions. Both are found wanting, but the Austere Response emerges as best. Codes endorsed by the Austere approach cannot be shown to meet the “goal-oriented” desiderata of maximizing social welfare, facilitating social cooperation and long-range planning, or guaranteeing the occurrence of the ideal pattern of actions. But Austere-endorsed codes do satisfy the conceptual desiderata for “usable” moral theories in the core (but not the extended) sense of “usability.” They are usable despite the agent’s false beliefs, and they provide agents with the opportunity to live a successful moral life according to the modest conception of this life. This chapter concludes that the only remedy for the problem of error is an Austere code containing a derivative duty for agents to gather information before acting.

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15

Mombert, Sarah. From Books to Collections. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038402.003.0009.

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This chapter explores the critical edition of hybrid materials: heterogeneous documents, facsimiles, pictures, sounds, and videos. Through concise examples, it illustrates how and why different collections, although “critical,” do not attain the usual ambitions of critical editions (Greek authors, the Bible, canonical authors) but address another conception of “critical” and “edition.” The chapter examines the implications of critical projects when reconstructions of the given texts' original states are of lesser or peripheral interest. The term “critical” is used mainly to connote the construction of a context amplified through comments, intersecting links, and thematic indexation.

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16

Meyer, Petra Maria. Sound, Image, Dance, and Space in Intermedial Theatre. Editado por Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.42.

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The chapter focuses philosophically on theatre as one of the acoustic spaces for staging in which sound design acquires an ever higher status in an advanced technical intermedia interplay. Theatre-dramaturgy is transformed into intermedial dramaturgy. The author notes a fundamental “acoustic turn” in theatre, which locates compositional processes within new audiovisual interplays. “ICH2 Intermedial Dance Performance for Planetaria” (2005–2006)—a cutting-edge hybrid form of theatre using advanced digital technologies—is discussed. The performance combines expressive body movements, 360° interactive motion graphics, and sound. In this way “ICH²” is a unique piece of the emerging genre called digital theatre, in which technology enables alterable and immersive stage settings and a new acoustic space. The author explores Merleau Ponty’s conception of embodiment, Lacan’s conception of the “imaginary turn,” and aesthetic innovations in the domain of scenography, thus reflecting historical, theoretical, aesthetical, and practical aspects.

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17

Schotter, Jesse. The Hieroglyphics of Character. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424776.003.0003.

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This chapter examines how hybrid conceptions of language and media come to challenge representations of literary character and narrative in the modernist period. Understanding Virginia Woolf as a film theorist situated within the ferment of avant-garde film culture in London in the mid-1920s—a period which saw the formation of the journal Close-Up and the London Film Society—the chapter argues that Woolf’s engagement with film and its ‘hieroglyphs’ in her essay ‘The Cinema’ transforms her understanding of language and character in To the Lighthouse. Throughout the late 1920s, Woolf imagines writing as emulating the material and visual form of hieroglyphs, revealing the inscriptions graven upon the ‘sacred tablets’ of the minds and hearts of her characters.

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18

Ferguson, Ben, e Hillel Steiner. Exploitation. Editado por Serena Olsaretti. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199645121.013.21.

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Exploitation is commonly understood as taking unfair advantage. This article discusses the various prominent accounts that have been offered of how an exchange, despite being Pareto improving and consensual, can nevertheless count as unfair or unjust and, hence, as presumptively impermissible. Does the wrongness of an exploitative transaction consist in its compounding a prior distributive injustice, or in its deliberately profiting from someone’s vulnerability, or in its commodification of that which should not be commodified? How should responsibility for exploitation be assigned, and can this avoid generating moral hazard? The accounts of exploitation analysed here are classified along two dimensions—historical vs. ahistorical and intentional vs. non-intentional—in their conceptions of unfairness, and the possibility of a hybrid account is explored.

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19

Pila, Justine. The Trade Mark, Other Product Designations, and Goodwill. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199688616.003.0006.

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This chapter considers the meaning of the terms that appropriately denote the subject matter protectable by registered trade mark and allied rights, including the common law action of passing off. Drawing on the earlier analyses of the objects protectable by patent and copyright, it defines the trade mark, designation of origin, and geographical indication in their current European and UK conception as hybrid inventions/works in the form of purpose-limited expressive objects. It also considers the relationship between the different requirements for trade mark and allied rights protection, and related principles of entitlement. In its conclusion, the legal understandings of trade mark and allied rights subject matter are presented as answers to the questions identified in Chapter 3 concerning the categories and essential properties of the subject matter in question, their method of individuation, and the relationship between and method of establishing their and their tokens’ existence.

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20

Shaw-Miller, Simon. Object and Idea. Editado por Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.45.

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This chapter concentrates on the strain of modernism that flows from the work of French artist Marcel Duchamp and its relationship to ideas of music. While the significance of music as a paradigm for the development of “purist” modernism is well known—it is an ideology best encapsulated in the writing of Clement Greenberg, the development of abstraction in art, and is based on the model of musical meaning that was consequent on the concept of “absolute music”—what is less well known is the significance of music for the strain of modernism that came through Duchamp, forming a hybrid conceptual alternative to purism. It is argued that the idea of the readymade is consistent with idea of music as more than just sound, as a discursive practice, and that this “extra-musical” conception of music (as counterpoise to absolute music) provides a lineage linking Duchamp to Paik to Marclay.

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21

Levitov, Alex. Normative Legitimacy and the State. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199935307.013.131.

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This article offers a critical overview of the major normative theories of political legitimacy from the seventeenth century to the present day, with a special focus on the leading representatives of the social contract tradition: the voluntarist theory, according to which legitimate political authority must derive from the free choices of its subjects; and the natural duty theory, which holds that a state’s legitimacy depends on the extent to which its institutions are just, regardless of whether it has been freely authorized by its subjects. The article then explores the prospects of a hybrid theory that would combine elements of the two and concludes by examining the ways in which the various conceptions of state legitimacy under consideration might be applied or adapted to the case of supranational political institutions.

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22

Adler, Matthew D. Extended Preferences. Editado por Matthew D. Adler e Marc Fleurbaey. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199325818.013.16.

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This chapter presents a methodology for constructing an interpersonally comparable measure of individual well-being, the “extended preferences” approach. It builds upon John Harsanyi’s work. The key idea is that an ethical deliberator makes (or at least is capable of making) judgments concerning the well-being levels of histories and well-being differences between histories—where a history is a hybrid bundle consisting of possible attributes an individual might have, plus possible preference (“tastes”) regarding such attributes. These judgments are represented by a well-being measure. If the deliberator adopts a preference-based conception of well-being, the functional form of that well-being measure can be partly inferred from the utility functions representing the tastes incorporated in histories. That is: the deliberator partly infers what the well-being numbers she assigns to histories must be, given her deference to individual tastes. The chapter also compares the extended-preferences approach to competing methodologies for measuring well-being, in particular the equivalent-income concept.

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23

Sykes, Jim. The Island Space. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190912024.003.0010.

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In this chapter, the author discusses the historical development of Sinhala music in the nineteenth and twentieth centuries in Sri Lanka (called Ceylon until 1972) in relation to colonial surveillance and conceptions of Sri Lanka as an island space. The chapter theorizes “islands” for music studies and compares Sri Lankan discussions on indigeneity and “movements to” the island with those on the Caribbean. The chapter considers mid-twentieth century anxieties that the Sinhalese “have no music” because their music is “too hybrid.” It then argues that in recent decades, music has been a crucial way for Sinhala nationalists to indigenize the Sinhalese, eschewing the longstanding narrative that their ancestors came from North India, through the figure of Ravana (the “evil king” in the Hindu Ramayana epic) that allows them to draw a link between Sinhala culture and the indigenous Väddas.

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24

Timmons, Mark, ed. Oxford Studies in Normative Ethics Volume 14. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198930785.001.0001.

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Abstract Oxford Studies in Normative Ethics is an annual forum for new work in normative ethical theory. Leading philosophers present original contributions to our understanding of a wide range of moral issues and positions, from analysis of competing approaches to normative ethics (including consequentialism, deontology, and virtue ethics) to questions of how we should act and live well. This fourteenth volume contains chapters that address how personal relationships affect one’s duties; time-relative conceptions of prudence; reflection on the virtue of temperance; supererogation and the all or nothing problem; two faces of hypocrisy; hybrid goods; normative explanatory pluralism; how the “shape” of a life contributes to its value; love as seeing and seeing-with; expressive duties (e.g., gratitude and forgiveness) as demandable and enforceable; forgiveness and moral luck; and the case of consequentializing normative moral theories.

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25

Halliday, Daniel. Inheritance of Wealth. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198803355.001.0001.

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This book presents a philosophical analysis of inherited wealth: it examines both the moral foundations of the right to bequeath wealth and the case for restricting that right with an inheritance tax. The book seeks to approach inheritance as a challenge with much contemporary significance but draws on ideas from the history of political philosophy. The positive proposals that emerge count as a sort of hybrid between luck egalitarian and social egalitarian conceptions of justice, with some sensitivity to utilitarian and libertarian insights. Chapter 1 lays out the main arguments and motivations in brief. Chapters 2 and 3 survey a variety of arguments from the eighteenth to the early twentieth century, with a view to establishing which insights have enduring force. Chapters 4, 5, and 6 assemble an egalitarian case for restricting inherited wealth, though many particular egalitarian conceptions are rejected. The main positive point to emerge in these chapters is that unrestricted inheritance is unjust to the extent that it enables and enhances the intergenerational replication of inequality. Here, inequality is understood in a group-based sense: the unjust effects of inheritance are principally in its tendency to concentrate certain opportunities into certain groups. This results in economic segregation. Concern about this tendency represents a modification of a somewhat stronger but less precise concern about the role of inheritance in perpetuating class hierarchy. Chapters 7 and 8 engage, somewhat more piecemeal, with arguments from the libertarian tradition and with certain questions about the design of taxation schemes.

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