Literatura científica selecionada sobre o tema "Comets – Fiction"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Índice
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Comets – Fiction".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Comets – Fiction"
Wimalasena, Yashvi, Jeremy Windsor e Mark Edsell. "Using Ultrasound Lung Comets in the Diagnosis of High Altitude Pulmonary Edema: Fact or Fiction?" Wilderness & Environmental Medicine 24, n.º 2 (junho de 2013): 159–64. http://dx.doi.org/10.1016/j.wem.2012.10.005.
Texto completo da fonteZolyan, Suren. "What Is Unreliable in Fiction and Where It Comes From". Epistemology & Philosophy of Science 59, n.º 2 (2022): 76–80. http://dx.doi.org/10.5840/eps202259224.
Texto completo da fonteАnchishina, E. A. "THE ROLE OF LEGAL FICTIONS IN MODERN LAW ENFORCEMENT PRACTICE". Bulletin of Udmurt University. Series Economics and Law 30, n.º 5 (12 de novembro de 2020): 697–705. http://dx.doi.org/10.35634/2412-9593-2020-30-5-697-705.
Texto completo da fonteWeinert, Friedel. "Hypothetical, not Fictional Worlds". Kairos. Journal of Philosophy & Science 17, n.º 1 (1 de dezembro de 2016): 110–36. http://dx.doi.org/10.1515/kjps-2016-0019.
Texto completo da fonteCastelli, Alberto, e Jiang Huiyu 蒋惠聿. "THE VOICE OF FRENCH REALISM IN YU HUA’S AND SU TONG’S FICTION". Folia linguistica et litteraria XII, n.º 36 (setembro de 2021): 103–20. http://dx.doi.org/10.31902/fll.36.2021.7.
Texto completo da fonteBrauneis, Adrian. "Fiktive Tatsachen, ihre Relativität und deren Angabe". Scientia Poetica 24, n.º 1 (1 de novembro de 2020): 133–72. http://dx.doi.org/10.1515/scipo-2020-005.
Texto completo da fonteDe Roest, Karla. "Maak een vuist als je geen hand hebt. Inclusiviteit in (pre)historische jeugdromans". Paleo-aktueel, n.º 33 (16 de julho de 2024): 39–48. http://dx.doi.org/10.21827/pa.33.39-48.
Texto completo da fonteHaley, Madigan. "On Gathering: Or, The Birth of Global Fiction from the Spirit of Tragedy". Novel 53, n.º 1 (1 de maio de 2020): 76–95. http://dx.doi.org/10.1215/00295132-8139339.
Texto completo da fonteYALÇIN, Çağrı, e Elif ÖZDOĞLAR. "ARCHITECTURAL ANALYSIS OF THE DUNE MOVIES". SOCIAL SCIENCE DEVELOPMENT JOURNAL 8, n.º 36 (15 de março de 2023): 221–36. http://dx.doi.org/10.31567/ssd.870.
Texto completo da fonteSvoboda, Manuela, e Petra Zagar-Sostaric. "How much Artistic Freedom is permitted when it comes to Language? - Analysis of a Crime Novel". European Journal of Social Science Education and Research 5, n.º 2 (1 de agosto de 2018): 50–60. http://dx.doi.org/10.2478/ejser-2018-0033.
Texto completo da fonteTeses / dissertações sobre o assunto "Comets – Fiction"
Podeschi, Mario. "What comes next /". View online, 2008. http://repository.eiu.edu/theses/docs/32211131428176.pdf.
Texto completo da fonteCabrera, Remberto. "Love comes in at the eye". FIU Digital Commons, 1998. http://digitalcommons.fiu.edu/etd/1958.
Texto completo da fonteGrimm, Gunter E. "Kometenforschung zwischen Aberglauben und Science-fiction - Comet research between superstition and science fiction". Gerhard-Mercator-Universitaet Duisburg, 2002. http://www.ub.uni-duisburg.de/ETD-db/theses/available/duett-08162002-150835/.
Texto completo da fonteCho, Victoria. "Trouble Comes From the Mouth". ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2237.
Texto completo da fonteBond, John A. "Reconcilable differences, a dark comedy". FIU Digital Commons, 2001. http://digitalcommons.fiu.edu/etd/1731.
Texto completo da fonteVincent-Comte, Sandra Varinard André. "Le principe de la responsabilité pénale personnelle réalité ou fiction? /". Lyon : Université Lyon3, 2005. http://thesesbrain.univ-lyon3.fr/sdx/theses/lyon3/2005/comte_s.
Texto completo da fonteKurtz, Matthew B. "What Comes After the Blues". Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1619717430532435.
Texto completo da fonteGilder, John M. "The First Rule of Improv". ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2607.
Texto completo da fonteSEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Texto completo da fonteCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
SEGATO, GIULIO. "THE AMERICAN COMEDY. TEMI, INNOVAZIONI E TEOLOGIA NELL'OPERA DI ELMORE LEONARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/45734.
Texto completo da fonteCritics and biographers have summarized Elmore Leonard’s work too easily: he was one of the best crime novels writers in America because of his “cinematic” prose and his unerring ear for the voices of the characters. I think there are much more issues in Leonard’s narratives, so my thesis is focused on investigating other distinctive traits of his novels. Leonard actually wrote westerns for many years before first trying his hand at crime fiction (in The Big Bounce 1969), the genre that gave him great fame. My thesis basically examines three distinguishing features. First, in Leonard’s books there is almost never any process of detection. Readers generally know from the very beginning who the murderer is, and in many cases the detective finds out soon after, but he is always prevented from arresting or killing him at once. What prolongs his pursuit is generally not a process of investigation but rather a frustrating combination of legal procedural constraints that are often portrayed as arbitrary, and the killer’s own animal willingness and absurd good luck. Secondly, Leonard, in his narrative, develops a very distinctive point of view. The writer always tells his stories from the omniscient point of view in the third person, only apparently neutral. In Leonard’s novels any chapter can be narrated from the perspective of any character (even a murder victim as in Glitz). This issue is not only a technical problem, it is a moral one, who makes Leonard’s novels disturbing to the reader. Finally Leonard, who had a catholic education and a deep knowledge of the Bible, hides theological issues in his grotesque crime stories. For example, in his novels violence is never the right solution, never necessary, as his heroes prefer talking with the villain or leaving, instead of shooting him.
Livros sobre o assunto "Comets – Fiction"
Tamar, Erika. Venus and the Comets. Plain City, OH: Darby Creek Pub., 2003.
Encontre o texto completo da fonteill, Lanino Deborah, ed. Maria's comet. New York: Atheneum Books for Young Readers, 1999.
Encontre o texto completo da fonteSomtow, S. P. Do Comets Dream?: Star Trek: The Next Generation. New York: Pocket Books, 2003.
Encontre o texto completo da fonteBaillie, M. G. L. Exodus to Arthur: Catastrophic encounters with comets. London: B.T. Batsford, 1999.
Encontre o texto completo da fontePerritano, John. The comet of doom. Minneapolis, Minnesota: Calico, an imprint of Magic Wagon, 2015.
Encontre o texto completo da fonteForest, John. The piper of the stars: A story for children. London: NdA Press, 1986.
Encontre o texto completo da fonteVega, L. Eduardo. Comet dis'aster: (Latin, "dis," evil; Greek, "astron," star) : a novel. Oakland, CA: Regent Press, 2000.
Encontre o texto completo da fonteJansson, Tove. Comet in Moominland. London: Black, 1986.
Encontre o texto completo da fonteJansson, Tove. Comet in Moominland. New York: Farrar Straus Giroux, 1990.
Encontre o texto completo da fonteWallace, Karen. The comet of doom: A thrilling tale from the time of Montezuma. London: A. & C. Black, 2009.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Comets – Fiction"
Morin, Olivier, Alberto Acerbi e Oleg Sobchuk. "Perché si muore nei romanzi: l’ipotesi della simulazione dell’ordalia". In La narrazione come incontro, 59–80. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-215-0045-5.06.
Texto completo da fonteRibke, Nahuel. "Bilingual Comedy Series". In Multilingual Fiction Series, 58–85. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003378112-4.
Texto completo da fonteDavies, Dominic. "Intolerable fictions". In Comics and Migration, 257–70. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003254621-18.
Texto completo da fonteMarsh, Huw. "Comedy". In The Routledge Companion to Twenty-First Century Literary Fiction, 67–79. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge companions to literature series: Routledge, 2019. http://dx.doi.org/10.4324/9781315880235-7.
Texto completo da fonteTrommer, Ralph. "Phantastische Comics — Science-Fiction, Fantasy, Horror". In Comics und Graphic Novels, 212–32. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05443-2_12.
Texto completo da fonteTredell, Nicolas. "That Comes at Night: The Information (1995)". In The Fiction of Martin Amis, 154–72. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-19344-5_10.
Texto completo da fonteRoman, Christopher Michael. "Queering Wolverine in Fan Fiction". In Queering Wolverine in Comics and Fanfiction, 58–79. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003222644-4.
Texto completo da fonteHart, Jonathan. "Realism and Comedy". In Fictional and Historical Worlds, 133–48. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012647_9.
Texto completo da fonteGuignery, Vanessa. "When Horror Meets Comedy: Before She Met Me (1982)". In The Fiction of Julian Barnes, 17–27. London: Macmillan Education UK, 2006. http://dx.doi.org/10.1007/978-0-230-80221-6_3.
Texto completo da fonteAnderson, David S. "‘The Aliens from 2,000 B.C.!’: Truth, Fiction and Pseudoarchaeology in American Comic Books". In Comics and Archaeology, 21–48. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98919-4_2.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Comets – Fiction"
ЦВИК, Ирина. "Forms of realization of the dialogue of cultures in a work of art". In Probleme ale ştiinţelor socioumanistice şi ale modernizării învăţământului. "Ion Creanga" State Pedagogical University, 2022. http://dx.doi.org/10.46728/c.v3.25-03-2022.p76-80.
Texto completo da fontePopovic, Tanja. "Milorad Pavic’s Khazar Dictionaryas a Postmodern Comment on theHagiography of Saints Cyril and Methodius". In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.24.
Texto completo da fonteGrimova, O. "BIOGRAPHICAL DISCOURSE IN THE STRUCTURE OF E.G. VODOLAZKIN’S NOVEL “CHAGIN”". In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3720.rus_lit_20-21/175-178.
Texto completo da fonteHölzle, Université Grenoble 3, Dominique. "Le pouvoir des fictions dans les Lettres de la Marquise de M*** au Comte de R*** de Crébillon". In Crébillon, Lettres de la marquise de M*** au comte de R***. Fabula, 2011. http://dx.doi.org/10.58282/colloques.1399.
Texto completo da fonteSantos, Raiden, Paula Alexandra Silva, Waleed Zuberi e Philipp Jordan. "A Survey of Beliefs and Attitudes toward Artificial Intelligence — Practical Implications and Fictional Depictions". In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004177.
Texto completo da fonteKergoat, Marie. "Palimpseste de la fiction de fantasy : créer, interpréter et incarner les combats d’un univers de papier. Réflexions autour des Rois du monde (Jean-Philippe Jaworski)". In Variantes. La déclinaison des possibles comme objet de la recherche. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12090.
Texto completo da fonteKizhakkethil, Priya. "Information experience in a diaspora small world". In ISIC: the Information Behaviour Conference. University of Borås, Borås, Sweden, 2020. http://dx.doi.org/10.47989/irisic2022.
Texto completo da fonteSun, Liping, Zhiqiang Wan, Shangmao Ai e Jiaji Li. "Numerical Analysis of Gas Leakage Problem Based on Improved Gas Storage Vessel Leakage Model". In ASME 2016 35th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2016. http://dx.doi.org/10.1115/omae2016-54142.
Texto completo da fonteSüyük Makakli, Elif, e Ebru Yücesan. "Spatial Experience Of Physical And Virtual Space". In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.jrvm8060.
Texto completo da fonteRelatórios de organizações sobre o assunto "Comets – Fiction"
Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, fevereiro de 2024. http://dx.doi.org/10.61737/sgkp7833.
Texto completo da fonteEstrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, março de 2022. http://dx.doi.org/10.46877/estrada.2022.42.
Texto completo da fonte