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1
Machcinski, Kathryn F. ""Civilization is Going to Pieces": Crime, morality, and their role in The Great Gatsby". Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1386665184.
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2
Pang, Lai-kei, e 彭麗姬. "History as a form of narrative dreaming from war and peace to one hundred years of solitude". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31951090.
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3
Havenhand, Jonathan Neil. "The physiological ecology and life history strategies of the nudibranch molluscs 'Adalaria proxima' (Alder & Hancock) and 'Onchidoris muricata' (Müller) (Gastropoda: Opisthobranchia)". Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2708.
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This study investigated the physiological ecology, larval biology and population genetics of the nudibranch molluscs Adalaria proxima (A & H) and Onchidoris muricata (Müller). These two species are annual, simultaneous hermaphrodites and are ecologically very similar with the exception that A. proxima reproduces by means of pelagic lecithotrophic larvae whereas Omuricata has long-term planktotrophic larvae. The aim of the study was therefore to determine the selective pressures which resulted in the evolution of different larval types in these two species, and to ascertain the ecological and population genetic consequences thereof. Simple energy budgets comprising the major components (consumption, growth, respiration and reproduction) were constructed for laboratory populations of each species. In both A. proxima and O. muricata, feeding rate displayed an asymptotic increase with body size. Mean feeding rates of A. proxima were greater than those of comparable O. muricata individuals, and overall assimilation efficiency was higher in A. proxima than in O. muricata. This difference was reflected in the somatic growth rates which were correspondingly greater in A. proxima than in O. muricata. Net growth efficiencies were broadly comparable between the two species, however, growth of A. proxima was approximately linear over' time whilst that of O. muricata displayed a curvilinear, almost exponential, pattern. This is interpreted as demonstrating that some form of constraint (possibly feeding rate) operated on the growth rates of A. proxima but not on those of O. muricata. Respiration rates were found to be relatively constant within given animals, but significant differences were found between individuals. The allometry of respiration rate was not constant; Omuricata demonstrated a more rapid increase in respiration rate with increasing body size than did A. proxima. Individual variations in respiration rate did not reflect variations in the energy partitioned to either growth or reproduction. Reproductive patterns in the two species were dissimilar. A. proxima laid fewer spawn masses containing fewer, larger ova than those laid by O. muricata individuals. In addition, the spawning period of A. proxima was shorter than that of O. muricata (60 days and 105 days respectively). Both species exhibited a similar (proportional) degree of somatic catabolism over these periods. The consequently more rapid "degrowth" of A. proxima is interpreted as the necessary utilization of an energy resource (i. e. the soma) caused by an inability to meet the energy demands of reproduction through feeding alone. This was not the case in Oanuricata individuals which exhibited a much smaller maximum body size and were able to feed at a sufficiently rapid rate to maintain reproduction. In the latter case, the longer reproductive period served to maximise the total reproductive output. Several different measures of "Reproductive Effort" (RE) were calculated. These generally indicated that the RE of Omuricata was considerably greater than that of A. proxima. Although such differences have been used in the literature to classify the respective costs of different larval types or "reproductive strategies", the variability of the RE's obtained from the different measures used here has led to the suggestion that the general lack of association between RE and reproductive strategy which has been reported elsewhere may (partially) be attributable to the different measures of RE employed in different studies. Studies of the embryonic and larval period showed that the egg-to-juvenile period of O. muricata was approximately 50% longer than that of A. proxima. This difference was primarily attributable to the extended pelagic development of O. muricata larvae. Estimates of the degree of dispersal, and hence gene-flow, between populations of these species were tested by investigating the biochemical genetics of such populations. No data were available for O. muricata, but A. proxima populations proved to be more genetically heterogeneous than had been expected. It is therefore concluded that actual pelagic dispersal may be considerably abbreviated over that expected on the basis of larval culture data alone. A model is developed to explain the possible consequences of different egg-to-juvenile periods (which accrue from different larval types) on both the ecology of the benthic adult, and on overall energy partitioning to reproduction. However, although (probable) proximate causes and effects of the different reproductive traits exhibited by A. proxima and Oanuricata are shown, it has not been possible to determine the exact selective pressures which caused A. proxima to diverge from the ancestral "O. muricata" stock through the evolution of a pelagic lecithotrophic larva.
4
Lima, de Sousa Helen Marie. "Beyond Indianism : the different faces (and races) of civilization and primitiveness in Brazilian romanticism". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608115.
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5
Pang, Lai-kei. "History as a form of narrative dreaming from war and peace to one hundred years of solitude". [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13787317.
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6
Haman, Brian. "Perpetuum mobile? : literature, philosophy, and the journey in German culture around 1800". Thesis, University of Warwick, 2012. http://wrap.warwick.ac.uk/55510/.
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Scholarly interest in travel literature has increased substantially in recent years. However, there has been a lack of sustained, cohesive commentary on the journey motif in German Romantic culture, particularly its origins and manifestations in literature and philosophy. My doctoral research fills this gap through a philosophically- and historically-informed reading of German Romanticism. The thesis examines 1) the paradigmatic template of the literary journey established by Goethe in Wilhelm Meisters Lehrjahre, 2) metaphors of movement and mobility within the Idealist philosophy of Kant and Fichte and their role, 3) the manner in which these metaphors migrate into the theoretical and prose writings of Novalis, 4) Tieck’s notion of the sublime and its relevance for the Romantic journey, and 5) the late Romantic satirization of the journey motif within Eichendorff’s prose. Additionally, the thesis serves to show how philosophical discourse of the Enlightenment had reached something of an impasse in its use of the journey motif, with the subject unable to evolve and renew itself beyond the strictures of particular models of subjective cognition. The Romantics thought literary practice was to supersede philosophy and it was mobility in the form of the journey as both metaphor and process, which helped bring about this transition and created a flexible self-authoring and self- renewing model of the subject. The study also recounts a particular history of Romanticism which charts, via the history of the journey, the movement’s youthful idealism, the fear of the pitfalls of human subjectivity, and its eventual self-distanciation through parody.
7
Arcara, Stefania. "Constructing the south : Sicily, Southern Italy and the Mediterranean in British culture, 1773-1926". Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/36389/.
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In the past few years a number of critical studies have been entirely or partly devoted to an analysis of the role played by the Mediterranean in British literature and culture during the nineteenth and the twentieth centuries. These studies include Robert Aldrich's The Seduction of the Mediterranean (1993), James Buzard's The Beaten Track (1993), and John Pemble's The Mediterranean Passion (1987). In Paul Fussell's Abroad: British Literary Traveling Between the Wars (1980), which may be considered a precursor to these, the author observes that "to sketch the history of the British imaginative intercourse with the Mediterranean in modern times is virtually to present a survey of modern British literature"; he goes on to stress that "the Mediterranean is the model for the concept south, and it is a rare Briton whose pulses do not race at the mention of that compass direction". It is the concept "south" in this statement, situated in the area of literary and cultural studies, which constitutes the focus of this thesis.
8
Ozirny, Shannon. "The big shoes of Little Bear : the publication history, emergence, and literary potential of the easy reader". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/2727.
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Despite incredible sales success, popularity, and a fifty year history, easy readers are
one of the most neglected forms of children’s literature. Called everything from “the poor
stepchild of the more glamorous picture book or children’s novel” to “literary flotsam,” easy
readers are too-often regarded as insubstantial, superficial, sub-par literature.
This thesis provides the first comprehensive, theoretically grounded examination of
easy readers and endeavors to prove that a surprising complexity lurks beneath the easy
reader’s decodable surface. In order to illuminate both extra-textual and textual complexity,
easy readers are treated generically and examined using the contemporary genre theories of
Amy Devitt and Adena Rosmarin. This thesis ultimately unearths a heretofore unexplored
complexity in the easy reader’s publication history and generic emergence, and finds that the
easy reader genre has literary potential and can accommodate works of artistic merit.
9
Huntsman, L. F. "In margins and in longings ...: the beach in Australian life and literature". Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/12333.
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Hemingway, Ben. "The dream in classical Greece : debates and practices". Thesis, University of Oxford, 2009. http://ora.ox.ac.uk/objects/uuid:d0d272ee-e293-44bf-b8c2-02b68304d22f.
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This thesis aims to address the Greek attitude to their dream experience in the classical period, as it was conceived in theories and engaged with in dream practices. The emphasis is on the relationship between these elements and the wider cultural frames which surrounded them, in order both to illustrate the manner in which culture influences the conception of dreams, and also to use dreams themselves as a mirror to reflect parts of Greek culture. As a study it has been heavily shaped by the approaches to dreams developed by anthropologists, outlined in Chapter 2, who have emphasised the importance of studying dreams intra-culturally. In Chapter 3 I analyse the language that the Greeks used to express their dreaming experience, drawing from it the important way in which language was both determined by, and determined, the Greeks' understanding of the phenomenon. This forms a base for engaging with dream theories in Chapter 4, both the implicit allusions in literature and explicit explanations proposed by philosophers and medical writers. I then explore the theories at work within Greek culture via dreams as we see them active in the lived religion of the polis: I examine in Chapter 5 the dedications set up by individuals on account of spontaneous dreams, and in Chapter 6 the practice of incubation. I then turn to examine specific relationships: in Chapter 7, the association of dreams with status, i.e. the possibility that powerful people would have equally powerful dreams; in Chapter 8, dreams and gender, assessing the possibility that women considered their dreams to be more important than their male counterparts. In Chapter 9, I position dreams within the context of the other divinatory practices of the period, which allows us to see the unique ways in which dream practices functioned in comparison to the other divinatory forms.
11
O'Brien, Nanette R. "Culinary civilization : the representation of food culture in Ford Madox Ford, Gertrude Stein and Virginia Woolf". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:14ef9741-fc4a-48d2-aacd-69ff74735b91.
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This thesis addresses the literary representation of food in the period from 1900 through 1945 in the work of Ford Madox Ford, Gertrude Stein and Virginia Woolf. Taking up nineteenth-century fascinations with sensual and aesthetic taste, these authors explore the implications of food preparation and consumption in Britain, America and France. They use representations of everyday culinary practices as a way to examine articulations of anxiety about the state of civilization, a fear that is amplified and altered by both World Wars. The thesis approaches the question of the significance of food to literary modernism in two ways. The first is a theoretical analysis of modernist ways of thinking about the dialectic between the concepts of civilization and barbarism. The second is grounded in material history, establishing the contexts and conditions of food culture in the first half of the twentieth century. Drawing on sociological thinking from Norbert Elias's conception of the civilizing process and Pierre Bourdieu's theory of distinction, and using a combined methodology of close reading, biographical and historical analysis, I show that food acts as a lens for these authors' ideas about civil society and modernity. My original contribution to knowledge is threefold. The first is my interpretation of 'culinary Impressionism' as an extension and repositioning of current scholarly thinking about Ford's literary Impressionism. The second is my reading of Stein's and Toklas's jointly-authored cookbook draft as evidence of their collaboration. This forms the crux of my argument about Stein adapting domestic culinary techniques into her other writing. The third is in my chapter on Virginia Woolf. My original archival research shows that in A Room of One's Own Woolf's representation of the financial and culinary difference between men's and women's dining in colleges at the University of Cambridge is justified and the material inequality was in fact worse than previously understood. I argue that the disparity in institutional food intensifies Woolf's later reimagining of the term 'civilization' in Three Guineas. While drawing on the work of modernist studies scholars on modernism and the everyday, civilization, and food, my project is unique in demonstrating that food reflects modernist conceptions of civilization and barbarism. My thesis contributes to the understanding of transatlantic aesthetics and gendered productions of modernism by illuminating the centrality of agriculture, cookery, domestic work and institutional dining to modernist authors.
12
O'Brien, Eileen Marie. "Women in history: A vanishing act". CSUSB ScholarWorks, 1991. https://scholarworks.lib.csusb.edu/etd-project/762.
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McCrady, Matthew B. "The influence of seventeenth century Anglo-Saxon scholarship on Milton's prose works, The history of Britain and Paradise lost". [Morgantown : West Virginia University Libraries], 1998. http://etd.wvu.edu/templates/showETD.cfm?recnum=106.
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Thesis (M.A.)--West Virginia University, 1998.Title from document title page. Document formatted into pages; contains iv, 90 p. Vita. Includes abstract. Includes bibliographical references (p. 84-88).
14
Vidović, Ferderbar Dragica. "In limine : writers, culture and modernity in interwar Japan". Thesis, The University of Sydney, 2004. https://hdl.handle.net/2123/27985.
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‘Everybody who writes history has a bone to pick with the past’ said George
Wilson. Perhaps not so much with the past itself as with the images of the past created
by other historians. The images and concepts are created, moulded not only by the
practical needs and expectations of the time and place that produced them, but also
coloured by the theory fashionable at the time. They seem to be useful for a period of
time, but at a certain stage they become a hindrance rather than a help, as they tend to
limit rather than expand our knowledge of the past. One such concept is that of
nationalism.
Although it is far from clear what exactly constitutes nationalism, the immediate
association is that of some sort of selfish claim by a group which calls itself a nation or
aspires to become one. If it is for the self, it must necessarily be against somebody else,
so goes our reasoning. Anything that excludes has a particularly bad press right now and
this is reflected in the amount of scholarship on nationalism. This renewed interest in the
subject is due to the break-up of the Soviet Union and other Eastern European countries
in the last decade or so, because of the scale and viciousness of nationalist struggles
between various ethnic groups. However, in Western studies of Japanese history the
subject of nationalism never went out of fashion, so to speak. While most of modern
Japan’s history is viewed, judged and understood, or misunderstood, through the prism of
nationalism, this is particularly true of the interwar period. Not only are the military
adventures on the continent seen as an example of nationalism, but most, if not all,
intellectual discourse of the period is labelled ‘cultural nationalism’.
15
Olivetti, Paola. "Uses and interpretations of ritual terminology : goos, oimoge, threnos and linos in ancient Greek literature". Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/3009/.
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The purpose of my thesis is to study the lament in ancient Greek culture, and to show how its ritual meaning is interpreted by literature. The terms goos, oimoge, threnos and linos not only indicate the presence of different ritual attitudes to death but also the existence of different interpretations for each of them. The goos and the oimoge mirror an archaic religiosity and consist of sinister utterances aimed at summoning ghosts, requesting for divine revenge, etc. Aeschylus introduces them as aischrologic acts as he implies the presence of a god or a daimon. Sophocles and Euripides use them as dysphemic elements and censure an approach to death which implies that gods are vindictive, deceitful and unjust. However, they also introduce an euphemic goos consisting in an expression of feelings. The threnos only appears in funerary contexts in Homer while is often introduced as dysphemic in drama. The linos-song is mentioned as a vintage-song in Homer, it appears as a lament and then as a song for some hero’s apotheosis or return to life in drama. The poetic use of these terms serves to understand how the social and political meaning of the ritual was understood and codified by literature.
16
Hill, Peter. "Utopia and civilisation in the Arab Nahda". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:9f6e0ac9-04c9-4f50-b4da-8a933b0c069f.
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This doctoral thesis explores the contexts of utopian writing and thinking in the Nahda, the Arab 'Awakening' of the long nineteenth century. Utopian forms of social imagination were responses to fundamental changes in the societies of the Arab-Ottoman world brought about by integration into a capitalist world economy and a European-dominated political system. Much Nahda writing was permeated by a sense of a 'New Age' opening and of wide horizons for future change - and this was not simply illusory, but a direct response to actual and massive changes being wrought in the writers' social world. My study focusses on Egypt and Bilad al-Sham in the middle decades of the nineteenth century, from the early 1830s to the mid-1870s. An initial chapter offers a definition of the social classes and groups which contributed to the Nahda in these years - such as the Beiruti bourgeoisie and the Egyptian-Ottoman official class - drawing on the work of Arab Marxists such as Mahdi 'Amil and social historians such as Bruce Masters. The following chapters deal in detail with writings produced by three distinct cultural formations within the Nahda movement, and with different aspects of their social imagination. Chapter 2 examines the discourse of civilisation (tamaddun) through the work of the Beiruti writers Khalil al-Khuri and Butrus al-Bustani in the 1850s and 1860s. Chapter 3 deals with Nahda writers' sense of their place within the European-dominated world, mainly through translations of geography books made by Rifa'a al-Tahtawi in Mehmed Ali's Egypt in the 1830s and 1840s. Chapter 4 examines the utopian aspirations of the Nahda, through a close study of the major utopian literary work of the period, Fransis Marrash's Ghabat al-Haqq (The Forest of Justice, 1865). Finally, a conclusion places my study in relation to other recent work in the field of 'Nahda studies'.
17
Grimes, Jodi Elisabeth. "Rhetorical Transformations of Trees in Medieval England: From Material Culture to Literary Representation". Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc12130/.
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Literary texts of medieval England feature trees as essential to the individual and communal identity as it intersects with nature, and the compelling qualities and organic processes associated with trees help vernacular writers interrogate the changing nature of this character. The early depiction of trees demonstrates an intimacy with nature that wanes after the tenth-century monastic revival, when the representation of trees as living, physical entities shifts toward their portrayal as allegorical vehicles for the Church's didactic use. With the emergence of new social categories in the late Middle Ages, the rhetoric of trees moves beyond what it means to forge a Christian identity to consider the role of a ruler and his subjects, the relationship between humans and nature, and the place of women in society. Taking as its fundamental premise that people in wooded regions develop a deep-rooted connection to trees, this dissertation connects medieval culture and the physical world to consider the variety of ways in which Anglo-Saxon and post-Norman vernacular manuscripts depict trees. A personal identification with trees, a desire for harmony between society and the environment, and a sympathy for the work of trees lead to the narrator's transformation in the Dream of the Rood. The Tree of Knowledge of Good and Evil in the Junius 11 manuscript, illustrated in Genesis A, Genesis B, and manuscript images, scrutinizes the Anglo-Saxon Christian's relationship and responsibility to God in the aftermath of the Fall. As writers transform trees into allegories in works like Genesis B and Geoffrey Chaucer's Parson's Tale, the symbolic representations retain their spontaneous, organic processes to offer readers a visual picture of the Christian interior-the heart. Whereas the Parson's Tale promotes personal and radical change through a horticultural narrative starring the Tree of Penitence and Tree of Vices, Chaucer's Knight's Tale appraises the role of autonomous subjects in a tyrannical system. Forest laws of the post-Norman period engender a bitter polemic about the extent of royal power to appropriate nature, and the royal grove of the Knight's Tale exposes the limitations of monarchical structures and masculine control and shapes a pragmatic response to human failures.
18
El-Mouelhy, Mossino Lauretta. "Tra magia, incantesimo e immaginario : (an tra masche, mascheugn e mistà) : la figura della masca dall'antichità celtica alla letteratura piemontese odierna". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85159.
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Questa dissertazione e imperniata sulla parola masca, che denota un personaggio popolare e antichissimo di genere femminile, riscontrabile esclusivamente nel folclore e nella letterature della regione italiana del Piemonte. Si attribuisce a questo personaggio la facolta rarissima di esercitare tanto il bene che il mate, a seconda de¡ casi.La tesi si basa su ricerche storiche e linguistiche che traggono i loro dati dai recessi piu remoti della civilta celtica in territorio piemontese, dove essa e prosperata dall'inizio del 4° secolo a.C. fino al 1° secolo della nostra era, epoca alta quale questa regione fu inglobata dall'impero romano.
Basandosi su dati storici e archeologici, la ricerca prende atto di un substrato celtico persistente e profondo nella cultura e nella tradizione piu antiche del Piemonte. In modo particolare si concentra l'attenzione sulla derivazione dei personaggio della masca da una figura religiosa dei Druidi, venerata fervidamente dai Celti, i quali attribuivano a questa divinita il dualismo tipico (bene-male) che si riscontra nel personaggio oggetto di questo studio.
In seguito si traccia il discrimine tra la masca e le streghe demoniache con cui la prima e spesso e del tutto erroneamente confusa ed associata. Una volta tracciata questa distinzione si possono riallacciare i legami tra la masca e il suo sacrale pristino ove ('equilibrio sotteso tra bene e mate e permanente e inestricabile dagli attributi fondamentali della dea celtica centrale, la Grande Madre.
Le ricerche etimologiche per appurare l'origine della parola masca non fanno che confermare la dualita e l'equilibrio tra il bene e il mate inevitabilmente compresente in questa parola e nel personaggio ch'essa denota.
Si passa in rassegna la tradizione orale e la letteratura del Piemonte (tanto in lingua piemontese che in lingua italiana) per, inventariare i diversi significati che possono assumere questa parola e questo personaggio. Si perviene a dimostrare che la dicotomia di valori e di poteri contrastanti insiti nella religione dei druidi rimane ad un dipresso la stessa nel personaggio delta masca. Ci si puo imbattere in questo dualismo di valori opposti e antitetici anche in altri personaggi del folclore piemontese, strettamente connessi alta masca, quali il mascon, i1 setmin o anche in personaggi mitologici, come la faja, il faunet e il servan.
La somma di queste prove letterarie, folcloriche, archeologiche e filologiche avalla l'attribuzione di un carattere unico, non demoniaco, al personaggio della masca, che riannoda strettamente la letteratura e la tradizione orale del Piemonte alta religione dei druidi e al passato celtico, fornendo altresi scorci preziosi su uno dei capitoli piu oscuri del passato delle etnie europee.
19
Maxson, Brian Jeffrey. "Book Review of Pagan Virtue in a Christian World: Sigismondo Malatesta and the Italian Renaissance". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2663.
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Review of Anthony F. D’Elia. Pagan Virtue in a Christian World: Sigismondo Malatesta and the Italian Renaissance. Cambridge: Harvard University Press, 2016. x + 355 pp. $39.95 (cloth), ISBN 978-0-674-08851-1.
20
Klinck, Anne L. (Anne Lingard). "Women's songs and their cultic background in archaic Greece". Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26286.
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This thesis applies to Archaic Greek literature the medievalist's concept of "women's songs," that is, love-poems given to a female persona and composed in a popular register. In the Greek context a distinct type can be recognised in poems of women's affections (not necessarily love-poems as such) composed in an ingenuous register and created for performance, choral or solo, within a women's thiasos. The poems studied are those of Sappho, along with the few surviving partheneia of Alcman and Pindar. The feminine is constructed, rather mechanically by Pindar, more subtly by the other two, from a combination of tender feeling, personal and natural beauty, and an artful artlessness.It is not possible to reconstruct a paradigmatic thiasos which lies behind the women's songs, but certain characteristic features merge, especially the pervasiveness of homoerotic attachments and the combination of a personal, affective, with a social, religious function. In general, women's groups in ancient Greece must have served as a counterbalance to the prevailing male order. However, while some of the women's thiasoi provide a vehicle for the release of female aggression, the function of the present group is essentially harmonious and integrative.
21
Lopes, Cristiano Camilo. "O sagrado na literatura infantil e juvenil em processo de transformação: da ordem humanista/religiosa das origens na colonização para o novo homem em processo em nosso tempo". Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-13032013-112210/.
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Desde os primórdios, a literatura infantil e juvenil tem acompanhado as transformações do homem e da sociedade e tem servido de palco para essas mudanças. Em diferentes épocas e lugares, podem-se observar produções literárias que reproduzem a experiência humana e tudo o que com ela se relaciona. Dentre essas relações está o sagrado, que se apresenta como um vínculo orgânico e universal. Nesta pesquisa, ao observar a trajetória do sagrado na literatura, identificam-se mudanças no modo como ele se manifesta, o que torna possível avaliar os elementos que projetaram essas transformações. Não se trata de um movimento linear, mas de um movimento espiralado que incorpora os elementos das modificações e, ao mesmo tempo, se projeta. Assim, propõe-se avaliar as transições do sagrado ao longo da história da literatura infantil e juvenil a partir de uma análise das principais manifestações literárias desde o período da colonização portuguesa no Brasil à contemporaneidade a fim de compreender como as transformações, ocorridas ao longo desse período, se refletem na sua configuração atual. Ao revisitar o ontem da literatura, pode-se compreender melhor o hoje, uma vez que o presente apresenta marcas do passado. Além de analisar excertos da produção literária da época da colonização ao início do século XIX, no período dos precursores da literatura infantil e juvenil brasileira, no período dos ideais do modernismo, na explosão da literatura infantil nos anos 1970 e na contemporaneidade, a pesquisa envolve, sobretudo, a análise comparada das obras dos autores Sophia de Mello Breyner Andresen (Portugal) e Bartolomeu de Campos Queirós (Brasil). Ao compará-las, verifica-se uma nova configuração do sagrado em suas articulações.Since the beginning, the children and juvenile literature has following the transformations of the man and of the society, and it has been serving as stage for such changes. In different times and places, literary productions that reproduce the human experience and everything related to it can be observed. Among these relations, there is the sacred, which presents itself as an organic and universal connection. In this research, when observing the trajectory of the sacred in the literature, changes in the way it manifests are identified, which enables us to evaluate the elements that designed such transformations. it is not about a linear movement, but it is a spiraled movement, which incorporates the elements of the modifications and, at the same time, it is projected. Therefore, it is proposed to evaluate the transitions of the sacred throughout the history of the children and juvenile literature, as form an analysis of the main literary manifestations since the period of the Portuguese colonization in Brazil to the contemporaneity, in order to encompass how the transformations, occurred throughout this period, reflect in its present configuration. When revisiting the \"yesterday\" of the literature, the \"today\" can be better understood, as it presents the marks of the past. Besides analyzing excerpts of the literary production of the colonization time until the beginning of the XIX century, in the period of the precursors of the Brazilian children and juvenile literature, in the period of the ideals of the modernism, in the boom of the children literature in the 1970s, and in contemporaneity, the research involves, above all, the compared analysis of the works from the authors Sophia de Mello Breyner Andresen (Portugal) and Bartolomeu de Campos Queirós (Brazil). When comparing them, it is verified a new configuration of the sacred in their articulations.
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Avis, Robert John Roy. "The social mythology of medieval Icelandic literature". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:2837907c-57c8-4438-8380-d5c8ba574efd.
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This thesis argues that the corpus of Old Norse-Icelandic literature which pertains to Iceland contains an intertextual narrative of the formation of Icelandic identity. An analysis of this narrative provides an opportunity to examine the relationship between literature and identity, as well as the potency of the artistic use of the idea of the past. The thesis identifies three salient narratives of communal action which inform the development of a discrete Icelandic identity, and which are examined in turn in the first three chapters of the thesis. The first is the landnám, the process of settlement itself; the second, the origin and evolution of the law; and the third, the assimilation and adaptation of Christianity. Although the roots of these narratives are doubtless historical, the thesis argues that their primary roles in the literature are as social myths, narratives whose literal truth- value is immaterial, but whose cultural symbolism is of overriding importance. The fourth chapter examines the depiction of the Icelander abroad, and uses the idiom of the relationship between þáttr (‘tale’) and surrounding text in the compilation of sagas of Norwegian kings Morkinskinna to consider the wider implications of the relationship between Icelandic and Norwegian identities. Finally, the thesis concludes with an analysis of the role of Sturlunga saga within this intertextual narrative, and its function as a set of narratives mediating between an identity grounded in social autonomy and one grounded in literature. The Íslendingasögur or ‘family sagas’ constitute the core of the thesis’s primary sources, for their subject-matter is focussed on the literary depiction of the Icelandic society under scrutiny. In order to demonstrate a continuity of engagement with ideas of identity across genres, a sample of other Icelandic texts are examined which depict Iceland or Icelanders, especially when in interaction with non-Icelandic characters or polities.
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Reavis, E. "Adolescent Female Identity Development and Its Portrayal in Select Contemporary Young Adult Fiction". Thesis, School of Information and Library Science, 2004. http://hdl.handle.net/1901/116.
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This study describes a content analysis of six contemporary young adult fiction novels. Adolescence is a time of great change, particularly for girls. It is during this time that female adolescents develop their voice and identity. As literature reflects the reader’s world, it also affects in part how female adolescents perceive their identity. Latent content analysis was used to code eight variables to determine if select contemporary young adult fiction novels appropriately describe the development of identity among adolescent females. All of the novels included in the study provided sufficient evidence of accurate portrayal of female adolescent identity development, by having examples of at least four out of eight variables, with most having examples of seven out of eight variables.
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Frazier, Dustin M. "A Saxon state : Anglo-Saxonism and the English nation, 1703-1805". Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4146.
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For the past century, medievalism studies generally and Anglo-Saxonism studies in particular have largely dismissed the eighteenth century as a dark period in English interest in the Anglo-Saxons. Recent scholarship has tended to elide Anglo-Saxon studies with Old English studies and consequently has overlooked contributions from fields such as archaeology, art history and political philosophy. This thesis provides the first re-examination of scholarly, antiquarian and popular Anglo-Saxonism in eighteenth-century England and argues that, far from disappearing, interest in Anglo-Saxon culture and history permeated British culture and made significant contributions to contemporary formulations and expressions of Englishness and English national, legal and cultural identities. Each chapter examines a different category of Anglo-Saxonist production or activity, as those categories would be distributed across current scholarship, in order to explore the ways in which the Anglo-Saxons were understood and deployed in the construction of contemporary cultural- historiographical narratives. The first three chapters contain, respectively, a review of the achievements of the ‘Oxford school' of Saxonists of the late seventeenth and early eighteenth centuries; antiquarian Anglo-Saxon studies by members of the Society of Antiquaries of London and their correspondents; and historiographical presentations of the Anglo-Saxons in local, county and national histories. Chapters four and five examine the appearance of the Anglo-Saxons in visual and dramatic art, and the role of Anglo-Saxonist legal and juridical language in eighteenth-century politics, with reference to discoveries resulting from the academic and antiquarian research outlined in chapters one to three. It is my contention that Anglo-Saxonism came to serve as a unifying ideology of origins for English citizens concerned with national history, and political and social institutions. As a popular as well as scholarly ideology, Anglo-Saxonism also came to define English national character and values, an English identity recognised and celebrated as such both at home and abroad.
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簡漢乾. "兩晉南北朝南北文化文流的途徑及其對文學的影響 = A study of cultural exchanges of the southern and northern culture during the two Jin, and the Southern and Northern dynastics and their influence in literature". HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1370.
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Hendricks, Michael Todd. "KNOWING AND BEING KNOWN: SEXUAL DELINQUENCY, STARDOM, AND ADOLESCENT GIRLHOOD IN MIDCENTURY AMERICAN FILM". UKnowledge, 2014. http://uknowledge.uky.edu/english_etds/14.
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Sexual delinquency marked midcentury cinematic representations of adolescent girls in 1940s, 50, and early 60s. Drawing from the history of adolescence and the context of midcentury female juvenile delinquency, I argue that studios and teen girl stars struggled for decades with publicity, censorship, and social expectations regarding the sexual license of teenage girls. Until the late 1950s, exploitation films and B movies exploited teen sex and pregnancy while mainstream Hollywood ignored those issues, struggling to promote teen girl stars by tightly controlling their private lives but depriving fan magazines of the gossip and scandals that normally fueled the machinery of stardom. The emergence and image of the postwar, sexually autonomous teen girl finally began to see expression in mainstream melodramas of the late 50s, and teen girl stars such as Sandra Dee and Natalie Wood created new, “post-delinquent” star images wherein “good girls” could still be sexually experienced. This new image was a significant departure from the widespread belief that the sexually active teen girl was a fundamentally delinquent threat to the nuclear family, and offered a liberal counterpoint to more conservative teen girl prototypes like Hayley Mills, which continued to have cultural currency.
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Eberhard, Nicole Joanne. "Narrating alternative histories : an exploration of Jamal Mahjoub's The carrier and Amitav Ghosh's In an antique land". Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86699.
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Thesis (MA)-- Stellenbosch University, 2014.AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verhouding tussen die verlede en die hede soos uitgebeeld in Jamal Mahjoub se The Carrier (1998) en Amitav Ghosh se In an Antique Land (1992). Hierdie tekste herverbeel die geskiedenis met die doel om 'n ander toekoms te dink. Hulle vertel alternatiewe geskiedenisse en lewer sodoende kritiek op die Westerse historiografie en die uitbeelding van die Ooste en die Suide daarin. Hierdie tesis sal uit Edward Said se Orientalism (1978) put as 'n manier om die dominante Westerse houdings teenoor die Ooste sowel as die Suide, verteenwoordig deur Afrika, te konseptualiseer soos die liminale karakters in Mahjoub en Ghosh se tekste oor die Indiese Oseaan- en Mediterreense wêrelde beweeg. Beide Mahjoub en Ghosh versplinter hulle verhale in 'n historiese en 'n kontemporêre draad, en verweef hierdie fragmente om sodoende kommentaar te lewer op die dinamiese verhouding tussen die verlede en die hede. Hierdie verhouding sal gekonseptualiseer word deur te put uit Walter Benjamin se konsep van 'n konstellasie verbindingspunte in tyd. Die kartering van verbindings word moontlik gemaak deur die skrywer se verkenning van 'n geskiedenis van verbindings tussen diverse mense in hierdie gebiede. Die alternatiewe geskiedenisse wat hier voorgestel word, onthul pre-koloniale Mediterreense en Indiese Oseaan-handelsnetwerke gebou op uitruiling, wat gelei het tot kosmopolitiese samelewings waarin die klem op verbindings eerder as geopolitiese binêre geval het. Gesprekke tussen verskillende kulture, gelowe en denkskole dryf hierdie verbindings in die historiese verhaallyne. Deur hierdie vergange wêreld en 'n meer vyandige twintigste-eeuse wêreld naas mekaar te stel, wil Mahjoub en Ghosh bevraagteken of die herkonseptualisering van die verlede die herverbeelding van die hede en toekoms moontlik maak, in terme van hoe mense in staat is om oor verskilgrense heen met mekaar te verbind.
ENGLISH ABSTRACT: This thesis interrogates the relationship between the past and the present, as represented in Jamal Mahjoub's The Carrier (1998) and Amitav Ghosh's In an Antique Land (1992). These texts re-imagine history in order to think a different future. They narrate alternative histories and in the process critique Western historiography and its representation of the East and South. This thesis will draw on Edward Said’s Orientalism (1978) as a way of conceptualising dominant Western attitudes towards the East, as well as the South, represented by Africa, as the liminal characters in Mahjoub and Ghosh's texts move across the Indian Ocean and Mediterranean worlds. Mahjoub and Ghosh both fracture their narratives into a historical and a contemporary thread, interweaving these fragments in order to comment on the dynamic relationship between the past and the present. This relationship will be conceptualised drawing on Walter Benjamin's notion of a constellation connecting points in time. The mapping of connection is enabled by the authors’ exploration of a history of connection between diverse people in these regions. The alternative histories proposed reveal precolonial Mediterranean and Indian Ocean trading networks built on exchange, resulting in cosmopolitan societies emphasising connection rather than geopolitical binaries. Conversations across differences — of culture, religion, and schools of thought — drive these connections in the historical plotlines. By juxtaposing this past world with a more hostile twentieth century world, Mahjoub and Ghosh seek to question whether reconceptualising the past enables the re-imagining of the present and future, in terms of how people are able to connect across boundaries of difference.
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Household, Sarah C. "Negociating the nation: time, history and national identities in Scott's medieval novels". Doctoral thesis, Universite Libre de Bruxelles, 2005. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210995.
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This thesis examines the relationships between different nations and cultures in Ivanhoe, The Talisman, Quentin Durward, Anne of Geierstein and Count Robert of Paris using Post-colonial theory. An analysis of Scott’s conception of society in general shows that 18th century Scottish historiography is fundamental to his vision of the world because it forms the basis of his systematization of history, social development and interaction between communities. It also profoundly influences his imagery and descriptions, as well as providing him with a range of stereotypes that he manipulates so skilfully that his great dependence upon them is occulted. Contemporary ideas and his own attitude to the Union of Scotland and England lead him to conceive of nation formation in terms of descent and hybridity. In part, he sees the nation as a community of blood. Yet, his acceptance of the Union means that he also considers it to be a body of different ethnic elements that live together. His use of the 18th century metaphor of family to figure the nation allows him to incorporate heredity and miscegenation into his analysis of national development through father-daughter couples. The father represents traditional culture, and the daughter, the nation’s present and future; her marriage to a foreigner signifying that people of differing descent can cross the nation’s porous borders. Religion is the final frontier: Christian nations cannot absorb non-Christians. Scott sees dominance and subordination as a complex part of human relationships. Apparently-subordinate subjects possess occulted power because their support of the hegemonic is often essential if the latter is to maintain its superiority. While his conception of society in patriarchal terms means that his female characters cannot offer violence to men, he shows that passive resistance is very effective. Through mimicry, the subordinate threatens the power and identity of the dominant. Power is not only conceived of in political terms. In Ivanhoe, Scott reveals the importance of moral stature which allows Rebecca to dominate the work although she is at the bottom of the political and racial hierarchy that structures English society. Scott’s conception of time is fundamental to the manner in which he conceives of the nation. Historical cultural forms are physicalised through chronotopes. Politically subordinate cultures base their actions in the present on pedagogic time, while the dominant ignore their past and live only in the present and the future. He also expresses dominant-subordinate relationships through speed, with time moving quickly for the powerful and slowly for the weak. Time, whether in the form of history, the characters’ perception of it or speed amalgamates all the various elements of Scott’s conception of nationhood into a seamless whole.Cette thèse analyse par le biais la théorie post-coloniale les relations internationales dans Ivanhoe, Quentin Durward, Anne of Geierstein et Count Robert of Paris. Les théories historiques élaborées en Écosse au XVIIIème siècle sont fondamentales dans la vision scottienne parce qu’elles forment la base de la systematisation de l’histoire, du développement sociale et, par conséquent, des relations entre les différentes communités. Ces théories influencent profondement les images qu’il utilise et la façon dont il décrit les caractères et les scènes. De plus, elles lui fournissent une gamme de stéréotypes qu’il manipule très adroitement. Sa conception de la manière dont se forment les nations vient des idées contemporaines et de sa propre expérience de l’union politique de l’Angleterre et de l’Écosse. Il considère la nation comme une communauté fondée sur l’ascendance par le sang mais aussi comme un groupe d’ethnies différentes qui vivent ensemble. Sa description de la nation emprunte à la métaphore de la famille courante au XVIIIième. Celle-ci lui permet d’inclure dans son analyse l’héridité et la mixité au moyen des couples formés par un père et sa fille. Le père représente la culture traditionelle, et la fille, le présent et le futur national. Son marriage avec un étranger signifie que les gens d’ascendance différente peuvent traverser les frontières perméables d’une nation. La religion est la frontière ultime: les nations chrétiennes ne peuvent absorber de non-chrétiens. Scott considère que la domination et la sujetion forment une partie complexe des relations humaines. Les sujets qui paraissent subordonnés possèdent en fait un pouvoir occulte, le dominant ayant besoin de leur soutien pour maintenir sa position. Bien que sa conception patriarcale de la société fasse que les caractères feminins ne manifestent pas d’agression envers les hommes, il montre que la résistance passive est très efficace. En imitant le sujet dominant, le sujet subordonné menace le pouvoir et l’identité de ce dernier. Le pouvoir ne s’exprime pas seulement dans la politique. Rebecca dans Ivanhoe revèle l’importance que revêtent le caractère et la moralité. Bien qu’elle soit au bas de la hiérarchie structurante de la société anglaise, elle domine le roman.
La conception que Scott se fait du temps est fondamentale à celle de la nation et de la culture. Au moyen du chronotope, les cultures historiques prennent des formes physiques. Les cultures qui sont subordonnées politiquement basent leur action au présent sur le “temps pédagogique”. Au contraire, le dominant rejette son passé et ne vit qu’au présent et au futur. Les relations entre le pouvoir dominant et le subordonné s’expriment aussi par la vitesse: le temps passe vite pour les puissants, mais lentement pour les faibles. En définitive, tous les éléments de la conception scottienne de la nation sont liés au temps, qu’il s’agisse de l’histoire, de perception par les caractères, ou de la vitesse.
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
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Knaepen, Arnaud. "Images de l'antiquité classique au haut moyen âge: la matière historique gréco-romaine dans les sources littéraires latines du VIIIe au XIe siècle". Doctoral thesis, Universite Libre de Bruxelles, 2006. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210871.
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Cizakca, Defne. "The Encyclopaedia of Istanbul : a novel ; &, Ottoman crossroads : coffeehouses, politics, theatres and storytelling : critical essays". Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6713/.
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This Creative Writing PhD consists of a novel, The Encyclopaedia of Istanbul, and accompanying critical essays, Ottoman Crossroads: Coffeehouses, Politics, Theatres and Storytelling. The Encyclopaedia of Istanbul is historical in nature, and magically real in temperament. It is an account of fin de siècle Constantinopolis, and contains forgotten fairy tales, remnants of an ancient manuscript culture, Armenian playwrights, Turkish feminists, Greek fortune-tellers and Sephardim cantors. It tells the tale of six intersecting lives in 1876, a time known as “the year of the three Sultans” in Ottoman history. This period was filled with tensions between traditionalism and Westernization, but also new political possibilities forwarded by the Young Ottomans. While the characters in The Encyclopaedia of Istanbul are fictitious, they are inspired by historical events and figures. The second element of my PhD, Ottoman Crossroads, is made up of four individual essays that focus on selected themes from the novel. They scrutinize, in order of presentation, the history of coffeehouse culture, the secretive society of the Young Ottomans and their political thought, the formation of Armenian-Turkish theatre, and the rediscovery of Ottoman fairy tales. Whilst the novel and essays are coherent independently, they also link to each other in ways that are sometimes direct, and at other times subtle.
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Bermúdez, González María Antonia. "El proyecto intelectual de la narrativa nicaragüense: de la utopía a la paradoja (1970-2020)". Doctoral thesis, Universitat de Barcelona, 2021. http://hdl.handle.net/10803/672522.
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El campo cultural nicaragüense se desarrolla en una modernidad dependiente en donde conviven formas económicas y sociales pre-modernas y modernas, hecho que sitúa a la sociedad en la paradoja de convivir entre dos mundos, el de la aldea global posmoderna y el de la local, periférica, alejada de las metrópolis rectoras de los hábitos, gustos, y modas culturales. Ello genera la carencia de una cultura democrática que facilita la instauración de regímenes de carácter dictatorial frente a los cuales los intelectuales han de tomar posición: en la medida en que la coyuntura se aboca a una situación límite, mayor es la responsabilidad de los escritores y artistas, que, ejerciendo una actitud crítica, se comprometen en aras de exigir justicia y libertad. En el ejercicio de la cultura de la resistencia, las formas narrativas expresan las contradicciones vitales del ser humano y la búsqueda permanente de la comprensión de la evolución social e histórica del país.The Nicaraguan cultural field develops in a dependent modernity where pre-modern and modern economic and social forms coexist, which places society in the paradox of coexisting between two worlds, that of the global postmodern village and that of the local, peripheral, away from the governing metropolises of cultural habits, tastes, and fashions. This generates the lack of a democratic culture that facilitates the establishment of dictatorial regimes which intellectuals have to take a position against: to the extent that conjuncture reaches an extreme situation, the greater the responsibility of writers and artists who, exercising a critical attitude, commit themselves in order to demand justice and freedom. In the exercise of the culture of resistance, narrative forms express the vital contradictions of the human being and the permanent search for the understanding of social and historical evolution of the country.
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呂品. "論 美麗街 與澳門文化氣質 : 澳門副刊文學研究 = A discussion of Macao Daily.The Beautiful Street and the Macao culture quality : Macao supplement literature studies". Thesis, University of Macau, 2007. http://umaclib3.umac.mo/record=b1636978.
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Bertanha, Miraní. "A tecnologia na literatura infantojuvenil: possibilidades de leitura em obras brasileiras contemporâneas". Universidade Tecnológica Federal do Paraná, 2013. http://repositorio.utfpr.edu.br/jspui/handle/1/683.
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CAPESA investigação das relações entre tecnologia e cultura viabiliza discussões e reflexões profundas sobre a sociedade e os modos de vida. Esta dissertação busca, por meio da literatura infanto-juvenil, avançar no debate de tecnologia e cultura, bem como questionar o papel historicamente assumido pelo gênero. Por meio de obras da literatura infantojuvenil brasileira produzidas entre os anos de 1999 e 2010, busca-se levantar possíveis formas de representação da tecnologia na produção contemporânea e defender sua importância como produção literária. Apresentar a literatura infantojuvenil como plano de fundo para discussões acadêmicas, independentemente do recorte proposto, pode ser um trabalho bastante árduo, especialmente pela pouca valorização que o gênero encontra frente à crítica literária. O diálogo entre tecnologia e cultura, por sua vez, também ainda é pouco divulgado inclusive no campo interdisciplinar de Ciência, Tecnologia e Sociedade. A linha principal linha teórica que permeia o trabalho é o Materialismo Cultural, proposto por Raymond Williams.
The research about technology and culture makes possible discussions and reflections about society and ways of life. This dissertation intents, through children's literature, to advance the discussion of technology and culture as well as to question the role historically assumed by gender. Through works of Brazilian teenager literature produced between the years 1999 and 2010, we intend to raise possible ways of manifestation of technology in contemporary production and to defend its value as a literary production. Propose the teenager literature as background for academic discussions can be rather arduous, especially because the low value granted to the gender by literary criticism. The dialogue between technology and culture, in turn, is still too little known even in the interdisciplinary field of Science, Technology and Society. As our theoretical basis we resorted to the Cultural Materialism, presented by Raymond Williams.
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Lloyd-Jones, Glyn Francis Michael. "Britain after the Romans : an interdisciplinary approach to the possibilities of an Adventus Saxonum". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1019806.
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In the fifth century, after the departure of the Romans, according to tradition, which is based on the ancient written sources, Britain was invaded by the Angles and Saxons. This view has been questioned in the last century. The size of the ‘invasion’, and indeed its very existence, have come into doubt. However, this doubting school of thought does not seem to take into account all of the evidence. An interdisciplinary, nuanced approach has been taken in this thesis. Firstly, the question of Germanic raiding has been examined, with reference to the Saxon Shore defences. It is argued that these defences, in their geographical context, point to the likelihood of raiding. Then the written sources have been re-examined, as well as physical artefacts. In addition to geography, literature and archaeology (the disciplines which are most commonly used when the coming of the Angles and Saxons is investigated), linguistic and genetic data have been examined. The fields of linguistics and genetics, which have not often both been taken into consideration with previous approaches, add a number of valuable insights. This nuanced approach yields a picture of events that rules out the ‘traditional view’ in some ways, such as the idea that the Saxons exterminated the Britons altogether, but corroborates it in other ways. There was an invasion of a kind (of Angles – not Saxons), who came in comparatively small numbers, but found in Britain a society already mixed and comprising Celtic and Germanic-speaking peoples: a society implied by Caesar and Tacitus and corroborated by linguistic and genetic data.
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Cameron, Peter. "Approaching death in the classical tradition". Thesis, University of St Andrews, 2008. http://hdl.handle.net/10023/495.
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The thesis consists of five chapters: the first functions as an overture; the second, third and fourth deal with Plato, Cicero and Montaigne respectively; and the fifth raises some questions. The overture explores the ways in which Odysseus, Lucretius and Seneca approached death, and in the process introduces some obvious distinctions - between death viewed as the act of dying and death viewed as the state of being dead, between the death which comes to everyone and the death which comes to me, between our own death and the death of others - and anticipates certain recurring themes. The second chapter, on Plato, is concerned chiefly with the Phaedo and the question of what is involved in "the practice of death". This entails an examination of related concepts and terminology in the Gorgias and the Republic, and of the whole subject of Platonic myth. The third chapter discusses Cicero's views on death and immortality - both the considered reflections of the philosopher and the spontaneous reactions of the bereaved father - principally as these emerge from the Tusculan Disputations and the letters to Atticus. The fourth chapter approaches Montaigne - his own experiences of death, the relationship between his earlier and later approaches, the tension between his professed Catholicism and his pagan inclinations, the difficulty and perhaps undesirability of extracting a 'message' from the Essais on this or any other subject. The conclusion asks to what extent these various approaches succeed in what they set out to do, and whether any generalised, objective approach to death can ever successfully address the individual predicament, either in relation to one's own death or in facing bereavement.
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Zorzato, Lucila Bassan. "A cultura alemã na obra infantil Aventuras de Hans Staden, de Monteiro Lobato". [s.n.], 2007. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270300.
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Orientador: Marisa LajoloDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: A pesquisa A Cultura alemã na obra infantil Aventuras de Hans Staden, de Monteiro Lobato examina, a partir das obras Meu cativeiro entre os selvagens do Brasil (1925) e Aventuras de Hans Staden (1927), a relação de Monteiro Lobato com a cultura alemã. O estudo dessas obras suscita indagações a respeito não só dos processos de tradução e adaptação adotados por Lobato e da recepção da obra pelo público, como também questões referentes à relação do autor com o universo alemão. Sob este aspecto, a pesquisa investiga, através da análise de documentos e da correspondência lobatiana, a representação da cultura alemã para Lobato, as propostas de versão de sua obra para o alemão, sua recepção entre leitores de língua alemã e a relação do autor com a própria língua
Abstract: This research entitled The German Culture in Aventuras de Hans Staden in Monteiro Lobato.s juvenile literature looks into the relationship betwenn Monteiro Lobato and the German culture through the analyses of two pieces of work: Meu cativeiro entre os selavagens do Brasil (1925) and Aventuras de Hans Staden (1927). The study of the previously cited works brings up some questioning concerning not only the translation and adaptation processes used by the author as well as the reader.s acceptance, but also questioning corcerning the author.s relation with the German universe. Therefore, in order to investigate the importance of the German culture for Lobato, his work German version proposals, the German readers acceptance of his work as well as the authors relationship with his own language, this research will analise some documents and Lobato¿mail
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
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Albistur, Eztitxu. "L'évolution du didactisme dans la littérature de jeunesse basque de la fin du XIXème siècle au XXIème siècle". Thesis, Pau, 2017. http://www.theses.fr/2017PAUU1028/document.
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Les premiers écrits destinés aux enfants et aux adolescents apparaissent en Europe au XVIIIe siècle et se développent tout au long du XIXe siècle. C'est au XIXe siècle que le terme littérature de jeunesse voit le jour. La littérature destinée aux enfants et adolescents est donc relativement récente. Cette littérature, à travers les œuvres qui la composent, a souvent pour but principal d’éduquer les enfants et les adolescents et porte en elle des messages de divers types : savoir encyclopédique, conseils existentiels et prescriptions morales. Ces messages sont intentionnellement véhiculés par des œuvres que l’on peut donc qualifier de didactiques. Mais ce didactisme propre au genre de la littérature de jeunesse évolue au cours des siècles. En se focalisant sur la littérature de jeunesse basque et en établissant un corpus d’œuvres significatives d’une évolution, nous avons analysé au cours de ce travail de thèse la manière dont les différents messages et les différentes morales étaient transmis aux enfants et aux adolescents lecteurs au cours des siècles. Cette transmission se fait tantôt par le biais du recours à un didactisme explicite, tantôt ou simultanément par l’emploi d’un didactisme plus implicite. Après avoir procédé à l’analyse de chacune des œuvres du corpus, nous les avons comparées et avons proposé une ébauche d’histoire de l’évolution du didactisme de la littérature de jeunesse basque du début XIXe siècle au début du XXIe siècle. Pour finir, nous avons proposé une grille d’analyse œuvres de jeunesse à destination des enseignants et des professeurs qui souhaiteraient travailler sur les messages des œuvres avec leurs élèvesThe first writings devoted to children and adolescents emerged in Europe in the 18th century and continued to develop throughout the whole of the 19th century. It was in the 19th century that the term “children’s literature” (or “juvenile literature”) came into being. Literature written for children and adolescents is therefore relatively recent. The main aim of this type of literature is largely to educate children and adolescents by means of the works of which it is composed and by carrying messages of varying types: encyclopedic knowledge, existential advice as well as moral prescriptions. These messages are deliberately transmitted through works which one can therefore qualify as being didactic. This characteristic indoctrination of children’s literature (juvenile literature) has evolved over the centuries. Having focalized our research on Basque children’s (juvenile) literature and having compiled a corpus of works pertaining to this evolution we have analysed, in this thesis, the ways in which the various morals and different messages were handed down to juvenile readers throughout the ages. This transmission has taken place sometimes by means of explicit didactism and sometimes, or even simultaneously, by the use of implied didactism. Having proceeded to analyse and compare each opuscule of the corpus we thus propose a historic outline concerning the evolution of didactism in Basque children’s (juvenile) literature as from the 19th century to the beginning of the 21st century. To conclude we have proposed an analytical table of children’s (juvenile) literature destined to aid teachers and professors who may wish to study the messages contained in the works of their pupils
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Hayashi, Mari. "Images de femmes dans la littérature japonaise contemporaine, 1935-1975: cas des nouvelles couronnées par le prix Akutagawa". Doctoral thesis, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210557.
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The images of Japanese women in the Japanese contemporary literature (1935-1975) — Short-stories crowned with the Akutagawa Prize\
Doctorat en sciences sociales, Orientation sociologie
info:eu-repo/semantics/nonPublished
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Pryzgoda, Amy Oliver. "The future of the past : holocaust, genocide and the oppression narrative in recent American history /". 2003. http://wwwlib.umi.com/dissertations/fullcit/1417250.
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Ishihara, Tsuyoshi. "Mark Twain in Japan: Mark Twain's literature and 20th century Japanese juvenile literature and popular culture". Thesis, 2003. http://hdl.handle.net/2152/669.
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"明治日本漢文中國行紀研究: 近代中日文化交流與知識轉型 = On Japanese travelogues about China in Chinese during the Meiji period : modern Sino-Japanese cultural exchange and transformation of knowledge". 2015. http://library.cuhk.edu.hk/record=b6116111.
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中國歷史上屢有異邦人士親身踏訪禹域，其中不乏有心之人將見聞感受付諸紙筆，撰文紀行。考慮到此類材料的政治意涵與文類屬性，本文採用「中國行紀」的概念指稱明治時代日本人結合親身踏訪禹域體驗撰寫的紀行文字。本文討論之日本明治（1868-1912）在時段上與中國晚清大致相當。不到五十年裏，兩國都經歷了翻天覆地但又截然相反的變動。也就是說，在日本不斷進步、日趨興盛的同時，中國卻世風日下，走向衰頹。一百多年前日本漢學者的中國行紀從異域鄰人的角度爲今人理解與進入晚清提供了嶄新的研究視角。有關明治漢文中國行紀的先行研究側重於中日政治關係的歷史描繪，對兩國知識人士之間文化交流與知識轉型方面的價值則有待繼續討論。本文將集中討論被視為明治三大漢文中國行紀的竹添進一郎《棧雲峽雨日記》、岡千仞《觀光紀游》與山本憲《燕山楚水紀遊》。它們分別代表了明治前期、中期與後期日本人對中國的旅行書寫，顯示出日本漢文中國行紀逐漸走向盡頭的趨勢。上述三書不僅影響到許多同代及其後大正、昭和時期的中國行紀，而且行紀文體的親歷性與權威性也使其對於近代日本人中國認識的轉變與形塑起到潛移默化的作用。三位作者都是受到過傳統舊式教育的漢學者，通過寫作傳達出親歷中國後想像與現實的落差，又以文學家的筆調記錄了晚清社會政治與士民生活的方方面面，在近代中日文化交流與知識轉型上扮演了重要角色。筆者將以漢文筆談為切入點，討論近代中日知識人士圍繞文化交流、知識轉型、文士往來與書籍酬贈等重要議題展開的交際與互動。本文期望通過勾稽相關文獻史料，回歸晚清歷史語境，藉助異域之眼反躬自省。
In Chinese history, there were always overseas people travelling to China, including Japanese sinologists, many of whom had recorded their impressions of China by composing travelogues. Considering the political implication and the genre application of this kind of materials, this research adopts the term "travelogues about China" to generalize all these records. The time period to be discussed in this research project is the whole Meiji era, namely, from 1868 to 1912, less than half a century, corresponding roughly to the late Qing period. These two countries had undergone tremendous but reversed revolutions during this period. That is to say, when Japan made progress everyday, China, on the other hand, was in an apparent state of decline. Travelogues about China 150 years ago provide people nowadays with a new research angle to comprehend and enter the late Qing history from Japanese sinologists’ perspectives.
Previous research about on Japanese travelogues about China in Chinese during the Meiji Period focused on historical descriptions of Sino-Japanese political relationships, however, the value of cultural exchange and transformation of knowledge between literary elites from both of these two countries remain to be discussed. This research plans to focus on Takezoe Shin’ichirō’s San’un Kyōu Nikki (A Diary of Clouds Hanging between the Mountains and Rain in the Ravines), Oka Senjin’s Kanko Kiyū (Travel Reports for Sightseeing) and Yamamoto Ken’s Enzan Sosui Kiyū (Travel Reports for the Mountains of North China and the Rivers of South China), which were regarded as the three most representative Japanese travelogues about China in Chinese. Respectively, they represented Japanese travel writing about China in the early, the middle and the late Meiji period and indicated that the ending of the traditional Japanese travelogues about China in Chinese was approaching. In addition, they also had a profound impact on the following Japanese travel literature about China. The genre of travelogue also exercised an invisible and formative influence on Japanese views of China in the modern era. All of these three sinologists were educated in the old style and had deep backgrounds of traditional Chinese learning. Through writing, they expressed the distance between imagination and reality after experiencing China for themselves, and various recorded aspects of the late Qing’s social politics and civil life. They played an important role in modern Sino-Japanese cultural exchange and transformation of knowledge. It will also discuss modern Sino-Japanese literati cultural and book exchange, transformation of knowledge and other issues centered on the practice of conversations by writing Chinese. This research hopes to return to the late Qing and reflect on China through its neighbors’ perspectives.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Parallel title from added title page.
Thesis (Ph.D.) Chinese University of Hong Kong, 2015.
Includes bibliographical references (leaves 291-339).
Abstracts also in English.
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Treffry-Goatley, Lisa Anne. "A critical literacy and narrative analysis of African Storybook folktales for early reading". Thesis, 2017. http://hdl.handle.net/10539/23002.
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Thesis (M.A. (Applied Language and Literacy Education))--University of the Witwatersrand, Faculty of Humanities, 2017This study critically analyses a set of folktales from the African Storybook website, which is an open licence digital publishing platform supporting early reading in Africa (www.africanstorybook.org). The selected folktales were mostly written by educators and librarians working in the African Storybook project pilot sites. The folktales were illustrated and published as indigenous African language and English storybooks during 2014 to 2015. The analysis is centrally concerned with the settings in which the folktales take place (with a distinction made between space, place and time), and the age and gender associated with central characters. The analytical tools used and the perspectives applied are drawn predominantly from post-colonial studies, African feminism, critical literacy, broad folktale scholarship, and theory from local – as opposed to global – childhoods. The analysis is interested in the conventions of the folktale genre, as it is constructed in the narratives by the writers. The three central findings with regards to the settings of folktales are as follows: (i) 90% of the folktales are set in rural environments in or near villages or small settlements. The somewhat idealised villages and settlements appear to have been relatively untouched by modern communications and infrastructure, and represent a “nostalgic, imagined past”. (ii) The study found that 75% of the folktales are set in the remote past, indexical of the folktale genre’s oral roots. (iii) Supernatural characters, objects and events occur in nearly 75% of the folktales. This suggests a possible interpretive space of intersecting temporalities and dimensions of existence, as well as possibilities for imaginative problem-solving. In addition, it raises challenging questions about the limits of human agency. The study also found that the ASb folktales, perhaps somewhat unsurprisingly for a genre that tends to employ archetypes and stereotypes, seemingly offer no characterisation outside of heteronormative family roles. But despite the heteronormativity and narrowly-defined family roles, especially for women characters, the folktales also present other positions for female gendered characters, and by extension for girl child readers – courageous, interesting, clever and unconventional female characters are in no shortage in these narrative populations. The findings suggest that the ASb folktales provide a range of identity positions for both girls and boys in African contexts, and my study reflects on how educators might navigate this complex territory. In particular, the findings point to how teachers and other adult caregivers might balance the moral and cultural lessons in folktales with the need for children to imagine and construct different worlds and positions for themselves.
MT2017
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Gerblinger, Christiane. "Primal future : science and regeneration in Gothic science fiction". Phd thesis, 2000. http://hdl.handle.net/1885/147681.
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"閱讀「家」的可能: 從香港新詩有關「家」的概念探討「本土意識」的意涵". 2005. http://library.cuhk.edu.hk/record=b5892494.
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鄒芷茵."2005年6月".
論文(哲學碩士)--香港中文大學, 2005.
參考文獻(leaves 102-126).
"2005 nian 6 yue".
Abstracts in Chinese and English.
Zou Zhiyin.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2005.
Can kao wen xian (leaves 102-126).
Chapter 第一章 --- 導論
Chapter 第一節 --- 硏究動機及目的 --- p.1
Chapter 第二節 --- 硏究範圍及前人硏究成果 --- p.5
Chapter 第三節 --- 硏究方法 --- p.9
Chapter 第二章 --- 「本土意識」的論述背景
Chapter 第一節 --- 全球化、殖民及後殖民處境下的「本土」 --- p.11
Chapter 第二節 --- 從「家」的槪念理解「本土意識」 --- p.16
Chapter 第三節 --- 從閱讀活動討論「本土意識」 --- p.18
Chapter 第三章 --- 尋找香港新詩的「本土」痕跡
Chapter 第一節 --- 香港文學的「本土」起源說 --- p.23
Chapter 第二節 --- 指涉「家」的所在 --- p.27
Chapter 第三節 --- 從「家事」走進香港歷史 --- p.46
Chapter 第四節 --- 小結 --- p.67
Chapter 第四章 --- 建構「本土」身分的意識活動
Chapter 第一節 --- 背負香港歷史的敘述者 --- p.70
Chapter 第二節 --- 評論者的意識 --- p.78
Chapter 第三節 --- 「集體」不集體 --- p.85
Chapter 第四節 --- 小結 --- p.94
Chapter 第五章 --- 結論
Chapter 第一節 --- 本土意識：記憶的書寫與詮釋 --- p.96
Chapter 第二節 --- 編年硏究的反省 --- p.99
參考書目 --- p.103
Chapter 附錄： --- 選用作品簡表 --- p.127
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Bishop, Christopher Damien Clifford. "Literature and society in tenth-Century Wessex". Phd thesis, 2006. http://hdl.handle.net/1885/150472.
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Montague, Murray B. "Science, the occult, and the conservative project of late Victorian and Edwardian British mummy fiction". 2011. http://liblink.bsu.edu/uhtbin/catkey/1653352.
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This study examines late Victorian and Edwardian British mummy fiction as a response to the manifold anxieties of the last twenty or so years of the nineteenth century up to the First World War in Great Britain. Mummy narratives of this time reveal the genre to be a very flexible one, partaking not only of the expected Gothic form, but also making fascinating stories out of invasion narratives and mystery fiction, all the while commenting on—and trying to solve—the various challenges of the day. After an introductory chapter that sets the stage for my project, I examine problems of empire and worries about a failing masculinity in the second and third chapters of my study. My fourth chapter looks at the epistemological competition of science and the occult as ways of knowing. I conclude my examination of mummy fiction with a look at silent mummy films as a way to look ahead at the changes that occurred when mummy narratives began to be told in visual form. The whole of the project is examined through a New Historical approach, as I attempt to delineate the place of mummy fiction within the broader discourses of the period. The picture that emerges from the study is one that depicts a
worried nation concerned with scientific and social advancement while at the same time largely working to maintain the status quo.Department of English
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Strzelczyk, Florentine. "Unheimliche Heimat: Reibungsflächen Zwischen Kultur und Nation zur Konstruktion von Heimat in Deutschsprachiger Gegenwartsliteratur". Thesis, 1995. http://hdl.handle.net/2429/6208.
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The thesis explores the vexed concept of Heimat in recent German culture. Heimat evokes an
exclusive group, founded on the idea of the unity and homogeneity of its members. Conflicts arise
around the concept because it constructs oppositions between those who belong and those who
do not, insiders and outsiders, the domestic and known in opposition to the foreign and strange.
Historically, the concept has been used to tell a story about the cohesion of the German nation; it
has also, however, been used to assimilate, eliminate, or exile its Others. The thesis examines how
the legacies of the concept and its narrative reverberate through the nation-building process of
Germany today. The concept of Heimat is active in films, literature, the law and contemporary
German society. The argument is that the concept of Heimat still shapes German identity in ways
that use old forms and oppositions to respond to recent social changes. It is argued further that
the tensions around the concept have not diminished, but are spreading into many different areas
of German everyday life.
Two films by Edgar Reitz provide the starting point for exploring the tensions around
Heimat in contemorary German culture. Following readings of texts by Jewish-German, Austrian-
German, Swiss-German, Persian-German, Rumanian-German, East and West German authors
show the concept persisting in different forms with different consequences, according to the
different cultural contexts. In each of these contexts, the concept of German Heimat produces
both social cohesion and social tensions. As much as people are united by the concept, they are
also driven apart by its differentiating and disintegrating mechanisms. Motivated by the search for
communal intimacy, the concept also has the effect of controlling and manipulating what appears
different and alien. As such a network of interests and strategies it is not merely closed, fixed and
bounded, as desired perhaps by the dominant cultural groups, but rather open for contestation and
negotiation within and across national borders.
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Oppen, Simone Antonia. "Comparative perspectives on Persian interactions with Greek sanctuaries during the Greco-Persian Wars". Thesis, 2019. https://doi.org/10.7916/d8-2nd6-a636.
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This dissertation considers Aeschylus’ Persae and portions of Herodotus’ Histories as attempts to shape memories of the Greco-Persian Wars by invocation of material evidence at very different moments in the fifth century BCE. Given the literary and archaeological nature of our surviving Greek evidence, this consideration is a necessary part of the larger project towards which I work: a history of Persian interactions with Greek sanctuaries during the Greco-Persian Wars. Greek archaeological evidence offers one set of comparative perspectives on these interactions. I attempt to place Aeschylus and Herodotus in dialogue with this evidence in chapters two and three. Herodotus, unlike Aeschylus, depicts respectful Achaemenid behavior at Greek sanctuaries during the Greco-Persian Wars. To contextualize this depiction, I examine earlier sources from the western Achaemenid Empire in chapter four. In so doing, I build on methodology demonstrated in the introductory chapter to consider a second set of comparative perspectives. Close reading of Herodotus in parallel to these sources provides a basis for fully examining types of behavior which have often been explained away in previous scholarship on the historian. Notably, Herodotus’ depiction, unlike our surviving earlier sources from the western Achaemenid Empire, often considers how such behavior relates to more violent aspects of conquest, and as such provides a contrast to these surviving earlier sources. I suggest that this contrast—Herodotus’ depiction of both sacrilege and respectful behavior—can be understood in his historical moment. And yet this suggestion is but a beginning.
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Verster, Helene. "Translating humour in children's literature: Dahl as a case study". Diss., 2019. http://hdl.handle.net/10500/25414.
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Text in EnglishThis study focuses on the strategies and devices used to create humour in children’s literature. No language is a replica of another language and it is generally accepted that a translator has to be creative in order to make the Source Text (ST) meaning available to the Target Text (TT) reader. The research conducted in this study aims to fill a gap regarding the application of humour in the rather under-researched field of children’s literature. A descriptive framework was used to conduct this qualitative study in order to be able to describe the linguistic strategies and devices used to translate the English source text by Roald Dahl, Charlie and the Great Glass Elevator into the Afrikaans Target Text, Charlie en die Groot Glashyser by Kobus Geldenhuys. Literary devices to create humour, employed by both the writer and the translator, were identified and analysed. Interviews and reading sessions with ST learners (English) as well as TT learners (Afrikaans) were conducted in order to observe their non-verbal reactions as well as document their verbal comments to complement the data obtained from the textual analysis. The textual analysis showed that the literary device most frequently applied in the ST was the simile and the main trend regarding the transference of humorous devices to the TT was to retain the device with formal equivalence. The most popular translation strategy was direct translation with the most important shifts identified on morphological and lexical level and shifts in expressive and evoked meaning were relatively low. With regard to the reading sessions, the most positive results from both groups of learners regarding humorous devices in the ST and TT were obtained for the device of inappropriate behaviour.
Linguistics and Modern Languages
M.A. (Linguistics)
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Marcus, Elizabeth Jacqueline. "Difference and Dissidence: French, Arabic and Cultural Conflict in Lebanon, 1943-1975". Thesis, 2016. https://doi.org/10.7916/D8319WF9.
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This dissertation brings together a study of French and Arabic literature and the cultural history of post-independence Lebanon (1943—1975). It is intended first as a contribution to post-colonial criticism and historical literature on decolonization. Second, as a contribution to literary and historical research on multilingualism, as it undergoes various changes to recover “sub-national” narratives, gestures and behaviours that subvert ideas about homogenous national identities. It begins with a set of questions about language: in the context of multi-ethnic and multi-religious societies, such as Lebanon, what is the place of language in configurations of diversity, and what is its relationship with religion? What relationships do minorities seek or preserve with the national language at or after decolonization, and how does this affect their relationship with the state? Why do some collectives assert linguistic homogeneity and why do others promote more room? Finally, can language acquire indigeneity?
While multilingualism in modern-day Lebanon is a wide-spread social practice, it is far from simple. I argue that in the aftermath of independence in 1943, a forgotten and eventually failed project of bilingualism was promoted by a conservative, nationalist and mainly Christian Maronite network of intellectuals, writers and academics attached to the Francophone university in Beirut. The project raised red flags for partisans of Arabic in Lebanon who argued that bilingualism was nothing more than a conceptual “fig leaf” for maintaining a colonial tie with France as well as an established cultural and political status quo that worked in favor of Lebanon’s Maronites. The project therefore failed to be adopted by a wider, national collective. Well before the start of the Lebanese Civil War in 1975, the project was dropped even by those who had initially rallied to its cause.
This work analyzes bilingualism at the encounter of literature, law and the social sciences, both as disciplinary approaches and respective local discourses. In this way, I examine how descriptive, prescriptive and imaginary genres converge in the discourse of nation-building. Through a constellation of readings of debates over the place of bilingualism in legal education, cultural anthropology, and the literary field, and a close reading of French and Arabic literary works, this study asks how the strategic use of language by newly independent citizens casts a light on bilingualism as a multidimensional social and discursive reality and not a purely linguist or literary phenomenon as is often considered. My theoretical point of departure, therefore, is to study how language can play a role in constructing a knowledge-based discourse that incorporates law, literature, and the social sciences.
There are two crucial aspects of this story that run throughout the histories and texts I engage with in this project. The first is that the project of bilingualism was part of a wider interest in making national identity defined by bilingualism. In so doing, it diluted the radical alterity nominally attached to multilingualism in the national setting. Yet the bilingual project might also be considered a radical one. In part, it setting out to enforce the re-signification of bilingualism in a postcolonial era, it sought, to an extent, to attenuate the centrality of the confessional structures of state. The project therefore draws our attention to the kinds of thought experiments that developed in the process of decolonization and the early years of the Cold War, a mode of creative thinking that was dropped and replaced by more hegemonic structures. But its failure indicates why, when this idea was deployed, it became the price to pay for the expected unity of the national collective. Ultimately, the bilingual project was vulnerable to critique and the failure of its re-signification was due to it being slated as an elite postcolonial project legitimizing Christian power in “cultural” terms.
A second crucial aspect of this story is that the project, while representing a failure, is nevertheless conceptually critical for several reasons. This project of linguistic diversity engendered a new politics of interpretation of text and society that led intellectuals, academics, writers and politicians to articulate the cultural stakes of the new nation-state. Indeed what we risk missing in the representation of bilingualism —as elite, conservative, confessional and colonial— is that the project generated a culture of textual critique based on the language of diversity and difference in law, the social sciences and literature. The bilingual project demonstrates the extent to which the disciplines of law, social sciences and literature in Lebanon co-constituted one another after independence. The failure of bilingualism therefore produced new forms of cultural knowledge, and is a small but important feature of post-independence Lebanon.