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1
Rau, Kristen. "From Frontline to Homefront : The Global Homeland in Contemporary U.S. War Fiction". Doctoral thesis, Uppsala universitet, Engelska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-317452.
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Criticized for providing a simplified depiction of a post-9/11 United States, contemporary American “War on Terror” fiction has been largely neglected by critical discourse. In this dissertation, I argue that this fiction offers a vital engagement with how the War on Terror is waged, and how the fantasies and policies of the Global Homeland inform it. Most immediately, the texts I analyze undercut the sanitization of the war by including depictions of intense combat and the psychological fallout of derealized warfare. In these works, the public’s reluctance to acknowledge such concerns lays the foundation for a schism between American civilians and the military. I argue moreover that this fiction engages with the collapse of distinctions between foreign and domestic spheres through exploring both battlefields abroad and how a military logic is transposed onto American society. In the first chapter, I analyze the way in which narratives by Kevin Powers, David Abrams, Phil Klay, and Dan Fesperman complicate sanitized images of the war by foregrounding its visceral qualities and representing the traumatic impact of mediated warfare. The second chapter focuses on Ben Fountain’s Billy Lynn’s Long Halftime Walk, specifically its representation of the military characters’ frustration with the public’s failure to acknowledge the traumatic impact of the War on Terror, and its critique of melodramatic patriotic gestures that glorify the war but do not require actual social, financial, or affective investment in the military. The third chapter zeroes in on portrayals of returned veterans in texts by George Saunders, Atticus Lish, and Joyce Carol Oates, who react with increasing antagonism to civilian disinterest in their plight, which gives rise to acts of violence against civilians and a shift in societal attitudes toward the military. I conclude by examining Lish’s depiction of how the policies of the Global Homeland result in the deployment of a military logic within the domestic U.S. Through its engagement with American warfare and the Global Homeland, contemporary American war fiction offers a nuanced exploration of the conduct and ramifications of the War on Terror.
2
Heaton, John Ricou. "Civilians at war reexamining the status of civilians accompanying the armed forces /". View thesis, 2004. http://handle.dtic.mil/100.2/ADA425026.
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Thesis (LL. M.)--George Washington University, 2004.Title from title screen (viewed Sept. 9, 2005). "May 23, 2004." "ADA425026"--URL. Includes bibliographical references. Also issued in paper format.
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Carpenter, Robyn Charli. ""Innocent women and children" : gender, norms and the protection of civilians /". view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113003.
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Thesis (Ph. D.)--University of Oregon, 2003.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 244-291). Also available for download via the World Wide Web; free to University of Oregon users.
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Slim, Hugo. "The humanitarian ethic in war : moral values, civil-military relations and humanitarian professionalism in the 1990s". Thesis, Oxford Brookes University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289127.
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Forsberg, Sanna. "Violence Against Civilians in Civil War : A Comparative Case Study of the Sierra Leone Civil War". Thesis, Uppsala universitet, Institutionen för freds- och konfliktforskning, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-314790.
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Reilly, Emma. "Civilians into soldiers : the British male military body in the Second World War". Thesis, University of Strathclyde, 2010. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=13721.
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Sjöstedt, Oskar. "Coerced Concessions: : Does Government Mass Killing of Civilians Affect Rebel Groups’ War Aims?" Thesis, Uppsala universitet, Institutionen för freds- och konfliktforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-354655.
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A government’s choice to kill civilians on a massive scale in civil wars has long been a puzzling phenomenon. Although the scholarly discussion on the motives behind such actions has been growing in the last decades, the understanding of the impact of mass killings is still limited. This thesis aspires to contribute to the understanding of the consequences of civilian victimization by asking “How does government mass killing of civilians affect military power-sharing in peace agreements?”. The hypothesis predicts that governments can use mass killing of civilians to indirectly pressure rebels to concede on their war aims and sign a peace agreement in order to stop the civilian victimization. The focus is on rebels’ war aims concerning military power-sharing, and to what degree the mass killing can lower the rebels’ demands on this aspect. Eight peace agreements have been selected, where four of them had government mass killing and the other four did not. This is to ensure variation on the independent variable. This thesis uses a structured focus comparison of the eight civil war peace agreements to test the hypothesis. The empirical results do not confirm the hypothesis, as no correlation is seen between the relationship of interest, rather, it contradicts it slightly.
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Elliott, Steven. "The Highlands War: Civilians, Soldiers, and Environment in Northern New Jersey, 1777-1781". Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/594976.
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HistoryPh.D.
This dissertations studies the problem of military shelter and its impact on the Continental Army’s conduct during the War of American Independence. It examines ideas and practices about military housing during the eighteenth century; how Continental officers sought and obtained lodging for themselves and their men, refinements in military camp administration; how military decisions regarding shelter affected strategy, logistics, and social relationships within the army; as well as how quartering practices structured relations between civilians and the military. This dissertation maintains a geographic focus on Northwestern New Jersey, a region it defines as the Highlands, because this area witnessed a Continental Army presence of greater size and duration than anywhere else in the rebelling Thirteen Colonies. Using official military correspondence, orderly books, diaries, memoirs, civilian damage claims, and archaeological studies, this dissertation reveals that developments in military shelter formed a crucial yet overlooked component of Continental strategy. Patriot soldiers began the war with inadequate housing for operations in the field as well as winter quarters, and their health and morale suffered accordingly. In the second half of the war, Continental officers devised a new method of accommodating their men, the log-hut city. This complex of hastily-built timber huts provided cover for Patriot troops from the winter of 1777-1778 through the end of the war. This method, unknown in Europe, represented an innovation in the art of war. By providing accommodations secure from enemy attack for thousands of soldiers at little cost to the government and little inconvenience to civilians, the log-hut city made a decisive contribution to the success of the Continental Army’s war effort.
Temple University--Theses
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Abdullah, Angham. "Contemporary Iraqi women's fiction of war". Thesis, University of York, 2014. http://etheses.whiterose.ac.uk/11414/.
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In this thesis I examine selected works by contemporary Iraqi women novelists written during three periods of wars: the Iraq-Iran War (1980-1988), the First Gulf War (1990-1991) and the US-led invasion and occupation of Iraq in 2003. I argue that the unceasing chain of wars portrayed in the open-ended narratives I analyze unsettles mainstream conceptions of women as victims at the home front and men as brave fighters at the battle front. Instead women are constructed as survivors, working to preserve the memory of Iraq and its history, gesturing towards a possible rebirth of Baghdad. The stories the writers provide entail a testimonial account where a record of historical happenings is presented to the reader in fictional form. My thesis has five chapters: an introduction, three analysis chapters and a conclusion. In each analysis chapter, I examine two narratives from each of the three war periods. For this I draw on Caruth’s, Freud’s, Felman’s and Laub’s and LaCapra’s trauma theories, on Ann Whitehead’s ideas about the way trauma is narrated in fiction and on Ikram Maṣmudi’s treatment of the Derridean concept of the unexperienced experience of death. My research constructs a link between the three stages of war in Iraq and addresses the ramifications of these periods for the work of Iraqi women writers. This research enables an understanding of the historical referentiality of fiction, of the way gender roles are challenged and war is construed and resisted from a female perspective.
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Diniz, Maria Zenóbia. "Love and war in Hemingway's fiction". reponame:Repositório Institucional da UFSC, 2013. https://repositorio.ufsc.br/handle/123456789/106129.
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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Florianópolis, 1980.Made available in DSpace on 2013-12-05T19:21:19Z (GMT). No. of bitstreams: 1 321904.pdf: 2947793 bytes, checksum: bc860ea614dbeb642f73025a5d7a8a1a (MD5)
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Newman, Esther S. "Sojourners, Spies and Citizens: The Interned Latin American Japanese Civilians during World War II". Connect to resource online, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1210777704.
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Brandsch, Jürgen. "Indiscriminate violence against civilians : an inquiry into the nature and the effects of group-selective violence". Thesis, University of St Andrews, 2018. http://hdl.handle.net/10023/16559.
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Indiscriminate violence against civilians is a recurrent problem in armed conflicts of all sorts. However, from a social science perspective this type of violence poses a puzzle. The literature on government and non-government violence mostly assumes that indiscriminate violence has counter-productive effect and is ultimately self-defeating. Yet, this begs the question as to why an actor should use indiscriminate violence at all? This dissertation tries to solve at least part of the puzzle. First, it critically reviews the literature and points to some misunderstandings that have made progress in comprehending indiscriminate violence more difficult. Second, the dissertation provides a theory on the effects of indiscriminate violence that targets groups, i.e. group-selective violence. While most of the literature assumes that violence against groups seeks to coerce the groups that are attacked, this dissertation widens the view and includes non-targeted groups in the calculation as well. It thereby demonstrates that group-selective violence can be able to produce coercive effects among those groups that are not targeted while generating only limited counter-productive effects. Empirically, this dissertation provides two types of supporting evidence. First, it will provide several case studies as a plausibility probe. These cases are designed to highlight that group-selective violence is used in the way proposed by the theory and has the hypothesized effects. Second, the dissertation will test the hypotheses of the theory of group-selective violence with data on violence against civilians in ethnic wars. Here quantitative methods are used to investigate the patterns and the consequences of violence. Both empirical investigations provide support for the notion that group-selective violence can be beneficial for the perpetrator and that it is used to achieve those benefits. In sum, this dissertation puts forth the theoretical background and empirical support for the effectiveness of group-selective violence.
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Adeniran, Olaide Zainab, e Olaide Zainab Adeniran. "Counterterrorism Tactics: The Relationship Between Leadership Decapitation and Civilian Abuse During Civil Wars". Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/624892.
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Does a relationship exist between leadership decapitation and the abuse of civilians during a civil war? This project creates a new data set in combination with existing data on leadership change and civil war termination to determine whether leadership decapitation in rebel groups that use terrorist strategies affects the likelihood of civilian abuse. A study is done on 44 cases of decapitation where the leader of a rebel group was arrested, killed, or replaced during the course of their respective nation’s civil war. This project also conducted a case study on the behavior of a rebel group in the country of Algeria during their civil war. The results show that most groups utilize the same strategies before and after the decapitation of their leader and also attack the same targets. Looking at the short term after the date of decapitation, groups are more likely to utilize the same attack method and attack the same targets. The results also indicate that leadership decapitation does not alter the tactic utilized by a group during a civil war after the date of decapitation. Leadership decapitation also does not increase the likelihood of civilian abuse within one, two, or three months after the date of decapitation. If a group was abusing civilians before the death, arrest, or replacement of their leader, then they will continue to abuse civilians after the date of decapitation. Ultimately, understanding the causes behind the violent methods used by terrorist and rebel groups will help promote conflict resolution and prevent the use of violent means against civilians.
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Patterson, Celia Ann. "On the edge of the war zone American women's fiction and World War I /". Access abstract and link to full text, 1990. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9022958.
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Ruston, Kate. "Refuge for the Non-Refugees: The Responsibility to Protect Civilians in the Syrian Civil War". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1309.
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Jansen, Remco. "Costly victories? : The dynamics of territorial control and insurgent violence against civilians within civil war". Thesis, Uppsala universitet, Institutionen för freds- och konfliktforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-353896.
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Limited systematic research has investigated how conflict events shape the spatial-temporal variation of insurgent violence against civilians. Although previous research has investigated how degrees of territorial control relate to general levels of violence against civilians, it remains largely an open question how the dynamics within territorial control determine violence against civilians by insurgents. This study aims to address this gap by hypothesizing that (1) insurgents become more likely to commit fatal violence against civilians, and (2) kill more civilians in contested areas when they lose territorial control. The Armed Conflict Location and Event Dataset (ACLED) was used along with Peace Research Institute Oslo’s (PRIO) GRID Dataset to create a novel data frame of all territorially contested area-weeks on the African continent between 1997 and 2017 (n = 3035). Contrary to theoretical expectations, logistic regressions indicate a lower risk of insurgent violence against civilians in contested areas following an insurgent territorial loss than following a break-even. Zero-inflated negative binomial regressions moreover tentatively indicate that insurgents kill more civilians following territorial wins in the short-term, and following territorial loss in the long-term. These results suggest that proactive counterinsurgency campaigns are in the interest of civilians in civil war.
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Hallifax, Stuart. "Citizens at war : the experience of the Great War in Essex, 1914-1918". Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:73fe34ce-e418-414c-8939-819b14a1f81f.
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This thesis examines the experiences and attitudes of civilians in Essex during the First World War, 1914-1918. Through these it explores the reasons for people’s continued support for the war and how public discourse shaped conceptions of the war’s purpose and course and what sacrifices were needed and acceptable in pursuit of victory. This combination kept the war comprehensible and enabled people to continue to support it. Vital to getting a picture of how the war was understood is an account of the role of the local elites that sought to shape popular knowledge and attitudes about the war. The narratives of the war, the discourse of sacrifice, and elites’ roles evolved with events at home and at the front. Chapter 1 deals with the initial reactions to the war and growing acceptance of the major war narratives. The second and third chapters address two of their major features: attitudes towards the enemy and volunteering for the armed forces. The fourth chapter addresses the changes to the war's narratives and ideas of sacrifice as casualties and hardships increased from 1916, while Chapter 5 provides an in-depth case study of local military service tribunals. The final chapter deals with the crises of 1917-18, which covered both the expected course of the war and the image of equal sacrifice, and how local and national elites overcame these problems. The successful depiction of the Great War as necessary, just, winnable, and fought against an evil enemy allowed civilians to accept sacrifices in order to win. An evolving discourse of sacrifice framed what was expected of and acceptable to civilians. Local elites played an essential role: advocating sacrifice and endurance for the national cause while also working to ensure that sacrifices were minimised and borne equally. This combination of framing the war and mitigating its effects was vital in maintaining civilian support for the war effort.
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Jones, Gregory R. "They Fought the War Together: Southeastern Ohio's Soldiers and Their Families During the Civil War". Kent State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=kent1384347676.
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Boyle, Brenda Marie. "Prisoners of war formations of masculinities in Vietnam war fiction and film /". Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060873937.
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Gallagher, Ron. "Science fiction and language : language and the imagination in post-war science fiction". Thesis, University of Warwick, 1986. http://wrap.warwick.ac.uk/90798/.
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This study examines the claims for a privileged status for the language of science fiction. The analysis of a series of invented languages, including 'nadsat', 'newspeak' and 'Babel-17', establishes that beneath these constructions lie deep-seated misconceptions about how language works. It is shown that the various theories of language, implicitly or explicitly expressed by writers and critics concerned with invented languages and neologism in science fiction, embody a mistaken view about the relation between language and the imagination. Chapter two demonstrates, with particular reference to the treatment of time and mind, that the themes on which science fiction most likes to dwell, reflect very closely the concerns of philosophy, and as such, are particularly amenable to the analytical methods of linguistic philosophy. This approach shows that what science fiction 'imagines' often turns out to be a product of the deceptive qualities of the grammar of language itself. The paradoxes of a pseudo-philosophical nature, in which science fiction invariably finds itself entangled, are particularly well exemplified in the work of Philip K. Dick. Chapter Three suggests that by exploiting the logically impossible, by making a virtue of the tricks and conventions which have become science fiction's stigmata (time-travel, telepathy, etc.), Dick indicates a means of overcoming the genre's current problems concerning form and seriousness. In conclusion it is demonstrated through the work of J. G. Ballard, that any attempt to throw off science fiction's 'pulp' conventions is likely to lead the genre further into the literary wilderness.
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Rozeboom, Judith. "Merdeka Down Under? Indonesian Civilians and Military Personnel in Australia (1942–1949)". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29853.
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This thesis examines the lives and treatment of the Netherlands East Indies (NEI) people who resided in Australia during WWII and their return to their home country after the war. It compares the lives before, during and after the war of European Indonesians and indigenous Indonesians. It assesses their lives to that of other newcomers to Australia. My research connects underused Dutch archival material, only recently released to researchers, with sources in Australian archives to provide a fresh insight into the history of indigenous Indonesians in the Commonwealth from the start of the Pacific War to the official Indonesian independence in December 1949.
The work can be divided into three main parts. The first part examines the histories of the KNIL, Koninklijk Nederlands-Indisch Leger (Royal Dutch East Indies Army) and the KPM, Koninklijke Paketvaart Maatschappij (Royal Dutch Shipping Company or Royal Packet Navigation Company) before the outbreak of the Second World War and the transition of both organisations into wartime conditions. With a component of transnational history, this military history focuses on the Indies army’s composition and development mainly in the pre-war period, continuing with the conversion into a refugee army on Australian soil.
The second part recreates the KNIL, KPM and Indonesian civilian histories in Australia until the war’s ending. A critical focus in this part of the thesis is on the legal aspects of the stay of all different groups from the NEI in their temporary homeland: the registration of aliens, the other status of newcomers to Australia, and the exact legal status of the NEI military, semi-military personnel, and civilians in the Commonwealth. I focus on the legal positions of KPM seamen and negotiated special rights, extra-territorial rights, for the KNIL.
The third and final part closely examines the post-war period in which many indigenous Indonesians ended up behind barbwire and the negotiations between the Australians and the NEI ‘Government-in-Exile’, as well as the military high command. The internment camps on Australian soil were occupied by the Netherlands East Indies’ people after WWII. I analyse why these NEI soldiers, semi-military personnel and even a few civilians were locked up in camps and not repatriated back to their towns and villages in the Indies. The research emphasises how the Indonesians returned to their home country, when and how they could leave the Commonwealth, and how they were received and perceived by their fellow countrymen and women.
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Park, Ian David. "The right to life in armed conflict". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:5c14a488-9d06-43fd-a0e2-cb5bd900b508.
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There is only passing reference made to human rights law in United Kingdom armed forces doctrine and military publications. Moreover, there is no reference made to the United Kingdom's right to life obligations in respect of those affected by the actions of the state's armed forces, or armed forces personnel themselves, during international and non-international armed conflict. As a consequence, no formal mechanism exists to ensure that the United Kingdom can comply with its right to life obligations pursuant to the European Convention on Human Rights (ECHR) and the International Covenant on Civil and Political Rights (ICCPR). Recent judgments of the European Court of Human Rights, advisory opinions and a judgment of the International Court of Justice, and views of numerous United Nations human rights bodies and rapporteurs would appear to indicate that human rights law can and does, however, apply during armed conflict. The exact nature of how human rights law, and the right to life specifically, apply during armed conflict and the obligations thus created, remain largely unresolved and generate considerable debate. This study therefore aims to consider both the extent to which the United Kingdom has right to life obligations during international and non-international armed conflict and, on the basis of current doctrine and procedures, how far the state complies with such obligations. Implicit in this analysis is a determination of what positive and negative right to life obligations are created by the ECHR and ICCPR, the extent to which these obligations have extraterritorial effect during armed conflict, how these obligations interact with the United Kingdom's obligations pursuant to international humanitarian law, and the effect of a derogation from the ECHR during armed conflict. This study concludes that the United Kingdom has both substantive and procedural right to life obligations during armed conflict, albeit partially modified by reference to international humanitarian law. Adhering to current United Kingdom military doctrine and procedures does not, however, always ensure full compliance with these obligations.
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Reeves, Kate. "Laughter and madness in post-war American fiction". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4521/.
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Two philosophical positions seem evident in post-war American fiction: one realist, one anti-realist. Using the terms 'revelation' and 'apocalypse' to reflect the former, and 'entropy' the latter, this thesis proposes that distinctions between the two can be made by analysis of a text's treatment of the nexus between laughter and madness. After an Overview that identifies and defines key terms, the Introduction considers various theoretical treatments of laughter from which its function can be ascertained as being both to reinforce stability within social groups and to explore new alternatives to existing modes of thought. Madness being defined as an inability to balance the opposing forces of system and anti-system, laughter is therefore vital to maintain sanity. The Fool emerges as a crucial figure in this process. Chapter One explores, with reference to Heller's Catch-22, Kesey's One Flew Over the Cuckoo's Nest and Kerouac's On The Road, the Laughter of Revelation: a laughing relationship between a Protagonist who is trapped within the system of an Institution and a Fool who communicates to the Protagonist (through laughter) a means of escape. Chapter Two then discusses, with reference to Blatty's The Exorcist, King's It, Morrison's Sula, and Nabokov's Lolita, the Laughter of Apocalypse: a laughing relationship in which the Fool's laughter (as mockery) is potentially destructive of both the Protagonist's sanity and the stability of the Institution. Chapter Three explores, with reference to Vonnegut's Slaughterhouse-5, Ellis's American Psycho, and Heller's Closing Time, the Laughter of Entropy: the failure of the laughing relationship that obtains when the dialectic between Institution (as system) and Fool (as anti-system) collapses. The concluding remarks reflect the metafictional implications of the foregoing analyses. It is suggested that, with the collapse of this dialectic (expressed by the Laughter of Entropy), the traditional relationship between Author and Reader becomes problematic.
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Smith, Warwick. "War and space in English fiction, 1940-1950". Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61022/.
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This thesis argues that a preoccupation with space is a characteristic feature of English fiction in the years following the outbreak of the Second World War and, more specifically, that the war's events caused this heightened interest in the spatial. Writing from the 1940s exhibits an anxious perplexity in its spatial descriptions which reveals an underlying philosophical uncertainty; cultural assumptions about spatial categories were destabilised by the war and this transformation left its mark on literature. Writers in London during the war were among civilians shocked by new sensory assaults and dramatic changes to the urban landscape. These material facts exerted pressures on the collective imagination and a major part of the literary response was an urgently-renewed interest in the problematics of space. The primary literary focus here is on Elizabeth Bowen and Henry Green, though work by other writers including Graham Greene, Mervyn Peake and William Sansom is also discussed. I draw on the philosophy of Maurice Merleau-Ponty to illustrate the challenge phenomenological thinking posed to prevailing cultural conceptions of space in this period and to suggest how the war directed writers' attention to the role that embodied perception plays in composing spaces. I also examine how technological change, particularly development of the V2 rocket, shook established spatial thinking and I discuss how conceptual categories such as adjacence, linearity and sequence were further disrupted by the political divisions of post-war Europe. Documentary and diary sources are used to support literary evidence. English fiction changed abruptly and significantly in the 1940s because of a fresh spatial understanding emerging from the war which shaped the culture of the Cold War and the space race. This change demands reassessment of a decade often dismissed in literary history as a dull interlude between temporally-dominated high modernism and a postmodern ‘turn to the spatial.'
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Enticknap, Leo Douglas Graham. "The non-fiction film in post-war Britain". Thesis, University of Exeter, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302538.
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Dickerson, Curtis. "Wage This War". Miami University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=miami1408015785.
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Riccardelli, Charlie Frank. "The Hoboken War Bride: A Novel". Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1248470/.
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The Hoboken War Bride is a work of historical fiction set in Hoboken, New Jersey during World War II. A young soldier named Daniel and an aspiring actress named Hildy marry days after meeting, though the marriage is doomed to fail. This young couple is not compatible. Daniel ships out to basic training the day after their hasty marriage, leaving Hildy behind with his family, the Anellos, who she quickly becomes attached to. Hildy is exposed to family in a way she had never lived with her own, embracing them even though she doubts she'll ever have a future with Daniel. When Daniel returns after the end of the war, the young couple try to make their marriage work, but it fails almost immediately. Both Hildy and Daniel struggle to pick themselves up after their divorce, finding themselves making choices they never thought they would when they were younger.
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Abram, Zachary. "Knights of Faith: The Soldier in Canadian War Fiction". Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34613.
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The war novel is a significant genre in twentieth-century Canadian fiction. Central to that genre has been the soldier’s narrative. Canadian war novelists have often situated the soldier’s story in opposition to how war has functioned in Canadian cultural memory, which usually posits war as a necessary, though brutal, galvanizing force. This dissertation on how novelists depict the Canadian soldier represents a crucial opportunity to examine Canadian cultures of militarization and how Canadian identity has been formed in close identification with the mutable figure of the soldier. The most sophisticated Canadian war novels engage with how militarism functions as a grand narrative in Canadian society, while enabling Canadians to speak about issues related to war that tend to be over-simplified or elided. This dissertation examines emblematic Canadian war novels – The Imperialist by Sara Jeanette Duncan, Generals Die in Bed by Charles Yale Harrison, Turvey by Earle Birney, Execution by Colin McDougall, The Wars by Timothy Findley, Broken Ground by Jack Hodgins, The Stone Carvers by Jane Urquhart, etc. – in order to trace how the representation of the Canadian soldier has shifted throughout the twentieth-century. Canadian war novels are culturally cathartic exercises wherein received notions of Canadian moral and military superiority can be safely questioned. The Canadian soldier, often characterized in official discourse as the personification of duty and sacrifice, has been reimagined by war novelists throughout the twentieth century as a site of skepticism and resistance. In many Canadian war novels, the soldier affords the opportunity to claim counter-histories, reject master narratives, and posit new originary myths.
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Moss, Julian Dominic. "The whole truth? : war in Viktor Astaf'ev's prose fiction". Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419723.
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Siberian novelist Viktor Astafev (1924-2001) spent much of his fifty-year career writing about the Second World War (known in Russia as the Great Patriotic War), focusing initially on the distant effects of the war, in the rear and in military hospitals, and on its long-lasting after-effects. Through a broadly chronological analysis of his output the thesis argues that the war is a key theme, underlying most of his major works. As Astaf ev developed as a writer he felt better able to write about military operations and battles, with a growing emphasis on the laborious work of war, while continuing to consider the war's wider effects. Some character types remain constant throughout his work, such as the quietly heroic signaller, while others change: Germans are initially absent and then denigrated, but are later portrayed as sympathetically as their Russian counterparts, while Soviet commanders are more frequently featured as time goes on, and more negatively. What runs through all Astafev's prose about the war is a belief that war is inhuman, and a desire to tell what he saw as the whole truth about the war as seen from the trenches, which he felt was missing from many Soviet accounts.
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Roberts, Ronald Lewis. "John Dos Passos's inter-war fiction : texts and contexts". Thesis, University of Strathclyde, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.410206.
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Jones, Portland. "Seeing the elephant: Learned helplessness and Vietnam War fiction". Thesis, Jones, Portland (2014) Seeing the elephant: Learned helplessness and Vietnam War fiction. PhD thesis, Murdoch University, 2014. https://researchrepository.murdoch.edu.au/id/eprint/24538/.
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The major part of this dissertation (70%) is a work of fiction titled Seeing the Elephant: a novel set mostly in the Vietnamese Highlands in the period 1962-65. In 2009, Minh, a Vietnamese refugee who is recovering from cancer in Australia recalls memories of his work as a translator for Frank, a member of the Australian Army Training Team Vietnam (AATTV). The two men work closely together and, through their shared experiences, form a relationship that will have a lasting impact on both of their lives.
The thesis, Everything will always do nothing: Learned helplessness, trauma and the Vietnam War novel, argues that the concept of learned helplessness adds to the scope of what is currently perceived as traumatic response in literary theory, contributing to resolving the tension between literary trauma theory and the study of trauma within other academic disciplines. Learned helplessness is a condition that can affect trauma sufferers, leading to the belief that “no amount of effort can lead to success” (Eggen and Kauchak, 412). The thesis analyses several Vietnam War novels and examines the issues that are foregrounded by reading representations of trauma through the lens of learned helplessness. The thesis offers insights into the role that culture, gender and place play in traumatic representation. It also examines the role of silence in the text, not as a neurobiological symptom of trauma, but as an outcome of cultural censorship. Finally the thesis examines how, when the concept of learned helplessness is employed in literary analysis different representations of healing allow the analysis to move beyond abreactive, linguistic methods to encompass all behaviour that leads to the restoration of contingency.
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Wey, Rebecca. "Fiction and Necessity: Literary Interventions in the Drug War". Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/347098.
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This thesis investigates Nuestra Aparente Rendición, or "Our Apparent Surrender," a literary project launched in response to narco-violence in Mexico. I consider the potential of literature to intervene on violence by elaborating a theory of fiction as a strategy of naturalization. Fiction dissembles artifice and contingency, imposing sense-making frames on the imagination. The role of fiction in politics is to work the very limits of intelligibility. It has long been held that language requires external moorings to anchor discourse to a stable place. This has been conceived, alternatively, as an idealized speech community or an intersubjective commitment to veracity, as objective truths, a privileged experience, external reality or God. In the absence of such moorings, it has been claimed that language would be a sea of unending deferral, and communication would be impossible. A theory of fiction suggests instead that the place where meaning is 'fixed' and stabilized is internal to discourse itself. Fiction works to halt the imagination, limit what is possible, and transform infinite contingency into necessity. Ultimately, I suggest that what is needed is a deepening of the rhetorical turn. It has been argued--and feared--that that the rhetorical turn devolves into relativism and renders scholarship ineffectual. Against such claims, I contend that we have not yet accounted for the effects of necessity, which is caught up with contingency in an inextricable embrace.
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Daley, Christopher. "British science fiction and the Cold War, 1945-1969". Thesis, University of Westminster, 2013. https://westminsterresearch.westminster.ac.uk/item/8yz67/british-science-fiction-and-the-cold-war-1945-1969.
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This thesis examines British Science Fiction between 1945 and 1969 and considers its response to the Cold War. It investigates the generic progression of British SF in the post-war years, assessing the legacy of the pre-war style of scientific romance in selected works from the late 1940s, before exploring its re-engagement with the tradition of disaster fiction in works by John Wyndham and John Christopher in the 1950s. The thesis then moves on to contemplate the writings of the British New Wave and the experimentations with form in the fiction of J.G. Ballard and Brian Aldiss as well as the stories and articles incorporated within New Worlds magazine during Michael Moorcock’s period as editor. Following on from this is a consideration of the emergence of SF film and television in Britain, marking out its convergence with literary works as well as its own distinctive reactions to the changing contexts of the Cold War. This thesis therefore diverges from existing literary histories of post-war British writing, which have largely focused on the numerous crises affecting the literary novel. Such examinations have tended to represent the Cold War as an ancillary theme – despite Britain being the third nation to acquire nuclear weapons – and have generally overlooked Science Fiction as a suitable mode for engaging with the major transformations taking place in post-war British society. Reacting to such assumptions, this thesis argues that British SF was not only a form that responded to the vast technological changes facilitated by the Cold War, but equally, that cultural life during the Cold War presented considerable challenges to Science Fiction itself – with visions of nuclear war and authoritarianism no longer the exclusive property of the speculative imagination but part of everyday life. Additionally, by concentrating on overtly British responses to the Cold War this thesis aims to further illuminate an area of cultural history that has otherwise received limited attention.
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Whitehouse, Anthony W. "Enlarging the cadre of deployable federal civilians for stabilization and reconstruction operations". View report, 2006. http://handle.dtic.mil/100.2/ADA449254.
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Thesis (Master of Strategic Studies) -- Army War College, 2006.Title from title screen (viewed Aug. 20, 2008). "8 March 2006"--P. [iii]. "ADA449254"--URL. Includes bibliographical references (p. 15-22). Also issued in paper format.
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Tierney, John. ""Plunged Back with Redoubled Force": An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War". University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.
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D'Antoni, John G. "The Home Front: The Experience of Soldiers and Civilians in the Louisiana Maneuvers of 1940 and 1941". ScholarWorks@UNO, 2018. https://scholarworks.uno.edu/td/2452.
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In the years before and during World War II, the United States Army conducted a series of military maneuvers in north-central Louisiana. The two biggest maneuvers occurred in May 1940 and September 1941. The Louisiana Maneuvers are credited with helping to prepare the U.S. armed forces for World War II. Previous studies of the 1940 and 1941 maneuvers have focused on the day-to-day activities during the maneuvers or the generals behind the maneuvers. This study will focus on the impacts of the maneuvers on the soldiers themselves and on the citizens of north-central Louisiana who lived in the maneuver area. This study will also focus on how the Louisiana state government worked with the U.S. army to get the maneuvers.
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Nicholas, Soraya Mae. "Sailing Wives". Thesis, University of Canterbury. English, 2010. http://hdl.handle.net/10092/4926.
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A novel depicting the very different lives of four war brides, sailing from London to New York to meet their husbands at the end of World War II. The four main characters become firm friends on their journey to the United States of America, however their lives as married women in their new country could not be more different.
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Gurses, Seyda Aylin. "'I Just Wanted You to Know': War Testifies through the Camera". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/483.
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This work is a textual analysis of selected documentary films whose common theme is the inevitable discrepancy between the realities of the Vietnam and the 2003 Iraq War from the perspectives of the veterans and soldiers, and the assumed reality that is constructed in the media. It is at this point that the inextricable link between documentary cinema and reality proved fundamental to the developing discourse of the entire study ahead. Since the manner in which the world is both transformed and depicted strongly depends upon the tools available to the director, the technological innovations and the emergence of portable cameras, by granting the documentary filmmaker flexibility, irreversibly solidified this link between non-fictional act of narrating and its approach and proximity to reality. Four works that are picked among a large body of documentary films are Winter Soldier (1972) directed by Winter Collective; Gunner Palace (2004) directed by Petra Epperlein and Michael Tucker; Full Battle Rattle (2008) directed by Tony Gerber and Jesse Moss and finally Standard Operating Procedure (2008) directed by Errol Morris. Even though the films are historically ordered, this study's concern is to be systematic thematically than chronologically. In the course of these analyses, discussions of notions like reality and truth, the relations of the makers of the films, the camera and editing process to the subjects of the films, will naturally emerge, as will issues related to the political and social roles of documentary cinema.
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Thalassis, Alexandra. "Incarnations of Greekness in the Greek novel of World War II". Thesis, King's College London (University of London), 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288896.
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Briggs, Marlene Anne. "The Great War and British fiction by women, 1917-1925". Thesis, University of Ottawa (Canada), 1993. http://hdl.handle.net/10393/6667.
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This study of British women writers of the Great War highlights the connections between literature and social history in the first quarter of the twentieth century. An examination of The Tree of Heaven (1917), The Return of the Soldier (1918), The Crowded Street (1924), and Mrs. Dalloway (1925) will reveal the manner in which male and female gender roles were subject to acute interrogation in wartime and post-war British society. Chapter 1 surveys literary and cultural scholarship on the Great War in order to emphasize the failure of gender-specific narratives of social change to address the complex dynamics of gender conflict which characterized the period. Chapter 2 investigates the non-combatant communities of women created through the gender-segregation of the War, revealing that the constructions of feminism in The Tree of Heaven and The Crowded Street are contextualized within their appropriation of military models for female collectivity and interaction. Chapter 3 focuses on the relationships between non-combatant women and shell-shocked veterans in The Return of the Soldier and Mrs. Dalloway, illustrating that the male and female subjects of these texts are constructed in terms of their mutual subjection to the discursive institutions of the State in wartime and post-war society. All four texts provide both Modernism and feminism with a compelling, if contradictory, dimension which needs to be recovered.
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Tate, Trudi. "Modernist fiction and the First World War : subjectivity, gender, trauma". Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.296653.
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Villeneuve, Lisa. "Dwelling space in post-war French fiction (Camus, Sollers, Perec)". Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487146.
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This thesis examines the concept of dwelling space in works written between 1957 and 1978. Our study emphasises a concern for the problematics of 'place'. By inscribing our reading within the parameters of the 'housing question' and economic modernisation in post-war France, we draw attention to the role ofthe habitable in transforming everyday private experience. The final chapter addresses four recent works (1985-1999) that draw together these concerns. Our readings proceed chronologically, beginning with Albert Camus's 'Jonas' (L 'Exil et Ie Royaume, 1957) in Chapter One. This is followed by Philippe Sollers's Le Parc (1961) and three works of Georges Perec: Les Choses (1965), Un Homme qui dort (1967) and La Vie mode d'emploi (1978). In the final chapter, our readings of Jean- Philippe Toussaint's La Salle de bain (1985), Jean Echenoz's ~ 'Occupation des sols (1988), Christian Oster's Mon GrandAppartement (1999), and Eric Chevillard's Au Pla/ond (1997) summarise our discussion ofdwelling space. Our study's theoretical framework is comprised oftwo lines ofinquiry. The first is grounded in the phenomenological tradition of Gaston Bachelard and Martin Heidegger; the second has recourse to the field ofHuman Geography, via the theoretical contributions ofHenri Lefebvre, David Harvey, and others. The originality ofthe thesis resides in its consideration of habitable space in the literature studied, as well as in the context ofthe socio-economic and demographic transformations ofthe Fourth and Fifth Republics. Our framework allows for an investigation of 'place' that reveals the spatial dynamics of an individual's role in his environment. As such, wee identify the ways in whic\1 everyday experience can be underpinned by sensations of familiarity or estrangement, at home and in the city. In the works studied, the travails experienced by individuals in their negotiation of personal space are seen to speak to the ambivalent status of modem dwelling.
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Bradley, Sara. "'Visiting a war-zone' : experiencing the ageing process in fiction". Thesis, University of Aberdeen, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310734.
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Ageing is not solely a biological process. It also involves psychological, social and cultural elements that cannot be analysed using conventional scientific and sociological research methods. Humanistic and literary gerontology explore these non-biological factors in order to gain a fuller understanding of the whole ageing process. Within this growing field fiction explores older people's thoughts and feelings as well as how they sustain their identities, assign meaning to experiences and develop strategies to cope with ageing. It tries to convey what the ageing experience is actually like - what it is, what it feels like and what it means. Old age is frequently portrayed as a physical, emotional, social and/or spiritual battle against decline, discrimination and stereotyping. Novels allow readers to enter this 'war zone' of old age in order to experience, understand and identify with different aspects of ageing. The analysis of fiction allows examination of ideas and images constituting and conveying the concept of old age. This thesis examines how and why fiction is selected, analysed and utilised by literary gerontologists and how it can contribute uniquely to gerontology. Firstly, an analysis of themes in forty-five novels shows how far modern literature shares the concerns and interest of both social gerontologists and the wider public alike. Secondly, the detailed analysis of four novels examines how ageing is represented through characterisation, structure, style and imagery. It shows how readers are drawn into and identify with characters' subjective experience in order to enhance sympathy and understanding of the ageing process. Although modern fiction still harbours many deeply negative attitudes about ageing, novels engage readers' feelings and imagination enabling them to 'visit' and thereby experience the 'war zone' of old age.
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Clay, Kevin M. "Asleep in the Arms of God". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2253/.
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A work of creative fiction in the form of a short novel, Asleep in the Arms of God is a limited-omniscient and omniscient narrative describing the experiences of a man named Wafer Roberts, born in Jack County, Texas, in 1900. The novel spans the years from 1900 to 1925, and moves from the Keechi Valley of North Texas, to Fort Worth and then France during World War One, and back again to the Keechi Valley. The dissertation opens with a preface, which examines the form of the novel, and regional and other aspects of this particular work, especially as they relate to the postmodern concern with fragmentation and conditional identity. Wafer confronts in the novel aspects of his own questionable history, which echo the larger concern with exploitative practices including racism, patriarchy, overplanting and overgrazing, and pollution, which contribute to and climax in the postmodern fragmentation. The novel attempts to make a critique of the exploitative rage of Western civilization.
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Robinson, Matthew Dean. "The Horse Latitudes". PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2371.
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The Horse Latitudes is a collection of stories that documents one infantry squad's time in Baghdad, Iraq. The missions are long stretches of boredom, broken up by flashes of violence. The single sniper shot fired. An IED loosely buried in the roadside, waiting. A schoolyard of kids throwing fist-sized rocks at gun-trucks. The enemy is vast and changing. The downtime is a combination of homesickness, RPGs, and mortar fire. These men suffer through the war, heat, and each other.
These stories look into the fire-fights and their aftermath to get to soldiers' struggles within themselves: how to fight a faceless enemy, what it means to serve, how one soldiers, what makes a man, what makes a good man, what will it mean to die here, and what does it mean not to. This collection dismisses what we think we know about war -- violence, camaraderie, masculinity, enemy, victory -- in order to tell a harder, truer story.
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Palmer, Glen. "Reluctant refuge : unaccompanied refugee and evacuee children in Australia, 1933-45 /". Title page, contents and abstract only, 1995. http://web4.library.adelaide.edu.au/theses/09PH/09php1738.pdf.
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Holm, Oskar. "When the Killing Continues : A quantitative study on the effects of wartime levels of violence on post-conflict one-sided violence". Thesis, Uppsala universitet, Institutionen för freds- och konfliktforskning, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-341424.
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Scholars have in the recent decades actively been searching for answers for why actors of war sometimes choose - and other times choose not - to direct violence against civilians. However, their focus has been largely on one-sided violence during wartime, and much less on post-conflict occurrences. This study aims to fill this research gap by examine in what way wartime livels of casualties affect post-conflict levels of one-sided violence. A total of 164 conflict episodes and their post-conflict periods between 1989 and 2016 show that there is a significant positive correlation between wartime one-sided violence intensity and post-conflict one-sided violence intensity. A similar correlation is not found between battle-related deaths and post-conflict one-sided violence, although the result shows that rebel groups are more prone to direct violence against civilians after high levels of wartime battle-related deaths than after low levels.
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Benneyworth, Garth Conan. "Traces of forced labour – a history of black civilians in British concentration camps during the South African War, 1899-1902". University of the Western Cape, 2016. http://hdl.handle.net/11394/5466.
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Philosophiae Doctor - PhDDuring the South African War of 1899-1902 captured civilians were directed by the British army into military controlled zones and into refugee camps which became known as concentration camps. Established near towns, mines and railway sidings these camps were separated along racial lines. The British forced black men, women and children through the violence of war into agricultural and military labour as a war resource, interning over 110,000 black civilians in concentration camps. Unlike Boer civilians who were not compelled to labour, the British forced black civilians into military labour through a policy of no work no food. According to recent scholarly work based only on the written archive, at least 20,000 black civilians died in these camps. This project uses these written archives together with archaeological surveys, excavations, and oral histories to uncover a history of seven such forced labour camps. This approach demonstrates that in constructing an understanding and a history of what happened in the forced labour camps, the written archive alone is limited. Through the work of archaeology which uncovers material evidence on the terrain and the remains of graves one can begin to envisage the scale an extent of the violence that characterized the experience of forced laborers in the 'black concentration camps' in the South African War.
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Langlois, Suzanne 1954. "La résistance dans le cinéma français de fiction (1944-1994) /". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42073.
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The subject of this doctoral dissertation is a thematic study of the representation of the Resistance in French fiction films since 1944. This work encompasses the larger fields of history and memory of the Resistance and the Second World War. It is a cinematographic historiography which explores 50 years of film production about the French Resistance. It analyzes the historical choices put forward by film, the censorship which had to be overcome, as well as the sources it used. It also examines how film contributes to the formation of historical consciousness. These developments are compared with the written history of the Resistance. The sources for this work include both visual and written materials: films, preliminary documents, censorship files, and film criticism. Nine interviews provide an additional aspect to this corpus. The parallel drawn between the historiography of the Resistance and the films allowed for a better understanding of the fluctuating relationship between film and historical studies. Also, the examination of this filmography from the perspective of women resisters permitted filmic analysis to move beyond the traditional and politically oriented evaluations of films based on Gaullist or communist memory.
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Middleton, Alexis Turley. "A true war story : reality and fiction in the American literature and film of the Vietnam War /". Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2467.pdf.
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