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Bibliografias temáticas / Circe (greek mythology) – fiction

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Literatura científica selecionada sobre o tema "Circe (greek mythology) – fiction"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Circe (greek mythology) – fiction"

1

Rizwana Sarwar and Saadia Fatima. "Madeline Miller’s Circe: A Feminist Stylistic Approach." PERENNIAL JOURNAL OF HISTORY 3, no. 2 (2022): 337–59. http://dx.doi.org/10.52700/pjh.v3i2.128.

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The present study explores the representation of the woman’s character in literary works and also encompasses the retelling of Greek mythology from Madeline Miller’s female protagonist’s perspective. Gender stereotypes established by Greek mythology require that women must be submissive and marginalized. Those women characters that are not according to these stereotypes are termed as negative characters. Moreover, this representation of women’s stereotypical characterization is done through predisposed language which is informed by male-ruling sexist ideology. These linguistic choices need to

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Ranjith, Nithya. "Humanizing Circe, the Witch of Aiaia: A Novel that Projects the Repercussions of Patriarchal Supremacy." International Journal of English Literature and Social Sciences 8, no. 2 (2023): 201–6. http://dx.doi.org/10.22161/ijels.82.28.

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Patriarchy or the social construct that reckons men as the 'absolute authority' has remained an amplified substratum of our societies for time immemorial. This noxious tendency has been glorified and siphoned into normality, relinquishing the power of women in the long run. Circe is a novel by Madeline Miller that tells the story of a Greek mythological character named Circe, the Witch of Aiaia. Circe was born into the family of God Helio but was deemed unworthy from her very birth. Being born powerless and unattractive had kept her in darkness for ages. She gets violated throughout her life u

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Kut Belenli, Pelin. "An Island of One’s Own: Home and Self-Fulfilment in Madeline Miller’s Circe." Gaziantep University Journal of Social Sciences 23, no. 2 (2024): 527–41. http://dx.doi.org/10.21547/jss.1345559.

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Circe is renowned for her profound knowledge of sorcery as a minor goddess in Greek mythology. Her depictions and representations are numerous in literature, painting, music, and popular culture, ranging from Homer’s classical masterpiece The Odyssey to John William Waterhouse’s painting Circe Invidiosa (1892). Recently, Circe has been recreated with a modern kick by the contemporary American novelist Madeline Miller. In Miller’s novel Circe (2018), Circe voices her own story as the first-person heroine. The novel focuses on the spiritual growth and self-fulfilment of the protagonist. Reimagin

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Ternopol, Tatiana. "The Intertextual Use of Greek Mythology in Agatha Christie’s Detective Fiction." English Studies at NBU 6, no. 2 (2020): 321–31. http://dx.doi.org/10.33919/esnbu.20.2.8.

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This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead

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Calame, Claude. "Pour une anthropologie historique des mythes grecs: Formes poétiques et pragmatique rituelle." Nordlit, no. 33 (November 16, 2014): 3. http://dx.doi.org/10.7557/13.3189.

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In contrast to any fiction in the usual sense of the term, the huge narrative domain now marked off as (Greek) ‘mythology’ deserves no charter of semantic independence or of structural(ist) closure. Coupled with the perspective of social and cultural anthropology required by the construction of possible worlds depending on cultural representations and by the poetic forms they assume in collective and ritual performances, our reading of (Greek) myths requires a pragmatic opening-up: it takes into account the specific ritual situations they are accommodated to, with their aesthetic creativity an

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6

Labarrière, Jean-Louis. "Fonction fabulatrice, mysticisme et science psychique chez Bergson." Hors-collection des Cahiers de Fontenay 13, no. 1 (1993): 377–88. http://dx.doi.org/10.3406/cafon.1993.1023.

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Fantasising plays an unique role in the Two Sources of Morality and Religion. Theoretically locked into the framework of static religion -its "raison d'être"-it is in fact its secular arm ; but it may overstep its strict function, consisting in creating fantasising images intended to ensure social cohesion and, in so doing, to open out to what well and truly seems to come from pure creative fiction, as is attested by the relation of Greek mythology to Roman religion. The fact that the Christian mystic - the most worthy representative of dynamic religion - needs to have recourse to this in orde

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Szmigiero, Katarzyna. "Reflexivity and New Metanarratives. Contemporary English-language Retellings of Classical Mythology." Discourses on Culture 20, no. 1 (2023): 85–108. http://dx.doi.org/10.2478/doc-2023-0012.

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Abstract The turn of the millennium has brought a revival of interest in the ancient Greek and Roman texts. Obviously, the legacy of antiquity is a permanent feature of Western literature and visual arts; yet, its contemporary manifestation has taken a novel form, that of a retelling. It is a new trend in which a well-known text belonging to the canon is given an unorthodox interpretation, which exposes the ethnic, class, and gender prejudices present in the original. Mythological retellings are often written in an accessible manner containing features of genre fiction, which makes the revised

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Lumi, Elvira, and Lediona Lumi. "Text Prophetism." European Journal of Language and Literature 7, no. 1 (2017): 40. http://dx.doi.org/10.26417/ejls.v7i1.p40-44.

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"Utterance universalism" as a phrase is unclear, but it is enough to include the term "prophetism". As a metaphysical concept, it refers to a text written with inspiration which confirms visions of a "divine inspiration", "poetic" - "legal", that contains trace, revelation or interpretation of the origin of the creation of the world and life on earth but it warns and prospects their future in the form of a projection, literary paradigm, religious doctrine and law. Prophetic texts reformulate "toll-telling" with messages, ideas, which put forth (lat. "Utters Forth" gr. "Forthteller") hidden fac

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Anisimova, Olga Vladimirovna, and Inna Makarova. "Mythopoetic Images of Irish Mythology in American Fantasy (the Case of Roger Zelazny's "Chronicles of Amber" - Corwin Cycle)." Litera, no. 4 (April 2023): 92–101. http://dx.doi.org/10.25136/2409-8698.2023.4.39999.

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The article is devoted to the study of key images of Irish mythology, widely used in fantasy literature, in particular, in American novels written in the second half of XX-th century. The paper considers the images of ship, tree and raven. Special attention is paid to their artistic interpretation in the novels of a famous American science fiction writer, the representative of New Wave - Roger Zelazny. The paper examines the etymology of these images, their origins in Sumero-Akkadian, Jewish and Greek mythologies, their main symbolic meanings and further interpretation in Zelazny's key novel -

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10

Balaji, K., and M. Narmadhaa. "Recrimination of Shikandi in Devdutt Pattanaik’s Shikhandi and Other Tales They Don't Tell You." Shanlax International Journal of English 11, no. 3 (2023): 22–25. http://dx.doi.org/10.34293/english.v11i3.6211.

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Indian Writing has turned out to be a new form of Indian culture and voice in which idea converses regularly. Indian writers-poets, novelists, essayists, and dramatists have been making momentous and considerable contribution to world Literature since pre-Independence era, the past few years have witnessed a gigantic prospecting and thinking of Indian English writing in the global market. Sri Aurobindo stands like a huge oak spreading its branches over these two centuries. He is the first poet in Indian writing English who was given the re-interpretation of Myths. Tagore is the most eminent wr

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