Artigos de revistas sobre o tema "Cinematography – Special effects – History"
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Sputnitskaya, Nina Yu. "Screening Zurbagan: On Use of Animation in Russian Feature Cinema". Journal of Flm Arts and Film Studies 7, n.º 4 (15 de dezembro de 2015): 73–83. http://dx.doi.org/10.17816/vgik7473-83.
Texto completo da fonteTaylor-Terlecka, Nina. "Darwinism and Surrealism: The Case of Juliusz Słowacki’s "Samuel Zborowski"". Bibliotekarz Podlaski Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 47, n.º 2 (10 de julho de 2020): 361–75. http://dx.doi.org/10.36770/bp.488.
Texto completo da fonteBedenko, Vladimir Nikolaevich. "Comedy film as a modern embodiment of the culture of laughter". Философия и культура, n.º 8 (agosto de 2020): 1–10. http://dx.doi.org/10.7256/2454-0757.2020.8.33452.
Texto completo da fonteGusev, Alexey O. "Dramatic Methods in G. N. Chukhray’s «Ballad of a Soldier»". Vestnik of Saint Petersburg State University of Culture, n.º 1 (58) (2024): 118–22. http://dx.doi.org/10.30725/2619-0303-2024-1-118-122.
Texto completo da fonteMishchenko, Igor' Evgenyevich. "Representation of the images of army and military man in the U.S. mass cinematography of the 2010s". Философская мысль, n.º 12 (dezembro de 2020): 61–75. http://dx.doi.org/10.25136/2409-8728.2020.12.34522.
Texto completo da fonteMartynenko, T. S. "Cinema as a subject of sociological analysis: features of modern cinematography". Moscow State University Bulletin. Series 18. Sociology and Political Science 29, n.º 2 (6 de maio de 2023): 120–39. http://dx.doi.org/10.24290/1029-3736-2023-29-2-120-139.
Texto completo da fonteKosachova, Olga. "Vietnamese lives matter… Image of democracy in US cinematography (on the example of Vietnam war’s theme)". OOO "Zhurnal "Voprosy Istorii" 2020, n.º 10-3 (1 de outubro de 2020): 4–10. http://dx.doi.org/10.31166/voprosyistorii202010statyi70.
Texto completo da fonteOrtiz, Maria J. "Embodied Cinematography in Mr. Robot". Baltic Screen Media Review 11, n.º 1 (1 de dezembro de 2023): 84–105. http://dx.doi.org/10.2478/bsmr-2023-0006.
Texto completo da fonteZelenin, Sergey V. "The Conception of the Image of Peter I in Soviet Time". Almanac “Essays on Conservatism” 3 (30 de julho de 2022): 307–22. http://dx.doi.org/10.24030/24092517-2022-0-3-307-322.
Texto completo da fonteKirillova, Natalia B., e Valeria Yu Lebedeva. "Transformation of the teacher’s image in Soviet and Russian Cinematography: Intracultural Dialogue". Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 29, n.º 2 (2023): 165–72. http://dx.doi.org/10.15826/izv1.2023.29.2.035.
Texto completo da fonteMedvedev, Aleksei Dmitrievich. "The political history of France in reflection of the national cinematography (1960s – 1970s)". Genesis: исторические исследования, n.º 4 (abril de 2021): 94–103. http://dx.doi.org/10.25136/2409-868x.2021.4.35473.
Texto completo da fonteKalenichenko, Mariya Vladimirovna. "The works of Leningrad popular science film studio “Lennauchfilm” in the 1970s – 1980s". Культура и искусство, n.º 4 (abril de 2021): 19–29. http://dx.doi.org/10.7256/2454-0625.2021.4.35584.
Texto completo da fonteBuranok, Sergey Olegovich. "Methodological features of the study of «combat films» in the United States of 1941-1945". Samara Journal of Science 11, n.º 1 (1 de março de 2022): 246–49. http://dx.doi.org/10.55355/snv2022111215.
Texto completo da fonteGrmusa, Lovorka Gruic. "“Cinematic” Gravity’s Rainbow: Indiscernibility of the Actual and the Virtual". Open Cultural Studies 1, n.º 1 (27 de novembro de 2017): 257–69. http://dx.doi.org/10.1515/culture-2017-0023.
Texto completo da fonteTurnock. "The ILM Version: Recent Digital Effects and the Aesthetics of 1970s Cinematography". Film History 24, n.º 2 (2012): 158. http://dx.doi.org/10.2979/filmhistory.24.2.158.
Texto completo da fonteMyslavskyi, V. "The formation of Ukrainian documentary film directing in the second half of the 1920s". Culture of Ukraine, n.º 82 (13 de dezembro de 2023): 59–66. http://dx.doi.org/10.31516/2410-5325.082.07.
Texto completo da fonteOstapenko, Anton Sergeevich. "The image of Pyotr Verkhovensky from F. M. Dostoevsky's novel «Demons»: from the real S. G. Nechaev to new images in the cinema". Культура и искусство, n.º 4 (abril de 2024): 53–64. http://dx.doi.org/10.7256/2454-0625.2024.4.69957.
Texto completo da fonteWang, Qi. "Light and Shadow: Exploring the Aesthetics of Dune’s Visual Spectacle through Effects, Design, and Art Direction". Journal of Research in Social Science and Humanities 3, n.º 2 (fevereiro de 2024): 14–21. http://dx.doi.org/10.56397/jrssh.2024.02.03.
Texto completo da fonteGusev, Alexey O. "Details as active elements in film dramatic composition. «Rashomon» by Akira Kurosawa". Vestnik of Saint Petersburg State University of Culture, n.º 3 (56) (2023): 114–19. http://dx.doi.org/10.30725/2619-0303-2023-3-114-119.
Texto completo da fonteMikheeva, Yulia V. "Film Music and the Director’s Aesthetics: Concerning the Methodology of Film Text Analysis". Problemy muzykal'noi nauki / Music Scholarship, n.º 2 (2024): 200–210. http://dx.doi.org/10.56620/2782-3598.2024.2.200-210.
Texto completo da fonteLandsbergytė-Becher, Jūratė. "PHENOMENOLOGY OF THE FRONT LINE IN LITHUANIAN CONTEMPORARY CULTURAL LANDSCAPE". CONTEMPORARY LITERARY STUDIES, n.º 18 (13 de dezembro de 2021): 66–73. http://dx.doi.org/10.32589/2411-3883.18.2021.246957.
Texto completo da fonteKhomenko, Oleksandr, e Bohdan Skopnenko. "“Kiev Citizen” Movie by T. Levchuk: Ukrainian Revolution of 1917—1921 in the Ukrainian Soviet Cinematography". Ukrainian Studies, n.º 2(79) (3 de agosto de 2021): 136–51. http://dx.doi.org/10.30840/2413-7065.2(79).2021.234515.
Texto completo da fonteИсмаилов, Камолитдин Саидахмадович, e Александр Викторович Марков. "ACTING PERFORMANCES IN UZBEK DOCUMENTARY FILMS". ΠΡΑΞΗMΑ. Journal of Visual Semiotics, n.º 3(37) (30 de março de 2023): 54–72. http://dx.doi.org/10.23951/2312-7899-2023-3-54-72.
Texto completo da fonteTerasaki, Paul I., Jack A. Cannon, William P. Longmire e Charles C. Chamberlain. "ANTIBODY RESPONSE TO HOMOGRAFTS: V. CYTOTOXIC EFFECTS UPON LYMPHOCYTES AS MEASURED BY TIME-LAPSE CINEMATOGRAPHY *". Annals of the New York Academy of Sciences 87, n.º 1 (15 de dezembro de 2006): 258–65. http://dx.doi.org/10.1111/j.1749-6632.1960.tb23199.x.
Texto completo da fonteMedvedev, A. V. "The image of sport in the work of V.S. Vysotsky". Scientific and educational basics in physical culture and sports, n.º 2 (29 de maio de 2022): 43–49. http://dx.doi.org/10.57006/2782-3245-2022-6-2-43-49.
Texto completo da fonteRadaeva, E. A. "Traditions of German Expressionism in the Cinematography of the Second Half of the 20th – Early 21st Centuries". Concept: philosophy, religion, culture 6, n.º 3 (27 de setembro de 2022): 156–70. http://dx.doi.org/10.24833/2541-8831-2022-3-23-156-170.
Texto completo da fonteShchedrina, Irina O. "Narrative in Scientific Knowledge: N.I. Zhinkin’s Cinematographic Method". Voprosy Filosofii, n.º 11 (2023): 156–61. http://dx.doi.org/10.21146/0042-8744-2023-11-156-161.
Texto completo da fonteZyablikov, Alexey V. "FORMATION OF SOVIET IDENTITY BY MEANS OF DOMESTIC CINEMATOGRAPHY IN THE 1920–50S: TO THE PROBLEM STATEMENT". Vestnik of Kostroma State University 28, n.º 3 (28 de fevereiro de 2023): 52–62. http://dx.doi.org/10.34216/1998-0817-2022-28-3-52-62.
Texto completo da fonteKorabliova, Nadiia, e Hanna Chmil. "CINEMATOGRAPHY AS A DESCRIPTIVE PHILOSOPHY "ON THE CINEFILM" OF IMAGES OF HOMO: FROM THE FIXATION OF IMAGES (HOMO PHOTOGRAPHICUS) TO THE TREACHERY OF IMAGES (CONTEMPORARY HOMO VIDENS)". Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", n.º 64 (29 de dezembro de 2021): 32–43. http://dx.doi.org/10.26565/2306-6687-2021-64-04.
Texto completo da fonteDanahay, Martin. "Richard Mansfield, Jekyll and Hyde and the History of Special Effects". Nineteenth Century Theatre and Film 39, n.º 2 (novembro de 2012): 54–72. http://dx.doi.org/10.7227/nctf.39.2.4.
Texto completo da fonteBol, Peter K. "Introduction to the Special Issue". Journal of Chinese History 4, n.º 2 (julho de 2020): 251–57. http://dx.doi.org/10.1017/jch.2020.29.
Texto completo da fonteKurylev, Konstantin P. "CINEMA OF UKRAINE IN THE POST-SOVIET PERIOD. STAGES OF DEVELOPMENT, CHARACTER AND FEATURES". RSUH/RGGU Bulletin. Series Eurasian Studies. History. Political Science. International Relations, n.º 3 (2023): 59–78. http://dx.doi.org/10.28995/2686-7648-2023-3-59-78.
Texto completo da fonteTakala, Marjatta, e Rune Sarromaa Hausstätter. "Effects of History and Culture on Attitudes toward Special Education: A Comparison of Finland and Norway". ISRN Education 2012 (26 de junho de 2012): 1–7. http://dx.doi.org/10.5402/2012/161039.
Texto completo da fonteLiu, Xue. "Exploring the Realism of the Movie "The Chinese Doctor"". International Journal of Education and Humanities 11, n.º 1 (22 de outubro de 2023): 220–22. http://dx.doi.org/10.54097/ijeh.v11i1.13157.
Texto completo da fonteBasalla, George. "Matters of Gravity: Special Effects and Superman in the 20th Century (review)". Technology and Culture 46, n.º 3 (2005): 684–85. http://dx.doi.org/10.1353/tech.2005.0111.
Texto completo da fonteDemyanov, Gleb V., Nadezhda Yu Vyatkina e Nadezhda V. Prisyazhnaya. "Journey along the edge of the night: the image of the 20th century writer in contemporary foreign cinematography". Sociology of Medicine 22, n.º 1 (18 de janeiro de 2024): 79–91. http://dx.doi.org/10.17816/socm568956.
Texto completo da fonteKuznetsov, M. S., S. M. Logatkin e V. V. Dvorjanchikov. "Special acoustic devices of law enforcement agencies: a short history, medical and biological effects on the hearing organ". Medicо-Biological and Socio-Psychological Problems of Safety in Emergency Situations, n.º 3 (10 de setembro de 2021): 83–90. http://dx.doi.org/10.25016/2541-7487-2021-0-3-83-90.
Texto completo da fonteOprisnyk, Yaryna. "Poetics of Narrative in Kazuo Ishiguro’s Novel “A Pale View of Hills”". Слово і Час, n.º 12 (20 de dezembro de 2019): 57–64. http://dx.doi.org/10.33608/0236-1477.2019.12.57-64.
Texto completo da fontePardey, Hannah. "Dramatic Dissent in Wole Soyinka’s Metaphysical Play Death and the King’s Horseman (1975) and Biyi Bandele’s Netflix Adaptation Elesin Oba: The King’s Horseman (2022)". Matatu 54, n.º 2 (5 de dezembro de 2023): 173–203. http://dx.doi.org/10.1163/18757421-05402002.
Texto completo da fonteHall, Bert S. "Theatre of Fire: Special Effects in the Early English and Scottish Theatre (review)". Technology and Culture 42, n.º 1 (2001): 192–93. http://dx.doi.org/10.1353/tech.2001.0019.
Texto completo da fonteZubko, Olha. "Scientific and technical discoveries of the 1920s and Ukrainian emigrationin in the Interwar Czechoslovak Republic (1918–1939)". Bulletin of Luhansk Taras Shevchenko National University, n.º 9 (347) (2021): 146–56. http://dx.doi.org/10.12958/2227-2844-2021-9(347)-146-156.
Texto completo da fonteIlyichev, Anton Vladimirovich. "Baldwin IV of Jerusalem as the image of the ideal ruler of the Middle Ages". Genesis: исторические исследования, n.º 11 (novembro de 2021): 46–62. http://dx.doi.org/10.25136/2409-868x.2021.11.34246.
Texto completo da fonteMartí-Henneberg, Jordi, e Daniel A. Tirado-Fabregat. "Introduction: A New Look at the Origins of Economic Growth and Regional Inequality". Journal of Interdisciplinary History 49, n.º 1 (junho de 2018): 1–8. http://dx.doi.org/10.1162/jinh_e_01229.
Texto completo da fonteMartí-Henneberg, Jordi. "Geographical Information Systems and the Study of History". Journal of Interdisciplinary History 42, n.º 1 (junho de 2011): 1–13. http://dx.doi.org/10.1162/jinh_a_00202.
Texto completo da fonteBonaventura, Rosa, Francesca Zito e Roberta Russo. "Special Issue on “Insights on Ecotoxicological Effects of Anthropogenic Contaminants in Aquatic Organisms”". Toxics 11, n.º 4 (27 de março de 2023): 311. http://dx.doi.org/10.3390/toxics11040311.
Texto completo da fonteRoth, Grace M., e Richard M. Shick. "THE CARDIOVASCULAR EFFECTS OF SMOKING WITH SPECIAL REFERENCE TO HYPERTENSION". Annals of the New York Academy of Sciences 90, n.º 1 (15 de dezembro de 2006): 308–16. http://dx.doi.org/10.1111/j.1749-6632.1960.tb32645.x.
Texto completo da fonteJicheng, Cong. "Application of data driven 3D animation special effects in movie advertisements: history of the issue". OOO "Zhurnal "Voprosy Istorii" 2023, n.º 7-1 (1 de julho de 2023): 214–21. http://dx.doi.org/10.31166/voprosyistorii202307statyi28.
Texto completo da fonteHankte, Steffen. "Matters of Gravity: Special Effects and Supermen in the 20th Century". Journal of Popular Culture 38, n.º 1 (agosto de 2004): 216–17. http://dx.doi.org/10.1111/j.0022-3840.2004.107_6.x.
Texto completo da fonteTang, Yuqian. "Marvel Movies: Film Manufacturing in the Digital Agecomic". Lecture Notes in Education Psychology and Public Media 36, n.º 1 (15 de janeiro de 2024): 269–74. http://dx.doi.org/10.54254/2753-7048/36/20240471.
Texto completo da fonteHiguchi, Hiroyoshi, e Hideaki Karaki. "Special Issue on Extinction of Organisms". Journal of Disaster Research 3, n.º 3 (1 de junho de 2008): 165. http://dx.doi.org/10.20965/jdr.2008.p0165.
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