Teses / dissertações sobre o tema "Château de Trémazan (France)"
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Prunet-Tricaud, Marie-Rose. "Le château d'Assier en Quercy". Paris 4, 2003. http://www.theses.fr/2003PA040101.
Texto completo da fonteFrom the présent stat of the château of Assier, which represents about one-tenth of the edifice built by Galiot de Genouillac between 1515 and 1540, it is difficult to have an idea of the former greatness and quality of the edifice. As captain-general of the French artillery in 1512 and François Ist great equerry in 1525, Galiot was an eminent figure at the court, whose architectural and humanistic tastes he expresses before others in Southern France. With some exceptional documents it is possible, not only to form an idea, but also to restitute very precisely the lost wings. This study is based on the analysis of the various historical documents -figurative, manuscript or printed sources- which are confronted with the remains either on-site or dispersed. It leads to the restitution of the architecture and decoration, and to the account of the influences undergone and then exerted by what was, according to Brantôme, "the most superb house one could see"
Leicher, Anna. "Le château en Anjou entre 1840 et 1880". Lyon 2, 1999. http://www.theses.fr/1999LYO20044.
Texto completo da fonteLeroux, Laure. "Le château de Biron (Dordogne) : étude archéologique, historique et architecturale". Caen, 2016. http://www.theses.fr/2016CAEN1023.
Texto completo da fonteSituated on the borders of Périgord and Agenais, the château de Biron is one of the main castles of Aquitaine. Its complexity inspired a thesis dedicated to the historical and architectural evolutions of the castle, based on an archaeological approach, combining study of the elevated structures and some excavations in the court of the castle. These four years researches revealed the genesis of the castle around the tenth century, while the count of Toulouse was trying to extend his territorial reach in southern Périgord. Two centuries later, the strategic situation and the development of the fortress attracted the interest of dukes Plantagenêt, to control the counties of Agenais and Quercy. They helped the lineage of Gontaud to take the castle and married their heiress with a mercenary, Martin Algais, seneschal of Périgord for the king John, killed by Simon de Montfort, during the Albigensian Crusade. At the thirteenth and fourteenth century, the creation of bastides near the castle weakened durably the lineage, which played an opportunist politic to survive during the Hundred Years War. At the end of the fifteenth century, the lords of Biron undertook ambitious works to transform the ancient fortress in a gorgeous residence in late flamboyant gothic style, with some ornaments inspired by Italian Renaissance. In the second half of the sixteenth century, their heirs ensured their social ascension by offering their diplomatic and military abilities to the latest Valois and transforming the castle in a spot to keep watch the protestant Agenais. The treason and execution of Charles de Gontaud, Maréchal of Biron in 1602 caused the long desertion of the castle
Blary, François. "Château-Thierry : des comtes de Vermandois aux ducs de Bouillon : contribution à l'étude des phénomènes urbains". Paris 1, 2001. http://www.theses.fr/2001PA010536.
Texto completo da fontePalumbo, Maria Anita. "Barbès, Château-Rouge, Goutte d’Or. Ailleurs commence ici : anthropologie d’un espace d’altérité dans Paris". Paris, EHESS, 2014. http://www.theses.fr/2014EHES0623.
Texto completo da fonteThe Parisian area of Barbès-La Goutte d'Or-Château Rouge is historically a working class and immigrant area, where present day life combines density and diversity of population and uses, which makes it one of the most cosmopolitan areas of Paris. Public space here is characterized by an atmosphere that makes the inhabitants as well as the visitors feel elsewhere. This area works as a centre of african commercial activities in Europe. Contrary to the media's stigmatic portrayal of this area as an exception in Paris, projrcting it as a dangerous and lawless neighborhood in the capital, the Public Urban Policies have actually been investing in this area since the 80s. My research investigates this area from different points of view to analyse how in the past and present it is produced and operates as a "space of otherness" into/of Paris. Following the requirements of a contemporary urban monographic ethnography which preserves the unity of place as a unit of object and not as the limits of the area of investigation, my ethnography goes far beyond the spatial and administrative boundaries of the district. I propose an analysis of different "social scenes" including the inhabitants points of view to the political discourse, the concrete space to its mediatic mirror, the observation of the on-going transformation to the analysis of urban planning and their future projections. These set of analyses are located at various scales that contribute into the production of this part of the city and produce it as an area between Paris and its opposite, between here and there, between the known and the unknown. By putting in practice the strabismus necessary in doing urban anthropology today, I scrutinise the subject in a double perspective: on one hand describing daily life in this district; in the multilayered marginal space of the city-centre, what kind of urbanity develops? What is the specificity of "city-making of Barbès? I also question the role of this area in the Paris global economy. How Barbès inhabits Paris? How Paris inhabits Barbès? This thesis contributes to the analysis of the relationship between city (spatiality) and otherness. It also questions the present day role and status of such spaces of elsewhere in contemporary cities, in which a different urbanity is developed and which often thwarts the dominant reules of urban society or at least exhibit their conventionality?
Schloder, John E. "La peinture au château de Richelieu". Paris 4, 1988. http://www.theses.fr/1988PA040056.
Texto completo da fonteThe great castle built by cardinal Richelieu (1585-1642) in Poitou no longer exists; the treasures once housed there have been dispersed. This thesis, based on unpublished documents, traces the history of the painting collection in Richelieu’s castle: its formation at the beginning of the seventeenth century, the decoration of the great rooms in Richelieu’s time, the changes made by the duke in the eighteenth century, the dispersion of the collection during the revolution and the arrival of certain masterpieces in the French national collections (the Louvre, Versailles, the Tours and Orleans museums) and in private collections, both inside and outside France. This dissertation also presents numerous unpublished documents such as the only known plan of the castle's main floor (where the bulk of the collection was housed), a rare visitor's description discovered at the Bodleian library (Oxford), which is dated 1637 and thus describes the collection during the cardinal's lifetime. In all, it is possible to catalog 70 paintings (20 here published for the first time), which in all likelihood adorned the castle in the seventeenth century. Several are by the same artist; in my opinion, Nicolas Prevost, a little-known painter today, but who played an eminent role in the decoration of the castle for nearly ten years. The thesis also lists lost paintings by Raphael, Titian, van Dyck, Rubens, Dürer, among others, and those erroneously attributed to Richelieu’s
Morin, Christophe. "Bâtiments d'utilité : accès et abords du château au XVIIIe siècle : le cas de l'Ile-de-France". Paris 1, 2002. http://www.theses.fr/2002PA010548.
Texto completo da fonteReigniez, Pascal. "Histoire du château de Cubzac et de la seigneurie du cubzaguais : Vème - XVIème siècles". Paris 8, 1994. http://www.theses.fr/1994PA080984.
Texto completo da fonteAThe aim of this thesis is the history of the castle and seigniory of Cubzac, on the actual departement of Gironde (s. W. Of France), on the north of Bordeaux, near the Dordogne river. This castle was built between 1250-1252 by Simon V of Montfort, on the order from the king of england. The seigniory of Cubzac was created in 1341 by Edouard III, whitch gived it to Berard first of Albret. The place of Cubzac was built like a bastide : it was among the first on this country of Bordeaux, but it was a defeat too. Our research relates the history of Cubzac since the english presence in Aquitaine until the castillon battle, in 1453. The castle of Cubzac, sometimes called "quatre fils Aymon castle", or "Montauban", was often root of historics errors, rectified by our present research
Trézin, Christian. "Grignan, du castellum au palais d'Apolidon : les mutations d'un château provençal (XIe-XVIIIe s.)". Tours, 2006. http://www.theses.fr/2006TOUR2009.
Texto completo da fonteThis monographic study is an example of the architectural evolution and of the social function of a castle over a very long time lapse. It is based on various sources such as archaeology, texts, drawings, photographs, architectural analysis. It shows that the castellum of Grignan appears around 1000 in a formerly organized soil -partly fossilised up to the XVIIIth century in the domain of Cordy- and that the castrum, formed before 1119, was equipped with enclosures, joined to the defences of the castle, which mark out its extension up to the XVIth century. Limited by the original platform, the castle went through several transformations, each of them respecting the main symbolic aspects of the former building. In the XIIIth and XIVth centuries the form of its defences is organised around an aula-camera-capella residential unit. Preceded in 1495-1516 by a gallery and a straight stairway ribbed vault, that presents the first italianizing ornaments, the main transformation is due to Louis Adhemar that orders to Antoine Soysson, from Picardy, the works of collegial St-Sauveur (1539-1542) then partly those of the castle (1540-1558). The same unusual implementation of orders is also used in the castles of Suze-la-Rousse (1544-1556) and La Garde-Adhémar (1545-1547). The question of the models, between northern France and Roman monument of the Midi, is the heart or this movement. It is also possible to suggest the identification of Grignan with the Rosmarino project of Serlio. At last from 1684 to 1689 a classical frontage unify the Eastern wing. Dismantled in 1793 the castle is restored from 1913
Maury, Gilles. "Le château Vaissier, 1892-1929 : archéologies de la demeure orientaliste d'un savonnier de Roubaix". Versailles-St Quentin en Yvelines, 2009. http://www.theses.fr/2009VERS002S.
Texto completo da fonteThe castle of the soap-manufacturer Victor Vaissier (1851-1923) was built in the center of the Lille metropolis during it economic expansion. Known as the "palace of Congo", this mansion was in fact closer to the Taj-Mahal and gave hundreds of Indian artistical references. The architect, Edouard Rozan (1842-1901) from Roubaix, had materialized the strange desires of this client, famous for his advanced commercial ideas. Destroyed in 1929, the castle remains associated to the strong memories left by Victor Vaissier. It still fascinates, but the complete lack of primary sources had for a long time hindered any kind of research. How to tell the story of a building, without the architect's archives, or those of the owner, and without the building itself ? The reconstitution of this history has been made by the architectural reception instruments. The comparison between historical sources with the material traces left by the demolition - preserved or reused elements - has authorized a kind of archaeology of the studied object. By questioning the diffusion of indian architecture in France, by examining what the trademark and the commercial imagination were like the archaelogy of the architectural project reveals the conditions of the creation and the inspirations of this oriental palace. Despite its fancy look, Castle Vaissier was in fact a very well built construction, for which the architect had to coordinate skilled building firms and renowned artists. Mostly considered as a local curiosity until now, Castle Vaissier has recovered a national and international status thanks to this reconstructed history
Dumasy, Juliette. "Le feu et le lieu : la baronnie de Severac-le-Château à la fin du moyen-âge". Paris 1, 2008. http://www.theses.fr/2008PA010625.
Texto completo da fonteCasaubon, Anaïs. "Le château de Pouancé (Maine et Loire) : évolution d'un site castral des marches de Bretagne (XIIIe-XVe siècle)". Nantes, 2012. http://www.theses.fr/2012NANT3049.
Texto completo da fonteLanglet-Scopsi, Claire. "Représentations des TIC en milieu migrant : le cas des "boutiques de communication" de Château-Rouge". Paris 10, 2004. http://www.theses.fr/2004PA100051.
Texto completo da fonte"Communication shops" in Château-Rouge, reproduce African telecenters and propose telecommunications services and products : international calling cards, call shops, fax, mobile phones, public access to internet. They particularly concentrate around the African market of Château-Rouge (Paris 18). This leads to consider that ICT may contribute to the conception of diasporic identity in a migrant population and that "communication shops" can be studied as a political phenomenon (as constituting a public space for migrant representation), as the outcome of the transnational economy lead by displaced entrepreneurs, and as an heterotopic place where migrants progressively integrate into the host country
Bornet, Anaïs. "Le château de Choisy-le-Roi au XVIIIe siècle : architecture, vie sociale, administration". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL008.
Texto completo da fonteToday disappeared, the castel of Choisy-le-Roi remains as a symbol of the Louis XV and Mme de Pompadour’s expensive whims, idea spread by the 18th and 19th centuries literature. However, Choisy has an important part in the history of the programs architecture set up for the needs for the life of court of the second half of the 18th century. Close to the forest of Sénart, the castel becomes at first a friendly residence where finds itself, after the hunting trips, a " particular court ", made up of the king ’s close friends. Louis XV invites later to Choisy his children, to whom he dedicates short stays in a informal settings. The numerous entourage attached to their service transforms this space previously "private", and makes it more accessible to the courtiers. This increase of the company produces many construction works by the architect Ange-Jacques Gabriel. As a result of this loss of "intimacy", other intimate places are then fitted out; so, the Petit-Château, the first detached house of Louis XV, is built. It is where takes place the table « volante ». Through the study of the royal domain, we also notice the daily functioning of the castel, where live numerous employees attached to the administration des Bâtiments du roi. The field works is coordinated by a controller des Bâtiments, from whom letters exchanged with the Director of the administration give valued informations on management and staff. So, the castel of Choisy appears as a major part for the understanding of the court and the sociability of Louis XV
Frignet, Georges. "Rouvres, la châtellenie, le château, au temps des deux premiers ducs de Valois de Bourgogne (vers 1360 - vers 1420)". Paris 4, 2005. http://www.theses.fr/2005PA040259.
Texto completo da fonteThe study of 50 accounts from Rouvres-En-Plaine castellany, covering the years 1360 to 1420, has enabled the analysis of its incomes, in cash and in kind, and the view of their evolution, along the period. The study of expenses has revealed a lot of pieces of information on the garden and about the castle seen as a fortress as well as a family place of residence. The vastness and old age of the premises meant considerable maintenance costs, which were, by no means, in proportion to the low incomes of the castellany. These incomes were, more over further impacted by Rouvres inhabitants lower capability to pay the major in kind contribution, called matroce. These inhabitants were affected by wars and epidemics and were no longer capable to pay due taxes. So, money wanted to finance the works of the castle, came mainly from the burgundian state budget, and, in a minor part, from the villages of the castllany contribution, which was due as a participation to the fortress empowerment. The building of a new tower, which was the main and the last undertaking of these period, was suddenly stopped by the assassination of the duke of Burgundy, John the fearless. It was the beginning of a long decline which ended a few years before the french revolution, by the discontinuance of the castellany and the sale of the last remains of the castle
Chabrol, Marie. "De nouvelles formes de gentrification ? : dynamiques résidentielles et commerciales à Château-Rouge (Paris)". Phd thesis, Université de Poitiers, 2011. http://tel.archives-ouvertes.fr/tel-00658852.
Texto completo da fonteBrand'Honneur, Michel. "Le château et la motte du IXème au XIIème siècle, une clé d'analyse de la société féodale : l'exemple du comté de Rennes". Rennes 2, 1998. http://www.theses.fr/1998REN20035.
Texto completo da fonteMottes and castles, often assimilated under the name of "mottes castrales", illustrate two distinct phenomena. If the castle is definitely of public nature because it embodies the right to make the war, the statuts of the mottes appears less clearly defined. The motte was above all the symbol of a knighthood anxious to display its social proximity with the nobility. The medieval society generated two types of territorial setting of the populations : the Church organized on a parochial basis and the secular authority, established on the power of the carls. And then, these two institutions are in heart of the resetting that affects the medieval society and of which, castles and mottes would be among the most visible symbols. The temporary pause of the castle network development toward 1050 corresponds the phase of the territorial networking by mottes. The latter is especially touched by the reform of the Church that, under the pretense of a better dissociation of the secular and religious spheres, claims the monopoly of the certain rights and the return of possessions that they consider as theirs. The localization of the mottes, mainly in parochial boundaries, presumably constituted the most disturbing symbol of the resetting of powers. Therefore, the network of the lesser chivalry remains organized around the castle, to which it owes service, baut the fact that its roots lie in rural communities probably allows him further private initiatives as well
Cayot, Fabrice. "Le château de Noyers-sur-Serein : contribution à l'étude des châteaux en Bourgogne du nord à la fin du Moyen Age". Dijon, 2007. http://www.theses.fr/2007DIJOL036.
Texto completo da fonteContrary to their Alsatian, franciliens or auvergnats counterparts, the stone castles of northern Burgundy remain ignored. Nevertheless, they deserve interest, whether it is from a historical, geographical, architectural or archaeological point of view. Due to the lack of comprehensive studies on Burgundian castles, this study will use of an already well documented site to create a reference site. Various opportunities, which the realization of archaeological excavations drove us to choose that of Noyers-sur-Serein to bring to a successful conclusion this initiative. It is based on many documents including narrative sources, inventories and 61 countable registers dating from 14th and 15th centuries. Archaeological documentation is lacking because the site was completely destroyed at the end of the 16th century, but it is based nevertheless on the excavation of two towers and a section of curtain. This study approaches the castle in several scales. In a wide scale, in its territory as in a fine scale, in its details. It also approaches underestimated aspects as the buildingyard
Jacob-Rousseau, Nicolas. "Les vallées en gorges de la Cévenne vivaraise : montagne de sable et château d'eau : thèse pour obtenir le grade de docteur de l'université de Paris IV-Sorbonne, discipline géographie et aménagement". Paris 4, 2003. http://www.theses.fr/2003PA040234.
Texto completo da fonteTrotry, de La Touche Hugues. "Le château de Saint Malo dans l'histoire de la ville et dans la fortification de l'ouest de la France". Rennes 2, 1989. http://www.theses.fr/1989REN20032.
Texto completo da fonteThis doctoral dissertation deals with Saint-Malo castle built between the 14th and 17th centuries, and therefore, extremely interesting from a historical point of view as well as representative of the development of techniques. It is a study of the history of the city, the fortifications, the dukedom of Brittany and France between the 14th and 20th century
Pau, Alexandre. "L'invention de Polignac : les représentations de Polignac par les érudits et amateurs antiquisants en Velay du Moyen-Åge au XXIe siècle". Montpellier 3, 2007. http://www.theses.fr/2007MON30044.
Texto completo da fonteThe invention of Polignac will evoke the way in which the circles of amateurs of art and style of antiquity, scholars, archaeologists and artists (local, national but also international) created, invented and glorified the castle and the name “Polignac” starting from a idealized mineral environment. Since 1471, writings tell that St George, evangelistic figure of Velay, would have come in Polignac to demolish the representation of God Apollo, Master of the idols of the area. Consequently, the family of Polignac, whose native cradle is the castle, sees itself offering divine origins. The site of Polignac shared the scientific community between the “apollomaniacs”, in favour of a legitimacy drawn from antiquity to ensure the radiation and the power fortress through times, and the “antiapollomaniacs”, which broke this mythological fabric. The subject will open the doors of a world where the vellaves traditions have been with being (re)discovered by the means of the local scholarship for five centuries and in particular with XIXe and XXe centuries. This study will explore the networks of the learned societies to infiltrate their bonds and all that could have influenced the judgement of the researcher following the social origin, political, religious, … The confrontation of the texts and the iconography will enable us to find elements allowing a better comprehension of the monumental history of the castle. The family acts on the destiny of its name and supplements the mythical dimension which is attached to it. The topicality and the excavations in progress let predict new studies, new invalidations or confirmations concerning the presence of an ancient building on the top or with the foot of the village. The name “Polignac”, the castle and the rock which supports on it, release one will have palpable: it is at the same time historical and mythological, almost magic. It is a “place of memory” which since prehistory is the witness of our patrimony, a support with the scientific and artistic meditation which carries an ancestral legend
Henry, Paul François. "Lanmor et La Hunaudaye : recherches autour de la naissance d'un chateau médiéval des origines au XIIIe siècle". Rennes 2, 1999. http://www.theses.fr/1999REN20018.
Texto completo da fonteThe researches on the origins of La Hunaudaye castle (located in Pledeliac, Cotes d'Armor), destroyed in 1793, show from an archeologic survey (from prehistory to antiquity) and from the study of slopes and roads, an extension of the surrounding forest spaces, coming after the late la tene period. The fact that the nearest roman roads of the early roman empire were going around these territories reveals an avoidance of them. These territories appear to be a probable domain of the imperial tax authorities ; this fact seems to be confirmed by the establishment of the breton primitive parishes and the distribution of hagiotoponyms related to the most ancient bishoprics of the peninsula. The establishment of La Hunaudaye castle, midway from an axis that linked directly Corseul, the capital of coriosolites on the crossroads of Lamballe, with the south of the roman roads which is exposed to the incursions from the coast, on the late empire period, is totally justified by the possibility of intervention, in these two directions, and by the possibility to control the forests. The unearthing of the fortress's walls has permitted the observation of the most ancient states of the monument, and the accomplishment of a typology of ceramics, in relation to stratigraphy. The discovery of some merovingian furniture would confirm the results provided by landscape's survey and hagiotoponymy
Lacaze, Julien. "Validité et opposabilité des classements au titre des monuments historiques : la protection juridique du domaine de Versailles de l'origine à nos jours". Paris 10, 2004. http://www.theses.fr/2004PA100059.
Texto completo da fonteLeferme-Falguières, Frédérique. "Le monde des courtisans : la haute noblesse et le cérémonial royal aux XVIIe et XVIIIe siècles". Paris 1, 2004. http://www.theses.fr/2004PA010670.
Texto completo da fonteMaget, Jean-Pierre. "Monseigneur, Louis de France, dit Le Grand Dauphin, fils de Louis XIV". Strasbourg, 2010. https://publication-theses.unistra.fr/public/theses_doctorat/2010/MAGET_Jean-Pierre_2010_1.pdf.
Texto completo da fonteThe historians call the son of Louis XIV Grand Dauphin to differentiate him from his son Louis, duc de Bourgogne became dauphin in 1711. The king called him Monseigneur. He was sung of as son of the king, father of the king, never the king himself. Son of the king : he was born in 1. XI. 1661 : the Pope was his godfather and the Queen of England his godmother. His guardian was the duc de Montausier and his tutor, Bossuet. He attended the Royal Councils and represented the king in Paris. He acquired the skills of dancing, horse riding and the handling of weapons. In 1688, the king having entrusted him with the commandant of the Army of the Rhine, he forced Phillipsburg to surrender, which geatly enhanced his reputation. Father of the king : in 1700 Charles II of Spain selected as his successor Philippe the second son of the Dauphin who manipulated the system to enable the will to be accepted depite his own rights since, legally speaking only he, as Dauphin, was entitled to the throne of Spain. Louis XIV loved his son who met all his wishes as a father. In 1680 he married Marie-Anne of Bavaria who bore him three sons. Louis duc de Bourgogne, father of the future Louis XV, Philippe duc d'Anjou, future king Philipp V of Spain and Charles duc de Berry. Never the king : the Dauphin devoted himself to his favourite pursuits; hunting, festivities, music and operas. He constructed a new castle at Meudon, the Château Neuf, where the apartments were arranged in a novel manner with a central corridor making the various rooms independent from one another
Figeac-Monthus, Marguerite. "Les Lur Saluces d'Yquem de la fin du XVIIIe siècle au milieu du XIXe siècle : identité nobiliaire, tradition viticole, continuité familiale". Paris 4, 1999. http://www.theses.fr/1999PA040029.
Texto completo da fonteLéon, Cécile. "Le château de Saint-Germain-en-Laye (Yvelines) au Moyen Âge : étude historique et archéologique d'une résidence royale (XIIe - XIVe siècles)". Paris, EHESS, 2006. http://www.theses.fr/2006EHES0139.
Texto completo da fonteThe royal house, founded in the 12th century, is developped with Philippe Auguste and Louis IX. They set up a royal chapel with a permanent chaplain, a superintendant, a water adduction system, a garden and a private hunting ground. The surrounding houses were Les Loges in the forest of Laye, casties of Montjoie and Retz in the forest of Marly. The architectural evolution of the royal house is a permanent extension of the residential area with each monarch. A first oblong royal accommodation with a cellar is extended at the end of the 13th century on a structure of royal accommodation / residential tower. A second royal accommodation is founded in the 14th century and the cellar is use again. The building of a surrounding wall with a path round the battlements around the area of the residence by Charles V is the last extension of the royal house and now the place is call « castle » in the medieval texts
Antichan, Sylvain. "Mettre la France en tableaux : la formation politique et sociale d’une iconographie nationale au musée historique du château de Versailles (1830-1950)". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010331.
Texto completo da fonteIn 1837, the Palace of Versailles was « converted » into a vast museum aiming to « gather allthe national historical memories that it belongs to the arts to perpetuate ». For about a century,the Second Empire, followed by the Third Republic, maintained, reshuffled and expanded themuseum, to include representations of contemporaneous events. This thesis aims tounderstand, based on a dense network of archival materials, the museum’s contribution to theelaboration and diffusion of a national and civic imagination.The iconographic analysis of nearly 1,300 paintings within the context of their palatialframework allows us to explore the pictorial and material representations of the political, theirsimilarities and differences. The issue, therefore, is to apprehend the manner in which thesehistoricized visions of the nation-Statecould hold and become internalized. Their success isnot only the result of political and administrative action, but also finds its source in the mutualreinforcement of different social spheres and loyalties. This national history takes shape byreproducing the actors’ most familiar environments, by borrowing from the domestic memoryof the “great notables” and from the norms and issues of professional groups (painters,historians, the military), or by solemnizing the popular habits. The history of France becomesobjective through this interpenetration of identities, through this mutual reinforcement ofsocial sectors, in these processes of politicization of the social and socialization of thepolitical. To understand the formation, content and diffusion of this national imaginationamounts to scrutinizing the systems of relationships between social groups, the evolvinginterrelations between everyday life and the national, between art and history, and betweenthe social and the political
Toffolini, Philippe. "Stabilisation des pentes naturelles par les techniques de drainage : Étude géologique et hydrogéologique du site de Chateau-sous-Clevant (Meurthe-et-Moselle) ; Essai de synthèse méthodologique". Nancy 1, 1989. http://www.theses.fr/1989NAN10259.
Texto completo da fonteSorkine, Florence. "Propagande et mécénat royal : les fêtes louis-quatorziennes à Versailles et leurs représentations, 1661-1682". Paris 3, 1993. http://www.theses.fr/1994PA030022.
Texto completo da fonteAlthough a real historic and social phenomenon, the "fete de cour" during the reign of louis xiv can now only be traced through the literature it gave rise to. Moreover this literature reveals the aesthetic choices of a regime which intended the celebrations, particularly those given at versailles, as a royal showcase. The study of the celebrations through this functional literature gives a glimpse of the beginnings of important changes in the regime, changes which are too often presented as a feature of the second period of the reign
Bonnaud, Muriel. "Justice et société dans la châtellenie de Bressuire (2e moitié du XVe S. )". Poitiers, 2010. http://www.theses.fr/2011POIT5001.
Texto completo da fonteThis is an evocation of a population and its relation with the justice in a poor and mainly rural area, with the exception of one town: Bressuire, whose prosperity is based upon the textile activity. Precariousness is the rule, though eased by the numerous links of sociability which unite individuals. At the dawn of the second half of the XVth century, society appears pacified: serious crime doesn't appear in registers ; the main preoccupation of both rich and poor people seems to be the defense of their own economic interests. The lord is obviously a stake holder in this justice, because it is indissociable from the recapture of his authority; yet its efficiency was proved by the end of troubled times and benefits to the population; indeed, judicial activity, offering a space for claims and reconciliations, turns out to be the only guarantee of social peace
Ly, Noriko Jia Yong Claudine. "Self-sufficiency of the vineyard of Château de la Chaize : Design and Simulation of a grid-connected PV system in South of France". Thesis, KTH, Energiteknik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-263902.
Texto completo da fonteUppgiften för detta examensarbete är att utvärdera potentialen och den ekonomiska genomförbarheten för ett solcellsfotovoltaikprojekt vid slottet Château de la Chaize, beläget nära Lyon i Frankrike. Domänen för Château de la Chaize syftar till att vara mer ekologiskt ansvarig, genom att producera ekologiskt vin, använda geotermisk energi och producera sin egen elektricitet med solenergi. Därför skulle solsystemet användas för att producera den elektricitet som slottet och vingården skulle använda. Eftersom hela området utvecklas för att bli mer hållbar är energiförbrukningen fortfarande oklar. Tre konsumtionsscenarier studeras sålunda för att modellera: den aktuella situationen (108 MWh), förändringen i energibehov på grund av förnyelsen av vinframställningsprocessen (568 MWh) och slutligen den extra energibehovet på grund av ett nytt spa på domänen landar (1056 MWh). Projektplatsen ligger också i domänen, nära slottet. Meteorologiska data och skuggningsscenen samlas in från databaser och webbplatsbesök. Eftersom platsen är inriktad mot nordväst, och södra och östra sidan blockeras av en skog, förväntas betydande skuggningsförluster. För att maximera PV-systemets potential övervägs också användning av Li-Ion-batterier för att öka den självgenererade delen av den förbrukade elen. Simuleringar för systemproduktion och matchning av konsumtion och produktion är bly med hjälp av PVsyst-programvaran. Standardmoduler och inverterare används för att köra simuleringen. De olika konfigurationerna (energiförbrukning, storleken på PV-systemet, batteriet, ...) jämförs med hjälp av självproduktionshastigheten (en del av energin som förbrukas som kommer från PV-systemet) och ekonomiska kriterier som intern avkastning eller vinsten vid år 20. Resultaten visar att användning av ett solsystem för att tillhandahålla el till det aktuella scenariot inte skulle vara ekonomiskt hållbart. För renoveringsscenariot är den bästa systemdesignen det söderutorienterade fasta lutningsplanet med 350 kWp. Det ger en vinst på 71 k € och har en egenproduktionsgrad på 31,5 %. För spa-scenariot är det sydorienterade systemet med 350 kWp också det mest intressanta, med en egenproduktionshastighet på 29,8 % och IRR på 9,33 %. Den ekonomiska analysen av systemen med batterier visar att investeringskostnaderna för lagringssystemet är för höga och att dess livslängd är för kort för att vara lönsam. Det skulle vara intressant att se utvecklingen av energilagringsmarknaden, som förväntas utvecklas, att se det ekonomiska intresset av att installera lagringssystem.
Meneau, d'Anterroches Cécile. "Georges 1er d'Amboise humaniste : les stalles du château de Gaillon, dialogue des sibylles et des vertus". Thesis, Normandie, 2020. http://www.theses.fr/2020NORMR058.
Texto completo da fonteCardinal George I d'Amboise is known for his clerical and political functions. When he had reached the height of his glory, by combining the apostolic functions of legate in France and Avignon, and political functions of first counsellor to King Louis XII, he had a splendid private palace built in Gaillon, within which he had several chapels erected. A set of stalls was built, between 1509 and 1518, for the high chapel whose apse is exactly superimposed on that of the low chapel. These stalls are kept in the Basilica of St. Denis, and are the only work, among those commissioned by the cardinal, which has come down to us in almost complete integrity. Like the Château de Gaillon, they present a mix of styles specific to their time, happily combining Gothic and ancient vocabulary. Italian craftsmen came to the site in 1509 and created the marquetry panels. Among them was Giovanni Barili who led this team. All the innovative elements were realized that year. The death of the cardinal in 1510 blocked the work, which was taken over in 1516 by Nicolas Castille. He created a few elements but not enough to make the fourteen stalls planned, so there are only twelve. The elements that were restored or created under Viollet-le-Duc have not altered the appearance or iconography of the ensemble. The sculpted scenes are chosen from the lives of saints or have been inspired by engravings of G. Reisch's Margarita philosophica or Ovid's Metamorphoses. The inlaid scenes call upon the Calendar of the Shepherds, the Book of Hours of Louis de Laval and the dialogue between the sibyls and the virtues links them to the collection of the Divine Institutions of Lactance. The humanist spirit of George I d'Amboise was thus able to reveal itself in the valorization of the ancient spirit and the care he put into dispensing this culture
Bélime-Droguet, Magali. "Les décors peints du château d'Ancy-le-Franc et leur place dans la peinture en France entre le milieu du XVIe siècle et les premières décennies du XVIIe siècle". Paris 4, 2004. http://www.theses.fr/2004PA040146.
Texto completo da fonteThe chateau at Ancy-le-Franc was built for Antoine de Clermont to plans by Sebastiano Serlio. In 1546 the chateau had reached the level of the first floor and its construction was completed by around 1550. As soon as the main fabric was finished, Antoine de Clermont turned his attention to the interior decoration of his residence, doing his best to attract first-class artists to the site: Primatice and Nicolo dell'Abbate. On the death of Antoine de Clermont (1579), Ancy-le-Franc became the property of his grandson, Charles-Henry de Clermont-Tonnerre. The latter launched in his turn a grandiose campaign of decoration which began shortly before 1596. That is how certain of the decorative cycles executed at Ancy-le-Franc were influenced by paintings belonging to the Second School of Fontainebleau. Using a stylistic approach, we have been able to attribute five decorative cycles of this second campaign to Nicolas de Hoey, a painter of Flemish origin established in Dijon
Brochier, Diane. "D'Azay-Le-Rideau à Chenonceau : l'eau et la mise en scène de l'ensemble château-jardin à la Renaissance (1513-1560)". Thesis, Tours, 2017. http://www.theses.fr/2017TOUR2005/document.
Texto completo da fonteBuilt near a river, the casltes of Azay-le-Rideau and Chenonceau have a special relationship with the water element. What relationship did these gardens have with water? How was it used to showcase the garden? Planted on natural or artificial river islands, are these gardens the result of a trend or do they owe their creation to litterary works of their time? Was Francesco Colonna’s Island Garden of the Hypnerotomachia Poliphili determining in the evolution of French Renaissance gardens and particularly at Azay-le-Rideau and Chenonceau? The Phd we are presenting will aim to explain their caracteristics between 1513-1560, including the role of hydraulic constructions in the staging of the whole castle garden. We also will endeavor to study the importance of the question of the promenade and of the view of the landscape around the castle. Then, we will consider the possibility that plants had participated to an iconographic lecture of the « parterre de Diane »
Condello, Celia. "Le château ducal de Moulins (Allier) de Louis II de Bourbon à Anne de France : étude historique et archéologique d'une résidence princière (XIVe - XVIe siècle)". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2029.
Texto completo da fonteDuring his history, the ducal castle of Moulins has been subject to several destructions and improvements. Despite this, it still contains elements that should be studied carefully in order to restore its original state. From written sources, one knows at least two major buildings campaigns. First one was initiated by the third duke of Bourbon, Louis II, in the late fourteenth century. The remaining main tower, known as “Mal-Coiffée” ("Untidy Top"), has been dated by dendrochronology around 1399/1400. A second campaign of expansion and redevelopment begins after 1488, commissioned by the Duke of Bourbon, Pierre de Beaujeu and his wife Anne de France, Charles VIII’s sister. This expansion will be completed in the early sixteenth century with the construction of a renaissance architecture portico, very early in France. This thesis combines both History and art history, starting from an archaeological reflection of the remaining buildings. The aim of this work is to combine and compare these different approaches in order to obtain the most comprehensive and exhaustive study of this forgotten site which play a key role in History
Chaumier-Bouron, Morgane. "Les restaurations du décor sculpté du château de Blois au XIXe siècle à travers l'étude de son fonds lapidaire". Thesis, Tours, 2016. http://www.theses.fr/2016TOUR2005.
Texto completo da fonteClassified on the first list of “Historic Monuments” and the first civil building to have its restoration requested and funded by the French State, the Chateau of Blois was the object of two renovation programmes starting in 1843 and respectively supervised by Félix Duban (1797-1870) and Anatole de Baudot (1834-1915). An outstanding synthesis of the history of French architecture, the chateau was also the experimenting field for various techniques, methods and approaches of restoration appearing in the 19th century and stimulating the national debate, in which Viollet-le-Duc played a major role. These unique inventory and analysis of the lapidary collection of the Chateau of Blois, to which are added the studies, the mock models, and the plaster casts of the decorative patterns before their restoration, allow to renew the knowledge about the carved décor of the Louis XII’s and the Francis I’s wings. This study puts into perspective the plaster casts, the stones taken off the facades, the present facades, the manuscript and iconographic sources, and it hereby brings to light the specificities of each restoration campaign, their differences and their complementarity. It highlights two different perceptions of the Renaissance and the way they were expressed in the stone by the 19th-century architects. Thus, thanks to its exemplary restoration and the way it integrated the 19th century into its own history, the Chateau of Blois acts as a true model for restoration campaigns
Doudeau-Cheutin, Claudie. "L'aile Louis XII du Château de Blois , son décor sculpté à l'aube de la Renaissance". Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2032.
Texto completo da fonteAs soon as he become king of France in 1498, Louis XII undertake to rebuild the family castle of Blois. The Louis XII wing of the royal castle of Blois shows an exceptional iconographic and carved program done from 1498 to about 1503, which consists of more than two hundred culots, gargoyles, grotesques, masks, medallions, monograms, and emblems, surrounding the equestrian statue of the king and the staircase. As the manuscript archives relating to the carvings have almost completely disappeared, the objective has been to consider firstly the historical events up until the restorations of the 19th and 20th century that have contribued to the current identity of the château. An iconographic study is approached in the second part, including the sculpted decoration of the château, the relationship between the decoration of the grand staircase and the vault with the equestrian statue. The third part relate to the role of the carved decoration within the artistic context of buiding sites and workshops between 1450 to 1520
Ma, Mung Guillaume. "L'appropriation des lieux du commerce éthnique à Paris et à Londres : regards croisés sur Château Rouge et Brixton". Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100010/document.
Texto completo da fonteThis research seeks to analyse processes of space appropriation pertaining to the insertion of ethnic trade in the areas of Château Rouge, Paris and Brixton, London. It is focused on the ways in which this trade involving populations of African or Caribbean descent affects the visibility of these groups within the urban space. The existing literature on ethnic entrepreneurship and ethnic trade is focused on the entrepreneurial side of migrant-owned businesses and has discussed the economic success of minorities as well as the role of ethnic resources in the advent and management of these businesses. While these contributions have greatly enhanced our understanding of the migrants’ economic activities, they rarely have questioned how ethnic trade participates in the marking of urban space. This research contributes to the literature by focusing on entrepreneurs and customers rather than entrepreneurs alone, and especially on the sets of symbolic markers that are attached to space by the practices of ethnic trade. This research shows that the insertion of ethnic trade in Château Rouge and Brixton leads to different outcomes in terms space appropriation by African and Caribbean populations, representations of otherness in the urban space, and public discourses and narratives on the visibility of ethnic trade and migrant populations
Santini, Chiara. "Il giardino di Versailles come modello di progettazione del paesaggio : maîtres jardiniers e tecniche d'aménagement del territorio nell'età del re Sole". Paris, EHESS, 2004. http://www.theses.fr/2004EHES0152.
Texto completo da fonteThis thesis aims at outlining the creation of a model of landscape organization, the one of the garden of Versailles, focusing the attention on the formation and pratice of the technicians who made it. The target of this work is analysing the theoretical process and the practical realization of a landscape-organization project put into effect in France, at the King Sun age for the creation of the Grand Parc of Versailles. The reearch articulates through three main themes : 1) the publication, during the first half of the XVII century, of art and garden composition treatrises which theorise a new model of garden-space. 2) The analysis of administrative practices, of the techniques and knowledge used by several trade corporations which work for 50 years in the yard of versailles. 3) The birth and the formation of a new gardener role, nearer to the one of the landscape-painter architect more than the simple horticulture man
Moulis, Cédric. "Bâtir en Lorraine méridionale (XIe-XIIe siècles) : chantier et mise en œuvre des matériaux". Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0184/document.
Texto completo da fonteThanks to steps forward on art history regarding the Romanesque architecture in the Lorraine region, this thesis revisits a number of sites in terms of archaeological issues related to the art of building. Fourteen monographs of churches, abbeys or castles, plus a hundred or so sites explored in the ancient diocese of Toul, make it possible to understand the use of building materials, primarily stone and wood. This can be done along nine themes related to construction: how to define location, proportionate, extract, cut, assemble, build, vault, scaffold, cover. This work highlights the know-how of architects, quarrymen, stonecutters, masons or carpenters involved in projects that have been neglected as they are often too modest to attract the attention of researchers.In fact, this topic has not been so far the subject of substantial studies for the geographical area and the chronological period involved. We have highlighted buildings for which plan and volume vary from one place to the other, although they all fit well with the known Romanesque canons. Specificities are prevalent in the Toul area, the Saintois or the Vallage. They are distinguished first by the density of remains in comparison with the rest of the Lorraine. This testifies to the vitality of these three entities during the 12th century in particular. It seems also related to the lithic resources available in these sectors.Examination of the materials and locations of available resources in the area highlights an economy based on short distribution channels, whereas materials rarely come from more than five kilometers away from the construction site, with the possible exception of pine wood and mortar. Physico-chemical analyzes have completed the research. They have often made it possible to reconsider the datings proposed by art historians, aging the buildings by several tens of years.On the sites themselves, we often provide the first observations in the archeology of buildings carried out so far, especially for rural buildings of low volume or for parts of buildings which are difficult to access, either in ruin or still in use. In light of these explorations, a new field of research is emerging and has to extended: the use of wood in the masonry and the carpentry. More traces remain than thought of at the beginning of the investigation. In a more general way, we notice an evolution in the technicality of the building sites, and their rationalization, which encompasses first the religious buildings at the end of the 11th century, before extending to the castle construction during the 12th century, and later to the small country churches. From a similar perspective, we demonstrate that local know-how is more often used than grand architectural concepts developed on more prestigious buildings and in regions of more political importance.We have also taken special care to put the Man and his gesture back in the center of the construction process. Most of the time, studies in this area are concerned with motivations and consequences of an action, be it political, artistic or editorial. We have focused more on technicality. How to go from motivation (the will to build) to realization (reception of the finished work) ? More than the point of arrival, it is the process that has been at the center of our concerns. Thus, we can imagine the position of the stonecutter in front of his stone, the position of his hand, the movement he infuses to the tool. How to organize the facings and how to differentiate the first stone laid from the last? How to respond to architectural constraints ? How to develop the scaffolding ? Here again, certain local peculiarities have appeared, probably showing a movement of workers to the various sites according to the opening of the construction works. Finally, our work brings new heuristic tools to the attention of researchers making the reading of the wall facings less tedious and more rational
Jeangrand, Estelle. "Les usages des châteaux forts urbains en Bourgogne à l'époque moderne". Thesis, Dijon, 2011. http://www.theses.fr/2011DIJOL024/document.
Texto completo da fonteStudy the urban fortresses of Burgundy means interesting in the relationships between, on the one hand, these buildings and their occupants and, on the other hand, the society in which they are located. A city with a castle isn’t necessarily a castral town. The castle can generate, move or expand a city. Its representation also reflects its place in society. The genesis of the city often has consequences throughout the modern times on relationships between the castle and the city. In wartime, the castle can be the ruin or the salvation for the city. In peacetime, it’s most often a dead weight : it must be maintained, sometimes its garnison must be maintained too. But in the dialectic cities/castles, the second ones are heavily defeated, which takes the form of redeployments, abandonments, or more often destructions of urban castles
Ganibenc, Dominique. "Les bâtiments du monde viti- vinicole en Languedoc-Roussillon des années 1860 à nos jours : étude d'une infrastructure privée et communautaire". Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30060.
Texto completo da fonteThis study concerns the different constructions used in the making of wine in Languedoc-Roussillon from the 1860s to the present day. It aims at studying their place and impact in ‘Languedocian’ landscape. Part of the research focuses on private buildings, whether residential or commercial. The analysis of cooperative winery buildings is more exhaustive and oriented towards wine cellars and distilleries. The implementation of a corpus of these private or community structures has been done in order to present the evolution and architectural typology. The study is centered mainly on the necessities of creating a wine cooperative network, forms and conditions of its development as well as the establishment of regulatory bodies.Distribution through the period was analyzed across an area with cooperatives of the Gironde as a point of comparison. The main contractor networks have also been identified, and their works listed and there has also been a focus on architectural vocabulary. Finally, a cluster analysis and the architecture of these buildings connected to the wine industry, both private and community, as well as their current engagement with a severe restructuring of the cooperative network, raises the question of their historical and symbolic value. It is time to assess how to ensure this rich viticultural heritage in the region's history is preserved and indeed enhanced
Maral, Alexandre. "La chapelle royale de Versailles sous Louis XIV : architecture, institutions, liturgie". Paris 4, 1997. http://www.theses.fr/1997PA040041.
Texto completo da fonteFive chapels succeeded each other between 1661 and 1715. The chapel built in 1672, whose decoration was mainly due to Le Brun, was the most remarkable of the first three, whose existence was nevertheless very short. The chapel built in 1682, designed to be temporary, lasted in fact until 1710. Its internal decoration can be easily reconstituted. The last chapel, consecrated in 1710, was planned and built over a period of twenty years, and to the boldness of its architectural style it adds an amazing richness in its deeply symbolical iconography. The services of the chapel royal of Versailles were ensured by two groups of ecclesiastics: the king's household officers and, after the installation of the court at Versailles in 1682, the priests of the mission, also known as lazarists. Each of these institutions carried out precise functions, which have been rediscovered thanks to the sources coming from the officers of the king's household and the regulations of the chapel. It is through this latter document as well as the contemporary chronicles that the everyday life of the chapel can be reconstituted. The liturgical ceremonies, during which music was given a very important place, were numerous and varied. The fathers of the mission performed them with an immutable regularity, while the ecclesiastical officers of the king's household followed the movements of the court. Besides the ordinary masses and offices, which were identical to those performed in parish churches throughout the kingdom, some ceremonies in the presence of the king and his family took place in the chapel at Versailles. These particularly included princely baptisms and weddings, feasts of the order of the saint-esprit, bishops’ oaths and cardinals' receptions. In other respects, the almost sacerdotal function of the most Christian king was expressed by some rites which attributed an episcopal role to the king, like those of the aspersion of holy water, the kissing of the gospels and of the corporal, the incensing, the celebrant's bows. All these elements enable us to establish a coherent understanding of the king's religion in the context of the daily life of the French court at Versailles
Landgraf, Eric. "Louis-Philippe, roi bâtisseur : le rêve d'une nation unifiée. Le chantier du château de Versailles de 1830 à 1848". Thesis, université Paris-Saclay, 2021. http://www.theses.fr/2021UPASK008.
Texto completo da fonteBy deciding, in 1832, to transform the Palace of Versailles into a historical and military museum evoking all of France's glorious eras and, first and foremost, its regime, King Louis-Philippe left a lasting impression on the masterpiece of his forefather Louis XIV and, through its grandiose scenography, sent a strong political message to the country. The importance of the construction site bears witness to the monarch's personal investment in the protection of heritage monuments. Led by the sovereign's armed wing, the Civil List, the construction site then undertaken led the castle to be transformed into a place of remembrance. Louis-Philippe thus sought to federate the various political currents and unify them in a single site dedicated to the post-revolutionary nation. This royal act paved the way for the configuration of the Palace as we know it today. The remarkable attendance that resulted marks the beginning of the gradual democratization of the monument. Major works will forever modify the large apartments of the South, North and Central wings. In the course of our study, we wanted to revive the directors of this new decor, namely the elite of civil servants of the Civil List, the operators or companies that were bidding for the contract and the immediate actors, the workers - all of them at work on the largest cultural site of the July Monarchy. A census of the workforce and consultation of the work reports allows us to understand the proliferation of tasks, to determine the three major sets of work - "maintenance", "major repairs" and "new and extraordinary works" - and to study the realization of the project. The demolitions transformed the place, the added decorations modified the original style and the museum exhibits mostly works of art painted and sculpted by the famous artists of the period in a setting chosen and modernized by the monarch. Our study finally establishes, thanks to a strict examination of the accounting archives, the financial balance sheet of the construction site, a controversial project at the time, whose expenses supervised by a meticulous administration were pushed by a king who was sometimes too thrifty, sometimes exaggerating his demands to the detriment of the allocated budget. The social balance sheet, for its part, appears more contrasted. It reinforces the idea that the July Monarchy is indeed a liberal and inegalitarian society, enriching the wealthy and granting the poor only low incomes in exchange for hard work. The construction site of the Palace of Versailles, a reflection of the entrepreneurial and working-class world of the mid-19th century, is a summary of the administrative, political and economic organization of Louis-Philippe's France
Chollet, Mathilde. "Une ambition féminine au siècle des Lumières : éducation et culture au château : les journaux de Mme de Marans (1719-1784)". Thesis, Le Mans, 2014. http://www.theses.fr/2014LEMA3011/document.
Texto completo da fonteMme de Marans (1719-1784) was born in a noble but new family and lives amongst the Bas-Vendômois gentry.She starts writing as a child and keeps private writings her whole life. Three of her diaries, or commonplace books, werepreserved. Form and content of these private writings reveal their author's character, her great culture, the reasons whyshe started writing and her writing practice. Those main sources, Mme de Marans' correspondence and notary sourceshelp reconstituting her education, and the ways her inquiring mind can access knowledge. Mme de Marans takesadvantage of her social network and of the book industry (she even publishes her thoughts in the anonymous Penséeserrantes) to fulfill her ambition of always learning more. Mme de Marans is interested in introspection, ethics, theology,history, science, ancient and modern literature. Topical issues such as nobility's place in society, nature of royal powerand women's rights concern her as well. Mme de Marans shares similarities with other women writers from France orEurope of the Enlightment, but she experiences the same restrictions as her contemporaries in her access toknowledge. Her case is an example of what can be appropriation of ideas in the countryside, and contributes to thereassessment of women's education and culture amongst the 18th century gentry
Mauclair, Fabrice. "La justice seigneuriale du duché-pairie de La Vallière". Phd thesis, Tours, 2006. http://www.theses.fr/2006TOUR2013.
Texto completo da fonteThe ancien régime's seigneurial jurisdictions have been much criticized. But studying the organisation and the activities of three seigneurial courts of the La Vallière's duchy-peerage (Château-la-Vallière, Saint-Christophe and Marçon) between 1667 and 1790, shows that this institution could prove to be efficient, quick, not very expensive, and offer quite a few advantages to the ordinary man. Thanks to their extented powers, those courts interfered in many areas of the social and economic life, making them in that way useful to the people. If they guaranteed the Lords the payment of their rights and the seigneurie's upkeep, they were first and foremost at the inhabitants community's service. Major bodies of the country's social regulation, they took part in the public service of justice and of the police, as did the royal courts. Between the end of 17th and the end of the 18th centuries the expenses generated by the acts of the seigneurial courts of La Vallière's duchy-peerage increased a great deal and yet their global activity decresased much at the same time. However, at the eve of Revolution the courts under study were not on the wane. They kept and maybe developped their activity in the voluntary justice area. What's more, the last ten or twenty years of the ancien régime were marked by a new lease of life of the contentious and criminal activities
Guilloteau, Éric. "Étude d’une fortification disparue et de son évolution dans le contexte géopolitique de la Provence orientale du XIIIe siècle au début du XVIIIe siècle : du château des comtes de Provence à la place forte des ducs de Savoie à Nice". Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3059/document.
Texto completo da fonteThe objective of our thesis was the systematic study of the architectural evolution of the Castle and Citadel of Nice against the geopolitical backdrop of the Duchy of Savoy from the late 13th century to the early 18th century, covering the work of the medieval master builders to those of the engineers of the modern era. Our research focused on the continuity and differences, and on the complexity of a site that was remodeled throughout the centuries in a quite particular and constrained topography. The concern for space and time was an integral component in the study of this imposing architectural estate, erected at a period when military architecture was undergoing a dramatic evolution. This fortified town was also reexamined as part of a manifold ensemble of fortifications composed of former medieval, modern or intermediate fortified towns, which expanded from the border of the Italian states to that of eastern Provence. In an attempt to revive the image, form, and successive transformations of the now destroyed Castle of Nice, our work drew on the study of texts and iconography, and on a comparative archeological study of the site.The historical reality of the Castle of Nice can therefore reclaim its architectural, temporal, and geographical unity
Panzarella, Antonino. "Attrattività o repulsione dei commerci etnici. Il caso del centro storico di Palermo". Thesis, Paris Est, 2008. http://www.theses.fr/2008PEST3005.
Texto completo da fonteThe topic of the "ethnic commercial presences", resulting from the phenomenon of the globalisationin the historical centers, makes emerge a series of questions related to the current urbantransformation (space and économic/social); the “ethnic trade” are able to generate, at the sametime, attraction and repulsion, compared to the various factors; the research carried out startingfrom the indicated laboratory, the historical center of Palermo (Italy), analyzes these multiplefactors.Work is articulated: on the analysis of the significances and "locatable" perceptions of the ethnictrade, starting from the literatures and Italian and French studies cases, which see implied differentdisciplinary figures, the exploration of the urban transformations caused by the phenomenon at thespacial level on Italian cases (Palermo, Florence) and French (Chateau Rouge, Paris), analysis ofthe framework of reference of the policies related to the administration of the trade in the historicalcenters and individuation of preeminent sets of themes of the current debate in Italy and France.At the end of this course, where the topic of the ethnic trade is approached under various “points ofview” which have repercussions on urban space, the thesis proposes one construction of a "dynamicsystem of analysis", at the service of the townplanner able to make "appreciable" the differentialcharacteristics of these paricularies “kinds” of trade compared to the trade autochtones; at the sametime, the analysis wants to be a means to make emerge the gravitational "potentialities" that thesetrade express, in the optics of an employment in the strategies of valorization and reclassification ofhistorical center and the commercial systems which it contain
Gaugain, Lucie. "Le château et la ville d'Amboise à la fin du Moyen Age et au début de la Renaissance (1421-1525) : architecture et société". Thesis, Tours, 2011. http://www.theses.fr/2011TOUR2030/document.
Texto completo da fonteThis thesis presents a multidisciplinary approach, it consists in the study of topography, of buildings, thanks to layouts, and of the existing accounts and iconography. Because the architecture has changed a lot it has required analyzing both the castle and the town. From 1463, Louis XI’s huge magnificent project had repercussions on the economy and the development of this small “bridge-Town”. In 1498, the building sites were set up and the town was to become a city but Charles VIII’s unexpected death stopped its expansion. However, this dynamic building period, over 40 years, has to be considered as an experiment of new architectural forms which would impact princely buildings in the early Renaissance