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Bibliografias temáticas / Certeau, Michel de Criticism and interpretation

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Literatura científica selecionada sobre o tema "Certeau, Michel de Criticism and interpretation"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 28 de janeiro de 2023

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Artigos de revistas sobre o assunto "Certeau, Michel de Criticism and interpretation"

1

Gudridge, Patrick O., e Jeremy Ahearne. "Michel de Certeau: Interpretation and Its Other." Contemporary Sociology 26, n.º 2 (março de 1997): 251. http://dx.doi.org/10.2307/2076820.

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Schalk, David L., e Jeremy Ahearne. "Michel de Certeau: Interpretation and Its Other." American Historical Review 102, n.º 5 (dezembro de 1997): 1455. http://dx.doi.org/10.2307/2171089.

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3

Rovea, Federico. "Education and Alteration. Notes on Personalism, Alterity and Education in Dialogue with Michel de Certeau". Paedagogia Christiana 47, n.º 1 (16 de agosto de 2021): 119–39. http://dx.doi.org/10.12775/pch.2021.006.

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This article tries to elaborate some insights from Michel de Certeau’s works on personalism, alterity and education. The aim is to add a poorly known voice to the contemporary debate around pedagogy and personalism. De Certeau’s original account of personhood, based on the movement of ‘alteration’ rather than on ‘identity’, is presented as original and useful to enrich the contemporary educational debate. The article firstly analyzes two texts where Certeau deals specifically with the role of alterity in educational contexts. The uncanny and ungraspable movement of ‘alteration’ will be shown as fundamental in the person’s formation. Secondly, it will be argued that such account of alterity is rooted in Certeau’s interpretation of the Christian tradition. Finally, it will be maintained the possibility of conceiving education itself as a process of ‘alteration’.

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4

Vavilov, A. V., e N. S. Sidorenko. "HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”". Scientific bulletin of the Southern Institute of Management 1, n.º 1 (30 de março de 2016): 83–87. http://dx.doi.org/10.31775/2305-3100-2016-1-83-87.

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The article represents attempt of speculative reading of the first large work of the French philosopher Michel Foucault “Madness history during a classical era". Authors suggest to look at Foucault’s concept from the point of view of criticism of classical rationality. The consciousness is considered through a prism of a perspective of transformation of reason by Hegel.

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Sidorenko, N. S., e A. V. Vavilov. "HEGELIANISM UNDER THE NIETZSCHEANISM’S MASK: THE SPECULATIVE INTERPRETATION OF THE FOUCAULT’S “HISTORY OF MADNESS”". Scientific bulletin of the Southern Institute of Management, n.º 2 (30 de junho de 2016): 69–73. http://dx.doi.org/10.31775/2305-3100-2016-2-69-73.

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The article represents attempt of speculative reading of the first large work of the French philosopher Michel Foucault “Madness history during a classical era". Authors suggest to look at Foucault’s concept from the point of view of criticism of classical rationality. The consciousness is considered through a prism of a perspective of transformation of reason by Hegel.

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6

Ollenburger, Ben. "Discoursing Old Testament Theology". Biblical Interpretation 11, n.º 3 (2003): 617–28. http://dx.doi.org/10.1163/156851503322566976.

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AbstractStephen Fowl has argued that biblical (so Old Testament) theology is too beholden to academic biblical studies, and too far removed from settings in particular communities of faith, to nurture theological interpretation of scripture. Philip Davies has argued that Old Testament theology is inevitably (Christian) confessional and has no place in academic biblical studies, which should practice a self-consciously non-confessional and only "etic" discourse. Traversing Davies's argument and his use of "discourse," this essay makes brief and unassuming reference to Pierre Bourdieu and Michel de Certeau in moving toward Charles Taylor's definition of "self-defining" social theories. It argues that such practices and convictions of certain communities provide the context and purpose of Old Testament theology.

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Desmazières, Agnès. "Psychology against Medicine ? Mysticism in the Light of Scientific Apologetics". Revue belge de philologie et d'histoire 88, n.º 4 (2010): 1191–212. http://dx.doi.org/10.3406/rbph.2010.9587.

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The foundation, in 1884, of the Bureau des constatations médicales, responsible of the medical authentification of the miraculous healings in Lourdes, signals the start of a “ medicalization of the miracle”. The Catholic physicians establish their competence in the discrimination of “ true” and “ false” mysticism and value a medical apologetic aimed at responding to the rationalistic critics. However, since the 1920s, their authory has been challenged by Catholic psychologists, led by the Italian Franciscan Agostino Gemelli, future president of the Pontifical Academy of Sciences, who marks himself out as an opponent of the stigmatized Padre Pio and fights for a positive apologetic based on the autonomy of sciences, against the religious appropriation of sciences by Catholic physicians. The scientific discussions over the Marian apparitions of Beauraing (Belgium) illustrate this clash between medical and psychological apologetics. They exemplify the process of “ psychologization of mysticism”, highlighted by Michel de Certeau, and the rise of a modern criticism of mystical phenomena, which owes not only to psychology but also to the development of a lay spirituality, detached from popular religion.

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Sokołowski, Łukasz. "Serial jako element praktyk społecznych". Kultura i Społeczeństwo 55, n.º 2-3 (10 de maio de 2011): 187–208. http://dx.doi.org/10.35757/kis.2011.55.2-3.10.

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The purpose of the article is to show how the TV-series — one of the most importantforms of television production — is incorporated into the daily routines of the spec-tators. Michel de Certeau perspective of applied sociology of everyday life and criticalreflection on everyday life is used as a theoretical framework. In the case of TV-series,the routines can take a form of: (1) “logging in” and “reading”” TV-series, (2) movementand sociability routines, and (3) discursive development of received meanings. “Soapopera experience” consists mainly of linguistic practices cultivated while watching theseries, which is a modern form of storytelling, socializing, which changes the audiences’view of reality, its social framework for evaluation and interpretation. A viewer is crit-ical and active; they use consumption processes as an excuse to construct their ownmeanings and narratives, and negotiate the meaning of what is presented to them.

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Vasileva, Olga A. "Michel Butor’s “Improvisations sur Rimbaud”: interpretation of the poet’s works and language". Philological Sciences. Scientific Essays of Higher Education, n.º 1 (janeiro de 2021): 44–49. http://dx.doi.org/10.20339/phs.1-21.044.

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This article discusses one relatively unknown aspect of the French writer and philosopher, Michel Butor’s works — his literary criticism through the example of “Improvisations sur Rimbaud”. Poet’s works are investigated by Butor unattainable apart from the stages of his life, and the most significant poems — in the context of the epistolary heritage of Rimbaud. Most attention is paid to the chapter “Improvisations”, dedicated to the collection of Rimbaud’s “Illuminations”: to the development of the theme of the city and its transformation, the role of structural rhyme and reprise at the beginning of the line overturning the classical system of versification, the appearance in the texts of Rimbaud mathematical structure. The new poetic language, the innovative artistic techniques of the poet , which are used in the composition of a number of texts in the collection, comprehensively explored by Butor, had an undeniable influence on the direction of the research for new literary forms in the works of Butor: his novel “Degrès”, which uses the numerical structure as a method of total description of reality as well as a number of texts written in the genre of experimental prose in which fragmentation is elevated to an aesthetic principle, the idea of synthesizing the arts is implemented and endless intertextual interactions are created.

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Wartenberg, Thomas. "Film as Argument". Film Studies 8, n.º 1 (2006): 126–37. http://dx.doi.org/10.7227/fs.8.13.

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Film theorists and philosophers have both contended that narrative fiction films cannot present philosophical arguments. After canvassing a range of objections to this claim, this article defends the view that films are able to present philosophical thought experiments that can function as enthymemic arguments. An interpretation of Michel Gondry‘s Eternal Sunshine of the Spotless Mind (2004) is given in which the films criticism of the technology of memory erasure is just such a thought experiment, one that functions as a counter-example to utilitarianism as a theory for the justification of social practices.

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Teses / dissertações sobre o assunto "Certeau, Michel de Criticism and interpretation"

1

Lobban, Paul. "Inhabited space : writing as a practice in early modern England; Margaret Hoby, Eleanor Davies, Katherine Philips". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phl796.pdf.

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2

Ahearne, Jeremy. "Michel de Certeau : interpretation and its other". Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321854.

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3

Nicholson, Karen. "Des structures mytho-initiatiques chez Michel Tournier". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69654.

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According to the structuralist Claude Levi-Strauss, all myth has but one same structure. The purpose of this study is to expose the mythico-initiatory edifice that informs Vendredi ou les limbes du Pacifique, Le Roi des Aulnes, as well as Les Meteores, Michel Tournier's "trilogy".
To write, according to Tournier, cannot be a matter of literary creation, but simply of literary renewal. Vendredi ou les limbes du Pacifique, Le Roi des Aulnes and Les Meteores represent literary reflections on the primordial importance of Myth, for the Artist and above all, for Man; it is this mythic dimension that makes Tournier's entire oeuvre an "autobiography", or rather an autohagiography, according to Tournier's neologism. The three protagonists, Robinson, Tiffauges and Paul Surin, literary avatars of Tournier as Author, embark on a Quest for this lost mythic Unity; we will see that the voyage each makes is but one and the same, an allegorical odyssey toward the light$ ...$ of the City of the Sun.

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4

Girard, Stéphane. "Sémiotique tensive de l'abjection chez Michel Butor". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19507.

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According to Julia Kristeva, abjection is an unconscious process (a cut) every human being has to operate to be able to autonomize her or himself from the dyadic relationship with the mother. An autonomous subject then has access to what « sémiotique tensive » (influenced by the phenomenology of perception andstructuralism) calls « field of presence » from where she or he can enunciate and thus enter the Symbolic order. In this thesis, I posit that the field of presence changes from modernity to postmodernity, and that some avant-garde authors, such as Michel Butor in the 1960's, are articulating the shift from one to the other and modifying the relationship between subject and abject. My textual analyses focus on two of Butor's most innovative books : Mobile. Étude pour une représentation des États-Unis (published in 1962) and 6 810 000 litres d'eau par seconde. Étude stéréophonique (usually referred to by critics as Niagara, the title of its English translation, published in 1965). My hypothesis is that, on the level of enunciation, Mobile shows traces of a modem field of presence, where the margins are highly dysphoric (abject), while Niagara tends to represent a more postmodern one, using différent discursive stratégies to defuse the abject threat. I close with a reflection on the state of abjection as a subjectivity inducing process, the subject it exhausts in postmodern times, and the new relationship to the body (therefore, to perception and enunciation) it imposes.

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5

Morin, Claude. "L'émergence de l'individualité dans les romans de Michel Tremblay". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60014.

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The subject matter of this thesis is concerned with a series of novels written by Michel Tremblay referred to as "Les Chroniques du Plateau Mont-Royal"; and more specifically, it is limited to the first four in the series. In these, Tremblay deals with the phenomena of human nature as it unfolds between birth and death. The gradual emergence of the wholeness and uniqueness of the individual during this process is a major theme developed sequentially in these four novels. This has been clearly demonstrated and critically evaluated in this thesis both somatically by using Ovid's Theory of Metamorphosis and psychologically by using Jung's Theory of Individuation. It has been concluded as a result of such analyses; firstly, that the unfolding process of human nature is a central theme, and secondly, these four novels are importantly interrelated in the development of this theme.

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6

Nadeau, Simon 1982. "La philosophie comme roman idéel : introduction à l'œuvre de Michel Morin". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=116125.

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This study is about Michel Morin's opera omnia, a contemporary Quebec essayist and philosopher. The first part analyzes Morin's work with a sustained attention given to the question of the essay as a specific literary and philosophical genre (with references to Vigneault, Lukacs, Adorno, Barthes). Morin's work is for us the occasion to develop a reflection on the relationship between literature and philosophy (with references to Nietzsche, Kierkegaard, Bergson, Heidegger). Finally, going forward, we elaborate the concept of philosophy as Ideational Novel to read Morin's work, a concept that describes Morin's intellectual adventure and involvement in the reflexive text. The second part proposes a more detailed analysis of Michel Morin's reflexive adventure through four distinct moments. All Morin's essays will be studied. Issues and beacons-ideas will be analyzed without ever losing sight of the genuine style of his writing.

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7

Vaillant, David. "De l’homme historique à l’enfant atemporel dans les romans de Tournier". Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37376.

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The child appears in Michel Tournier's literary work as an opposites resolving principle. These contraries are the cause of the disharmony within the protagonists: Robinson Crusoe, Abel Tiffauges and Paul Surin, the three main characters of, respectively, Vendredi ou les limbes du Pacifique, Le Roi des Aulnes and Les Météores. The destiny of those three heroes is to resolve this duality. The fulfillment of that destiny is characterized by its progression in time. The variation in the time dimension is actually the main characteristic of this duality with which the protagonists hâve to deal. As a matter of fact, they switch between historic and atemporal states according to regular and specific conditions. A real or symbolic child appears with angelic and solar features when the protagonists fulfill their destiny, reaching a state where neither historicity nor eternity exist. The child, to which Tournier gives a synthesizing power, represents the recovered unity, the perfect plenitude.
L'enfant, dans l'oeuvre romanesque de Michel Tournier, agit comme principe de résolution des contraires, qui sont à l'origine de la disharmonie existant chez les protagonistes: Robinson Crusoé, Abel Tiffauges et Paul Surin, les trois personnages principaux de Vendredi ou les limbes du Pacifique, Le Roi des Aulnes et Les Météores respectivement. Leur destinée consiste justement à résoudre cette dualité. L'accomplissement de ce destin est caractérisé par une progression à travers le temps. D'ailleurs, la dualité présente chez ces trois héros se manifeste surtout dans la variation de la dimension temporelle. En effet, ils alternent, dans des conditions régulières et spécifiques, entre un état historique et un état atemporel. Lorsque les protagonistes atteignent une sphère où ni l'historicité ni l'éternité n'existent, accomplissant de la sorte leur destin, un enfant, concret ou abstrait, apparaît sous des signes angéliques et solaires. L'enfant, à qui Tournier confère un grand pouvoir de synthèse, symbolise alors l'unité retrouvée, la parfaite plénitude. fr

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8

Slavik, Daniela Zuzana. "Le détournement du Petit Poucet, de Charles Perrault par Pierrette Fleutiaux et Michel Tournier : ; suivi de, Contes : écrits et réécrits". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99607.

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The critique part of this thesis explores two rewritings of the fairytale Tom Thumb by Charles Perrault, written by Pierrette Fleutiaux and Michel Tournier. Firstly, modifications to the original fairytale will be shown, followed by the presence of the newly introduced themes of sexuality and religion. It will be established that binary combinations are an integral part of the structure of a traditional fairytale, before examining the manner in which these writers use the new themes in order to blur the separating lines of the binary combinations. Bearing in mind the dismantling of the structure of the original fairytale, we will try to see if these two texts can still be considered as fairytales.
The creative section of the thesis is composed of five fairytales: original works and rewritings which play with structure, characters and themes of the fairytale.

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9

Biot, Sebastian E. "Annotative Design: A Study of Everyday Signs, Anonymous Notes, and Annotative Practices". Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1338399612.

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10

Tang, Ching Hay. "Rereading Michel Foucault's genealogy of power through Johnnie To's film". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/818.

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Livros sobre o assunto "Certeau, Michel de Criticism and interpretation"

1

Ahearne, Jeremy. Michel de Certeau: Interpretation and its other. Cambridge, England: Polity Press, 1995.

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2

de, Certeau Michel, ed. Michel de Certeau: Interpretation and its other. Stanford, Calif: Stanford University Press, 1995.

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3

Graham, Ward, ed. The Certeau reader. Oxford: Blackwell Publishers, 2000.

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4

1951-, Fremont Christiane, ed. Michel Serres. Paris: Herne, 2010.

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5

Gauteur, Claude. Michel Simon. Monaco: Rocher, 2005.

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6

Michel Tournier. Paris: Julliard, 1995.

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7

Skimao. Michel Butor. Lyon: La Manufacture, 1988.

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8

Michel Tournier. Boston: Twayne Publishers, 1985.

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9

Gauteur, Claude. Michel Simon. Paris: Edilig, 1987.

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10

Michel Tournier. Paris: Artefact, 1986.

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Capítulos de livros sobre o assunto "Certeau, Michel de Criticism and interpretation"

1

Niro, Brian. "37. The Social and the Cultural: Michel de Certeau (1925-1986), Pierre Bourdieu (1930-2002) and Louis Marin (1931-1992)". In Modern European Criticism and Theory, 292–301. Edinburgh University Press, 2006. http://dx.doi.org/10.1515/9780748626793-038.

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2

Niro, Brian. "The Social and the Cultural: Michel de Certeau (1925-1986), Pierre Bourdieu (1930-) and Louis Marin (1931-1992)". In Edinburgh Encyclopaedia of Modern Criticism and Theory, 294–302. Edinburgh University Press, 2022. http://dx.doi.org/10.1515/9780748672554-038.

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