Artigos de revistas: "Centre du verre (Paris, France)"

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Cronin, Elizabeth. "Paris 1937: Promoting Austria Abroad". Austriaca 83, n.º 1 (2016): 103–16. http://dx.doi.org/10.3406/austr.2016.5086.

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Elizabeth Cronin, Paris 1937 : la promotion de l’Autriche à l’étranger. Le pavillon autrichien de l’exposition universelle de 1937 plaça en son centre un objet qui, avec ses 10 mètres de hauteur sur 30 mètres de largeur, fut considéré comme la photographie murale la plus grande jamais réalisée jusqu’alors. Moderne, la paroi de verre du pavillon offrait de loin déjà un regard sur le gigantesque panorama. Conçue comme une invitation à visiter aussi bien l’Autriche que son pavillon, la photo murale donnait l’impression de fournir une vitrine surdimensionnée à la photographie du terroir, voire de la photographie patriotique promue par le gouvernement. Celui-ci utilisa ce genre très répandu comme moyen de promotion auprès des touristes d’une image de l’Autriche comme paradis alpin moderne, une image qui ne devait ensuite rien perdre de sa validité jusque dans la période d’après-guerre et même au-delà.

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French multidisciplinary investigation team, Collective. "Identification of a rabid dog in France illegally introduced from Morocco". Eurosurveillance 13, n.º 11 (13 de março de 2008): 1–2. http://dx.doi.org/10.2807/ese.13.11.08066-en.

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On 26 February 2008, the National Reference Centre for Rabies at the Institut Pasteur in Paris, France, confirmed the diagnosis of rabies in a domestic dog living in Grandpuits, Seine-et-Marne district, a suburb of Paris. The dog was a nine-month-old mixed-breed female, named Cracotte (pictures available at http://www.invs.sante.fr/display/?doc=surveillance/rage/actu.htm). It developed its first symptoms on 15 February, had bitten its owner and one neighbour and had been euthanized on 19 February. The viral strain was identified by the National Reference Centre for Rabies as a strain belonging to Lyssavirus genotype 1, Africa 1 lineage, originating from Morocco. According to its owner, Cracotte had never been outside France. France has been declared officially rabies-free since 2001. An investigation was undertaken to identify the source of infection and modes of transmission for Cracotte in order to identify potentially exposed individuals and animals and to carry out an assessment of the risk of rabies virus transmission in France.

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Vasiliu, Anca. "Paris (France) : Centre Léon Robin de recherches sur la pensée antique". Bulletin de Philosophie Médiévale 49 (janeiro de 2007): 241–52. http://dx.doi.org/10.1484/j.bpm.2.305772.

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CORBER, ERIN, MEREDITH L. SCOTT-WEAVER, NICK UNDERWOOD e NADIA MALINOVICH. "Beyond the Pletzl: Jewish urban histories in interwar France". Urban History 43, n.º 4 (8 de outubro de 2015): 577–80. http://dx.doi.org/10.1017/s0963926815000814.

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In the 1930s, Walter Benjamin described Paris as ‘the capital of the nineteenth century’, the hub of cultural transformations precipitated by the rise of industrial capitalism. For good reasons, Jewish historians have followed suit in identifying Paris as the focal point for studies of political, social, cultural, demographic and economic change in France during the nineteenth and twentieth centuries. Moreover, native French Jewish religious and cultural administrative structures, implemented during Napoleon I's reign and further entrenched by reforms in the Third Republic, are centred in Paris. These conditions have rendered an abundance of source material documenting the rest of the country from the centre, a phenomenon that places even more weight on the capital as a locus for national processes that occur in its image.

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Camara, Evelyne, e Jean Villon. "Centre des Archives d'outre-mer à Aix-en-Provence (CAOM): Historique des archives de madagascar". African Research & Documentation 101 (2006): 27–37. http://dx.doi.org/10.1017/s0305862x00017945.

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The National Archives of France opened its first building at Aix in 1966; at that time the Archives d’Outre-Mer (AOM) located there co-existed alongside the Section Outre-Mer of the National Archives (SOM) housed at the Rue Oudinot address in Paris. Following the abolition of the ‘Ministry of France Overseas’, it was decided in 1962 to bring together all the archives of the former French colonies, except for those of French West Africa which were all retained in Dakar. The archives transferred to Paris were only those of French government; those of administration, i.e. public works, health, education, local government, all stayed in their respective countries.Initially at Aix 900 tonnes of archives arrived in the first ten months. In 1986 the SOM in Paris was closed and 17 linear km of documents, far from completely processed, were transferred to Aix.

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Bideault, Patrick, e Jacques André. "Comptes rendus de lecture". La Lettre GUTenberg, n.º 52 (30 de abril de 2024): 107–9. http://dx.doi.org/10.60028/lettre.vi52.157.

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Au sommaire :— CENTRE NATIONAL DES ARTS PLASTIQUES, éd. Graphisme en France 29 (déc. 2023) : Histoire(s) de design graphique. ISSN : 2553-629X. URL : https://www.cnap.fr/actualites/graphisme-en-france/revues/ndeg29-histoires-de-design-graphique-2023— Marc SMITH. La véridique histoire de l’arobase. Paris : Éditions de l’École nationale des chartes, août 2023. 96 p. ISBN : 9782357231795. 9 €

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ELLIS, KATHARINE. "How to Make Wagner Normal: Lohengrin's ‘tour de France’ of 1891–92". Cambridge Opera Journal 25, n.º 2 (4 de junho de 2013): 121–37. http://dx.doi.org/10.1017/s0954586713000037.

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AbstractThe traditional story reception historians tell of Wagner in France is really a centralist story about Wagner in Paris. This article reverses the direction in light of the fact that seven French regional towns presented Lohengrin on publicly funded stages in 1891 before the directors of the Paris Opéra dared follow suit. Since the work's ‘job’ in the regions was to prove to Paris that Wagner stagings did not necessarily bring rioting with them, the focus is more on previews than on the usual (and logical) reception material of reviews. In addition, via its multi-centre approach and a sideways glance at a parallel phenomenon – the reception of Victorien Sardou's Thermidor – the article integrates reception study into a broader-based cultural history rather than treating it in potentially more limited fashion as an approach in and of itself.

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Dogan, Sevda. "Conference Report: European Society for Medical Oncology Congress 2022". Rare Tumors 15 (janeiro de 2023): 203636132311624. http://dx.doi.org/10.1177/20363613231162474.

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The European Society of Medical Oncology took place in Paris Convention Centre, Paris, France on 9th −13th September 2022 and was attended by more than 28,000 delegates, 23,000 of which were in person and 5000 online. This was the first on-site ESMO congress after the COVID-19 pandemic. This report focuses on a selection of talks delivered at the conference. There was a vast collection of interesting talks, nevertheless, I attended talks that focused on rare cancers.

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Vadelorge, Loïc. "European Museums in the Twentieth Century". Contemporary European History 10, n.º 2 (julho de 2001): 307–16. http://dx.doi.org/10.1017/s0960777301002077.

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James D. Herbert, Paris 1937: Worlds on Exhibition (Ithaca: Cornell University Press, 1998), 207 pp., £31.50, ISBN 0-801-43494-7. Andrea Kupfer Schneider, Creating the Musée d'Orsay. The Politics of Culture in France (University Park, PA: Pennsylvania State University Press, 1998), 150 pp., $25.00, ISBN 0-271-01752-X. Juan Pedro Lorente, Cathedral of Urban Modernity. The First Museums of Contemporary Art, 1800–1930 (Aldershot: Ashgate, 1998), £47.50, ISBN 1-859-28383-7. Ministère de la Culture et de la Communication, Direction des Musées de France, Centre national de la Recherche Scientifique, Centre de Sociologie des Organisations, Musée National du Moyen Age, Publics et projets culturels. Un enjeu des musées en Europe. Actes des Journées d'étude 26 et 27 octobre 1998, Paris, Musée national du Moyen Age (Paris: L'Harmattan, 2000), price not given, ISBN 2-738-48645-2. Paul Rasse, Les Musées à la lumière de l'espace public. Histoire, évolution, enjeux (Paris: L'Harmattan, Logiques Sociales, 1999), 238 pp., price not given, ISBN 2-738-47769-0. Selma Reuben Holo, Beyond the Prado. Museums and Identity in Democratic Spain (Liverpool University Press, 1999), 222 pp., price not given, ISBN 0-853-23535-X. Brandon Taylor, Art for the Nation. Exhibitions and the London Public 1747–2001 (Manchester University Press, 1990), 314 pp., price not given, ISBN 0-719-05452-4.

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Bodler, Markus. "„Halb Courteline, halb Ubu, halb Kafka“". apropos [Perspektiven auf die Romania], n.º 1 (12 de dezembro de 2018): 145–60. http://dx.doi.org/10.15460/apropos.1.1263.

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Sammelrezension von: BOURILLON Florence et al. (ed). 2016. De l'Université de Paris aux universités de l'Île-de-France. Rennes : PUR. DORMOY-RAJRAMANAN Christelle. 2014. Sociogenèse d'une invention institutionnelle. Le Centre universitaire expérimental de Vincennes. Thèse présentée pour obtenir le grade de Docteure, sous la direction du Prof. Bernard Pudal. Université de Paris Ouest-Nanterre la Défense, <https://bdr.parisnanterre.fr/theses/internet/2014PA100149.pdf> MERCIER Charles. 2015. Autonomie, autonomies. René Rémond et la politique universitaire aux lendemains de Mai 1968 (collection Histoire de la France aux XIXᵉ et XXᵉ siècles, 77). Paris : Publications de la Sorbonne. MERCIER Charles. 2016. René Rémond et Nanterre. Les enfantements de 68 (1968-1976). Lormont : Le Bord de l'eau. VALENCE David & Bruno Poucet (ed.). 2016. La loi Edgar Faure. Réformer l'université après 1968. Rennes : PUR.

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Rocher, Muriel, Marc Cushing, Francis Lemeille e Stéphane Baize. "Stress induced by the Mio-Pliocene Alpine collision in northern France". Bulletin de la Société Géologique de France 176, n.º 4 (1 de julho de 2005): 319–28. http://dx.doi.org/10.2113/176.4.319.

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Abstract In most rocks, tectonic stress induces crystalline deformation, such as mechanical twinning. The inverse analysis of calcite twinning allows reconstruction of both directions and values of the paleostress field. The Etchecopar inverse method using calcite twinning has been improved in this paper, lowering the uncertainties on the calculated stress values. Calcite was sampled in the foreland of the western Alps, along a SE-NW section from the Jura Mountains to the Isle of Wight. The calcite twinning inversion has identified the successive Cenozoic tectonic events, named “Pyrenean” compression, “Oligocene” extension and “Alpine” compression. The distribution of the Mio-Pliocene Alpine orogenic stress was specified. This stress field varies in terms of stress regime, directions and values. The horizontal principal stress trends E-W in southern France, WNW in the centre, and NW in the North, which can be attributed to the Alpine indenter phenomenon. The tectonic stress regime roughly corresponds to a pure compression in the Jura and rapidly evolves to the NW to a strike-slip state of stress, then beyond the Paris basin’s centre to a perpendicular extension. Unlike the Pyrenean or Appalachian foreland stress, the Alpine differential stress does not significantly decrease from the Jura front to the far field (30 to 25 MPa). Moreover, stress values vary from one area to another, low in the Burgundy high, fractured and uprising during this tectonic event, and high in Paris basin centre, poorly fractured and subsiding during this event. Three possible explanations are proposed : variation in crust thickness, crustal buckling during the Mio-Pliocene, and pre-existing fractures.

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Gaudelus, Sébastien, Martine Poulain e Lucile Trunel. "The renovation of the Richelieu building: a future centre for art researchers in Paris". Art Libraries Journal 36, n.º 1 (2011): 11–16. http://dx.doi.org/10.1017/s0307472200016734.

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The historic site of the French national library is currently being renovated in order to become a major centre for art documentation and special collections. It will incorporate three separate institutions: the specialist departments of the Bibliothèque nationale de France, the library of the Institut national d’histoire de l’art, and the library of the Ecole nationale des Chartes. Completion of the project is scheduled for 2017.

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Секеруш, Павле, Ивана Живанчевић Секеруш e Вирђинија Поповић. "PARIS EST UNE FOIRE AUX ENCHERES LITTERAIRE". Годишњак Филозофског факултета у Новом Саду 46, n.º 1 (19 de julho de 2021): 93–104. http://dx.doi.org/10.19090/gff.2021.1.93-104.

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Prosateur subtile qui se rêvait poète, intellectuel libre et farouchement indépendant, Danilo Kiš est en contact avec la culture française depuis son enfance. Il apprend le français à l'école et commence à publier ses premières traductions du français pendant ses études à Belgrade. Engagé comme lecteur de langue serbo-croate, il séjourne à Strasbourg, Bordeaux, et Lille pour s’installer définitivement à Paris où il vit jusqu’à sa mort. Ses œuvres les plus importantes écrites en France, traduites et publiées dans les plus grandes maisons d'édition parisiennes, laisseront leur marque sur la culture française et mondiale. Par son activité, Danilo Kiš s’impose comme un point central d’échange entre deux espaces culturels: le français, qui lui ouvre la porte vers le monde et l’espace serbe, yougoslave et centre-européen. Le premier lui offre la tolérance de la ville cosmopolite et la liberté, mais aussi la politisation insupportable et la prétention inhérente au grand centre et le deuxième, la chaleur de la langue maternelle, la proximité et la sécurité, mais aussi l’environnement provincial borné, l’anarchie et la terreur politique. Combinant la théorie des transferts culturels de Michel Espagne et les théories sur la « littérature mondiale » qui supposent l’analyse des espaces culturels transnationaux de Pascale Casanova Kiš se montre comme médiateur culturel entre deux mondes.

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Simioni, Ana Paula Cavalcanti. "Des artistes latino-américains au Centre national des arts plastiques : les présences invisibles". Anais do Museu Paulista: História e Cultura Material 32 (12 de março de 2024): 1–33. http://dx.doi.org/10.11606/1982-02672024v32e1.

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The article focuses on the presence and visibility of Latin-American artists of the Centre national des arts plastiques (Cnap), in Paris- France. It is the first and most perennial world initiative to create a state fund of works dedicated to “living art,” an initiative that began in the end of the eighteenth century and persists to this day. The study of the temporality of the entrance of works in the collection, pointing to the importance of the decade of 1980, it contributes to the history of the global art by repositioning the institutional impact of the exhibition “Magiciens de la terre,” and the centrality of Paris to the Latin-American artists, especially during exile. In this ample context, we discuss the invisibility of women artists from the corpus of works in the Cnap.

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Mohamed-Gaillard, Sarah. "L’agneau, le beurre et l’atome. Quand la France invite les affaires européennes dans le débat nucléaire océanien". Relations internationales 194, n.º 2 (30 de junho de 2023): 95–106. http://dx.doi.org/10.3917/ri.194.0095.

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L’opposition aux essais nucléaires se développe en Australie et en Nouvelle-Zélande avant même l’implantation du Centre d’expérimentation français en Polynésie. La France fait d’abord peu de cas des protestations émanant d’Océanie, mais la contestation gagne en force et reste peu sensible à l’argumentaire très défensif par lequel Paris affirme l’innocuité de ses essais atomiques. Au tournant des années 1970, la France tente donc de faire de l’entrée du Royaume-Uni dans la Communauté économique européenne un levier économique pour contraindre la Nouvelle-Zélande à la modération. Cet épisode permet d’illustrer l’importance du nucléaire dans les débats politiques en France comme en Nouvelle-Zélande et pose la question de son dépassement, que ce soit par la diplomatie ou l’économie.

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Gerardin, M., E. Carde, A. Vital Foucher, A. Pesle, S. Catto e A. Munck. "280 CF quality improvement program in France: the pilot experience of Paris Robert Debre Centre". Journal of Cystic Fibrosis 11 (junho de 2012): S128. http://dx.doi.org/10.1016/s1569-1993(12)60448-2.

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Conde, J. "Seminaire ‘Migration Et Developpement’ Centre De Developpement De L'Ocde, Paris (France) 17-19 février 1987". International Migration 25, n.º 2 (junho de 1987): 221–22. http://dx.doi.org/10.1111/j.1468-2435.1987.tb00582.x.

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Martine, Blanchard, Teil Marie-Jeanne, Dargnat Cendrine, Alliot Fabrice e Chevreuil Marc. "Assessment of Adult Human Exposure to Phthalate Esters in the Urban Centre of Paris (France)". Bulletin of Environmental Contamination and Toxicology 90, n.º 1 (23 de outubro de 2012): 91–96. http://dx.doi.org/10.1007/s00128-012-0859-5.

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Pimpinelli, Matteo. "The Margins at the Centre: New Light on Paris, Bibliothèque nationale de France, Arabe 2967". Mediterranea. International Journal on the Transfer of Knowledge 9 (23 de abril de 2024): 213–41. http://dx.doi.org/10.21071/mijtk.v9i.16466.

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Marginal elements within manuscripts, especially when unsystematic, disorganised, and heterogenous, are often ignored by scholars who intentionally decide to prioritise the centre over the margins. Accordingly, the lion’s share of printed and online catalogues addresses the margins en passant. But to what extent is this approach fruitful to a comprehensive study of manuscripts? By focusing exclusively on margins, this article proposes to demonstrate that marginal annotations are instrumental in providing an exhaustive study of manuscripts in terms of historical reconstruction, and with regard to the annotators’ life, interests, and expertise. The interdisciplinarity of the study of margins stands out inasmuch as it mixes first-hand palaeographical and codicological examinations with a scrutinization of the sources. Specifically, the history of Paris, Bibliothèque nationale de France, Arabe 2967 will be unveiled with regard to the major events and people connected to it.

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Rufat, Pierre, François Olivennes, Jacques de Mouzon, Michel Dehan e René Frydman. "Task force report on the outcome of pregnancies and children conceived by in vitro fertilization (France: 1987 to 1989)**Task force group: Jean-Marie Antoine, M.D., (Hôpital Tenon, Paris, France); Paul Barrière, M.D., (Centre hospitalier universitaire, Nantes, France); Sylvie Bulwa, M.D., (Hôpital Saint-Vincent-de-Paul, Paris, France); Isabelle Cedrin-Durnerin, M.D., (Hôpital Jean-Verdier, Bondy, France); Anne de Crépi, M.D., (Hôpital Bichat, Paris, France); Jean-Bernard Dubuisson, M.D., (Hôpital Port-Royal, Paris, France); Sylvie Epelboin, M.D., (Hôpital Saint-Vincent-de-Paul, Paris, France); Hervé Foulot, M.D., (Hôpital Port-Royal, Paris, France); Christine Francoual, M.D., (Hôpital Saint-Vincent-de-Paul, Paris, France); Arlette Guichard, M.D., (Hôpital Baudelocque, Paris, France); Jean-Noël Hugues, M.D., (Hôpital Jean-Verdier, Bondy, France); Dominique Le Lanou, M.D., (Centre hospitalier universitaire, Rennes, France); Gilles Lefebvre, M.D., (Hôpital La Pitié-Salpêtrière, Paris, France); Françoise Merlet, M.D., (Hôpital de Poissy, Poissy, France); Jacques Salat-Baroux, M.D., (Hôpital Tenon, Paris, France); Isabelle Trocellier, M.D., (Centre hospitalier universitaire, Nantes, France); Danièle Vautier-Brouzes, M.D., (Hôpital La Pitié-Salpêtrière, Paris, France)." Fertility and Sterility 61, n.º 2 (fevereiro de 1994): 324–30. http://dx.doi.org/10.1016/s0015-0282(16)56526-1.

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Cohen, Y. "French participation in the International Equatorial Electrojet Year". Annales Geophysicae 16, n.º 6 (30 de junho de 1998): 657. http://dx.doi.org/10.1007/s00585-998-0657-x.

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Abstract. Without abstractAcknowledgements. The IEEY studies in the African sector were made possible by the participation of a large number of institutes. Funding was provided by the Ministère Français de la Coopération (Département de la Recherche et des Formations, and Département Télécommunications); ORSTOM (Département Terre Océan Atmosphère); CNET (France-Telecom Centre Lannion); the Ministère Français de la Recherche et de la Technologie; Centre National de la Recherche Scientifique (Département Sciences de l'Univers); the Centre à l'Energie Atomique; the Université Paris-Sud; Abidjan University, Ivory Coast; Dakar University, Senegal. We would like to express our deep gratitude to the many colleagues who have participated in the success of this experiment through their enormous personal commitment, to the Editorial Board of Annales Geophysicae and particularly to Sylviane Perret for producing this special issue.

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Karthas, Ilyana. "Arbiters of taste: Women, modernism and the making of Paris". French Cultural Studies 31, n.º 2 (maio de 2020): 97–110. http://dx.doi.org/10.1177/0957155820910718.

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The years 1870–1960 were a period of vibrant innovation in France when traditional ideas about art and living were challenged. At the turn of the twentieth century, Paris became the epicentre for creative risk, innovation and originality. The city both represented and became a ‘laboratory of culture’ that attracted individuals eager to ride the waves of modernism. What forces enabled Paris to become a site of such artistic vibrancy? What cultural labour was involved in propelling avant-gardism forwards? In this article, I introduce a few examples of women who played a vital role in the modernisation of the arts in Paris, the internationalisation of French artistic tastes, and the cultivation of Paris’s reputation as the centre of avant-gardism and artistic development. In doing so, I offer a new paradigm for understanding the art worlds of Paris in this period by revealing women as important and effective arbiters of taste.

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IRON, JESSICA. "Staging Reconciliation: Popular Theatre and Political Utopia in France in 1937". Contemporary European History 14, n.º 3 (agosto de 2005): 279–94. http://dx.doi.org/10.1017/s0960777305002468.

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This article focuses on two mass spectacles performed in Paris stadiums in 1937, one Catholic and the other Communist, both of which sought to picture the ideal city with the working people at centre stage. By studying these productions in the light of recent research on fascist theatre and politics, and with reference to the debate on ‘modernity’ in interwar France, the article explores the French use of theatre in responding to the aesthetic, political and social challenge of representing the masses. The parallels between these two little-known productions can also be used to illuminate a wider rivalry to orchestrate the masses and to portray them as a united national community.

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Guillain, Rachel, e Julie Le Gallo. "Le centre d’affaire historique de Paris : quel pouvoir structurant sur l’espace économique en Ile-de-France ?" Revue d'économie industrielle, n.º 123 (15 de setembro de 2008): 65–86. http://dx.doi.org/10.4000/rei.3906.

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Arthuis, C. J., S. James, L. Bussieres, S. Hovhannisyan, Y. Ville e J. Stirnemann. "VP51.03: Laparotomy‐assisted endoscopic closure of myelomeningocele: report of a single‐centre experience in Paris, France". Ultrasound in Obstetrics & Gynecology 58, S1 (outubro de 2021): 305–6. http://dx.doi.org/10.1002/uog.24722.

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Charitonidou, Marianna. "Exhibitions in France as Symbolic Domination: Images of Postmodernism and Cultural Field in the 1980s". Arts 10, n.º 1 (12 de fevereiro de 2021): 14. http://dx.doi.org/10.3390/arts10010014.

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The article examines a group of exhibitions that took place in the late seventies and early eighties and are useful for grasping what was at stake regarding the debates on the tensions between modernist and post-modernist architecture. Among the exhibitions that are examined are Europa-America: Architettura urbana, alternative suburbane, curated by Vittorio Gregotti for the Biennale di Venezia in 1976; La Presenza del passato, curated by Paolo Portoghesi for the Biennale di Venezia in 1980; the French version of La presenza del passato—Présence de l’histoire, l’après modernisme—held in the framework of the Festival d’Automne de Paris in 1981; Architectures en France: Modernité/post-modernité, curated by Chantal Béret and held at the Institut Français d’Architecture (18 November 1981–6 February 1982); La modernité, un projet inachevé: 40 architectures, curated by Paul Chemetov and Jean-Claude Garcias for the Festival d’Automne de Paris in 1982; La modernité ou l’esprit du temps, curated by Jean Nouvel, Patrice Goulet, and François Barré and held at the Centre Pompidou in 1982; and Nouveaux plaisirs d’architecture, curated by Jean Dethier for the Centre Pompidou in 1985, among other exhibitions. Analysing certain important texts published in the catalogues of the aforementioned exhibitions, the debates that accompanied the exhibitions and an ensemble of articles in French architectural magazines such as L’Architecture d’aujourd’hui and the Techniques & Architecture, the article aims to present the questions that were at the centre of the debates regarding the opposition or osmosis between the modernist and postmodernist ideals. Some figures, such as Jean Nouvel, were more in favour of the cross-fertilisation between modernity and postmodernity, while others, such as Paul Chemetov, believed that architects should rediscover modernity in order to enhance the civic dimension of architecture. Following Pierre Bourdieu’s approach, the article argues that the tension between the ways in which each of these exhibitions treats the role of the image within architectural design and the role of architecture for the construction of a vision regarding progress is the expression of two divergent positions in social space.

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Lie, Siv B. "Placing Django: Narratives of heritage and race in a Parisian exhibition". French Cultural Studies 32, n.º 4 (17 de maio de 2021): 315–29. http://dx.doi.org/10.1177/09571558211007438.

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Django Reinhardt: Swing de Paris, an exhibition that took place at the Cité de la musique in Paris, depicted the life and environment of famed Manouche (French Romani/”Gypsy”) guitarist Django Reinhardt. In this article, I explore how the exhibition performed a spatialized centre-periphery model of citizenship that both reflected and reinforced Manouche marginality in relation to broader French society. I argue that museum exhibitions generate and harness place-oriented narratives to reinforce hegemonic conceptions about ideal citizens. In marking out an ethnoracially segregated imaginary of swing-era Paris, the exhibition reproduced stereotyped ideas about Manouche exoticism and inadaptability to urban modernity. These narratives are not exceptional, but are part of a long-standing project to define national belonging in terms of a normative white identity. As such, they are symptomatic of a much broader problem of state-sanctioned racism in France that is denied through claims to colour-blindness.

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Melot, Michel. "Les bibliotheques d’art en France et les nouvelles technologies de l’image". Art Libraries Journal 15, n.º 2 (1990): 15–18. http://dx.doi.org/10.1017/s0307472200006702.

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In an age in which so much information is communicated through images, libraries can no longer exclude the ‘new technology of the image’. It is essential for libraries to respond to the challenge of the media, and to recognise, for example, the importance of television, which has a very visible and vital presence in the Bibliothèque publique d’information at the Pompidou Centre in Paris. Ever since the invention of photography, France has been the home of a lively tradition of active, innovative interest in photography. This is reflected in the existence of the Centre national de la photographies and the Ecole nationale de la photographie, in collections and exhibitions of photographs, and recently in the use made of videodiscs, by both museums and libraries, as a means of storing images and making them accessible. Telecommunications offer the prospect of online access to a network linking image collections together as a single visual resource. The most serious obstacles to be overcome are neither technological nor financial: the legal question of copyright has to be addressed, while the muted interest of historians does not as yet represent an overwhelming demand for such a service, and much may depend on librarians to stimulate the enthusiasm of potential users.

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Le Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, n.º 2 (31 de dezembro de 2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.

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Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The claims on which Ms. Casanova builds her assertions are not supported by the facts of recent history and geography. She refers to “La belle santé économique et la liberté” in Paris but she forgot to mention why artists came from central Europe. It was just because the life was cheaper in Paris than in Berlin, as Walter Benjamin observed in 1926. She notes that Paris was the world centre for high fashion and that writers came together there to be inspired by the place and each other. But these things are no longer true: Paris is one of the most unaffordable cities in the world. Fashion in clothes is determined in many centres, with fashion weeks held in New York, Milan and China; aesthetics no longer depend on a single country. Literary creativity has spread across many continents and the internet and social media provide access to millions of people around the globe. Globalisation has unified the world, note Jean-Philippe Toussaint and Sylvain Tesson, and brought the standardization of cultures. There is also the matter of the dominant language today. The French language has not changed since Ms. Casanova was doing her research, but French writers now dream of being translated into English to reach the largest audience around the world. Publishers also favour English to make the most profit because literature and art are now worldwide commodities. Writers and researchers use the Internet, which connects them with documents, libraries and people all over the world. Newspapers such as Le Monde and Le Figaro in France provide literary reviews from around the world; for example, Histoire de la Traduction Littéraire en Europe Médiane, compiled by Antoine Chalvin, Marie Vrinat-Nikolov, Jean-Léon Muller and Katre Talviste, was written up in Cahiers Littéraires du Monde. What about the readership? If publishing and merchandizing are accelerating and globalizing because of how the Internet changes time and distance, the writer still has to follow the rhythm of the subject.

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Le Baillif, Anne-Marie. "Paris, « un lieu centre de tous les centres ». Est-ce toujours d’actualité ?" Interlitteraria 25, n.º 2 (31 de dezembro de 2020): 435–42. http://dx.doi.org/10.12697/il.2020.25.2.14.

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Paris, “The Centre of All Centres”. Is It Still the Case? In La République Mondiale des Lettres published in 1999 and 2008, Ms. Casanova wrote: “Paris is the Greenwich meridian for literature” for the 19th and 20th centuries. Writers and artists have come to the city in the past because it was extremely attractive for creative and economic reasons. But at the beginning of the 21st century, with the rise of the New Media for writing, publishing and diffusing, is it correct to say that Paris is still supreme? Is location more important than the time devoted to writing and reading? The claims on which Ms. Casanova builds her assertions are not supported by the facts of recent history and geography. She refers to “La belle santé économique et la liberté” in Paris but she forgot to mention why artists came from central Europe. It was just because the life was cheaper in Paris than in Berlin, as Walter Benjamin observed in 1926. She notes that Paris was the world centre for high fashion and that writers came together there to be inspired by the place and each other. But these things are no longer true: Paris is one of the most unaffordable cities in the world. Fashion in clothes is determined in many centres, with fashion weeks held in New York, Milan and China; aesthetics no longer depend on a single country. Literary creativity has spread across many continents and the internet and social media provide access to millions of people around the globe. Globalisation has unified the world, note Jean-Philippe Toussaint and Sylvain Tesson, and brought the standardization of cultures. There is also the matter of the dominant language today. The French language has not changed since Ms. Casanova was doing her research, but French writers now dream of being translated into English to reach the largest audience around the world. Publishers also favour English to make the most profit because literature and art are now worldwide commodities. Writers and researchers use the Internet, which connects them with documents, libraries and people all over the world. Newspapers such as Le Monde and Le Figaro in France provide literary reviews from around the world; for example, Histoire de la Traduction Littéraire en Europe Médiane, compiled by Antoine Chalvin, Marie Vrinat-Nikolov, Jean-Léon Muller and Katre Talviste, was written up in Cahiers Littéraires du Monde. What about the readership? If publishing and merchandizing are accelerating and globalizing because of how the Internet changes time and distance, the writer still has to follow the rhythm of the subject.

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Corp, Edward T. "The Exiled Court of James II and James III: A Centre of Italian Music in France, 1689–1712". Journal of the Royal Musical Association 120, n.º 2 (1995): 216–31. http://dx.doi.org/10.1093/jrma/120.2.216.

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Following the Glorious Revolution of 1688–9, James II and the Stuart royal family lived in exile as the guests of Louis XIV at the Château de St-Germain-en-Laye, near Paris. James II died in 1701 and was succeeded as king-in-exile by his son, James III. The court of these two kings remained at St-Germain-en-Laye for well over 20 years, until James III was expelled from France at the demand of the British government.

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Bélaval, Philippe. "Retour à la Bibliothèque Nationale de France". Alexandria: The Journal of National and International Library and Information Issues 9, n.º 1 (abril de 1997): 45–58. http://dx.doi.org/10.1177/095574909700900103.

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The decision in July 1988 to build a new library in Paris has been the starting point of a deep change in every field of activity for the French national library, which combines the old Bibliothèque nationale in the Rue de Richelieu with the Bibliothèque de France in Tolbiac in what is now known as the Bibliothèque nationale de France (BnF). The collections will be divided between two sites: the Rue de Richelieu building will retain the special collections, in improved storage conditions and with better access; while the printed and audiovisual collections are being transferred to the new building at Tolbiac between the end of 1996 and the end of 1998. 370,000 books will be acquired specially to fill gaps in previously neglected areas such as law, economics and science. A new OPAC, due for completion in 1998, will provide access to merged files of the BnF, including 4.5 million converted records from the old hand-written catalogue. Next to the research reading rooms, which are for registered users only, will be ten reading rooms open to the general public for a fee, which will have 380,000 books on open access. The OPAC will be accessible remotely, as will the seat and book reservation system. A new preservation centre has been built in Marne-la-Vallée, 20 km east of Paris; there is a special emphasis on deacidification. There are two digitization programmes, for 100,000 texts and 300,000 pictures; negotiation is taking place with copyright holders. Experimental access to several bibliographic databases and digitized collections is already proving successful. The new reference library in the new building opened in December 1996 and the research library will open in 1998.

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Nieuwazny, Andrzej. "Patriotes ou mercenaires ?" Revue Historique des Armées 260, n.º 3 (1 de agosto de 2010): 26–36. http://dx.doi.org/10.3917/rha.260.0026.

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L’échec de l’insurrection de Kosciuszko (1794) et le troisième partage de la Pologne, effectué une année plus tard par la Russie, l’Autriche et la Prusse, provoquèrent l’émigration des dirigeants de l’insurrection et de militaires polonais. Paris devint alors le centre d’attraction d’une grande majorité de ces émigrés qui, divisés en factions, se disputèrent les faveurs du Directoire. La majorité rêvait d’une force militaire capable de recommencer la lutte pour l’indépendance. Les légions polonaises au service de la France (1797-1807) marquèrent le commencement du phénomène de service massif des soldats polonais sous les drapeaux étrangers.

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Revenin, Régis. "Jalons pour une histoire culturelle et sociale de la prostitution masculine juvénile dans la France des « Trente Glorieuses »". Revue d’histoire de l’enfance « irrégulière » N° 10, n.º 1 (1 de outubro de 2008): 75–95. http://dx.doi.org/10.3917/rhei.010.0075.

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Principalement basé sur les archives du centre d’observation de Paris, cet article propose de poser quelques jalons sur les identités, pratiques et représentations de la prostitution masculine juvénile (prolétaire pour l’essentiel) dans la France des « Trente Glorieuses ». Souvent résumée à la « prostitution homosexuelle », la prostitution masculine peut aussi s’adresser à des femmes ou des jeunes filles de la bourgeoisie. L’article entend fournir une définition large de la prostitution masculine juvénile, et tente aussi de dénaturaliser les catégories sexuelles, en mobilisant des apports théoriques divers : Judith Butler, David Halperin, Gail Pheterson, Gayle Rubin…

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Shamshur, Oleh. "Ukraine–France: Contemporary Cooperation". Diplomatic Ukraine, n.º XIX (2018): 447–65. http://dx.doi.org/10.37837/2707-7683-2018-31.

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In 2014, in the course of the Revolution of Dignity, Ukraine consciously opted for European values. Thus, cooperation with one of the founding member states of the EU bears strategic importance. The author believes that the the interaction between the two countries is based on ancient relations between France and Ukraine. Apart from political relations, France and Ukraine are bound by creative endeavours of many artists. After celebrating the 25th anniversary since the establishment of diplomatic relations between our countries, the Ministers for Foreign Affairs of Ukraine and France opened an exhibition dedicated to the 100th anniversary of the foundation of Ukrainian diplomatic service. The author stresses that France was the first Western state with which Ukraine signed the 1991 Interstate Agreement on Mutual Understanding and Cooperation. Moreover, it was in Paris where the Charter of Paris for a New Europe was signed, the document which allowed Ukraine to join the CSCE as a full-fledged member. Taking into account the current development in the east of Ukraine, the author underscores that France and Germany were the initiators of the Normandy Format negotiations. France consistently supports the territorial integrity of Ukraine, while not recognising the annexation of Crimea and takes a firm stand towards Russia. The author mentions the establishment of the France-Ukraine friendship group, headed by Valerie For-Muntean. Apart from political cooperation, economic ties between the two states are also gaining momentum. Nowadays, Ukraine is examining modern initiatives of France in ecology, energy efficiency, etc. The article outlines the interation of the two states in the educational sphere. France is encouraging numerous riveting projects intercultural projects displaying the best specimens of modern Ukrainian art. New intercultural contacts are also gaining ground. The author highlights the main events held at the culture and information centre of the Embassy and reports about the multidisciplinary festival Week-End a l’Est – Kyiv. Yet another recent development has been the inauguration of the web platform Nouvelle Ukraine, whose aim is to raise awareness about Ukraine in France, contribute to the positive image of the country, and build economic and cultural contacts. According to the author, the cooperation of Ukraine and France is only beginning to gain momentum and has infinite potential. Keywords: France, Ukraine, the EU, France-Ukraine friendship group, Ukrainian-French ties.

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Laberge, Yves. "Pierre Bourdieu : la méthodologie, l'épistémologie, l'interdisciplinarité." Canadian Journal of Political Science 40, n.º 3 (setembro de 2007): 759–67. http://dx.doi.org/10.1017/s0008423907070771.

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Pierre Bourdieu, Esquisse pour une auto-analyse. Paris, Raisons d'agir (Collection “ Cours et travaux ”), 2004, 144 p.Pierre Bourdieu, Jean-Claude Chamboredon, Jean-Claude Passeron (dir.), Le métier de sociologue. Préalables épistémologiques. 5e édition. Berlin et New York, Mouton de Gruyter, 2005 [1968], xix + 357 p.Edwige Corcia, Bertrand Geay, Annick Coupé, Violaine Roussel, Sylvia Faure, Philippe Adrien, Markos Zafiropoulos, Martine Fournier, Sylvain Bourmeau, Philippe Corcuff, Bernard Vernier, Daniel Buren, Gérard Mauger, Vincent de Gaulejac. Pierre Bourdieu: les champs de la critique. Paris, Bibliothèque Centre-Pompidou, Collection “ BPI en actes ”, 2004, 284 p.Carles, Pierre (réalisateur), avec Pierre Bourdieu, La sociologie est un sport de combat [en anglais : Sociology Is a Martial Art]. Paris et Brooklyn : VF Films, et Pierre Carles (C-P Productions). Distributeur pour l'Amérique du Nord : First Run/Icarus Films, 2001. Vidéocassette VHS, NTSC, 146 minutes.Yvette Delsaut et Marie-Christine Rivière, Bibliographie des travaux de Pierre Bourdieu, Pantin (France), Le temps des cerises, 2002.

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Herida, M., B. de Barbeyrac, P. Sednaoui, C. Scieux, N. Lemarchand, G. Kreplak, M. Clerc et al. "Rectal lymphogranuloma venereum surveillance in France 2004-2005". Eurosurveillance 11, n.º 9 (1 de setembro de 2006): 7–8. http://dx.doi.org/10.2807/esm.11.09.00647-en.

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Lymphogranuloma venereum (LGV) is a sexually transmitted infection (STI) caused by Chlamydia trachomatis strains belonging to the L1, L2 or L3 genotype. An alert about an outbreak of LGV among MSM in the Netherlands was published in January 2004. The first cases of rectal LGV in France were retrospectively diagnosed in March 2004 and sentinel surveillance for LGV was implemented in April 2004. Most of the participating centres were located in the cities of Paris and Bordeaux. Only confirmed rectal LGV cases were included in the surveillance. Rectal specimens from men that were found to be positive for C trachomatis by PCR were sent to the National Reference Centre for Chlamydia infection for genotyping. Simple epidemiological data provided by clinicians and genotyping results were sent to the Institut de Veille Sanitaire (InVS) where data were anonymously recorded. A total of 328 C. trachomatis rectal strains isolated in men were genotyped by the end of December 2005. Of these, 244 (74%) were LGV strains belonging to the L2 genotype. No L1 or L3 C. trachomatis genotype was found. Diagnosis was made retrospectively for 46 cases. The median age of patients with LGV was 39 years. HIV status was known for 96 patients: 82/96 (85%) were HIV-infected. Most LGV cases were diagnosed in the Paris area (92%). Among the remaining 26% C. trachomatis strains, genotypes Da and G were the most frequent. As with syphilis in recent years, the emergence of LGV in Europe is mainly affecting HIV-infected MSM. The screening and treatment of STIs should be included in the clinical follow-up of all HIV-infected MSM.

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Zanou, Barbara. "Conditions for effective management of a river basin in the European Union". Ekistics and The New Habitat 71, n.º 427-429 (1 de dezembro de 2004): 282–87. http://dx.doi.org/10.53910/26531313-e200471427-429199.

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The author is Coordinator of Socio-Economic Studies at the Institute of Oceanography, Hellenic Centre for Marine Research, Ministry of Development - General Secretariat for Research and Technology (Athens, Greece). She holds a Bachelor's Degree in Economics (University of Piraeus, Greece), a Master's Degree (D.E. A) in Political Economy (Paris VIII and Paris VII University, France), a diploma on Information Technology (Greek Productivity Center EL.KE.PA with four-year studies as an Analyst-Programmer), and six months' training in the Directorate General for the Environment (EU, Brussels). She is currently finishing her Ph. D thesis on the economic evaluation method (Cost-Effectiveness Analysis - CEA) based on the European Water Framework Directive (University of the Aegean, Mytilini, Greece). Ms Zanou has participated in several EU projects and national studies on socio-economic and management issues.

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Schmitt, Stéphane. "Buffon (1707–1788) et la Pologne. Actes du colloque franco-polonais à l’occasion du 300e anniversaire de sa naissance tenu à Paris le 8 juin 2007, Varsovie–Paris : Académie polonaise des sciences, 2007, pp. 162". Zagadnienia Naukoznawstwa 55, n.º 3 (6 de abril de 2022): 135–46. http://dx.doi.org/10.12775/zn.2019.031.

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Ce volume, paru il y a maintenant treize ans, faisait suite à un colloque tenu au Centre de l’Académie Polonaise des Sciences à Paris à l’occasion du tricentenaire de la naissance du naturaliste français Georges-Louis Leclerc de Buffon (1707–1788). Consacré aux relations entretenues par le grand naturaliste français des Lumières avec la Pologne, il constitue une rare contribution à l’étude des circulations de savoirs scientifiques entre la France et l’Europe Centrale et Orientale au xviiie siècle. Le parcourir, treize ans après sa publication, nous invite à évoquer l’historiographie relative à Buffon et à ses rapports avec la culture de son temps.

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Bensimon, Fabrice, e Christopher A. Whatley. "The Thread of Migration: A Scottish-French Linen and Jute Works and its Workers in France, c. 1845–c. 1870". Journal of Migration History 2, n.º 1 (22 de março de 2016): 120–47. http://dx.doi.org/10.1163/23519924-00201005.

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After 1815, European manufacturers in several sectors sought to reap the benefits of British technical superiority through the acquisition of British machinery and workers who could operate it. France was one of the beneficiaries of this transfer process. Along with iron, engineering, and tulle making, another British industry that established a French presence was linen and jute textile manufacturing. The authors present the results of joint research carried out in Scotland and France, focusing on a spinning mill established by a Dundee-Paris partnership in Ailly-sur-Somme in 1845. Much of the technical, managerial, and worker input came from Dundee, then becoming Britain’s – and for a time, the world’s – leading coarse textile manufacturing centre: ‘Juteopolis’. But the flow of expertise was not always unidirectional and there was cultural interchange too, in a process that by the 1870s had resulted in Ailly becoming one of the most important industrial establishments in France.

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Dessberg, Frédéric. "La Roumanie et la Pologne dans la politique soviétique de la France : la difficulté d’établir un « front uni »". Revue Historique des Armées 244, n.º 3 (1 de agosto de 2006): 60–72. http://dx.doi.org/10.3917/rha.244.0060.

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De 1924 à 1935, les relations entre la France, la Roumanie et la Pologne vis-à-vis de l’Union soviétique sont marquées par la volonté française d’asseoir son influence en Europe centre-orientale. Paris entend maintenir une unité de front entre ses deux alliés dans le but de forger une force dissuasive face à l’Est et d’éviter toute implication directe dans la région. L’unité polono-roumaine doit également permettre de tenir Berlin et Moscou éloignées l’une de l’autre. De 1924 au protocole Litvinov de 1929, Paris mène un jeu complexe consistant à soutenir ses alliés en évitant toute tension avec leur voisine soviétique. Avec l’implication progressive de l’Union soviétique dans les questions de sécurité en Europe, la cohésion franco-polono-roumaine perd de sa vigueur. Concentrée sur le problème de la Bessarabie, Bucarest est un obstacle au rapprochement franco-soviétique et polono-soviétique. A partir de 1933, au moment où la Roumanie s’inscrit dans l’axe reliant Paris à Moscou, la Pologne refuse la politique de sécurité française et entend mener une politique d’équilibre bilatéral entre l’Allemagne et l’URSS. À la fin de 1935, le manque de cohérence entre les trois alliés ne peut que profiter à une Allemagne nazie désormais prête aux coups de force.

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Muresan, B., C. Lorgeoux, J. Gasperi e R. Moilleron. "Fate and spatial variations of polybrominated diphenyl ethers in the deposition within a heavily urbanized area: case of Paris (France)". Water Science and Technology 62, n.º 4 (1 de agosto de 2010): 822–28. http://dx.doi.org/10.2166/wst.2010.931.

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In this paper, we present the first results on the geochemical cycle of PolyBrominated Diphenyl Ethers (or PBDE) in the Paris Region (France). In order to provide information about the distribution and mobility of eight PBDE congeners, we first determined the level of contamination of different environmental compartments: i.e. atmosphere, soils and waters. Atmospheric PBDE deposition was estimated from a site located in the centre of Paris. Surface soils (0–10 cm) were collected from multiple wooded, rural and urban locations through the Paris Region (12,000 km2). To complete our investigation, we measured PBDE concentrations/contents in the runoff from an urban catchment and settleable particles from the Seine River. Hence, gained results showed that in the superficial soils, the highest concentrations of highly brominated congeners were measured in the vicinity of the most urbanized areas whereas less brominated congeners were widespread in the whole Paris Region. This could be explained by the higher affinity of highly brominated congeners for the solid phase substrata coupled with the fact that the atmospheric deposition occurred mainly through particle deposition (close to 90% of the total atmospheric deposition). To the opposite, the less brominated congeners from the superficial soils were readily transferred to the dissolved phase of runoff and could reach more distant terrestrial and aquatic systems. Finally, a mass transfer was established at the scale of the Paris metropolitan city (105 km2). It showed that the cycle of PBDE in this particular urban area is highly dynamic with multiple sources and sinks, and rapid transfers between the ecosystem compartments.

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Béguin, Katia. "La circulation des rentes constituées dans la France du XVIIe siècle". Annales. Histoire, Sciences Sociales 60, n.º 6 (dezembro de 2005): 1229–44. http://dx.doi.org/10.1017/s0395264900020813.

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RésuméLe risque économique qui affecte les rentes constituées à l’instar des autres formes de crédit à l’époque moderne est envisagé par le biais de son impact sur la circulation des titres de rentes émises par l’Hôtel de Ville de Paris au XVIIe siècle. Cette circulation, longtemps supposée marginale, a été négligée par des études qui livrent avant tout des sociologies statiques des rentiers. La rente est au contraire au centre de ce travail. L’objectif est de comprendre ce qui fonde la sécurité du placement rentier et la manière dont ses acquéreurs se garantissent contre l’incertitude qui entrave la possibilité de la transmettre ou de la céder. Cette fiabilité de la rente est analysée à trois niveaux : celui du statut juridique général de la rente ; celui des répercussions du risque sur les cessions et les transmissions des titres et, enfin, dans le détail des actes de transport des rentes.

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Saglio-Yatzimirsky, Marie-Caroline, Victoria Lotz e Thierry Baubet. "« Une mort surréaliste ». Familles immigrées endeuillées par les morts de Covid-19". Études sur la mort 158, n.º 2 (18 de julho de 2023): 125–42. http://dx.doi.org/10.3917/eslm.158.0125.

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Les populations immigrées de la Seine-Saint-Denis en France ont été particulièrement affectées par la Covid-19 provoquant des morts perçues comme « brutales ». Le contexte des deuils, en pleine crise sanitaire, a pu compliquer ces derniers. À partir de l’analyse du dispositif « Familles endeuillées » du Centre Régional de Psychotraumatisme de Paris Nord, la présente étude se propose d’investiguer l’impact traumatique des mesures sanitaires prises pendant le premier confinement. Elle fait le lien entre la mort de Covid-19 et la migration : cette dernière est-elle un facteur compliquant le deuil ou à l’inverse une ressource culturelle facilitatrice du deuil ?

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Fagani, Jeanne. "Organisation de l’espace et activité professionnelle des mères : le cas des nouvelles couches moyennes en région Île-de-France". Cahiers de géographie du Québec 31, n.º 83 (12 de abril de 2005): 225–36. http://dx.doi.org/10.7202/021877ar.

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En région Île-de-France, l'activité professionnelle des mères ayant de jeunes enfants à charge varie au sein de l'espace: en prenant l'exemple des femmes vivant avec un conjoint « cadre » ou « ouvrier », on observe que, quel que soit le nombre d'enfants, le taux d'activité des mères dans le centre est toujours supérieur à celui des mères résidant en périphérie. La diminution est particulièrement sensible pour les mères ayant trois enfants ou plus. Le nombre d'enfants est une variable moins discriminante de l'activité des femmes de « cadres » vivant à Paris que de celle de leurs homologues vivant en périphérie. En effet, grâce à leurs caractéristiques spatiales, le centre de la région et sa proche banlieue représentent des espaces plus adaptés à l'insertion professionnelle des mères que la banlieue extérieure ou la périphérie. Les choix restreints dans le domaine du logement et de sa localisation de même que les contraintes spatio-temporelles ont sans doute renforcé la détermination des femmes à refuser une troisième naissance.

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Larghero, Jérôme, Stéphanie Decoopman e Philippe Menasché. "La bioproduction en thérapies cellulaires : le cas des CAR-T cells par la plateforme MEARY". Annales des Mines - Réalités industrielles Novembre 2023, n.º 4 (9 de novembro de 2023): 92–94. http://dx.doi.org/10.3917/rindu1.234.0092.

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La France se situe au deuxième rang en Europe pour la production de médicaments biologiques, qui représente une part croissante du marché mondial du médicament. La préservation du leadership français dans ce domaine suppose de concilier enjeux éthiques, technologiques, financiers et réglementaires. La France dispose d’atouts dans ce secteur très concurrentiel, mais doit encore faire émerger une filière pour assurer la transition entre les travaux de R&D, les essais cliniques et la phase d’industrialisation, et étendre ses capacités de production. Le Centre MEARY, dédié à la fabrication des médicaments de thérapies cellulaires et géniques, sur le site de l’hôpital Saint-Louis de l’Assistance Publique - Hôpitaux de Paris peut jouer un rôle décisif pour transformer l’excellence, le savoir-faire et les technologies de rupture de nos chercheurs et start-up en briques articulées vers l’innovation et l’industrialisation. Depuis sa création en 2020, le Centre MEARY a pour ambition de faciliter la transition vers la clinique en proposant un processus simplifié. Il a déjà développé de nombreux projets académiques et conclu plusieurs partenariats industriels. Par ce projet, l’AP-HP contribue à structurer et animer l’offre médicale et scientifique autour de la bio-production des médicaments de thérapie innovante, dans le cadre global de sa stratégie d’innovation.

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Pasqualini, Jorge R., Edgard Cornier, Jacques Grenier, Christine Vella, Bernard Schatz e Albert Netter. "Effect of Decapeptyl**Ipsen Biotech, Paris, France. an agonistic analog of gonadotropin-releasing hormone on estrogens, estrogen sulfates, and progesterone receptors in leiomyoma and myometrium††Supported in part by Ipsen Biotech Laboratories, Paris, France; the Centre National de la Recherche Scientifique (UA-548), Paris, France; by grants from the Fondation pour la Recherche Médicale Française, Paris, France; and the Association pour l’Etude de l’Endocrinologie et de la Stérilité (A.E.E.S.), Paris, France." Fertility and Sterility 53, n.º 6 (junho de 1990): 1012–17. http://dx.doi.org/10.1016/s0015-0282(16)53577-8.

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Mounce, Kiersten. "Exhibition Review: L’Union des artistes modernes: Une aventure moderne, Le Centre Pompidou, Paris, France, May 30–August 27, 2018". Design and Culture 11, n.º 1 (20 de novembro de 2018): 139–41. http://dx.doi.org/10.1080/17547075.2019.1526543.

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Qiu, Jane. "The role of geography in sustainable development". National Science Review 4, n.º 1 (3 de dezembro de 2016): 140–43. http://dx.doi.org/10.1093/nsr/nww082.

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Abstract China has achieved unprecedented economic growth in the past decades. This has had serious consequences on the environment and public health. The Chinese government now realizes that it is not just the quantity, but the quality of development that matters. It has begun to instigate a series of policies to tackle pollution, increase the proportion of clean energy, and redress the balance between urban and rural development—in a coordinated effort to build a harmonious society. Building a harmonious world was also the theme of the 33rd International Geographical Congress, which was held in Beijing last August. At the meeting, Bojie Fu, a member of National Science Review’s editorial board, shared a platform with geographers from Australia, China, Canada and France to discuss the challenges of urbanization, the roles of geographers in sustainable development, as well as the importance of food security, safety and diversity. Dadao Lu Economic geographer at the Institute of Geography and Natural Resources Research, Chinese Academy of Sciences, Beijing Jean-Robert Pitte Historical and cultural geographer at the University of Paris-Sorbonne in Paris, France Mark Rosenberg Health geographer at Queen's University in Ontario, Canada Mark Stafford Smith Ecologist at the Commonwealth Scientific and Industrial Research Organisation (CSIRO) in Canberra, Australia Bojie Fu (Chair) Physical geographer at the Research Centre for Eco-Environmental Sciences, Chinese Academy of Sciences, Beijing; President of Geographical Society of China

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Pomp, Joseph. "France as author of world cinema: International co-production and the Fonds Sud, 1984–2012". French Cultural Studies 31, n.º 2 (maio de 2020): 111–23. http://dx.doi.org/10.1177/0957155820910858.

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While the profound effect that metropolitan France has had on the contours of the global literary marketplace (or ‘littérature-monde’) has figured prominently in much recent scholarship, the similarly central role that Paris plays in the nebulous domain of world cinema remains ripe for scrutiny. The status of the Cannes Festival is well known as perhaps the single most powerful gatekeeper to a filmmaker’s international circulation, but the broader relationship between France’s administration of film culture and the international art-house circuit is not widely understood. This paper engages with competing definitions of ‘world cinema’ on both sides of the Atlantic and lays the groundwork for a historical inquiry into the Aide aux cinémas du monde, a production grant that the Centre national du cinéma established in 2012 to replace its long-running Fonds Sud, a fund for film projects originating in the southern hemisphere and beyond.

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