Artigos de revistas sobre o tema "Byzantine Icon painting"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Byzantine Icon painting".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.
Mocanu, Alina Viorela. "The Byzantine Icon Hermeneia". Review of Artistic Education 22, n.º 1 (1 de junho de 2021): 200–205. http://dx.doi.org/10.2478/rae-2021-0025.
Texto completo da fonteGinting, Alex Cristian Justisia. "Relasi Narasi Visual dan Teks dalam Ikon Transfigurasi Paroki St. Dionysios Yogyakarta". Journal of Contemporary Indonesian Art 7, n.º 2 (30 de outubro de 2021): 57–63. http://dx.doi.org/10.24821/jocia.v7i2.6078.
Texto completo da fonteKhlystun, Yuliia. "Reasons for Changing the Painting Style of Orthodox Churches in Eastern Ukraine at the Turn of the 20th–21st Centuries". NaUKMA Research Papers. History and Theory of Culture 5 (6 de setembro de 2022): 38–46. http://dx.doi.org/10.18523/2617-8907.2022.5.38-46.
Texto completo da fonteArkhypova, Ye I. "BYZANTINE STONE ICON OF THE VIRGIN HAGIOSORITISSA FROM VSHCHIZH". Archaeology and Early History of Ukraine 35, n.º 2 (30 de junho de 2020): 361–67. http://dx.doi.org/10.37445/adiu.2020.02.28.
Texto completo da fonteТарасенко, А. А., e Г. В. Акрідіна. "ІКОНОСТАСИ СПАСО-ПРЕОБРАЖЕНСЬКОГО КАФЕДРАЛЬНОГО СОБОРУ ОДЕСИ: ТЕМАТИКА І СТИЛІСТИКА". Art and Design, n.º 2 (21 de setembro de 2020): 114–28. http://dx.doi.org/10.30857/2617-0272.2020.2.10.
Texto completo da fonteWang, Yuheng. "Symbolic Iconography of Leonardo da Vinci in Relation to Nature". Journal of Education, Humanities and Social Sciences 21 (15 de novembro de 2023): 70–82. http://dx.doi.org/10.54097/ehss.v21i.13034.
Texto completo da fonteEtinhof, Ol’ga E. "“CHRIST PANTOCRATOR” OF THE 13TH CENTURY FROM THE COLLECTION OF RUBLEV MUSEUM IN THE CONTEXT OF GREEK-RUSSIAN RELATIONS". RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, n.º 1 (2022): 98–113. http://dx.doi.org/10.28995/2686-7249-2022-1-98-113.
Texto completo da fonteTrifonova, Alexandra. "A miraculous icon of virgin Hodegetria with twelve great feast scenes (third quarter of the fourteenth century) from Nessebur, Bulgaria". Zograf, n.º 46 (2022): 137–53. http://dx.doi.org/10.2298/zog2246137t.
Texto completo da fonteДАДИАНОВА, Т. В. "THE INFLUENCE OF BYZANTIUM ON CHURCH ARCHITECTURE AND ICON PAINTING". Kavkaz-forum, n.º 11(18) (20 de setembro de 2022): 38–51. http://dx.doi.org/10.46698/vnc.2022.18.11.003.
Texto completo da fonteLymberopoulou, Angeliki. "Post-Byzantine Cretan Icon Painting: Demand and Supply Revisited". Arts 12, n.º 4 (4 de julho de 2023): 139. http://dx.doi.org/10.3390/arts12040139.
Texto completo da fonteBurkovska, Liubov. "The Icon Prophet Elijah In The Desert With Life And Deesis of the Late 12th – Early 13th Centuries: Features of Iconography and Attribution". Materìali do ukraïnsʹkoï etnologìï, n.º 20 (23) (20 de dezembro de 2021): 151–66. http://dx.doi.org/10.15407/mue2021.20.151.
Texto completo da fonteХребтенко, М. С. "ЗОБРАЖЕННЯ ОДЯГУ І АТРИБУТІВ СВЯТИХ В ІКОНОПИСІ ЛІВОБЕРЕЖНОЇ УКРАЇНИ ТА КИЇВЩИНИ ДРУГОЇ ПОЛОВИНИ XVII – ПЕРШОЇ ПОЛОВИНИ XVIII ст." Art and Design, n.º 2 (21 de setembro de 2020): 129–46. http://dx.doi.org/10.30857/2617-0272.2020.2.11.
Texto completo da fonteBacci, Michele. "On the Prehistory of Cretan Icon Painting". Frankokratia 1, n.º 1-2 (13 de março de 2020): 108–64. http://dx.doi.org/10.1163/25895931-12340003.
Texto completo da fonteKoprowski, Piotr. "Malarstwo ikonowe tradycji bizantyjskiej". Studia Europaea Gnesnensia, n.º 12 (15 de dezembro de 2015): 85–98. http://dx.doi.org/10.14746/seg.2015.12.4.
Texto completo da fonteGajić-Kvaščev, Maja, Olivera Klisurić, Velibor Andrić, Stefano Ridolfi, Una Galečić e Daniela Korolija Crkvenjakov. "Multianalytical Study of the Blue Pigments Usage in Serbian Iconography at the Beginning of the 18th-Century". Coatings 13, n.º 7 (4 de julho de 2023): 1200. http://dx.doi.org/10.3390/coatings13071200.
Texto completo da fonteKovalyukh, N., J. van der Plicht, G. Possnert, V. Skripkin e L. Chlenova. "Dating of Ancient Icons from Kiev Art Collections". Radiocarbon 43, n.º 2B (2001): 1065–75. http://dx.doi.org/10.1017/s0033822200041722.
Texto completo da fonteDemori Staničić, Zoraida. "Ikona Bogorodice s Djetetom iz crkve Sv. Nikole na Prijekom u Dubrovniku". Ars Adriatica, n.º 3 (1 de janeiro de 2013): 67. http://dx.doi.org/10.15291/ars.461.
Texto completo da fontePentcheva, Bissera. "Painting or relief: The ideal icon in iconophile writing in Byzantium". Zograf, n.º 31 (2006): 7–14. http://dx.doi.org/10.2298/zog0731007p.
Texto completo da fonteTUCĂ, Nicușor. "THE BYZANTINE ICON, A CULMINATION OF ART – THEOLOGY, SYMBOL AND REALITY". International Multidisciplinary Scientific Conferences on the Dialogue between Sciences & Arts, Religion & Education 6, n.º 6 (15 de novembro de 2022): 75–81. http://dx.doi.org/10.26520/mcdsare.2022.6.75-81.
Texto completo da fonteMastrotheodoros, Georgios P., Marios Theodosis, Eleni Filippaki e Konstantinos G. Beltsios. "By the Hand of Angelos? Analytical Investigation of a Remarkable 15th Century Cretan Icon". Heritage 3, n.º 4 (16 de novembro de 2020): 1360–72. http://dx.doi.org/10.3390/heritage3040075.
Texto completo da fonteDatsiuk, Natalia. "TRADITION AND MODERNISM IN THE SACRED ART OF IGOR ZILINKO". Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, n.º 2 (23 de maio de 2023): 140–48. http://dx.doi.org/10.25128/2411-3271.19.2.19.
Texto completo da fonteMaslov, Konstantin. "In search of the lost tradition: towards a history of Church paintings in the 1840s — first half of the 1850s". St. Tikhons' University Review. Series V. Christian Art 49 (31 de março de 2023): 91–120. http://dx.doi.org/10.15382/sturv202349.91-120.
Texto completo da fonteMastrotheodoros, Georgios P., e Konstantinos G. Beltsios. "Original Varnish Recipes in Post-Byzantine Painting Manuals". Heritage 4, n.º 4 (17 de outubro de 2021): 3572–82. http://dx.doi.org/10.3390/heritage4040197.
Texto completo da fonteZielińska, Paulina. "The Icons of Military Saints in Rus’. An Attempt at Classifying Iconographic Types from before the Beginning of the 17th Century". Ikonotheka 27 (10 de julho de 2018): 55–70. http://dx.doi.org/10.5604/01.3001.0012.2316.
Texto completo da fonteCzerni, Krystyna. "Malarska „dwujęzyczność” Jerzego Nowosielskiego. Związki między abstrakcją a ikoną w monumentalnych projektach sakralnych". Sacrum et Decorum 13 (2020): 48–80. http://dx.doi.org/10.15584/setde.2020.13.4.
Texto completo da fonteTomovic, Gordana. "Who was despot Tornik in the graphite of the scribe Nestor". Zbornik radova Vizantoloskog instituta, n.º 41 (2004): 257–69. http://dx.doi.org/10.2298/zrvi0441257t.
Texto completo da fonteHnidyk, Iryna. "ICONS OF THE MOTHER OF GOD IN THE CULTURAL HERITAGE SPACE OF ROME". Ethnic History of European Nations, n.º 68 (2022): 14–21. http://dx.doi.org/10.17721/2518-1270.2022.68.02.
Texto completo da fonteMaslov, Konstantin. "In search of the lost tradition: towards a history of church painting of the 1830s — 1st half of the 1840s". St. Tikhons' University Review. Series V. Christian Art 48 (30 de dezembro de 2022): 74–94. http://dx.doi.org/10.15382/sturv202248.74-94.
Texto completo da fonteVoulgaropoulou, Margarita. "Artistic, Commercial, and Confessional Exchanges between Venetian Crete and Western Europe: The Multiple Lives of an Icon of the Virgin and Child from Harvard Art Museums". Arts 12, n.º 4 (26 de junho de 2023): 130. http://dx.doi.org/10.3390/arts12040130.
Texto completo da fonteDobrolyubov, Petr. "Painting as a prayer of the spirit". Scientific and analytical journal Burganov House. The space of culture 16, n.º 4 (10 de dezembro de 2020): 113–32. http://dx.doi.org/10.36340/2071-6818-2020-16-4-113-132.
Texto completo da fonteСобкович Ольга. "ТВОРИ ПЕТРА ХОЛОДНОГО-СТАРШОГО З ПРИВАТНИХ КОЛЕКЦІЙ. НОВІ ШТРИХИ ДО ДОСЛІДЖЕННЯ МИСТЕЦЬКОЇ СПАДЩИНИ". International Journal of Innovative Technologies in Social Science, n.º 2(23) (28 de fevereiro de 2020): 3–9. http://dx.doi.org/10.31435/rsglobal_ijitss/28022020/6942.
Texto completo da fonteVitaliotis, Ioannis, e Ahilino Palushi. "At the beginning stages of the “School of Gramos”. The frescoes of the church of transfiguration (Shen Sotiri) in Tremisht, South Albania (1560)". Zograf, n.º 46 (2022): 191–212. http://dx.doi.org/10.2298/zog2246191v.
Texto completo da fonteStosic, Ljiljana. "The bay of Cattaro (Kotor) school of icon-painting 1680-1860". Balcanica, n.º 45 (2014): 187–202. http://dx.doi.org/10.2298/balc1445187s.
Texto completo da fonteMercier, Franck. "Salvation in Perspective: A New Interpretation of Piero Della Francesca’s Flagellation of Christ". Annales. Histoire, Sciences Sociales 72, n.º 3 (setembro de 2017): 489–523. http://dx.doi.org/10.1017/ahsse.2020.2.
Texto completo da fonteBurkovska, Liubov. "Synthesis of Word and Image in the Religious Art". Folk art and ethnology, n.º 3 (30 de setembro de 2022): 70–77. http://dx.doi.org/10.15407/nte2022.03.070.
Texto completo da fonteMarius, Munteanu, Ion Sandu, Ioana Huțanu e Liliana Nica. "The Study of Stages and Operations Involved in the Preservation and Restoration of two XIX-th Century Icons, on Wooden Support". Present Environment and Sustainable Development 8, n.º 2 (1 de outubro de 2014): 131–50. http://dx.doi.org/10.2478/pesd-2014-0030.
Texto completo da fonteГолицына, Н. Л. "Collection of icon painting of the State Art Museum of Yugra". Iskusstvo Evrazii [The Art of Eurasia], n.º 4(31) (29 de dezembro de 2023): 44–69. http://dx.doi.org/10.46748/arteuras.2023.04.003.
Texto completo da fonteChumak, Maria. "An Expressionist Painter of the Fourteenth Century". OPEN JOURNAL FOR STUDIES IN ARTS 4, n.º 2 (29 de dezembro de 2021): 47–62. http://dx.doi.org/10.32591/coas.ojsa.0402.02047c.
Texto completo da fonteПершина, Д. С., e Е. М. Саенкова. "The holy picture of the Great Martyr George from Yuriev monastery: the problem of reconstructing the icon's original appearance". Architectural archeology, n.º 4 (12 de fevereiro de 2023): 124–35. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-371-8.124-135.
Texto completo da fonteBobrova, Natalia Nikolaevna. "The Late Paleologian icon of the Nativity of Christ from the Patriarch’s museum of church art at the Cathedral of Christ the Saviour in Moscow: on the features of the painting style". Studia Slavica et Balcanica Petropolitana 31, n.º 1 (2022): 186–94. http://dx.doi.org/10.21638/spbu19.2022.111.
Texto completo da fonteOdrekhivskyi, Roman W. "Byzantine traditions of plastic arts design to preserve the national identity of the Lemko-Rusins in Galicia (the second half of the 19th -the first third of the 20th century)". Rusin, n.º 67 (2022): 325–41. http://dx.doi.org/10.17223/18572685/67/18.
Texto completo da fonteVoulgaropoulou, Margarita. "From Domestic Devotion to the Church Altar: Venerating Icons in the Late Medieval and Early Modern Adriatic". Religions 10, n.º 6 (19 de junho de 2019): 390. http://dx.doi.org/10.3390/rel10060390.
Texto completo da fonteFeshchenko, Vera Sergeevna. "Theological Aspects of the Formation of the Theory of the Artistic Image in Byzantium IV—XIV Centuries." Культура и искусство, n.º 12 (dezembro de 2023): 177–94. http://dx.doi.org/10.7256/2454-0625.2023.12.39361.
Texto completo da fonteZika, Charles. "The Treasury Image of Mariazell: The Materialisation of Hope, Assurance and Security". Emotions: History, Culture, Society 7, n.º 1 (23 de junho de 2023): 52–75. http://dx.doi.org/10.1163/2208522x-02010187.
Texto completo da fonteEtinhof, O. E. "Николай Иванович Петров и коллекция византийских икон Церковно-археологического музея при Киевской духовной академии". Iskusstvo Evrazii [The Art of Eurasia], n.º 4(19) (30 de dezembro de 2020): 228–40. http://dx.doi.org/10.46748/arteuras.2020.04.018.
Texto completo da fonteBella, Takushinova. "Parsuna – the first secular representation of the traditional Russian icon". Resourceedings 2, n.º 3 (12 de novembro de 2019): 1. http://dx.doi.org/10.21625/resourceedings.v2i3.618.
Texto completo da fonteLazidou, Dimitra, Dimitrios Lampakis, Ioannis Karapanagiotis e Costas Panayiotou. "Investigation of the Cross-Section Stratifications of Icons Using Micro-Raman and Micro-Fourier Transform Infrared (FT-IR) Spectroscopy". Applied Spectroscopy 72, n.º 8 (29 de maio de 2018): 1258–71. http://dx.doi.org/10.1177/0003702818777772.
Texto completo da fonteСвердлова, С. В., e Д. С. Першин. "Technical and technological features and reconstruction of the original appearance of the icon "Annunciation" ("Annunciation of Ustyug") dating back to the first third of the XII century from the collection of the State Tretyakov Gallery". Architectural archeology, n.º 4 (12 de fevereiro de 2023): 136–49. http://dx.doi.org/10.25681/iaras.2022.978-5-94375-371-8.136-149.
Texto completo da fonteStepanenko, Valeriy. "To the Iconography of the Saint Warrior Horseman in the Byzantine Sphragistics of the 12th – 13th Centuries. Saint Demetrios of Thessalonika". Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, n.º 6 (janeiro de 2020): 111–20. http://dx.doi.org/10.15688/jvolsu4.2019.6.9.
Texto completo da fonteLevina, Tatiana V. "UNCREATED LIGHT AND DAZZLING DARKNESS: BYZANTIUM OF AVANT-GARDE". Articult, n.º 3 (2021): 40–55. http://dx.doi.org/10.28995/2227-6165-2021-3-40-55.
Texto completo da fonte