Literatura científica selecionada sobre o tema "Buddhist Sculptures"
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Artigos de revistas sobre o assunto "Buddhist Sculptures"
Jinsin, Kun. "Chinese Buddhist Sculpture of the Early Period. Iconographic Features". Scientific and analytical journal Burganov House. The space of culture 16, n.º 2 (10 de junho de 2020): 114–26. http://dx.doi.org/10.36340/2071-6818-2020-16-2-114-126.
Texto completo da fonteSyrtypova, S. K. "Buddha Akshobhya in Mongolia". Orientalistica 2, n.º 4 (16 de janeiro de 2020): 817–37. http://dx.doi.org/10.31696/2618-7043-2019-2-4-817-837.
Texto completo da fonteDemenova, Victoria V. "Sino-Tibetan Style of Buddhist Sculpture: Articulation of the Attribution Problem". Izvestia of the Ural federal university. Series 2. Humanities and Arts 24, n.º 2 (2022): 272–86. http://dx.doi.org/10.15826/izv2.2022.24.2.039.
Texto completo da fonteXiao, Wei. "The Technique of Creating Buddhist Polychrome Sculpture". Scientific and analytical journal Burganov House. The space of culture 15, n.º 3 (10 de setembro de 2019): 55–74. http://dx.doi.org/10.36340/2071-6818-2019-15-3-55-74.
Texto completo da fonteTiwari, Akanksha, e Alok Shrotriya. "Divine Expressions in Pala Art: Sculptures of Transcendence with special reference to Buddhist minor Deities". RESEARCH REVIEW International Journal of Multidisciplinary 8, n.º 11 (14 de novembro de 2023): 155–69. http://dx.doi.org/10.31305/rrijm.2023.v08.n11.024.
Texto completo da fonteHe, Liqun. "On the development of Buddhist sculpture in Ye City and the “Ye City Style” reflected by the Bei Wuzhuang hoard". Chinese Archaeology 16, n.º 1 (27 de novembro de 2016): 189–200. http://dx.doi.org/10.1515/char-2016-0018.
Texto completo da fonteStiller, Maya. "Precious Items Piling up Like Mountains: Buddhist Art Production via Fundraising Campaigns in Late Koryŏ Korea (918–1392)". Religions 12, n.º 10 (15 de outubro de 2021): 885. http://dx.doi.org/10.3390/rel12100885.
Texto completo da fonteБардалеева, С. Б. "Collection of the Buddhist sculptures of Mongolia of the National Museum of the Republic of Buryatia". Iskusstvo Evrazii [The Art of Eurasia], n.º 3(22) (30 de setembro de 2021): 68–77. http://dx.doi.org/10.46748/arteuras.2021.03.006.
Texto completo da fonteZhao, Jinchao. "Connecting the Sacred: Network Analysis of Buddhist Images on Early Medieval Chinese Pagodas from Nannieshui, Shanxi". Religions 14, n.º 5 (6 de maio de 2023): 625. http://dx.doi.org/10.3390/rel14050625.
Texto completo da fonteElikhina, Yu I. "The artistic Heritage of Dzanabadzar and his School preserved in the Collections of the State Hermitage". Orientalistica 3, n.º 3 (3 de outubro de 2020): 662–80. http://dx.doi.org/10.31696/2618-7043-2020-3-3-662-680.
Texto completo da fonteTeses / dissertações sobre o assunto "Buddhist Sculptures"
Leoshko, Janice. "The iconography of Buddhist sculptures of the P?la and Sena periods from Bodhgay? /". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487327695623672.
Texto completo da fonteLeoshko, Janice. "The Iconography of Buddhist Sculptures of the Pala and Sena Periods from Bodhgaya Volume I". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392309418.
Texto completo da fontePons, Jessie. "Inventaire et étude systématiques des sites et des sculptures bouddhiques du Gandhāra : ateliers, centres de production". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040086.
Texto completo da fonteBuddhist statues and narrative relieves from Gandhāra share common characteristics thus justifying the designation of “Gandhāran art”. The homogeneity of Gandhāran art is certainly manifest in its material, its subject and its composite nature, yet it is possible to distinguish important iconographic and stylistic variations. This doctoral thesis aims to highlight these variations in order to provide the first identification and characterisation of the various stylistic languages of Gandhāran Buddhist art. The introductory reflections on the geographical, historical and religious contexts within which Gandhāran Buddhist art developed, are followed by prolegomena of the historiographical and theoretical frameworks of the research. These emphasise the need for an appropriate methodology and terminology and the necessity for a corpus of correctly documented pieces on which a stylistic study can be founded. The preliminary inventory of Gandhāran sculptures has identified approximately 5000 pieces of known provenance gathered in an electronic database. The last part focuses on the identification of Gandhāran schools, artistic zones, production centres and workshops and on their characterisation in terms of iconography and form. The review is geographically organised, thus revealing the existing correlation between the stylistic levels and Gandhāran geography and allowing the recognition of various interaction networks. The thesis concludes with an attempt to identify ancient routes, a reassessment of old stylistically based chronologies and a reflection on the geographical normalisation of Buddhist iconographies
Chiu, Angela Shih Chih. "The social and religious world of northern Thai Buddha images : art, lineage, power and place in Lan Na monastic chronicles (Tamnan)". Thesis, SOAS, University of London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.617604.
Texto completo da fonteLingley, Kate Alexandra. "Widows, monks, magistrates, and concubines social dimensions of sixth-century Buddhist art patronage /". Click to view the dissertation via Digital dissertation consortium, 2004.
Encontre o texto completo da fonteGalloway, Charlotte Kendrick. "Burmese Buddhist imagery of the early Bagan period (1044-1113)". Connect to this title online, 2006. http://thesis.anu.edu.au/public/adt-ANU20071112.160557/index.html.
Texto completo da fonteKarlsson, Klemens. "Face to face with the absent Buddha : The formation of Buddhist Aniconic art". Doctoral thesis, Uppsala University, Department of Theology, 2000. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-421.
Texto completo da fonteEarly art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context.
Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha.
The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there.
Le, Thua Tien Art College of Fine Arts UNSW. "Journey to inner peace installation and sculpture from a buddhist perspective". Publisher:University of New South Wales. Art, 2008. http://handle.unsw.edu.au/1959.4/41874.
Texto completo da fonteGalloway, Charlotte Kendrick, e charlotte galloway@anu edu au. "Burmese Buddhist Imagery of the Early Bagan Period (1044-1113)". The Australian National University. Faculty of Arts, 2007. http://thesis.anu.edu.au./public/adt-ANU20071112.160557.
Texto completo da fonteLok, Wai-ying, e 駱慧瑛. "The significance of Dunhuang iconography from the perspective of Buddhist philosophy: a study mainly based onCave 45". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48199321.
Texto completo da fontepublished_or_final_version
Buddhist Studies
Doctoral
Doctor of Philosophy
Livros sobre o assunto "Buddhist Sculptures"
India. Ministry of Information and Broadcasting., ed. Buddhist sculptures and monuments. New Delhi: Publication Division, Ministry of Information and Broadcasting, Govt. of India, 1994.
Encontre o texto completo da fonteBuddhist sculptures in Tibet. Hong Kong: Visual Dharma, 2001.
Encontre o texto completo da fonteLiao, Dongfan. Tibetan sculptures. Beijing: China Intercontinental Press, 2003.
Encontre o texto completo da fonteLiao, Dongfan. Tibetan sculptures. Beijing: China Intercontinental Press, 2003.
Encontre o texto completo da fonteC, Sharma R. Bharhut sculptures. New Delhi: Abhinav Publications, 1994.
Encontre o texto completo da fonteMurthy, K. Krishna. Sculptures of Vajrayāna Buddhism. Delhi, India: Classics India Publications, 1989.
Encontre o texto completo da fonteMullick, C. C. Nalanda sculptures: Their bearing on Indonesian sculptures. Delhi: Pratibha Prakashan, 1991.
Encontre o texto completo da fonteVajrayana Buddhism in Khajuraho sculptures. Kolkata: Power Publishers, 2012.
Encontre o texto completo da fonteTibetan sculptures. Beijing: China Intercontinental Press, 2003.
Encontre o texto completo da fonteRao, Manjushri. Sanchi sculptures, an aesthetic and cultural study. New Delhi: Akay Book Corp., 1994.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Buddhist Sculptures"
Prasad, Birendra Nath. "The Socio-Religious Dimensions of Dedicatory Inscriptions on Sculptures Donated to a Buddhist Establishment in Early Medieval Magadha: Kurkihar, c. 800 CE-1200 CE*". In Rethinking Bihar and Bengal, 41–84. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-2.
Texto completo da fontePeleggi, Maurizio. "CHAPTER FOUR. THE PLOT OF THAI ART HISTORY: BUDDHIST SCULPTURE AND THE MYTH OF NATIONAL ORIGINS". In A Sarong for Clio, editado por Maurizio Peleggi, 79–94. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501725937-006.
Texto completo da fontePrasad, Birendra Nath. "A Folk Tradition Integrated into Mahāyāna Buddhism: Some Observations on the Votive Inscriptions on the Sculptures of Puṇḍeśvarī/Pūrṇeśvarī/Puṇyeśvarī Discovered in the Kiul-Lakhisarai Area, Bihar". In Rethinking Bihar and Bengal, 85–93. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003221227-3.
Texto completo da fonte"2. Early Sculptures". In The Hindu-Buddhist Sculpture of Ancient Kashmir and Its Influences, 31–75. BRILL, 2013. http://dx.doi.org/10.1163/9789004248328_004.
Texto completo da fonteVaneian, Elizaveta S. "The “Spectrum of Corporeality” in Japanese Buddhist Sculpture". In Artificial Body in the World Intellectual and Artistic Culture, 31–57. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0719-9-31-57.
Texto completo da fonteNaz, Fozia. "Buddhist art of Gandhāra: a catalogue of newly documented sites in Malakand District". In Gandhāran Art in Its Buddhist Context, 77–87. Archaeopress Archaeology, 2023. http://dx.doi.org/10.32028/9781803274737-06.
Texto completo da fonteKhan, Zarawar, Fawad Khan e Ghayyur Shahab. "Gandhāran stucco sculptures from Sultan Khel (former Khyber Agency) in the collection of Peshawar Museum: a study in three parts". In The Rediscovery and Reception of Gandhāran Art, 43–82. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-3.
Texto completo da fontePrabha Ray, Himanshu. "Archaeology of Buddhism in post-partition Punjab: the disputed legacy of Gandhāra". In The Rediscovery and Reception of Gandhāran Art, 124–35. Archaeopress Archaeology, 2022. http://dx.doi.org/10.32028/9781803272337-6.
Texto completo da fonte"Buddhist clay sculptures in Central Asia: Conservation and restoration problems". In Rammed Earth Conservation, 685–90. CRC Press, 2012. http://dx.doi.org/10.1201/b15164-116.
Texto completo da fonteCharney, Maurice. "Shakespeare’s Villains1". In The Supervillain Reader, 106–13. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496826466.003.0010.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Buddhist Sculptures"
Shao, Changzong. "Discussion on the Humanities and Artistry of Buddhist Sculptures in Wei, Jin, Southern and Northern Dynasties". In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.008.
Texto completo da fonteKoc, Adem. "A Symbolic Taste of the City: Eskișehir Met Halva from Legend to Game". In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.29.
Texto completo da fonteHendradi, Rimuljo, Ikhsan Rosyid Mujahidul Anwari e Kinara Al Ghiffari. "Augmented reality application development on universitas airlangga Museum’s sculpture as Hindu-Buddhist history educational media". In 4TH INTERNATIONAL SCIENTIFIC CONFERENCE OF ALKAFEEL UNIVERSITY (ISCKU 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0181221.
Texto completo da fonte