Literatura científica selecionada sobre o tema "Brown Council (Group of artists)"

This article outlines the practice of enter & inhabit, a UK, dance and photography collaboration in outdoor spaces which foregrounds a sensorial relationship to space and place. Photographic images and reflective writings from a three-year research council funded project entitled Sensing The City are shared as a means to offer insight into the artistic methodology of enter & inhabit. Credits Sensing The City Project Team: Natalie Garrett Brown, Amy Voris, Emma Meehan, Christian Kipp Photography: Christian Kipp Contributing Movement Artists (Postcards): Helen Poynor, Paula Kramer, Hilary Kneale, Sandra Reeve.

The displays of particular artistic associations in the Municipal Museum in Bydgoszcz between 1930 and 1936 are being discussed. The history of Pomeranian artistic associations is not a well-known subject, and no dedicated monographs have been written to date. It appears commonly in the history of the regional chapter of the Polish Association of Visual Artists (Związek Polskich Artystów Plastyków) located in Bydgoszcz. The basic sources include the Archive of the Leon Wyczółkowski District Museum in Bydgoszcz and information contained in Polish press of the period in question. There were two main goals to be achieved for the Pomeranian artists: while aspiring to equal the art represented by more important artistic centres of the country, to show a close connection with their own region and its Polish heritage. During the interwar period, a number of artistic organisations appeared in Bydgoszcz. The most significant were the local branch of the Society for the Encouragement of the Fine Arts (Towarzystwo Zachęty Sztuk Pięknych), established in September 1921, and the Artistic and Cultural Council (Rada Artystyczno-Kulturalna), founded in December 1934. The first exhibition of the Pomeranian Association of Visual Artists (Związek Plastyków Pomorskich) was opened in December 1930 as a summary of the Association’s achievements of that year. It comprised 92 works by 15 artists. Subsequent exhibitions in December 1931 and December 1932 served a similar purpose. The turning point in the history of Pomeranian artistic associations took place in 1933 when – as a result of an internal conflict – the Group of Pomeranian Visual Artists (Grupa Plastyków Pomorskich) was formed. The Group quickly became the leading artistic force of the region, with their first exhibition opening in December 1933. The 4th annual exhibition of the Group of Pomeranian Visual Artists took place in December 1934, simultaneously with the founding of the Artistic and Cultural Council (Rada Artystyczno-Kulturalna) in Bydgoszcz. The Council coordinated, implemented, and documented artistic movements in specially dedicated sections for literature, music, visual arts and radio, quickly becoming an intermediary between artists and their audience. Tanks to their efforts, the first Salon Bydgoski exhibition was organised in 1936. That very year the Group of Pomeranian Visual Artists changed their name to the Group of Visual Artists of Bydgoszcz. Both organizations lacked a well-defined artistic programme, whereas their members were mainly connected for non-artistic motivations, such as the possibility to exhibit their works in well-known institutions or prestige. All of the discussed displays were widely covered in the local press, especially by Henryk Kuminek and Marian Turwid, two leading art critics of the region.

Over 1949–1951 the Association of Friends of the Otago Museum purchased approximately 100 pieces of contemporary ceramic work described by them at the time as representing the best current English potters – work they felt would have a lasting value. Muriel Rose, the Crafts and Industrial Design Officer at the British Council, made the selection on their behalf and arranged transport. The group included work from Bernard Leach, the Leach Pottery, Michael Cardew, Katherine Pleydell-Bouverie, Steven Sykes, Henry Hammond and Margaret Leach, as well as Wetheriggs Pottery and examples of work from commercial factories, particularly Wedgwood, who employed highly regarded graphic artists. In 1951, HD Skinner suggested to Robert Falla, director of the Dominion Museum, that they share this group. This paper examines the acquisition as a whole, its background, and the logistics of the division between the two institutions.

As an architect with the London County Council (LCC), a newspaper columnist, friend of artists and an incipient collector, Colin St John Wilson is a fascinating figure in the interacting circles of 1950s London. It was Wilson’s sketch-plan that ordered the ‘market-stalls’ of the This is Tomorrow exhibition and – in the opinion of Theo Crosby – the display he created with architect Peter Carter, engineer Frank Newby and sculptor Robert Adams most closely achieved the exhibition’s original aim of an anonymous synthesis of the arts. In this article, the author interprets Wilson’s life, work and theory as both critique and commentary in an examination of three pertinent issues within the Independent Group: the possibilities of artistic collaboration in architecture; the creative tension in architecture between science/technology and art/humanism; and the potential for a deeper psychologising of space – linked to psychoanalytical debates of the time. Interrogating these concerns is of importance, the author proposes, as they were so central to the discourses and form-making of architecture both at the time and in the immediate futures of the 1960s, the 1970s and afterwards.

Joan Littlewood blamed anti-socialist prejudice for Theatre Workshop's hostile treatment by the Arts Council. Yet her failure to secure the Council's backing for the Fun Palace – an open-ended project for an arts, entertainment, and education centre she developed with architect Cedric Price – may be better expressed as a collision between anarchy and bureaucracy. Following Nadine Holdsworth's 1997 article for New Theatre Quarterly, ‘“They'd Have Pissed on My Grave”: the Arts Council and Theatre Workshop’, in this article Juliet Rufford argues that the project fell victim to a form of programme censorship because it broke the rules of culture and professionalism as defined by the major funding body for the arts. The concept of ‘fun’ is seen as vital to understanding the cynicism of the policy makers towards Price and Littlewood's proposals, but also as driving explorations of intermediality, interactive performance, and performative architecture that have since been taken up successfully by artists working within and beyond the subsidized sector. Juliet Rufford is a post-doctoral research associate at the Victoria and Albert Museum, and is co-convenor of the International Federation of Theatre Research's Theatre Architecture Working Group. She has written on theatre architecture, site-specific performance, scenography, and the politics of space for publications including Contemporary Theatre Review and the Journal of Architectural Education.

This article focuses on the lack of full compliance with teaching ethno–racial relations education in Brazilian university undergraduate programs, particularly law programs. Teaching this topic was specified by the Conselho Nacional de Educação (CNE, National Education Council) in Resolution CNE/CP no. 01/2004. Although teaching ethno–racial relations education has not been a panacea for judicial sentencing based on racial criteria, we propose the working hypothesis that teaching it is a tool that can help catalyze a reduction in racist sentences by courts, for example, a defendant not fitting the stereotypical criminal pattern by being white or being assumed to belong to some criminal group for being black (preto) or brown (pardo). Through surveys at sixty-nine federal universities and documentary research into law program curricula, it was discovered that Resolution CNE/CP no. 01/2004 is not being fully or appropriately implemented at these institutions, a fact that may be enabling the continuance of race-based penal sentencing, which is illegal and extremely harmful to the black/brown Brazilian population. To prevent or minimize this problem, full compliance with Resolution CNE/CP no. 01/2004 is suggested.

Abstract. The aim of scientific dissemination is to spread interest and knowledge of scientific issues by trying to reach people of all ages and social backgrounds. Simplifying, without trivializing, scientific concepts and making them attractive to the general public is therefore essential to achieve the previous objectives. For this purpose, it can be useful for scientists to work in close collaboration with artists, implementing new tools that can positively influence the emotional sphere and capture the attention of the people involved. Playful educational activity and visual language play a key role in this process, to convey interest and facilitate learning. An example of this approach are the educational laboratories structured as group games, in which great importance is given both to practical activities and to the transmission of concepts through their visualization in the form of images. Over the last 8 years, the Istituto Nazionale di Geofisica e Vulcanologia (National Institute of Geophysics and Volcanology, INGV), the Istituto di Scienze Marine del Consiglio Nazionale delle Ricerche (Institute of Marine Sciences of the National Research Council, CNR-ISMAR) and the Historical Oceanography Society (HOS) have collaborated in the organization of science dissemination events involving students from schools of different levels participating in educational experiences based on games, characterized by an essentially visual approach to the concepts presented. In this work, we would like to give a brief overview of these educational tools, retracing the choices made while ideating them, thanks mainly to the close collaboration with artists and illustrators.

In the context of the Catholic Reformation serious concerns were expressed about the affective potency of naturalistic depictions of beautiful, sensuous figures in religious art. In theological discourse similar anxieties had long been articulated about potential contiguities between elevating, licit desire for an extraordinarily beautiful divinity and base, illicit feeling. In the later fifteenth and early sixteenth centuries, in the decades preceding the Council of Trent, a handful of writers, thinkers and artists asserted a positive connection between spirituality and sexuality. Leonardo da Vinci, and a group of painters working under his aegis in Lombardy, were keenly aware of painting’s capacity to evoke feeling in a viewer. Pictures they produced for domestic devotion featured knowingly sensuous and unusually epicene beauties. This article suggests that this iconography daringly advocated the value of pleasurable sensation to religiosity. Its popularity allows us to envisage beholders who were neither mired in sin, nor seeking to divorce themselves from the physical realm, but engaging afresh with age-old dialectics of body and soul, sexuality and spirituality.

e15541^ Background: We previously reported results of a phase I study of oxaliplatin, docetaxel, and capecitabine for advanced esophagogastric cancer (Evans et al, Am J C Onc 2007). In this phase II component we describe response rates, toxicity, and survival data. Methods: Patients with histologically confirmed metastatic esophagogastric squamous or adenocarcinoma were eligible. Patients received oxaliplatin 50mg/m2 and docetaxel 35mg/m2 on days 1 and 8 as well as capecitabine 750 mg/m2 twice daily on days 1–10 in each 21 day cycle. Results: 21 patients were enrolled and were evaluable. Median age was 65, range 46–83. All had adenocarcinoma histology. Three patients received prior adjuvant or neoadjuvant therapy. A total of 91 cycles were delivered, median of 4, range of 1–11. Median follow-up was 2 years; all patients have been followed for at least 1 year. Median overall survival was 11 months. The overall response rate was 43%. Three patients achieved a complete response. Two of these patients remain without evidence of disease at 38 and 12 months. Three patients experienced confirmed pulmonary emboli, and one patient expired at home with possible pulmonary embolism (exact cause unknown).Other Grade 3/4 toxicities were: nausea (3/21), fatigue (2/21), diarrhea (4/21), hand/foot (1/21), dehydration (3/21), esophagitis (2/21), infection (1/21), Electrolyte (3/21), neutropenic fever (2/21), neutropenia (4/21), anemia (1/21). Conclusions: DOC is an active and easily administered regimen for metastatic esophagogastric cancer. Consideration should be given for prophylactic anticoagulation for patients with metastatic esophagogastric cancer. [Table: see text] ASCO Conflict of Interest Policy and Exceptions In compliance with the guidelines established by the ASCO Conflict of Interest Policy (J Clin Oncol. 2006 Jan 20;24[3]:519–521) and the Accreditation Council for Continuing Medical Education (ACCME), ASCO strives to promote balance, independence, objectivity, and scientific rigor through disclosure of financial and other interests, and identification and management of potential conflicts. According to the ASCO Conflict of Interest Policy, the following financial and other relationships must be disclosed: employment or leadership position, consultant or advisory role, stock ownership, honoraria, research funding, expert testimony, and other remuneration (J Clin Oncol. 2006 Jan 20;24[3]:520). The ASCO Conflict of Interest Policy disclosure requirements apply to all authors who submit abstracts to the Annual Meeting. For clinical trials that began accrual on or after April 29, 2004, ASCO's Policy places some restrictions on the financial relationships of principal investigators (J Clin Oncol. 2006 Jan 20;24[3]:521). If a principal investigator holds any restricted relationships, his or her abstract will be ineligible for placement in the 2009 Annual Meeting unless the ASCO Ethics Committee grants an exception. Among the circumstances that might justify an exception are that the principal investigator (1) is a widely acknowledged expert in a particular therapeutic area; (2) is the inventor of a unique technology or treatment being evaluated in the clinical trial; or (3) is involved in international clinical oncology research and has acted consistently with recognized international standards of ethics in the conduct of clinical research. NIH-sponsored trials are exempt from the Policy restrictions. Abstracts for which authors requested and have been granted an exception in accordance with ASCO's Policy are designated with a caret symbol (^) in the Annual Meeting Proceedings. For more information about the ASCO Conflict of Interest Policy and the exceptions process, please visit www.asco.org/conflictofinterest .

Social and Cultural Conditions and Limitations of the Northern Ireland Peace ProcessThe conflict in Northern Ireland, sometimes called “the Troubles” (by British government), sometimes called “war” (by nationalists), has lasted since 1921. The article presents the historical, structural and cultural background of the conflict in Ulster. Two main communities – Catholic and Protestant – are divided because of lots of reasons: one of them is different interpretation of history (“imagined histories”). On the social level the dominant position of the Protestant community was supported by a system of discrimination. The two conflicted communities are integrated around different sets of values, symbols and norms, and their sense of belonging and group membership is connected with different ethnic identities.The peace process started in 1998 (Good Friday Agreement). Since then considerable changes have been implemented in order to end the political, social and cultural discrimination of the minority Catholic community. Changes (reforms) at the governmental level, like establishing the new Northern Ireland Assembly and the Police Service of Northern Ireland, are very important. But equally important are changes on cultural and symbolic levels because they create space to re-defining ethnic identities. A good example of this could be the Re-Imaging Communities Programme, an initiative launched in 2006 by the Arts Council of Northern Ireland. The idea of the programme is to change – in cooperation with local people and artists – sectarian and militant murals into neutral ones and create more friendly public space.

Andrew Choo’s Evidence provides an account of the core principles of the law of civil and criminal evidence in England and Wales. It also explores the fundamental rationales that underlie the law as a whole. The text explores current debates and draws on different jurisdictions to achieve a mix of critical and thought-provoking analysis. Where appropriate the text draws on comparative material and a variety of socio-legal, empirical, and non-legal material. This (sixth) edition takes account of revisions to the Criminal Procedure Rules, the Criminal Practice Directions, and the Police and Criminal Evidence Act Codes of Practice. It also examines in detail cases on various topics decided since the last edition was completed, or the significance of which has become clear since then, including: • Addlesee v Dentons Europe llp (CA, 2019) (legal professional privilege) • Birmingham City Council v Jones (CA, 2018) (standard of proof) • R v B (E) (CA, 2017) (good character evidence) • R v Brown (Nico) (CA, 2019) (hearsay evidence) • R v C (CA, 2019) (hearsay evidence) • R v Chauhan (CA, 2019) (submissions of ‘no case to answer’) • R v Gabbai (Edward) (CA, 2019) (bad character evidence) • R v Gillings (Keith) (CA, 2019) (bad character evidence) • R v Hampson (Philip) (CA, 2018) (special measures directions) • R v K (M) (CA, 2018) (burden of proof) • R v Kiziltan (CA, 2017) (hearsay evidence) • R v L (T) (CA, 2018) (entrapment) • R v Reynolds (CA, 2019) (summing-up) • R v S (CA, 2016) (hearsay evidence) • R v SJ (CA, 2019) (expert evidence) • R v Smith (Alec) (CA, 2020) (hearsay evidence) • R v Stevens (Jack) (CA, 2020) (presumptions) • R v Townsend (CA, 2020) (expert evidence) • R v Twigg (CA, 2019) (improperly obtained evidence) • R (Jet2.com Ltd) v CAA (CA, 2020) (legal professional privilege) • R (Maughan) v Oxfordshire Senior Coroner (SC, 2020) (standard of proof) • Serious Fraud Office v Eurasian Natural Resources Corpn Ltd (CA, 2018) (legal professional privilege) • Shagang Shipping Co Ltd v HNA Group Co Ltd (SC, 2020) (foundational concepts; improperly obtained evidence) • Stubbs v The Queen (PC, 2020) (identification evidence) • Volaw Trust and Corporate Services Ltd v Office of the Comptroller of Taxes (PC, 2019) (privilege against self-incrimination) • Volcafe Ltd v Cia Sud Americana de Vapores SA (SC, 2018) (burden of proof)

“Call and Response: American Dominican Artists and Vatican II” describes the work of fifteen American Dominican artists as each exemplifies or anticipates the priorities of the Second Vatican Council. Each artist personifies the response to a specific call: to reanimate the original scriptural and historical roots of the religious congregation, to provide leadership in liturgical renewal, to feed the spiritual hungers of the poor, to spread the gospel of justice through contemporary means of social communication. As Dominicans, these artists fulfill their vocation to preach the gospel in the multiple languages of genres ranging from design of sacred space and liturgical music to folk art, musical theatre, videography, and film. Most of the men and women chosen here to demonstrate this theme are active members of the Dominican Institute for the Arts, a national support group whose mission is to promote preaching through the arts.

A lively debate over “corporate mind” materialized in legal, philosophical, and political scientific guises throughout the first decades of the twentieth century. Legal theorists such as Harold Laski, Jethro Brown, and Frederic Maitland sought to ascribe intentions to mindful corporations to understand why corporations acted as they did and to treat them accordingly; theorists like Morris Cohen, John Salmond, and Oliver Wendell Holmes, Jr. thought this tactic made no sense. This chapter examines their dispute to argue that Gertrude Stein’s conceptualizing of groups of artists proposed representational solutions both similar to and ultimately divergent from these conceptions of corporate minds. A radical reading of Stein’s revolutionary prose poem, G.M.P. (1912), is offered, supported by archival manuscript evidence. That text ponders the difference between a publicly traded corporation, with its repetitive daily “life” exposed to anyone with a ticker-tape machine, and the creations of a group of painters and poets. Abstracting the art collectivity and giving the movement a name (“G.M.P.”) more typical of publicly traded companies on a stock exchange, Stein registers its divergence from a crowd, a corporate collective, or an individual. Like business entities, aesthetic movements possess emergent properties that are more than the sum of their artist parts; yet art’s immortality differs from a corporation’s life in perpetuity. Offering context for the period’s corporate ideas from various disciplines—political science, jurisprudence, philosophy, psychology—this chapter catches writers thinking through how a corporate group imagines and creates.

Abstract On Monday, April 23, 1951, Oliver Hill got a telephone call from R. R. Moton High School in Farmville, Virginia. His caller, never identified, told him students were striking to protest conditions there: expanding school enrollments led the school board to put up some leaky and badly heated ’temporary’ outbuildings made of wood and tarpaper. Barbara Johns, a sixteen-year-old at the school, organized the student strike, working with friends from the school’s student council. Johns, born in New York but raised in Farmville, was the niece of Vernon Johns, a fiery preacher whose sermons delivered throughout the South often focused on segrega-tion. Inspired by her uncle, Barbara Johns decided that something had to be done. The school’s principal was sympathetic to community efforts to improve the schools, and Johns did not want to implicate him in militant action. She lured him away by placing a call that two high school students were about to be arrested. When he left the school, Johns sent a note in his name to each classroom, calling an assembly. The students and teachers went to the school auditorium and Johns started speaking. When some teachers tried to stop her, she had them escorted out. Johns denounced the school board’s failure to provide decent facilities and ended by calling for a strike. The students walked out.1 Hill was trying to develop a desegregation case in nearby Pulaski County, and was scheduled to go to the area on Wednesday. After asking that the students write him describing their situation, Hill agreed to meet the students’ families on his way to Pulaski County, although he was unsure that Farmville was a good place to bring a lawsuit. Farmville was in Prince Edward County, a ’tense’ part of Vir-ginia’s Southside, and Hill believed that Richmond or Norfolk were better places for the first Virginia desegregation suit. According to Hill, he ’had a horror of talking to a group of these kids with no adults around.’ If the parents did not agree with the students, a lawsuit could not be sustained. And, although students routinely got the attention of recalcitrant school boards by striking, a lawsuit with such a dramatic beginning might be bad public relations; after all, the students were violating the state’s compulsory attendance laws.

Abstract When Lyndon B. Johnson succeeded John F. Kennedy as president in 1963, Roy Wilkins found Johnson much more aggressive on civil rights than Kennedy had been. Yet even after Johnson signed the 1964 Civil Rights Bill into law, Wilkins knew there was still much to be done. At the time of this White House conference, the Brown decision was twelve years old. On administration of justice three categories were set forth embracing protection of Negroes and civil rights workers in connection with the exercise of their rights: equal justice in the operation of the machinery of the law-juries, courts, court officials and law enforcement agents and police minority group community relations. The material in the Council report, including the recommendations for action, has received critical scrutiny and has benefited from broadening and strengthening corrections and amendments including home rule for D.C. by the conferees in the twelve committees. Each of these urgent suggestions, born of intimate experience on local and state levels, has become a part of the record and will be submitted as a part of the report to the President, as will the specific resolutions adopted in the committees this afternoon.

This chapter follows the stories of Latinas/os who joined the Mennonite Church during the middle part of the twentieth century. While a relatively small Protestant denomination, the Mennonite Church is especially strong across the Midwest, from the Central Plains to the Great Lakes region. This chapter argues that religion served as an important platform for Latina/o civil rights movements in the Midwest. Religious activism in particular was an important part of the larger project of community formation for Latina/o migrants who were making the Midwest their new home. The quest for civil rights included building an interethnic alliance between Mexican Americans, Puerto Ricans, and African Americans, which organized in 1968 and called itself the Minority Ministries Council (MMC). This group helped organize a K-12 educational program that created a pathway for black and brown youth to attend Mennonite schools. While these movements were for the most part dominated by Latino men, Latinas created their own spaces by organizing conferences that brought together women from across the country. This flurry of activity led to an unprecedented rise of Latinas/os within the Mennonite Church. In a span of about ten years, Latinas/os went from zero representation on national Mennonite Church boards to having Latinos and Latinas on every major church board from the East Coast to the Midwest.

This book began with tourism. In the summer of 1994, a friend and I drove from Bloomington, Indiana, where I attended graduate school, to Florida for a short vacation. As we sped along Interstate 75 through northern Georgia, I spotted a brown roadside sign announcing that, at the next exit, we would find New Echota, a state historic site interpreting the history of the Cherokee Nation. For a brief time in the early nineteenth century, New Echota was the Cherokee capital, the seat of the national government created by tribal leaders in the 1820s. The Cherokee National Council met at New Echota in the years prior to removal, and it was the site of the Cherokee Supreme Court. During a time when the United States and the state of Georgia pressured Cherokees to emigrate to the West, the new capital represented the Cherokees’ determination to remain in their homeland. It was also the place where, in late 1835, a small group of tribal leaders signed the treaty under which the United States forced the Cherokee Nation to remove. I had recently become interested in the history of Cherokee sovereignty and nationhood, and I concluded that I should prob ably know about this heritage attraction. We pulled off the highway and followed the signs to the site....

Abstract “The Man from Hope,” declared one of Bill Clinton’s campaign slogans. Hope, Arkansas, was his birthplace, where his mother raised him, where he went to high school, and where he left for George-town University, then Oxford, and eventually Yale Law School. He returned to Arkansas with his wife, Hillary, and enough drive to be elected governor at age 33. Six years later he was stunned by Ronald Reagan’s overwhelming reelection in 1984, and along with other moderate Democrats, such as Sam Nunn of Georgia and Al Gore Jr. of Tennessee, he began to think that his party would be doomed to more defeats unless it changed its focus from the left to the middle and made a strenuous effort to woo white voters back to the party. A year later Clinton was one of the founders of the Democratic Leadership Council, a group of centrists, and the DLC began advocating welfare reform, a tougher stance on crime, smaller government, a middle-class tax cut, and a strong defense. Clinton embraced those themes in 1991 when he declared his nomination and presented himself during the campaign as a “New Democrat.” He was an energetic campaigner, a smooth speaker, and he fought off challenges from Nebraska Senator Bob Kerrey, former Massachusetts Senator Paul Tsongas, and former California Governor Jerry Brown. The South’s primary, “Super Tuesday,” in March 1992 catapulted Clinton into the lead. He won his party’s nomination easily, picked Al Gore as his running mate, and began his march to the White House.

The Andean Community of Nations (CAN) and others countries in Latin America (LA), as any less developed countries (LDCs), are located by inception on the wrong side of the “digital gap”. Therefore, these countries confront an enormous challenge from the network revolution that is unfolding. Globalization represents a new paradigm composed of integrated and interdependent economies. The Globalization Index (GI) determines the rank of the countries within the model. This index is composed of several variables in which economic integration and technology, among others, play a very important role in country classifications. Currently, a diminishing trend of FDIs is preponderant in the region, and this affects the knowledge-based society and also the efforts to make these countries members of the new globalization paradigm. Dessler (2004) stated that globalization is the tendency of firms to augment their sales, ownership, and manufacturing facilities to new markets located abroad. The research literature is consistent with the definition of globalization. Hill (2003), among others, agreed that the term globalization refers to a new paradigm in which the world economy is more integrated and interdependent. Therefore, this integration demands new methodologies and mechanisms to allow countries to perform their new roles within this emerging framework. A preponderant element in this new array is the convergence of computer-based power and telecommunications. These parameters are interrelated to computing infrastructure, new communication technology, and governmental policies that will make the old telecommunication model, a monopoly, obsolete; therefore, a new paradigm will evolve that makes this technology accessible to everyone through a new system that promotes and encourages competition within the private sector (Ochoa-Morales, 2003c). Also, convergence that is taking place with computing and telecommunication demonstrates the importance of the development of this sector and the socioeconomic impact on the economic perspective and to the stimulus of economic growth (Ochoa-Morales, 2003a). Kearney (2003) classified countries using a Globalization Index (GI), which determines the rank of the country as a more global country. Sixty-two countries that represent 85% of the world’s population compose the sample used. The index is epitomized by 13 variables grouped in four baskets: (1) economic integration, (2) personal contact, (3) technology, and (4) political engagement. Economic integration is represented by trade, foreign direct investments (FDIs) and portfolio capital flows, and income payments and receipts. Personal contact consists of international travel and tourism, international telephone traffic, and cross-border transfers. Technology is characterized by number of Internet users, Internet hosts, and secure servers; and political engagement is characterized by number of memberships in international organizations, UN Security Council missions in which each country participates, and the quantity of foreign embassies hosted by the countries. The ranking for the year 2003 shows Ireland as number one, Switzerland number two, and the United States as eleventh. Ireland has large investments in high-tech and information technology. Its Internet infrastructure is still growing, and the number of secure servers has increased 32.6% from 337 to 500 in 2002. Also, it has been the most talkative country in the world, included heavy domestic and international traffic. The above is unequivocal proof of the high correlation that exists between technology, a parameter of the new paradigm, and access to new markets that will be the cornerstone of globalization. According to Kearney (2003), one variable is economic integration in Latin America (LA), and the Caribbean economic integration is extant. Numerous regional and multilateral agreements are present such as the Andean Community of Nations (CAN), composed of Bolivia, Ecuador, Colombia, Peru, and Venezuela; MERCOSUR, composed of Brazil, Paraguay, Uruguay, and Argentina; The Group of Three (3), composed of Colombia, Mexico, and Venezuela; and the CARICOM, composed of English speaking countries (Islands) within the Caribbean Basin (Secretaria, 1998). Ochoa-Morales (2001) stated that, from an economic perspective, the outcome is trade and therefore stimulus to economic growth. Foreign direct investments (FDIs) can greatly contribute to a host country’s economy providing the required factors of production are present, making the countries more competitive within the globalization framework. Schuler and Brown (1999) emphasized that the most important occurrence in the location of the FDIs is the support or impediment exercised by the institutions in the host country. Another important factor within the GI is technology characterized among other parameters by Internet users and Internet hosts. In LA, the growth rate of the Internet has been the highest in the world, and the number of users has increased 14-fold within the 1995 to 1999 period (UIT, 2000). The literature defines teledensity as the number of main telephone lines for every 100 inhabitants, excluding wireless access. This term is also used as a parameter to measure the level of telecommunication infrastructure of any country. A review of the literature also shows the existence of a high correlation between teledensity and economic development, and a negative one between teledensity and population size has been found (Mbarika, Byrd & Raymond, 2002).